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FrançOis Ozon

FrançOis Ozon

Andrew Asibong

Manchester University Press
2008
sidottu
This is the first full-length study of the films of François Ozon, director of such diverse films as 8 femmes, Swimming Pool, 5x2 and Les amants criminels. Andrew Asibong’s passionate and critical analysis focuses on the extent to which Ozon’s seemingly light touch never ceases to engage with the fundamentally weighty issue of existential transformation, a transformation that affects both his protagonists and his audiences.A central question emerges: what is at stake, cinematically, ethically and politically, in Ozon’s alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary social relations.Revealing Ozon as a highly adept ‘fan’ of a whole range of thought, literature and cinema, Asibong places the precocious French auteur in an intellectual yet highly accessible critical framework, allowing Ozon’s importance for a thoroughly postmodern filmgoing generation to be given the attention it deserves.
Francois Mitterrand

Francois Mitterrand

David S. Bell

Polity Press
2005
sidottu
François Mitterrand was one of the giants of post-war French politics - a master tactician whose political career spanned more than four decades from wartime occupation to decolonization, the Cold War to European integration. As President, elected twice, he enjoyed an unprecedented fourteen years in office, bringing the left to power and demonstrating that it was a credible governing coalition over some ten years. When he died in 1998, Mitterrand left an enduring political legacy not only on the French domestic scene, but also in European and foreign affairs. In this pre-eminently accessible political biography, David Bell, offers a fascinating ‘behind-the-scenes’ analysis of the politics of François Mitterrand. Bringing together a wealth of material, Bell explores Mitterrand’s political leadership and the techniques he used in attaining and wielding political power. Mitterrand’s unusual journey from right to left, from the Third to the Fifth Republic is a story of ambition, manipulation and ideological fluidity, which provides a lens through which the entire political history of post-war France may be viewed. This engaging assessment of one man’s contribution to an era of French and European politics will appeal to anyone interested in contemporary political leadership, French politics, history and European affairs.
Francois Mitterrand

Francois Mitterrand

David S. Bell

Polity Press
2005
nidottu
François Mitterrand was one of the giants of post-war French politics - a master tactician whose political career spanned more than four decades from wartime occupation to decolonization, the Cold War to European integration. As President, elected twice, he enjoyed an unprecedented fourteen years in office, bringing the left to power and demonstrating that it was a credible governing coalition over some ten years. When he died in 1998, Mitterrand left an enduring political legacy not only on the French domestic scene, but also in European and foreign affairs. In this pre-eminently accessible political biography, David Bell, offers a fascinating ‘behind-the-scenes’ analysis of the politics of François Mitterrand. Bringing together a wealth of material, Bell explores Mitterrand’s political leadership and the techniques he used in attaining and wielding political power. Mitterrand’s unusual journey from right to left, from the Third to the Fifth Republic is a story of ambition, manipulation and ideological fluidity, which provides a lens through which the entire political history of post-war France may be viewed. This engaging assessment of one man’s contribution to an era of French and European politics will appeal to anyone interested in contemporary political leadership, French politics, history and European affairs.
Francois Laruelle's Philosophies of Difference

Francois Laruelle's Philosophies of Difference

Rocco Gangle

Edinburgh University Press
2013
sidottu
Everything you need to understand both Laruelle's critique of difference and his project of non-philosophy. Hailed as a key thinker by important philosophers such as Gilles Deleuze and Ray Brassier, the 2010 translation of Philosophies of Difference has made Francois Laruelle's work accessible to the English-speaking world in time to meet a rising tide of interest. This new guide takes students and academics through Philosophies of Difference, following the development of Laruelle's thought, unpicking the difficult structure, discussing the strengths and weaknesses of the text and evaluating the arguments for and against his ideas. Readers will find everything they need to understand both Laruelle's critique of Difference and his project of non-philosophy: one of the most intriguing avenues in contemporary thought. It critiques philosophical Difference as a whole and the 3 specific models treated by Laruelle: Nietzsche-Deleuze, Heidegger and Derrida. It situates Philosophies of Difference within the rest of Laruelle's work and contemporary European thought. It explains the key shift from philosophy to non-philosophy which makes Laruelle so intriguing to philosophers today. It shows how Laruelle impacted on the work of Deleuze, Badiou and the Speculative Realism movement.
Francois Laruelle's Philosophies of Difference

