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Gerhard Richter: FORICANO, 26 Drawings

Gerhard Richter: FORICANO, 26 Drawings

Gerhard Richter

David Zwirner
2024
sidottu
Gerhard Richter’s newest facsimile-like artist’s book is focused on a single work comprising twenty-six drawings in pencil and ink.“[Richter’s drawings] are of stringent individuality and recognizably by Richter’s hand, not based on their signature style but rather because they make their theme the act of drawing itself, gauging the conditions of drawing.” —Dieter SchwarzIn this new body of work, Richter combines various elements from a limited set of forms and techniques—including meandering lines, broad tonal planes applied with angled strokes of graphite, and passages of smudging, hatching, and erasure—thereby uniting choice and chance through this infinitely generative process. The resulting works on paper serve as condensed expressions, encapsulating and refining the fundamental principles that have consistently defined Richter's artistic journey. Reproduced at actual size, the drawings encourage in-depth observation as well as inspire compelling reimagining of abstraction.
Gerhard Veer Der Scheinheilige: Der Scheinheilige?

Gerhard Veer Der Scheinheilige: Der Scheinheilige?

Johann Schumacher

Createspace Independent Publishing Platform
2018
nidottu
In diesem Buch geht es darum aufzuzeigen wie hemmungslos Facebook Nutzer die Plattform benutzen um ber andere Menschen herzuziehen, mit Verleumdungen, Spekulationen, Verdrehungen und Vieles mehr herzuziehen. Ich bin jedoch nicht das einzige "Opfer" von ihm, da gibt es sehr viele, nur fehlt denen der Mut dagegen vorzugehen, obwohl sich der Ein oder andere als Trittbrettfahrer in den Kommentaren versucht. Es k nnen nat rlich auch Fake Profile von Gerhard Veer sein, denn er hat viele davon die er benutzt. Trittbrettfahrer mag ich nicht Fake auch nicht Facebook ist kein Rechtsfreier Raum und man kann dagegen etwas unternehmen. Den Anlass zu diesem Buch gab diese Mitteilung von ihm ber Messenger an eine meiner T chter: "Guten Morgen, Simone Du hattest mich gebeten, Dich ber Deinen Vater zu informieren..... Inzwischen dreht dieses hasserf llte alte und kranke Wrack komplett durch - er schreibt ein "Buch" ber mich. Und DAS, nachdem er meiner Hilfe letztes Jahr vermutlich sein Leben* zu verdanken hat. Ich habe noch selten einen Menschen so verachtet wie diesen Versager...schade, dass ich ihm geholfen habe - ohne das w re die Welt heute ein wenig besser...allerdings st rt mich sein Machwerk nicht, es ist die Sau, die sich an der Eiche schabt... Liebe Gr e Gerhard" Alle mit * gekennzeichneten Aussagen sind falsch, gelogen oder von ihm mit Absicht verdreht Dieses Buch bitte nicht falsch verstehen, es soll keine Rache sein, sondern nur Warnung an andere. ffentlichkeit ist der gr te Feind solcher Menschen
Gerhard Richter: The Overpainted Photographs
Edited by Joe Hage and Hans Ulrich Obrist, this landmark publication offers the most comprehensive account of Gerhard Richter’s Overpainted Photographs, a body of work he began creating in the mid-1980s and developed over the following decades. The illustrated six-volume edition, housed in an elegant slipcase, features contributions from esteemed cultural voices, including world-renowned curator of contemporary art Hans Ulrich Obrist; distinguished art critics Robert Storr and the late Achim Borchardt-Hume; literary giants Siri Hustvedt and Botho Strauss; as well as prominent art historians Dorothée Brill, Stefan Gronert, Aline Guillermet, Christine Mehring, Paul Moorhouse and Uwe M. Schneede. The Overpainted Photographs, drawn mostly from the artist’s personal snapshots, depict landscapes, cityscapes, family moments and travels. Using oil paint or lacquer, Richter employs techniques such as pressing photos onto paint, flicking droplets and applying paint with squeegees or spatulas. The dialogue between the smooth photographic surface and the tactile texture of the paint - marked by gaps and ripples - invites associations with patterns, shapes and colours, ultimately challenging our perception of the captured reality.
Gerhard O. Forde

