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Hans Kueng

Hans Kueng

Hermann Haering

SCM Press
2015
nidottu
In March 1998, Hans Kung celebrated his seventieth birthday. Over the years his books have been read by millions throughout the world, and they represent a quite remarkable achievement. The Church, a prophetic vision of the church written at the time of the Second Vatican Council and still read widely today, was followed by On Being a Christian?, Does God Exist?, Eternal Life, and then both by magisterial volumes like Judaism and Christianity and classic popular studies like Credo and Great Christian Thinkers, Global Responsibility led also to his indefatigable work for a global ethic, marked most recently by A Global Ethic for Global Politics and Global Economics. This study by Hermann Haering, a former pupil and colleague of Hans Kung, offers a comprehensive guide to all Hans Kung's work and shows how his concerns, from his call for reform of the Catholic Church and his questions about infallibility to his work in inter-faith dialogue and ethics, all belong together and all stem from a deep and truly Catholic faith. It makes as exciting reading as the books of the author it describes and shows him to be one of the great theologians of the twentieth century. Hermann Haering is Professor of Dogmatic Theology in the Catholic University of Nijmegen.
Hans Brinker, or The Silver Skates

Hans Brinker, or The Silver Skates

Mary Mapes Dodge

Lulu.com
2018
sidottu
Hans Brinker is a classic children's story set in the Netherlands, following the titular character as he aspires to compete in ice skating races and help his family. At the start, we discover that our young hero is responsible for his entire family's welfare, after his father was injured in an accident. Rather than be downcast by his father's poor condition, Hans is emboldened and determined to turn the family's fortunes around by competing in ice skating races. The stakes become higher as a potential but expensive cure for Hans' stricken father is revealed by the family's doctor. Today, this tale of youthful gallantry remains well-known and celebrated in the Netherlands. Its accurate details of traditional Dutch life enthralled curious readers and introduced them to a country hitherto little-known in children's literature. Virtues held highly in the Dutch culture; of both cooperation and competition, are well expressed in the hero's character and - as the story progresses - his family members.
Hans Brinker, or The Silver Skates

Hans Brinker, or The Silver Skates

Mary Mapes Dodge

Lulu.com
2018
pokkari
Hans Brinker is a classic children's story set in the Netherlands, following the titular character as he aspires to compete in ice skating races and help his family. At the start, we discover that our young hero is responsible for his entire family's welfare, after his father was injured in an accident. Rather than be downcast by his father's poor condition, Hans is emboldened and determined to turn the family's fortunes around by competing in ice skating races. The stakes become higher as a potential but expensive cure for Hans' stricken father is revealed by the family's doctor. Today, this tale of youthful gallantry remains well-known and celebrated in the Netherlands. Its accurate details of traditional Dutch life enthralled curious readers and introduced them to a country hitherto little-known in children's literature. Virtues held highly in the Dutch culture; of both cooperation and competition, are well expressed in the hero's character and - as the story progresses - his family members.
Hans Hollein and Postmodernism

Hans Hollein and Postmodernism

Eva Branscome

Routledge
2020
nidottu
Set within the broader context of post-war Austria and the re-education initiatives set up by the Allied forces, particularly the US, this book investigates the art and architecture scene in Vienna to ask how this can inform our broader understanding of architectural Postmodernism. The book focuses on the outputs of the Austrian artist and architect, Hans Hollein, and on his appropriation as a Postmodernist figure. In Vienna, the circles of radical art and architecture were not distinct, and Hollein’s claim that ‘Everything is Architecture’ was symptomatic of this intermixing of creative practices. Austria's proximity to the so-called ‘Iron Curtain’ and its post-war history of four-power occupation gave a heightened sense of menace that emerged strongly in Viennese art in the Cold War era. Seen as a collective entity, Hans Hollein’s works across architecture, art, writing, exhibition design and publishing clearly require a more diverse, complex and culturally nuanced account of architectural Postmodernism than that offered by critics at the time. Across the five chapters, Hollein's outputs are viewed not as individual projects, but as symptomatic of Austria's attempts to come to terms with its Nazi past and to establish a post-war identity.
Hans Mol and the Sociology of Religion
Hans Mol was born in the Netherlands during the 1920s. His imprisonment by the Gestapo during World War II began a long intellectual journey, exploring the role of religion in society. His work on the sociology of religion throughout the 20th and 21st Century is distinctive in its quest for both methodological and existential balancePart One of this book includes a brief outline of Mol’s most influential theory as originally explicated in Identity and the Sacred (1976). This is followed by a look at the initial reception of that theory in relation to the competing concepts of Mol’s contemporaries. Part Two is comprised of four previously-unpublished essays written by Mol during the 70s and 80s. Covering topics from evolution to evangelicalism, the papers display the sweeping ambition of this sociologist as well as the tone and contours of his intellectual articulation. In the Postscript this volume concludes with select transcripts of interviews conducted between Adam Powell and Hans Mol during the Spring of 2012. This volume of Mol’s work will be of keen interest to academics and students with an interest in the sociology of religion post-World War II and the development of contemporary Christian theology.
Hans Christian Andersen's Fairy Tales