Francois Laruelle's Philosophies of Difference

Rocco Gangle

Edinburgh University Press
2013
nidottu
Everything you need to understand both Laruelle's critique of difference and his project of non-philosophy. Hailed as a key thinker by important philosophers such as Gilles Deleuze and Ray Brassier, the 2010 translation of Philosophies of Difference has made Francois Laruelle's work accessible to the English-speaking world in time to meet a rising tide of interest. This new guide takes students and academics through Philosophies of Difference, following the development of Laruelle's thought, unpicking the difficult structure, discussing the strengths and weaknesses of the text and evaluating the arguments for and against his ideas. Readers will find everything they need to understand both Laruelle's critique of Difference and his project of non-philosophy: one of the most intriguing avenues in contemporary thought. It critiques philosophical Difference as a whole and the 3 specific models treated by Laruelle: Nietzsche-Deleuze, Heidegger and Derrida. It situates Philosophies of Difference within the rest of Laruelle's work and contemporary European thought. It explains the key shift from philosophy to non-philosophy which makes Laruelle so intriguing to philosophers today. It shows how Laruelle impacted on the work of Deleuze, Badiou and the Speculative Realism movement.
Francois Laruelle's Principles of Non-Philosophy

Francois Laruelle's Principles of Non-Philosophy

Anthony Paul Smith

Edinburgh University Press
2016
sidottu
In Principles of Non-Philosophy, Laruelle develops the concepts and method of a more democratic form of thought where neither science nor philosophy is subjected to one another, but brought together in a more productive theoretical and practical relationship. While the potential importance of this project is clear, Laruelle remains famously difficult. Anthony Paul Smith provides an introduction and guide to the text that situates you amongst the figures and concepts Laruelle engaged with, provides a foothold for your own understanding and, more importantly, potential use of the project of non-philosophy.
Francois Laruelle's Principles of Non-Philosophy

Francois Laruelle's Principles of Non-Philosophy

Anthony Paul Smith

Edinburgh University Press
2016
nidottu
This is the insider's guide through the difficult terrain of Laruelle's most complete development of non philosophy. Francois Laruelle has been engaged in one of the most daring projects in contemporary philosophy, aiming to overturn the standard form of philosophy and renew its practice again. However, he grew dissatisfied with the purely critical form of his work as it seemed to simply subordinate philosophy to science and so simply reversed the old hierarchy. In Principles of Non Philosophy Laruelle develops the concepts and method of a more democratic form of thought where neither science nor philosophy is subjected to one another, but brought together in a more productive theoretical and practical relationship. While the potential importance of this project is clear, Laruelle remains famously difficult. Anthony Paul Smith provides an introduction and guide to the text that situates you amongst the figures and concepts Laruelle engaged with, provides a foothold for your own understanding and, more importantly, potential use of the project of non philosophy. It provides you with the essential the historical background to non philosophy, which Laruelle leaves out of his writing. It explains how non philosophy contributes to contemporary debates in European philosophy, especially in relation to the philosophy of science, theories of the subject and the role of language in philosophy. It shows how non philosophy can be a useful research paradigm for interdisciplinary or transdisciplinary work.
François Couperin and 'The Perfection of Music'

François Couperin and 'The Perfection of Music'

David Tunley

Ashgate Publishing Limited
2004
sidottu
François Couperin's contribution to the literature of baroque keyboard music has long been recognized. François Couperin and 'The Perfection of Music' updates and expands upon David Tunley's valuable 1982 BBC Music Guide to the composer, and examines the whole of Couperin’s output including the organ masses, motets and chamber music, in addition to the well-known works for harpsichord. Taking as its focal point Couperin's concept of the perfection of music through the union of the French and Italian styles, this book takes a more analytical approach to Couperin's work. Early chapters outline the main contrasting features of the two schools in the seventeenth- and early eighteenth-centuries, and it becomes clear that Couperin's expressive power owed much to his fusion of the polarities of the French classical tradition with that of the Italian baroque. The book features a number of appendices, including the prefaces to Couperin's work both in the original French and in English translation, and a glossary of dances of the French baroque.
François Mauriac on Race, War, Politics, and Religion

