*Gore Vidal's only collection of short stories, first printed in 1956, perfectly demonstrates his unequalled ability to alternate and explore different literary styles.
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1000 tulosta hakusanalla Gore Vidal
In their teens, Jim Willard and Bob Ford share a moment of sexual intimacy and Jim spends years searching for the recreation of that moment. When the opportunity occurs, it explodes with violence and pain. This was one of the first pieces of explicitly gay fiction.
This is a memoir of the first 40 years of Gore Vidal's life, ranging back and forth across a rich history. He describes his difficult family, talented friends and interesting enemies with a cast that includes Tennessee Williams, the Kennedys, Jack Kerouac and Norman Mailer.
A novel based on the emotional conflict centered around a son's urge to sever the pshychological umbilical cord which ties him to a selfish and possessive mother. Completely unsympathetic to his young experiences and inclinations, forever critical of his interests and reactions, she nevertheless appeals to his sympathies and attempts to hold him emotionally.
Good Friday, 1939, and T., a sixteen-year-old schoolboy, arrives at the Smithsonian Institute in Washington. The museum is closed, but T. manages to slip in, and it would appear that somehow, he is expected. An old man, Bentsen, shows him around, and T. realises that all is not as it seems. As he goes to examine a Native American exhibit, he is drawn magically into the nineteenth-century world of a reservation of Sioux Indians. They like what they see of T. and immediately get the pot boiling. T. is forced to take refuge in the tent of a young Squaw. They become lovers, and she helps him to escape back to the safety of the Smithsonian.Back with Bentsen, T. explores the Smithsonian further and begins to fathom the mysteries of time travel. The Smithsonian scientists have discovered how to get back to the past, but still don't know how to travel to the future. T. puts his brilliant mathematical brain to the problem. However, given a glimpse into the future, T. sees his own untimely death, and becomes determined to prevent the outbreak of WWII...
* The magnificent concluding volume of Vidal's epic NARRATIVES OF EMPIRE, embodying the passage of American history.
Gore Vidal's new collection of essays shows him still writing at his finest. His comments on the deplorable state of American politics - from Bill Clinton to George Bush - are as apposite as ever and, controversially, there are two magnificent essays on the Oklahoma bomber Timothy McVeigh - who entered into an extraordinary correspondence with Vidal when he was in gaol - to the recent terrorist attacks on the World Trade Center.
By night the glittering world of Times Square, cinemas, clubs and the brittle, played-out demi-monde . . . by day a wasteland of hollow men, lonely apartments and empty morning coffee stands . . . Robert Holton has just returned from the torment and strife of war in Europe and settled in a solitary existence working for a New York stockbroking business. The haunting memories of nights of love spent in Florence are suppressed as he struggles to succeed in an arid city.And when Carla turns up unexpectedly from his more passionate past, Robert finds he must choose between the fixed path of money-making and dull conventionality and the fraught, uncertain path of love and freedom.
Two Sisters is Gore Vidal's fictional memoir of a love affair with a beautiful set of twins in post-war Paris - a story skilfully interwoven with notebooks, diaries and the vivid fragment of a screenplay set in ancient Greece. In seductive settings from a brothel in a Parisian backstreet to the rooftops of seventies Rome, Vidal assembles his characters, real and imagined: Cocteau and Tennessee Williams, Gide and Mailer rub shoulders with creations as unforgettable as the ageing femme fatale Marietta Donegal and Hollywood hustler and flagellant Murray Morris. All are bound together in a mesmerising fiction that builds to an extraordinary conclusion.
Vidal has a fierce, uncontaminated sense of what's right and wrong, and he expresses his most intimate opinions fearlessly' John Simpson, Daily MailThis new selection brings together the best of Gore Vidal's essays, comment and criticism from his fifty-year writing career. With mercurial intelligence and often courageous - and outrageous! - forthrightness, Vidal explores his keystone subjects: primarily the worlds of literature and US politics; but also showbiz, sexuality and modern manners. His gaze ranges from the fiction of Calvino and Updike to the politics of pornography to the Clinton and Bush administrations, America post-September 11 and contemporary imperial ambitions. These essays are a witty and brilliant assessment of our times from the most memorable of American literary masters.