Hans Christian Andersen's Fairy Tales

Hans Christian Andersen

Blurb
2021
pokkari
Hans Christian Andersen (2 April 1805 - 4 August 1875) was a Danish author. Although a prolific writer of plays, travelogues, novels, and poems, Andersen is best remembered for his fairy tales. Andersen's popularity is not limited to children: his stories express themes that transcend age and nationality. Andersen's fairy tales, of which no fewer than 3381 works have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well. His most famous fairy tales include "The Emperor's New Clothes", "The Little Mermaid", "The Nightingale", "The Snow Queen", "The Ugly Duckling", "The Little Match Girl" and "Thumbelina". His stories have inspired ballets, plays, and animated and live-action films. 4] One of Copenhagen's widest and busiest boulevards is named "HC Andersens Boulevard"
Hans-Georg Gadamer

Hans-Georg Gadamer

Karl Simms

Routledge
2015
sidottu
Hans-Georg Gadamer’s theory of hermeneutics is one of the most important modern theories of interpretation and understanding, and at its heart is the experience of reading literature. In this clear and comprehensive guide to Gadamer’s thought, Karl Simms:presents an overview of Gadamer’s life and works, outlining his importance to hermeneutic theory and its place in literary studiesexplains and puts into context his key ideas, including ‘dialogue’, ‘phronesis’, ‘play’, ‘tradition’, and ‘horizon’shows how Gadamer’s ideas have been influential in the interpretation of literary textsexplains Gadamer’s debates with key contemporaries and successors, such as Habermas, Ricoeur and Derridaprovides detailed suggestions for further reading.With a significance that crosses disciplinary boundaries from cultural studies, literary theory and philosophy through to history, music and fine arts, Gadamer’s pioneering work on hermeneutic theory remains of crucial importance to the study of texts in the humanities.
Hans-Georg Gadamer

Hans-Georg Gadamer

Karl Simms

Routledge
2015
nidottu
Hans-Georg Gadamer’s theory of hermeneutics is one of the most important modern theories of interpretation and understanding, and at its heart is the experience of reading literature. In this clear and comprehensive guide to Gadamer’s thought, Karl Simms:presents an overview of Gadamer’s life and works, outlining his importance to hermeneutic theory and its place in literary studiesexplains and puts into context his key ideas, including ‘dialogue’, ‘phronesis’, ‘play’, ‘tradition’, and ‘horizon’shows how Gadamer’s ideas have been influential in the interpretation of literary textsexplains Gadamer’s debates with key contemporaries and successors, such as Habermas, Ricoeur and Derridaprovides detailed suggestions for further reading.With a significance that crosses disciplinary boundaries from cultural studies, literary theory and philosophy through to history, music and fine arts, Gadamer’s pioneering work on hermeneutic theory remains of crucial importance to the study of texts in the humanities.
Hans Christian Andersen

Hans Christian Andersen

Jack Zipes

Routledge
2005
sidottu
The 2005 bicentenary of Hans Christian Andersen's birth is an opportunity to re-evaluate the achievement of one of the great figures of the fairy tale and storytelling tradition, a beloved writer famous for The Snow Queen and The Little Mermaid, The Ugly Duckling and The Red Shoesand many other now classic tales. Jack Zipes broadens our understanding of Andersen by exploring the relation of the Danish writer's work to the development of literature and of the fairy tale in particular. Based on thirty-five years of researching and writing on Andersen, this new book is a welcome reconsideration of Andersen's place and of his reception in English-speaking countries and on film.
Hans Christian Andersen