François Mauriac on Race, War, Politics, and Religion

The Catholic University of America Press
2016
sidottu
Nathan Bracher’s François Mauriac on Race, War, Politics, and Religion: The Great War Through the 1960s, consists of a selection of some ninety editorials penned by the Catholic novelist and intellectual François Mauriac, who received the Nobel Prize for literature and who was admitted to the Académie Française in 1933. As is often the case for prominent writers and intellectuals in France, Mauriac became active in political punditry early in his career, at the time of the First World War. Intensifying notably in the tumultuous years of the 1930s on, this activity continues to expand over the next five decades. After 1952, Mauriac’s editorials came to represent the most important dimension of his intellectual activity. He was, to cite the prominent journalist and intellectual Jean Daniel of Le Nouvel Observateur, France’s most distinguished and formidable editorialist of the twentieth century.Bracher’s book provides for the first time an opportunity for English speaking readers to discover the incisive power, passionate humanity, and historical perspicacity that made his voice one of the most resonant in the French press. Mauriac’s public stances on events left nobody indifferent. He was the first to denounce torture in Algeria, and the most eloquent in appealing to the heritage of humanism left by Montaigne and the Sermon on the Mount. The editorials collected here moreover provide a series of striking perspectives on the most dramatic events that France had to confront over the course of the twentieth century, from World War I, to the rise of Fascism and the Spanish Civil War in the 1930s, to the various episodes of World War II, on to the Cold War, the strains of decolonization in the 1950s, and the reign of Charles de Gaulle that coexisted with the upheaval of the 1960s. Mauriac’s gripping editorials enable the reader to revisit these historical moments from within and through the eyes of a French Catholic intellectual and writer who approaches them with passion, commitment, and remarkable lucidity.
François Truffaut and Friends

François Truffaut and Friends

Robert Stam

Rutgers University Press
2006
nidottu
One of François Truffaut's most poignantly memorable films, Jules and Jim, adapted a novel by the French writer and art collector Henri-Pierre Roch. The characters and events of the 1960s film were based on a real-life romantic triangle, begun in the summer of 1920, which involved Roch himself, the German-Jewish writer Franz Hessel, and his wife, the journalist Helen Grund.Drawing on this film and others by Truffaut, Robert Stam provides the first in-depth examination of the multifaceted relationship between Truffaut and Roch. In the process, he provides a unique lens through which to understand how adaptation works-from history to novel, and ultimately to film-and how each form of expression is inflected by the period in which it is created. Truffaut's adaptation of Roch's work, Stam suggests, demonstrates how reworkings can be much more than simply copies of their originals; rather, they can become an immensely creative enterprise-a form of writing in itself.The book also moves beyond Truffaut's film and the mnage--trois involving Roch, Hessel, and Grund to explore the intertwined lives and work of other famous artists and intellectuals, including Marcel Duchamp, Walter Benjamin, and Charlotte Wolff. Tracing the tangled webs that linked these individuals' lives, Stam opens the door to an erotic/writerly territory where the complex interplay of various artistic sensibilities-all mulling over the same nucleus of feelings and events-vividly comes alive.
Francois Hunten, (1793-1878)
Volume 8 of the PIANO MUSIC of the PARI S IAN VIRTUOSOS 1810-1860 series. François [Franz] Hünten (1793-1878) owed his position as a Parisian virtuoso to his friend Henri Herz. Two interesting curiosities stand out in Hünten's oeuvre. The thematic subject matter of the Virelay et rondeau martial sur l'opéra de G. Onslow Guise u Les États de Blois casts intriguing light on the historicizing tendencies of 1830s French romanticism (the "virelay" in question was written by Onslow, not Hünten). And the Fantaisie arabe sur l'air Kradoudja testifies to the Parisians' burgeoning fascination with musical orientalism, a fascination that received its decisive impulse from the premiere of Félicien David's Le désert in 1844.
Francois Vallé and His World

