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Elisabeth Leseur

Elisabeth Leseur

Paulist Press International,U.S.
2005
nidottu
This volume, the first in the highly praised Classics of Western Spirituality series to venture into the 20th century, introduces the writings of Elisabeth Leseur (1800-1914), a French laywoman who left a precious record of a remarkable inner spiritual journey that was all but hidden from those who knew her. Leseur confronted the twin challenges of serious illness and her husband's agnosticism, which pained her, but didn't prevent her from being happily married. Inspired by a spirituality of the communion of saints, Leseur approached these issues by becoming a loving presence in her familial and social circles. She participated in all of the major theological developments that led to Vatican II as well, but she has been a missing figure in the history of spirituality until now. This first and only edition of Elisabeth Leseur’s works brings together insights from the entire corpus of a key lay figure in the history of Christian spirituality. The works included are: Journal and Daily Thoughts, Writings on Christian Vocation, Letters to Unbelievers (Selected), Letters on Suffering (Selected). †
Elisabeth Welch

Elisabeth Welch

Stephen Bourne; Ned Sherrin

Scarecrow Press
2005
nidottu
From her stage debut in 1922 to her final professional appearance in 1996, Elisabeth Welch was an important figure in the world of popular song. In 1923 she launched the Charleston and throughout the Jazz Age, she was associated with some of the great names of the Harlem Renaissance, including Josephine Baker, Adelaide Hall, Bill 'Bojangles' Robinson, and Ethel Waters. On Broadway she popularized Cole Porter's scandalous song "Love for Sale." After settling in London in 1933, she introduced the classic torch song "Stormy Weather" to British audiences, and that same year she began a career in English musical theatre (Cole Porter's Nymph Errant) that lasted sixty years. In 1930s Britain, Ivor Novello wrote songs for her, Paul Robeson was her leading man in films, and she enjoyed popularity as a cabaret star of London's cafe society. Remaining in her adopted country for the duration of the war (1939-45), Elisabeth entertained the troops and the British public, alongside such theatrical giants as Sir John Gielgud. In the post-war years she reigned supreme in sophisticated revues in London's West End. In 1979 Elisabeth's appearance in Derek Jarman's film version of William Shakespeare's The Tempest (in which she sang "Stormy Weather") won her a whole new legion of fans. At the age of 81, she returned to the Broadway stage and her performance in Jerome Kern Goes to Hollywood earned her a Tony nomination. In Elisabeth Welch: Soft Lights and Sweet Music, author Stephen Bourne celebrates the stage, screen, and radio career of this sophisticated African American actress and singer, who always defied categorization. Spanning almost a century of popular music, she did not fit the definition of jazz, torch, pop or ballad singer but defined her art quite simply as "telling a story in song." Whatever she sang, she demonstrated that she had no peer in the art of interpreting songs by the likes of Cole Porter, Noël Coward, Irving Berlin and Jerome Kern. Includes more than 25 photos.
Elisabeth of Schonau

Elisabeth of Schonau

Clark Anne L.

University of Pennsylvania Press
1992
sidottu
Throughout her adult life, the twelfth-century Benedictine nun Elisabeth of Schönau claimed to receive divine revelation through a series of ecstatic visionary experiences. Her reflections on these experiences were recorded and provide both a rich source of understanding of the religious life of a medieval woman and an important perspective on the religious and political ferment of mid-twelfth-century Germany. Anne L. Clark has written the first comprehensive study of Elisabeth of Schönau. In it, she points out that Elisabeth did not transcribe her own revelations, but rather dictated them to the other nuns of the convent and to her brother Ekbert. Clark takes on the problem of Elisabeth's literacy and examines the nature and extent of Elisabeth and Ekbert's collaboration. In addition, Clark offers a new interpretation of Elisabeth's relationship with Hildegard of Bingen, her celebrated—and more studied—contemporary. Clark contends that Elisabeth was not a timid emulator of a brilliant mentor; instead, she had her own spiritual perspective and her own means of expressing it. In this way, Clark firmly establishes the originality of Elisabeth's visionary accounts. In the course of the book, Clark highlights the social dynamics revealed in these religious meditations, particularly Elisabeth's place in a world in which women were subordinated to male authority and lay people were subordinated to the religious authority of the clergy. Elisabeth of Schönau is an informative and groundbreaking work. It will be of particular interest to scholars and students of medieval religion and mysticism, as well as women's studies.
Elisabeth Tonnard: In This Dark Wood
Elisabeth Tonnard’s In This Dark Wood is a study of urban alienation in America. In a haunting, modern-gothic style, it pairs images of people walking alone in nighttime city streets with 90 different English translations, collected by Tonnard, of the famous first lines of Dante’s Inferno: “Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura / ché la diritta via era smarrita.” (“In the middle of the journey of our life / I found myself in a dark wood / for the straight way was lost”). The images were selected from the Joseph Selle collection at the Visual Studies Workshop in Rochester, New York, which contains over a million negatives from a company of street photographers who worked in San Francisco from the 1940s to the 70s. This edition is a reprint of a work originally self-published in 2008.
Elisabeth Lutyens and Edward Clark

Elisabeth Lutyens and Edward Clark

Annika Forkert

Cambridge University Press
2023
sidottu
The composer Elisabeth Lutyens and her second husband, the conductor and music programmer Edward Clark, were innovators in composition, conducting, programming, teaching, and music administration in Britain between 1918 and 1983. Controversial in their professional and personal views and tastes, their achievements obscured by layers of anecdote and some self-inflicted reputational harm, this book critically re-assesses their roles as cornerstones of structures and developments in British music that we now take for granted. Key to understanding their central roles in orchestrating musical progress is the ambiguous role of influence in their work and the intimate connections between British and European music. This study critically charts their professional lives in music, taking a holistic approach to contextualise Lutyens and Clark's multifaceted work in music historically, music-analytically, and culturally.
The William Gault Family History, 1735 to 1948. By Pressley Brown Gault, Part I in 1893, and Elisabeth Pinkerton Leighty, Part II in 1948.
This comprehensive genealogy traces the fascinating history of the Gault family from their arrival in America in the mid-18th century to the present day. With detailed accounts of family members' contributions to their communities and their nation, as well as their personal triumphs and tragedies, this book is an invaluable resource for anyone interested in the history of American families.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Elisabeth Seton

Elisabeth Seton

Laure Conan

Independently Published
2019
nidottu
Il y a d j quatre-vingts ans que Madame Seton s'est teinte Emmetsburg, mais, loin de plonger dans l'ombre, sa m moire grandit. D'apr s quelques journaux, les v ques des tats-Unis songeraient demander la canonisation de cette illustre convertie. On a m me annonc que le pr sident de l'Universit de Niagara tait charg de recueillir les preuves de l'h ro cit de ses vertus.Quoi qu'il en soit, lisabeth Seton est l'une des gloires de l'Am rique et son histoire offre un grand int r t.Cette femme combl e de tous les dons a prouv toutes les vicissitudes humaines; elle a connu les ardentes tendresses, les joies qui transportent et aussi toutes les angoisses, tous les d chirements de la douleur. Encore protestante, elle s'est lev e une admirable vertu: Je ne regarde ni en arri re, ni en avant, je regarde en haut, disait-elle dans l' croulement de son bonheur, l'un des plus complets qu'une cr ature mortelle ait jamais poss d s. Et ces mots la r v lent et la peignent.