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945 tulosta hakusanalla Ellsworth Roger

Ellsworth on Woodturning

Ellsworth on Woodturning

David Ellsworth

Fox Chapel Publishing
2008
pokkari
This is the first complete reference from David Ellsworth, the 'grandfather' of the contemporary wood art movement. And never before has he provided everything woodworkers and artists need to know to replicate his highly evolved techniques and signature style. Step-by-step directions and crisp, absorbing photographs show exactly how Ellsworth creates an open bowl, a natural-edged bowl, and an astounding hollow vessel featuring a tiny opening and coin-thin walls. For anyone new to the lathe, "Ellsworth on Turning" provides expert tips for getting started. Intermediate and advanced turners will appreciate advice on everything from working with green wood to design to tool making and sharpening.
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Ellsworth Kelly: Postcards

Ellsworth Kelly: Postcards

Ian Berry

DISTRIBUTED ART PUBLISHERS
2022
sidottu
A comprehensive survey of rarely seen collages from the master of abstraction Over the course of more than 50 years, renowned American artist Ellsworth Kelly made approximately 400 postcard collages, some of which served as exploratory musings and others as studies for larger works in other mediums. They range from his first monochrome in 1949 through his last postcard collages of crashing ocean waves, in 2005. Together, these works show an unbounded space of creative freedom and provide an important insight into the way Kelly saw, experienced and translated the world in his art. Many postcards illustrate specific places where he lived or visited, introducing biography and illuminating details that make these pieces unique among his broader artistic production. Ellsworth Kelly: Postcards is the most extensive publication of Kelly’s lifelong practice of collaged postcards. Ellsworth Kelly (1923–2015) was born in Newburgh, New York. In 1948 he moved to France, where he came into contact with a wide range of classical and modern art. He returned to New York in 1954 and two years later had his first exhibition at the Betty Parsons Gallery. The Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums around the world, including the Solomon R. Guggenheim Museum in New York, Tate in London, Haus der Kunst in Munich and the Centre Pompidou in Paris.
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Ellsworth Kelly: Austin

Ellsworth Kelly: Austin

Radius Books
2020
sidottu
The only building the artist designed, Austin is Kelly’s most enduring legacy In January 2015, the renowned American artist Ellsworth Kelly (1923–2015) gifted to the Blanton Museum of Art in Austin, Texas, the design concept for his most monumental work. A 2,715-square-foot stone building with luminous colored glass windows, a totemic wood sculpture and 14 black-and-white marble panels, the work is titled Austin, following the artist’s tradition of naming particular works after the places for which they are destined. The structure is the only building the artist designed, despite Kelly’s lifelong interest in architecture and architectural form dating back to his earliest window studies made while living in Paris in the 1940s. Envisioned by Kelly as a site for joy and contemplation, Austin is a cornerstone of the Blanton’s permanent collection and a new icon for the city in which it stands. This comprehensive volume from Radius Books provides a thorough look at the project, from its first inception to its current position as one of the artist’s most important and enduring works. An incisive essay by Carter E. Foster, deputy director of curatorial affairs at the Blanton Museum of Art, includes archival material, drawings, historic photographs and nearly all related works Kelly created as he developed the building’s design.
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Ellsworth Kelly: Color Panels for a Large Wall

Ellsworth Kelly: Color Panels for a Large Wall

Matthew Marks Gallery
2019
sidottu
In the late 1970s Ellsworth Kelly (1923–2015) was commissioned by architecture firm Skidmore, Owings & Merrill to create an artwork for the lobby of a new office building underway in downtown Cincinnati, Ohio. Kelly responded with one of his most ambitious artworks to date, Color Panels for a Large Wall, an 18-panel painting executed in two versions. The larger, at over 125 feet wide, was the biggest painting he had ever made, and its trajectory would pass through not just Cincinnati but also Amsterdam, New York and Munich before ending up at its permanent home, the National Gallery of Art in Washington, DC, where it has been prominently installed in the I.M. Pei–designed East Building since 2004.The smaller version, over 30 feet wide, remained in the artist's possession. This catalog tells the complete story of these two remarkable paintings.
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Ellsworth Kelly: Catalogue Raisonné of Paintings and Sculpture

Ellsworth Kelly: Catalogue Raisonné of Paintings and Sculpture

Yve-Alain Bois

Cahiers d'art
2015
sidottu
This is the long-awaited catalogue raisonne of Ellsworth Kelly, one of the greatest living painters and sculptors. Edited by Kelly scholar Yve-Alain Bois, the multi-volume publication contains exhaustive documentation of each of Kelly's paintings, sculptures, and reliefs. The catalogue's inclusion of insightful texts and high quiality images of individual works and preparatory drawings, along with prvenance information, exhibition history, and bibliographic information, will make it an irreplaceable reference tool for institutions, collectors, and admirers.
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Ellsworth Kelly – Windows / Fenêtres

Ellsworth Kelly – Windows / Fenêtres

Serges Lasvignes; Bernard Blistène; Jean-Pierre Criqui; Yve-Alain Bois; Staffan Ahrenberg

