Title: Fragments in Prose and Verse: by a young lady lately deceased (Elizabeth S- i.e. Smith]). With some account of her life and character, by the author of "Sermons on the Doctrine and Duties of Christianity" Miss Henrietta Maria Bowdler].Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GENERAL HISTORICAL collection includes books from the British Library digitised by Microsoft. This varied collection includes material that gives readers a 19th century view of the world. Topics include health, education, economics, agriculture, environment, technology, culture, politics, labour and industry, mining, penal policy, and social order. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Smith, Elizabeth; Bowdler, Henrietta Maria; Mumsen; 1824-26. 2 vol.; 8 . 12270.ee.10.
Using each chapter to juxtapose works by one female and one male Spanish writer, Gender and Modernity in Spanish Literature: 1789-1920 explores the concept of Spanish modernity. Issues explored include the changing roles of women, the male hysteric, and the mother and Don Juan figure.
The Lincolns spent the summer of 1862 north of the White House at the Soldiers' Home. The lush, cool hill overlooking the squalid capital promised the Lincolns an escape from the ""city of stink."" Despite fears about Lincoln's vulnerability in the secluded place, Lincoln spent a quarter of his presidency at the Soldiers' Home. But until the National Trust for Historic Preservation began restoring the cottage, little had been done to explore this missing link in Lincoln's life. Elizabeth Smith Brownstein fills in a critical gap. Using diaries, letters, and eyewitness accounts, she provides unusual perspectives on Lincoln's relationships, traces the evolution of Lincoln's image, examines the Lincoln marriage, and more. Lincoln's Other White House is a vivid evocation of a turbulent era, and an intimate portrait of the still elusive president.
The Lincolns spent the summer of 1862 north of the White House at the Soldiers' Home. The lush, cool hill overlooking the squalid capital promised the Lincolns an escape from the ""city of stink."" Despite fears about Lincoln's vulnerability in the secluded place, Lincoln spent a quarter of his presidency at the Soldiers' Home. But until the National Trust for Historic Preservation began restoring the cottage, little had been done to explore this missing link in Lincoln's life. Elizabeth Smith Brownstein fills in a critical gap. Using diaries, letters, and eyewitness accounts, she provides unusual perspectives on Lincoln's relationships, traces the evolution of Lincoln's image, examines the Lincoln marriage, and more. Lincoln's Other White House is a vivid evocation of a turbulent era, and an intimate portrait of the still elusive president.
We all want our kids to know God and to pass down the basic beliefs of Christianity to the next generation. To Know Him Devotional is rooted in biblical truth that will help equip and encourage young children to personally discover who God is and how to find their identity in Him.Each of the 32 devotionals includes a main verse, reflection questions and a list of supporting scripture. In addition, beautiful photos throughout the book help to create a more personal experience for children as they see what it means to walk with God each day.
The truth claims of Christianity appear compromised by the division of Christ’s followers into different denominations. The Great Commission (Matt. 28:16-20) calls Christians to spread the Gospel, but that goal is hindered as the church remain fractured. What, then, keeps Christians separated, retreating to their corners labeled “Catholic,” “Orthodox,” “Protestant,” and the like? Building on the great ecumenical work of Christians in generations past, Elizabeth M. Smith Woodard accounts for Christian disunity in terms of ecclesiology (how each group of Christians understands the definition of what it means––or what it looks like––to be “the Church”), episcopacy (the significance of the historic succession of bishops in relation to the authority of Church leadership and oversight), and apostolicity (what it means to claim that the Church today is the same Church Christ handed on to the apostles): in brief, Who are we? Who is in charge? And are we who we say we are? Smith-Woodard argues that the controversial issues dividing Christians today––abortion, gay marriage, the role of women, Eucharistic theology––stem from these questions of authority and identity. What would it look like, Smith-Woodard asks, if Christians did not insist on making any “others” more “like us,” but instead worked toward all of “us” becoming more and more like Christ? She answers that growing in cruciformity should serve as the basis for unity Using recent unity-achieving Anglican-Lutheran discussions as a case study, she examines the crucial intersection of ecclesiology, episcopacy, and apostolicity to argue that Christians grow in Christ’s mission and receptive heart as they continue to grow in cruciformity. Christ isthe heart of true ecumenical work, and of a truly Christian life.
Arc International PoetsWith eleven collections of poetry to her name (not to mention short stories and novels), and until earlier in 2003 Te Mata New Zealand poet laureate, Elizabeth Smither writes with such skill and assurance, is so comfortable in her own voice, that it is easy to take her gifts for granted. But as this, her first UK publications demonstrates, no other contemporary New Zealand poet could produce such harmonious and engaging work.
A repository for a personal collection of quotations, scraps, pensees, and poems, this compilation offers keen insight into the influences and inspirations of a writer, namely Elizabeth Smither. There are no platitudes or sententious maxims here; instead, these sometimes pensive sometimes screamingly funny quotations range from Queer Eye for the Straight Guy to Elizabeth Bennet, from Charles Simic to Montaigne, and from Monty Python to Henry James. Witty and intriguing, this record also demonstrates the results of the creative process by including Smither's own work.
Whimsical and tender, this latest collection demonstrates Smither’s talent for illuminating the poetry in the everyday – an out-of-season daffodil, a chipped Limoges plate. She is a master of the unfolding poem, in lines that take you from a single image to the cusp of something larger. At times meditative, at times playful, even slightly subversive, this collection impresses with a surety of word, a deft touch and a polished harmony.
The grass with little daisies in it springs as if springs are under my feet. I poke the ferrule of my umbrella in it, as if I need a prop for steadiness and yet it is a pretence: waterlogged or not something like joy is running underneath. In her twentieth poetry collection, Elizabeth Smither brings together a new ensemble of surprising images and charismatic companions. A herd of cows gathers around a radio to listen wide-eyed to a Mozart concerto. A frog leads us unhurriedly down the garden path. Jane Austen’s Emma makes an appearance. A cat critiques Wittgenstein. And a flamboyant fabric rose rescues a job interview. Each poem in The Interview Rose is a bridge between the private self and the physical world, travelling the long route through art, religion, philosophy, and the pleasures of language.
In her debut poetry collection, Jasmine Elizabeth Smith takes inspiration from Oklahoma Black history. In the wake of the Tulsa Race Massacre of 1921, Jim Waters makes the difficult decision to leave behind his lover, Beatrice Vernadene Chapel, who as a Black woman must navigate the dangerous climate that produced the Jim Crow South and Red Summer. As Beatrice and Jim write letters to one another and hold imagined conversations with blues musicians Ida B. Cox, Robert Johnson, Charlie Patton, Ethel Waters, and the ghosts of Greenwood, the couple interrogates themes of blues epistemology, Black feminism, fraught attachments, and the way in which Black Americans have often changed their geographical regions with the hope of improving their conditions. The poetry collection South Flight is a eulogy, a blues, an unabashed love letter, and ragtime to the history of resistance, migration, and community in Black Oklahoma.
