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1000 tulosta hakusanalla Ernst Graf Lippe-Weissenfeld

The Priest at the Altar

The Priest at the Altar

Dom Ernest Graf

The Cenacle Press at Silverstream Priory
2023
pokkari
"In a word, the service of God is meant to be beautiful, because a true instinct of man makes him realize, even when he is in a state of retrogression and barbarism, that all that is best and noblest must be made subservient to the worship of the Lord and Creator of all." Dom Ernest Graf begins his work The Priest at the Altar with this declaration that beauty is the fundamental form of the Liturgy. The ensuing chapters vividly unfold how the Extraordinary Form Latin Mass displays the hermeneutic of beauty directed to worship of the Lord. Beginning with a brief overview on the nature of liturgy in general, Graf then presents a discourse on each individual element of the Mass -- from the Introibo to the Thanksgiving Prayers after Mass. His treatment includes not only the historical foundation of the liturgical practices, but also the spiritual significance of the Priest's actions. Though concise, Graf's writing elucidates both the logic of the Church's tradition and the rich signification of the Mass as sacrifice and sacrament. While each priest, deacon, or altar server is sure to be enriched by Graf's reflections, The Priest at the Altar's layman reader will inevitably be led to a deeper appreciation of the Liturgy as well. His humility will be awakened by new reflections on the Confiteor; his joy at the Gloria will be stirred; and a new and profound devotion for the Eucharist will surely flood his heart when he recalls Graf's words on the Domine Non Sum Dignus. Newly typeset, this edition of The Priest at the Altar displays the profound beauty and intelligibility contained in the Latin Mass, carrying the wisdom of the ages into today's liturgies.
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Ernst

Ernst

Cees de Geus

Lulu.com
2015
nidottu
Ernst Bakker (1924) stond oog in oog met Churchill, Truman, Attlee en Stalin, werd als basketballer acht keer landskampioen en maakte al zakenreizen door Afghanistan toen de meeste Nederlanders nog nooit van dat land hadden gehoord. In deze biografie vol mooie verhalen toont hij zich een rasverteller met een fenomenaal geheugen.
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Ernst Troeltsch and Liberal Theology

Ernst Troeltsch and Liberal Theology

Mark Chapman

Oxford University Press
2001
sidottu
This is a discussion of the ethical implications of German liberal theology in the early years of the 20th century. It avoids pejorative interpretative categories (such as "culture protestantism"), seeking instead to understand the period on its own terms. The leading figure, Ernst Troeltsch (1865-1923), is treated as a "public theologian", engaging at many different levels with his social and political context and trying to ensure that religion could continue to shape the future course of history. To understand his context he made use of the tools of the emergent discipline of sociology and also entered into dialogue with philosophers and historians. Troeltsch's public theology is contrasted with other liberal models of theology, particularly those of the New Testament scholar Wilhelm Bousset and the systematic theologian Wilhelm Herrmann, who were far more reluctant to engage seriously with their context and as a result isolated religion from its wider social and intellectual setting.
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Ernst Troeltsch and Liberal Theology

Ernst Troeltsch and Liberal Theology

Mark Chapman

Oxford University Press
2001
nidottu
This is the first discussion in English of the ethical implications of German liberal theology in the early years of the twentieth century. It avoids pejorative interpretative categories (such as `culture protestantism'), seeking instead to understand a much neglected period on its own terms. The leading figure, Ernst Troeltsch (1865-1923), is treated as a `public theologian', engaging at many different levels with his social and political context and trying to ensure that religion could continue to shape the future course of history. To understand his context he made use of the tools of the emergent discipline of sociology and also entered into dialogue with philosophers and historians. Troeltsch's public theology is contrasted with other liberal models of theology, particularly those of the New Testament scholar Wilhelm Bousset and the systematic theologian Wilhelm Herrmann, who were far more reluctant to engage seriously with their context and as a result isolated religion from its wider social and intellectual setting. Troeltsch's theological solution is also compared with Max Weber's sociological response to the problems of modernity: Troeltsch's ideas of cultural synthesis are seen as both constructive and critical and as having much to contribute to contemporary social and political theology.
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Ernst Cassirer on Form and Technology

Ernst Cassirer on Form and Technology

Palgrave Macmillan
2012
sidottu
Ernst Cassirer's thought-provoking essay Form and Technology (1930) ascribes to technology a new dignity as a genuine tool of the mind in equal company with language and art. Translated here into English it is accompanied by critical essays that explore its current relevance.
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Ernst Von Dohnányi

Ernst Von Dohnányi

Indiana University Press
2002
sidottu
" . . . a rare kind of biography and autobiography: a clear and elegant exposition of fact, as well as a humane portrait of a great piano virtuoso, composer, teacher, and democratic soul, as told to and seen through the eyes of one close to him." —Mark Mitchell Ernst von Dohnányi (1877–1960) was one of the most highly respected musicians of his time. The young Dohnányi enjoyed an international prestige that brought him into contact with such 19th-century masters as Johannes Brahms and Eugène d'Albert. He is remembered for his technique and interpretive skills as a pianist and conductor, as well as for the masterpieces he composed for piano, chamber ensembles, and orchestra. As a teacher and administrator, Dohnányi was responsible for the training of an entire generation of musicians in Hungary, and for helping to shape the country's musical culture. After World War II, his career foundered when he was falsely accused of being a Nazi sympathizer. In 1953, at the age of 76, Dohnányi returned to international prominence with a triumphant "re-debut" at Carnegie Hall. Ernst von Dohnányi: A Song of Life, written from a firsthand perspective by Dohnányi's widow, is the first full English-language biography of the artist.
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Ernst Cassirer

Ernst Cassirer

Seymour W. Itzkoff

University of Notre Dame Press
1997
nidottu
For this second edition, Seymour has written a new introduction and has added a new retrospective essay. Ernst Cassirer: Scientific Knowledge and the Concept of Man by Seymour W. Itzkoff is currently one of the few books available in the English language that discusses the philosophy of twentieth-century German philosopher Ernst Cassirer. Itzkoff's study brings Cassirer's perspective directly into the contemporary debate over the evolution of human thought and its relationship to animal life. Further, Itzkoff places Cassirer directly in the context of recent philosophical thought, arguing for the importance of his Kantian perspective, a significance that is amply vindicated by the current interest in Cassirer's ideas.
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Ernst Krenek

Ernst Krenek

Garrett H. Bowles

Greenwood Press
1989
sidottu
This clear, comprehensive reference guide highlights the major events in Ernst Krenek's life in the context of his musical and literary works. An insightful biography carefully puts the man and his work into perspective. Next, a list of compositions is organized in generally chronological order. Publications, manuscript, recording, and performance data are included under each entry in this list. A bibliography of Krenek's writings covers both manuscripts and published writings, while a bibliography of writings about the composer traces his career. This clear, comprehensive reference guide in four major sections details Ernst Krenek's prolific work as both composer and author. The insightful biography provides the reader with guide posts to his life and points out his significant musical and literary achievements. The comprehensive catalog of musical compositions, organized in chronological order according to Krenek's own 237 opus number, includes 105 previously undocumented compositions without opus numbers. Publication, manuscript, recording, and performance data are included under each entry in this list. The bibliography of Krenek's writings is arranged in chronological order and covers both his manuscript and published writings. Appendices, including title, genera, and first line indexes, complement the lists of his works. The fourth section, a selective bibliography of writings about the composer arranged by author, traces his career. The book's thorough index provides access to all people, organizations, and general subjects mentioned. This book is invaluable for everyone interested in Krenek's life and work.
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