Francois Vallé and His World

Carl J. Ekberg

University of Missouri Press
2017
nidottu
Winner of the Kemper & Leila Williams Prize in Louisiana History for excellence in historical scholarship for the year 2002, awarded by The Historic New Orleans Collection, The Louisiana Historical Association.In François Vallé and His World, Carl Ekberg provides a fascinating biography of François Vallé (1716–1783), placing him within the context of his place and time. Vallé, who was born in Beauport, Canada, immigrated to Upper Louisiana (the Illinois Country) as a penniless common laborer sometime during the early 1740s. Engaged in agriculture, lead mining, and the Indian trade, he ultimately became the wealthiest and most powerful individual in Upper Louisiana, although he never learned to read or write.Ekberg focuses on Upper Louisiana in colonial times, long before Lewis and Clark arrived in the Mississippi River valley and before American sovereignty had reached the eastern bank of the Mississippi. He vividly captures the ambience of life in the eighteenth-century frontier agricultural society that Vallé inhabited, shedding new light on the French and Spanish colonial regimes in Louisiana and on the Mississippi River frontier before the Americans arrived.Based entirely on primary source documents—wills and testaments, parish registers of baptisms, marriages, and burials, and Spanish administrative correspondence—found in archives ranging from St. Louis and Ste. Genevieve to New Orleans and Seville, François Vallé and His World traces not only the life of François Vallé and the lives of his immediate family members, but also the lives of his slaves. In doing so, it provides a portrait of Missouri’s very first black families, something that has never before been attempted. Ekberg also analyzes how the illiterate Vallé became the richest person in all of Upper Louisiana, and how he rose in the sociopolitical hierarchy to become an important servant of the Spanish monarchy.François Vallé and His World provides a useful corrective to the fallacious notion that Missouri’s history began with the arrival of Lewis and Clark at the turn of the nineteenth century. Anyone with an interest in colonial history or the history of the Mississippi River valley will find this book of great value.
Francois Halard

Francois Halard

François Halard

Rizzoli International Publications
2013
sidottu
This extravagant volume is the magnum opus of today’s most celebrated interiors photographer. One of François Halard’s first assignments, to photograph Yves Saint Laurent’s legendary Paris apartment when he was in his early twenties, cemented his reputation as one of the most original eyes of our era. His unique photographic sensibility—old-world elegant and bohemian, accessible and personal—is instantly recognizable. Thirty years later, Halard still captures our imagination with his breathtaking photographs. Included in this highly anticipated volume are Halard’s images of the glorious homes of the most important tastemakers, artists, and designers of the twentieth century: Axel Vervoordt, Roger Vivier, Richard Avedon, the Duchess of Devonshire, Julian Schnabel, Schiaparelli, Carlo Mollino, Balthus, Coco Chanel, Yves Saint Laurent and Pierre Bergé, and many more, including Halard’s own homes in New York, Paris, and Arles. Photographed in his inimitable "grand manner," often for Vogue, this book also shows for the first time the more intimate "house portraits" that Halard would photograph for himself, where his personal vision shines through. François Halard will be a coveted, indispensable resource for all lovers of interior style and a master class in visual education.
Francois Catroux

Francois Catroux

David Netto; Diane von Furstenberg

Rizzoli International Publications
2016
sidottu
Francois Catroux is an innovator and explorer in interior design, who has always been a master of contemporary style. From his early days as a design prodigy, creating space-age boutiques for a house of couture and apartments that drew from Art Deco and modern design, to chic, mirror-studded interiors rich with glamour and elegant refinement in residences in Hong Kong, New York, and London, Catroux is at home in the vast world of design. His spaces may surprise with the introduction of irregular elements a chandelier of elk horn or pink florescent lighting in a hallway but Catroux s hallmark sensibility combines the majesty and grandeur of high ceilings, elegant moldings, and gossamer draperies with elements that suggest comfort and tasteful, restrained opulence. Go-to accoutrements include sumptuous sofas, rich carpeting, gentle lighting, rooms lined with books, and ship staterooms in warm wood panelling with brass lamps, all measured according to a modern eye. This book looks at Catroux s career chronologically, featuring his first projects in 1968 through his latest, completed only this year, and includes the interiors of houses and apartments around the globe, from Paris to New York, Hong Kong to Los Angeles. Luxuriously photographed, this volume is more than just a design monograph on one of the great, and so far relatively untold, careers in the history of design it is also a lively and intimate read about a life lived in great style.
Francois-Xavier and Claude Lalanne

Francois-Xavier and Claude Lalanne

Adrian Dannatt

Rizzoli International Publications
2018
sidottu
The legendary husband-and-wife artist team has been the inspiration for high-society collectors and decorators, such as Pierre Berge, Serge Gainsbourg, Peter Marino, Jane Holzer, and Reed Krakoff for over five decades. Crossing over many audiences - from interior design to fine art to high society, the works of the Lalannes have aspirational yet broad appeal. Their surreal flock of sheep sculpture is now de rigeur for any important collection, while their functional hippopotamus wet bar sells for millions of dollars at auction. Highly collected and promoted by an important group of art insiders, Lalanne works are often the focus of the well-curated room, as seen in many magazine covers. This book on their work will appeal to decorators, designers, artists, and all those who love beautiful art objects.
Francois Halard