POINT TO POINT NAVIGATION refers to a form of navigation Gore Vidal resorted to as a first mate in the navy during World War II. As he says, 'As I was writing this account of my life and times since PALIMPSEST, I felt as if I were again dealing with those capes and rocks in the Bering Sea that we had to navigate so often with a compass made inoperable by weather.' It is a beautifully apt analogy for the hazards eluded (mostly) during his eventful life. From his desks in Ravello and the Hollywood Hills, Gore Vidal travels in memory through the arenas of literature, television, film, theatre, politics, and international society, recounting achievements and defeats, friends and enemies made (and on a number of occasions lost). Among the gathering of notables to be found in these pages, Tennessee Williams, Eleanor Roosevelt, Orson Welles, Greta Garbo, and Francis Ford Coppola. Some of the book's most moving pages are devoted to the illness and death of his partner of five decades, Howard Austen, and indeed the book is, among other things, a meditation on mortality, written in the spirit of Montaigne.
A literary cause célèbre when first published in 1948, Gore Vidal's now-classic The City and the Pillar stands as a landmark novel of the gay experienceJim Willard, former high-school athlete and clean-cut boy-next-door, is haunted by the memory of a romantic adolescent encounter with his friend Bob Ford. As Jim pursues his first love, in awe of the very same masculinity he possesses himself, his progress through the secret gay world of 1940's America unveils surreptitious Hollywood affairs, the hidden life of the military in the Second World War and the underworld bar culture of New York City.With the publication of his daring third novel The City and the Pillar in 1948, Gore Vidal shocked the American public, which has just begun to hail him as their newest and brightest young writer. It remains not only an authentic and profoundly important social document but also a serious exploration of the nature of idealistic love.'Gore Vidal, a writer of lustrous and fabulously readable prose, was always ahead of his time, so it is wonderful to see some of his finest works being republished for an audience who will be ready to (re)discover his daring, his insight and his wickedly waspish wit' STEPHEN FRY
Everyone is talking about Myra Breckinridge - and everything you have heard about her is true'I am Myra Breckinridge, whom no man will ever possess.'So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees.'Gore Vidal, a writer of lustrous and fabulously readable prose, was always ahead of his time, so it is wonderful to see some of his finest works being republished for an audience who will be ready to (re)discover his daring, his insight and his wickedly waspish wit' STEPHEN FRY
The remarkable bestseller about the fourth-century Roman emperor who famously tried to halt the spread of Christianity, Julian is widely regarded as one of Gore Vidal's finest historical novelsJulian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign. A marvelously imaginative and insightful novel of classical antiquity, Julian captures the religious and political ferment of a desperate age and restores with blazing wit and vigor the legacy of an impassioned ruler.'Gore Vidal, a writer of lustrous and fabulously readable prose, was always ahead of his time, so it is wonderful to see some of his finest works being republished for an audience who will be ready to (re)discover his daring, his insight and his wickedly waspish wit' STEPHEN FRY
Vidal on Vidal - a great and supremely entertaining writer on a great and endlessly fascinating subjectPalimpsest is Gore Vidal's account of the first thirty-nine years of his life as a novelist, dramatist, critic, political activist and candidate, screenwriter, television commentator, controversialist, and a man who knew pretty much everybody worth knowing (from Amelia Earhart to Eleanor Roosevelt, the Duke and the Duchess of Windsor, Jack Kennedy, Jaqueline Kennedy, Jack Kerouac, Truman Capote, Andre Gide, and Tennessee Williams, and on and on).Here, recalled with the charm and razor wit of one of the great raconteurs of our time, are his birth into a DC political clan; his school days; his service in World War II; his emergence as a literary wunderkind in New York; his time in Hollywood, London, Paris and Rome; his campaign for Congress (outpolling JFK in his district); and his legendary feuds with, among many others, Truman Capote and William F. Buckley.At the emotional heart of this book is his evocation of his first and greatest love, boyhood friend Jimmy Trimble, killed in battle on Iwo Jima.'Gore Vidal, a writer of lustrous and fabulously readable prose, was always ahead of his time, so it is wonderful to see some of his finest works being republished for an audience who will be ready to (re)discover his daring, his insight and his wickedly waspish wit' STEPHEN FRY
Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. The centennial of the United States was celebrated with great fanfare--fireworks, exhibitions, pious calls to patriotism, and perhaps the most underhanded political machination in the country's history: the theft of the presidency from Samuel Tilden in favor of Rutherford B. Hayes. This was the Gilded Age, when robber barons held the purse strings of the nation, and the party in power was determined to stay in power. Gore Vidal's 1876 gives us the news of the day through the eyes of Charlie Schuyler, who has returned from exile to regain a lost fortune and arrange a marriage into New York society for his widowed daughter. And although Tammany Hall has faltered and Boss Tweed has fled, the effects of corruption reach deep, even into Schuyler's own family.