Gerhard O. Forde

Marianna Forde

Lutheran University Press
2014
pokkari
In his long academic career at Luther Seminary in St. Paul, Minnesota, Dr. Gerhard O. Forde was known for his life-changing teaching and preaching, proclaiming the gospel of Jesus Christ crucified and risen for you. Forde taught that theology is for proclamation. His classes were his form of evangelism. Avoiding secondary discourse, or philosophical mode, in classroom teaching and preaching, he used first order, primary discourse to speak directly to his hearers, not about God, but for God, declaring the justifying word as clearly as possible. He showed the difference between law and gospel and how to do the text to the hearer. He taught students to be preachers who would speak the unqualified word of grace and forgiveness. This book is an introduction to his teaching and witness. From Dr. Hans Wiersma, Augsburg University: "I've said for some time, publicly, that I was born again under the teaching of Gerhard Forde. That may sound dramatic but it's true." From Dr. Rolf Jacobson, Luther Seminary: "He refused to write his theology for that guild of academic theologians]. Instead, he wrote for preachers. He could have written for the guild, of course. His mind was first class, and he wrote beautifully. But, like St. Paul, he came to preach Christ and him crucified. Toward that goal, he was steadfast, immovable, always abounding in the Lord."
Gerhard Richter: War Cut (English Edition)

Gerhard Richter: War Cut (English Edition)

Gerhard Richter

Distributed Art Publishers (DAP)
2013
sidottu
In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist's book War Cut. For this project, Richter photographed 216 details of his abstract painting "No. 648-2" (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war's outbreak (March 20 and 21, 2003). "My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below," Richter told an interviewer, for a New York Times feature on the publication. "I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes." Originally published only in German in 2004, this long-awaited English version of this important artist's book presents Richter's powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war's outbreak.
Gerhard Richter: Books

Gerhard Richter: Books

Gregory Miller Company
2014
pokkari
Gerhard Richter (born 1932) is predominantly known for his paintings and drawings, which strike a playful balance between photo-realism and abstraction, while at once delving into often controversial political commentary. His works have explored a multitude of media, from photo-based, monochrome and brightly colored paintings to ink-doused papers and thin, multicolored strips of pure pattern. Beyond his artistic works, and particularly in recent years, Richter has published extensively on his vision of art and artistic values: in letters, interviews, public statements, excerpts and articles, Richter has established himself as a brilliant advocate of contemporary painting. Richter has also increasingly explored the possibilities of the book as medium in a series of extraordinary artist's books. Gerhard Richter: Books takes an in-depth look at his work in this medium. It features a book-length interview with the artist by internationally renowned art critic and historian Hans Ulrich Obrist, who walks us through the Richter archive and discusses the work with the artist himself, affording the reader an entirely new perspective on his works. The book also includes a new text by Kunstmuseum Winterthur director Dieter Schwarz.
Gerhard Richter: Colour Charts

Gerhard Richter: Colour Charts

Dominique Levy Gallery
2016
sidottu
In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist’s first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the ‘70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia, whose research concentrates on modern abstraction and its socioeconomic implications, this is a handsome tribute to one of Richter’s most groundbreaking bodies of work.
Gerhard Ebeling - Eine Biographie

Gerhard Ebeling - Eine Biographie

Albrecht Beutel

Mohr Siebeck
2012
sidottu
Gerhard Ebeling (1912-2001) hat die deutschsprachige evangelische Theologie nach 1945 maßgeblich gestaltet. Als führender Lutherforscher, Hermeneutiker, Dogmatiker und Fundamentaltheologe, dazu als einflußreicher Wissenschaftsorganisator prägte er über Jahrzehnte hinweg die Konturen und Konstellationen theologischer Sachreflexion. Frühe Impulse, die er namentlich von Dietrich Bonhoeffer und Rudolf Bultmann empfing, vermochte er in seiner eigenen, weit ausstrahlenden Lehr- und Forschungstätigkeit durch kritisch aneignende Transformation fruchtbar zu machen. Das vorliegende Lebensbild schöpft aus einem reichhaltigen, zu erheblichen Teilen in Privatarchiven verwahrten Quellenmaterial. Dadurch kann es erstmals auch die geistige Verwurzelung Ebelings in der Bekennenden Kirche und die lebenslangen Prägungen, die ihm daraus erwachsen sind, tiefenscharf rekonstruieren. Durchgehend wird der engen Verflechtung von Biographie und Theologie, die für Ebeling in überraschender Intensität wichtig geworden ist, Beachtung geschenkt. Insgesamt entsteht dabei das theologische Charakterbild eines Menschen, der auf Kollegen, Schüler und Weggefährten, auf Kirche, Theologie und Gesellschaft bedeutenden Einfluß ausübte und dem es dank hoher Begabung und Selbstdisziplin auf besondere Weise vergönnt war, Leben in Werk zu verwandeln. Am Leitfaden einer außergewöhnlichen Biographie erschließen sich nicht nur Zusammenhänge der jüngsten Theologie- und Zeitgeschichte, sondern zugleich auch elementare Voraussetzungen, von denen die evangelische Theologie und Kirche der Gegenwart zehren.