Francois Halard

Francois Halard

Rizzoli International Publications
2019
sidottu
Francois Halard s first assignment, to photograph Yves Saint Laurent s legendary Paris apartment when he was 23, cemented his reputation as one of the most original photographic eyes of our era. More than thirty years later, Halard still captures our imagination with his breathtaking photographs of the glorious homes of the most important tastemakers, artists, and designers of the 20th century - including: Rick Owens (Paris), Dries van Noten (Belgium), Manolo Blanik (England). Giorgi Morandi House (Italy), De Menil House (Houston), Maya Hoffman House (Arles), Miquel Barcelo (Spain), Saul Leiter Apartment (New York), Glasgow Art School by Mackintosh, Raphael at the Vatican, Donald Judd (Marfa), John Richardson (New York). Many of these images were first published in Vogue and House and Garden, but many others will be seen here for the very first time. Like his first book, Francois Halard: A Visual Education, this follow-up volume will be a coveted, indispensible must-have visual resource for all lovers of interior style.
François Berthoud

François Berthoud

François Berthoud; Beda Achermann

Rizzoli International Publications
2022
sidottu
Francois Berthoud is known for his painstakingly produced and meticulously arranged linocuts and his expressive drip paintings and elegant computer graphics have graced the face of countless magazines and advertising campaigns for the world s most discerning and sought-after fashion brands including Yves-St-Laurent, Bulgari, Chanel, Givenchy, Sonia Rykiel, and Prada. His work presents the conceptual aspect of fashion, maintaining a strict line between the edge of eroticism which he claims to be all important. Emerging as a leading fashion illustrator and art director in the 80s, Berthoud s distinct style was championed by the legendary Anna Piaggi early on in her avant-garde publication Vanity that was published by Conde Nast. She hailed him by saying that while Francois illustrates fashion in an apparently formal and decorative way, in reality he analyses his subject in depth and with an elegant sense of detachment before recreating it in his atelier-laboratory . He experiences fashion with a sharp sense of irony and a visual culture rooted in conceptual art. But his style is totally now! Berthoud has a reputation for romantic fashion illustration and for erotica (he was the illustrator for Betony Vernon s The Boudoir Bible) and where the two often overlap. Featuring essays by Chris Dercon and Daniele Barbieri, the book concludes with a conversation with Franc?ois Berthoud transcribed by Christian Ka?mmerling.
Francois Halard: Art & Flowers

Francois Halard: Art & Flowers

Francois Halard; Dries Van Noten

RIZZOLI INTERNATIONAL PUBLICATIONS
2025
sidottu
His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen, writes Dries Van Noten in the foreword to this two-volume series of images. Long revered for his personal photography of the world s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature s beauty. As beautifully described by fashion designer Dries Van Noten, The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral. In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece the tight crop of a marble head, or the folds of 15th-century drapery. I am delving into the idea that antiquity can be modern, Halard states in his interview with art curator Bice Curiger, I like to start with a specific object to turn it into another, transitory object. Halard s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks give power and beauty to these compelling images.
François Halard: The Last Pictures

François Halard: The Last Pictures

Francois Halard

RIZZOLI INTERNATIONAL PUBLICATIONS
2023
sidottu
For the past four decades Francois Halard has had the most privileged view on the world of art, interior design, and culture. From his perch as the photographer of choice of Vogue to World of Interiors, he has captured many of the world s most cherished spaces. Many of these have been catalogued in the first two volumes of his Rizzoli series. The Last Pictures is the final of his three-volume magnum opus. From film director Michelangelo Antonioni s and actress Monica Vitti s modernist hideaway in Sardenia to the painter Cy Twombly s family retreat on the Italian coast, from Isamu Noguchi s private studio in Japan to Luis Barragan s lost masterpiece in Mexico, these are Halard s most personal and intimate images yet published. Going beyond mere documentation, these photographs are the results of decades of a trained eye to see beyond the space into its essential soul. As the lover and collector of art and objects himself, each of Halard s photo is a masterclass in acquiring by looking. Traversing between interior portraiture, authentication, and a cultural x-ray vision, the photographs collected here are a testament to a personal and unique visual imagination.