For readers who can't get enough of the hit Broadway musical Hamilton, Gore Vidal's stunning novel about Aaron Burr, the man who killed Alexander Hamilton in a duel--and who served as a successful, if often feared, statesman of our fledgling nation. Here is an extraordinary portrait of one of the most complicated--and misunderstood--figures among the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. But he is determined to tell his own story, and he chooses to confide in a young New York City journalist named Charles Schermerhorn Schuyler. Together, they explore both Burr's past--and the continuing civic drama of their young nation. Burr is the first novel in Gore Vidal's Narratives of Empire series, which spans the history of the United States from the Revolution to post-World War II. With their broad canvas and sprawling cast of fictional and historical characters, these novels present a panorama of American politics and imperialism, as interpreted by one of our most incisive and ironic observers.
"Mr. Vidal demonstrates a political imagination and insider's sagacity equaled by no other practicing fiction writer I can think of. And like the earlier novels in his historical cycle, Empire is a wonderfully vivid documentary drama." --The New York Times Book Review In this extraordinarily powerful epic Gore Vidal recreates America's Gilded Age--a period of promise and possibility, of empire-building and fierce political rivalries. In a vivid and beathtaking work of fiction, where the fortunes of a sister and brother intertwine with the fates of the generation, their country, and some of the greatest names of their day, including President McKinley, Theodore Roosevelt, William Jennings Bryan, William and Henry James, the Astors, the Vanderbilts, and the Whitneys, Gore Vidal sweeps us from the nineteenth century into the twentieth, from the salvaged republic of Lincoln to a nation boldly reaching for the world.
"Wicked and provocative...Vidal's purview of Hollywood in one of its golden ages is fascinating." --Chicago Tribune In his brilliant and dazzling new novel, Gore Vidal sweeps us into one of the most fascinating periods of American political and social change. The time is 1917. In Washington, President Wilson is about to lead the United States into the Great War. In California, a new industry is born that will transform America: moving pictures. Here is history as only Gore Vidal can re-create it: brimming with intrigue and scandal, peopled by the greats of the silver screen and American politics, from Charlie Chaplin and Douglas Fairbanks to Franklin D. Roosevelt and the author's own grandfather, the blind Senator Gore. With Hollywood, Vidal once again proves himself a superb storyteller and a perceptive chronicler of human nature's endless deceptions.
Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. To most Americans, Abraham Lincoln is a monolithic figure, the Great Emancipator and Savior of the Union, beloved by all. In Gore Vidal's Lincoln we meet Lincoln the man and Lincoln the political animal, the president who entered a besieged capital where most of the population supported the South and where even those favoring the Union had serious doubts that the man from Illinois could save it. Far from steadfast in his abhorrence of slavery, Lincoln agonizes over the best course of action and comes to his great decision only when all else seems to fail. As the Civil War ravages his nation, Lincoln must face deep personal turmoil, the loss of his dearest son, and the harangues of a wife seen as a traitor for her Southern connections. Brilliantly conceived, masterfully executed, Gore Vidal's Lincoln allows the man to breathe again.