On Romanticism and the Art of Translation: Studies in Honor of Edwin Hermann Zeydel is a collection of essays edited by Gottfried Merkel that celebrates the life and work of Edwin Hermann Zeydel, a prominent scholar of German Romanticism and translation studies. The book includes contributions from scholars in the fields of literature, translation, and philosophy, who explore the intersections between Romanticism and translation, as well as Zeydel's own contributions to the study of these topics.The essays cover a wide range of topics, including the role of translation in the development of Romantic literature, the translation of Romantic texts into different languages, and the philosophical implications of translation. The contributors also examine the influence of Romanticism on translation theory and practice, and the ways in which translation can be seen as a creative act in its own right.Overall, On Romanticism and the Art of Translation offers a rich and varied exploration of the connections between Romanticism and translation, and provides valuable insights into the work of one of the most important scholars in the field.Text Is In English And German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Tristan und Isolde - Gedicht von Gottfried von Stra burg. Dritte Auflage ist ein unver nderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1877. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ern hrung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquit ten erh ltlich. Hansebooks verlegt diese B cher neu und tr gt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch f r die Zukunft bei.
Unver nderter Nachdruck der Originalausgabe von 1879. Der Verlag Antigonos spezialisiert sich auf die Herausgabe von Nachdrucken historischer B cher. Wir achten darauf, dass diese Werke der ffentlichkeit in einem guten Zustand zug nglich gemacht werden, um ihr kulturelles Erbe zu bewahren.
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. Azoth et ignis, das ist, Das wahre elementarische Wasser und Feuer, oder, Mercurius philosophorum: als das einige Nothwendige der Fundamental-Uranf nge und principiorum des Steins der Weisen; Avrevm vellvs, oder, Goldenes Vliess: was dasselbe sey, sowohl in seinem Ursprunge, als erhabenen Zustande, denen filiis artis und Liebhabern der Hermetischen Philosophie dargelegt: auch, dass darunter die prima materia lapidis philosophorum, samt dessen praxi verborgen The Theophania Publishing Facsimile Collection This edition, 1749. Great treasures were once kept by the very wealthy, and the very privileged. These books were brought to the public eye with great difficulty, each one typeset by hand, the letters often carved meticulously by a master craftsman, and the individual pieces of type skillfully inked by hand, each page pressed in a large printing press, the pages impressed with the strength of one or two men, whose sole job it was to produce a single print. With movable lead and wood type the prints-men would create a perfect copy, the pages laid out to dry, and folded by hand, sewn on a large wooden frame, and bound by another master craftsman, his apprentices working feverishly to create the most beautiful copy that their patrons could afford. The finished copies would be treasured, the bound volumes crafted in leather, tooled by hand with beautiful ornaments, and each one priced far out of reach of the average person, most of whom were illiterate and disinterested in the intellectual blatherings of the wealthy who could afford such trifles. Many great works of the Renaissance were not the fine sciences of such minds as Da Vinci and Machiavelli. No, it is true that a great many of the works drafted in this era were on works of astronomy, astrology, religion, metaphysics, and philosophy. Indeed, on the fringes of an intellectual storm of thought there were also great secrets being tested and tried, those dark sciences hidden for centuries, the great secrets of the occult, of alchemy, and the hidden treasures of the kabbala, yea, even the mysteries of great mathematicians and freemasons were beginning to find audience. It is amongst these treasures that we find our present collection being drawn upon -- great scholarly works, placed for the first time into the hands of the public, whose minds are now ready for such secrets. Look here, my fellows, for inside these volumes there are dangerous thoughts, and it is believed that only the most well-honed minds are capable of handling such secrets without going mad. Be warned, tread lightly, and speak soft, for the most dangerous ideas will feast upon the mind like a savage reptile, and will devour those who dwell upon these pages unaware.
This book offers a concise introduction to Gottfried von Strassburg’s Tristan. The work is approached both through its context and through a close reading of key passages of the text. The contextual reading compares Gottfried with his predecessors Beroul, Eilhart and Thomas in order to reveal his independent response to the problems and possibilities with which he was confronted by his material. The close textual reading builds up a distinctive interpretation of the work, in which particular attention is paid to Gottfried’s reworking of literary tradition, his use of religious analogies, and his awareness of the fictive potential of literary language. A concluding chapter examines Gottfried’s medieval reception through the work of his continuators, Ulrich von Turheim and Heinrich von Freiberg, and the Herzmaere of Konrad von Würzburg.