Hans Christian Andersen

Jack Zipes

Routledge
2005
nidottu
The 2005 bicentenary of Hans Christian Andersen's birth is an opportunity to re-evaluate the achievement of one of the great figures of the fairy tale and storytelling tradition, a beloved writer famous for The Snow Queen and The Little Mermaid, The Ugly Duckling and The Red Shoesand many other now classic tales. Jack Zipes broadens our understanding of Andersen by exploring the relation of the Danish writer's work to the development of literature and of the fairy tale in particular. Based on thirty-five years of researching and writing on Andersen, this new book is a welcome reconsideration of Andersen's place and of his reception in English-speaking countries and on film.
Hans Hofmann

Hans Hofmann

University of California Press
2019
sidottu
Hans Hofmann: The Nature of Abstraction offers a fresh and revealing assessment of the artist’s prolific and innovative painterly career. The comprehensive exhibition and accompanying catalogue will feature approximately seventy paintings and works on paper by Hofmann from 1930 through the end of his life in 1966, including works from public and private collections across North America and Europe. Curator Lucinda Barnes builds on new scholarship published over the past ten years and the 2014 catalogue raisonné to present Hofmann as a unique synthesis of student, artist, teacher, and mentor who transcended generations and continents. His singular artistic achievement drew on artistic influences and innovations that spanned two world wars and transatlantic avant-gardes. Over the last fifty years Hofmann has come to be understood primarily from the vantage of his late color-plane abstractions. Hans Hofmann: The Nature of Abstraction expands our understanding and reinvigorates our appreciation of Hofmann through an inclusive presentation of his artistic arc, showing the vibrant interconnectedness and continuity in his work of European and American influences from the early twentieth century through the advent of abstract expressionism. Published in association with the Berkeley Museum of Art Pacific Film Archive (BAMPFA). Exhibition dates: Berkeley Museum of Art Pacific Film Archive (BAMPFA): February 27–July 21, 2019 The Peabody Essex Museum, Salem, MA: September 21, 2019–January 6, 2020
Hans Urs Von Balthasar and Protestantism

Hans Urs Von Balthasar and Protestantism

Rodney Howsare

T. T.Clark Ltd
2005
nidottu
Hans Urs von Balthasar and Protestantism examines Balthasar's engagement with Protestantism, primarily in the persons of Martin Luther and Karl Barth and explores the implications of this engagement for Fundamental Theology. At the very root of Luther's confrontation with the Catholic Church of the late Middle Ages lies his antipathy for Aristotle and for "natural theology". In other words, the Protestant difference has as much to do with its suspicion of the Catholic treatment of faith and reason as it does with the Catholic treatment of faith and works. This is a suspicion that is only exacerbated in Barth's association of the "analogy of being" with the Antichrist. Balthasar takes these criticisms very seriously, and, in addressing them, not only has much of relevance to say about the Catholic-Protestant differences, but also about the Yale-Chicago differences. In short, this study shows how Balthasar's dialogue with Luther and Barth sheds light on the impasse that has arisen between the so-called "correlational" and "revelocentric" schools of contemporary theology. If, indeed, Christ is the "concrete universal," then, it argues, we should not have to decide between the two.
Hans Urs von Balthasar and the Question of Tragedy in the Novels of Thomas Hardy
What role do novels, drama, and tragedy play within Christian thought and living? The twentieth century Catholic theologian Hans Urs von Balthasar addressed these questions using tragic drama. For him, Christ was the true tragic hero of the world who exceeded all tragic literature and experience. Balthasar demonstrated how ancient, pre-Christian tragedy and Renaissance works contained important Christian concepts, but he critiqued modern novels as failing to be either truly tragic or Christian. By examining the tragic novels of Thomas Hardy on their own terms, we have an important counterpoint to Balthasar's argument that the novel is too prosaic for theological reflection. Hardy's novels are an apt pairing for examination and critique, as they are both classically and biblically influenced, as well as contemporary.The larger implication for Balthasar's theology is that his innovations in theological aesthetics and tragedy must be expanded in the light of modernity and the tragic novel.