Cahiers d'art
2023
nidottu
The window as motif in the drawings and paintings of Ellsworth KellyThis monograph was copublished by Cahiers d'Art and Centre Pompidou on the occasion of the 2019 exhibition Ellsworth Kelly: Windows, which brought together, for the first time, the six Windows made by Ellsworth Kelly (1923-2015) in France between 1949 and 1950. Kelly's years in France were a period of perpetual invention, and are fundamental to an understanding of his work. As he wrote in 1969, "After constructing Window with two canvases and a wood frame, I realized that ... painting as I had known it was finished for me." This signal moment is evoked through more than 80 works, paintings, drawings, sketches and photographs, along with two beautiful essays by Yve-Alain Bois and Jean-Pierre Criqui. Ellsworth Kelly is one of the most important abstract artists of the 20th and 21st centuries, as well as a key figure in the rebirth of Cahiers d'Art: the publishing house was reopened in 2012 with an exhibition of Kelly's work in its legendary gallery, and, in collaboration with Yve-Alain Bois and the Ellsworth Kelly Foundation, it published the first volume of Kelly's Catalogue Raisonn of Paintings, Reliefs, and Sculpture, 1940-1953.
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Ellsworth Kelly: Photographs

Ellsworth Kelly: Photographs

Ellsworth Kelly

APERTURE
2016
sidottu
Ellsworth Kelly is credited with inventing a new kind of painting, one inspired by nature but also by the chance compositions he encountered in the world. He started taking photographs in 1950, using a borrowed Leica to “make notations of things I had seen and subjects I had been drawing.” Unlike his sketches and collages, the photographs were not part of his process of making a painting or sculpture; they were simply a record of his vision. As such, they convey his enthusiasm for the visible world around him—the compositional possibilities to be found in a barn roof, for example, or a tree branch. Featuring photographs spanning four decades, this is the first book ever published on Kelly’s photography, and the artist was closely involved in all aspects of its making. In the statement that begins the book, he writes, “When you look at the world, everything is separate—each thing is in its own space, has its own uniqueness. When I take photographs, I want somehow to capture that.”
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Ellsworth Kelly: Sketchbook #26: Limited Edition

Ellsworth Kelly: Sketchbook #26: Limited Edition

Ellsworth Kelly

Museum of Modern Art
2026
kierre
A gorgeous, faithful facsimile reproduction of an iconic and revelatory Kelly notebook, in a custom clothbound case Made between 1954 and 1956--when Ellsworth Kelly (1923-2015) returned to New York after six formative years in France--Sketchbook #26 represents the artist at his most innovative. Across 36 pages of a spiralbound Strathmore sketchbook, he wielded pencil and felt-tip pen in a bold, saturated palette to explore forms that are at once geometric and iconic. MoMA's deluxe facsimile edition, produced in a limited run of 500 copies, represents an extraordinarily faithful reproduction of the sketchbook, including pages with cut-outs and collage elements, and is accompanied by a booklet with an introductory essay and an analysis of the sketchbook. The facsimile and booklet are housed together in a custom clothbound clamshell case. Sketchbook #26 is published as part of a centennial celebration of the artist.
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Our Ellsworth Ancestors, by German E. Ellsworth and Mary Smith Ellsworth, Compilers and John Orval Ellsworth, Editor.

Our Ellsworth Ancestors, by German E. Ellsworth and Mary Smith Ellsworth, Compilers and John Orval Ellsworth, Editor.

German Edgar 1871- Ellsworth

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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1937 Ellsworth High CT Yearbook the Ellsworthian

1937 Ellsworth High CT Yearbook the Ellsworthian

East Windsor Ct Historical Society

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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1943 Ellsworth High CT Yearbook the Ellsworthian

1943 Ellsworth High CT Yearbook the Ellsworthian

East Windsor Ct Historical Society

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Sarah Ellsworth, Maker of Arkansas History / by Mary D. Hudgins.

Sarah Ellsworth, Maker of Arkansas History / by Mary D. Hudgins.

Mary D. (Mary Dengler) Hudgins

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Our Ellsworth Ancestors, by German E. Ellsworth and Mary Smith Ellsworth, Compilers and John Orval Ellsworth, Editor.

Our Ellsworth Ancestors, by German E. Ellsworth and Mary Smith Ellsworth, Compilers and John Orval Ellsworth, Editor.

German Edgar 1871- Ellsworth

Hassell Street Press
2023
sidottu
This book is a comprehensive genealogy of the Ellsworth family, compiled by German E. Ellsworth and Mary Smith Ellsworth, with editing by John Orval Ellsworth. The book covers multiple generations of Ellsworths, from the family's early origins to modern times.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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An Astronomical Diary; or, Almanack, for the Year of our Lord Christ 1769; ... Calculated for the Meridian of Hartford in New England. ... By Samuel Ellsworth

An Astronomical Diary; or, Almanack, for the Year of our Lord Christ 1769; ... Calculated for the Meridian of Hartford in New England. ... By Samuel Ellsworth

Samuel Ellsworth

Gale Ecco, Print Editions
2018
sidottu
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.This collection reveals the history of English common law and Empire law in a vastly changing world of British expansion. Dominating the legal field is the Commentaries of the Law of England by Sir William Blackstone, which first appeared in 1765. Reference works such as almanacs and catalogues continue to educate us by revealing the day-to-day workings of society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Library of CongressW024185Ascribed to the Hartford press of Green and Watson by Evans. Hartford]: Printed by Green and Watson] for the author, 1768]. 16p.; ?
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