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The Harvest Handbook of Bible Prophecy

The Harvest Handbook of Bible Prophecy

Ed Hindson; Mark Hitchcock; Tim LaHaye

Harvest House Publishers,U.S.
2020
sidottu
Everything You Need to Know About the Last Days at Your FingertipsThe Harvest HandbookTM of Bible Prophecy is a reference resource that provides a comprehensive overview of everything the Bible says about the last days. Compiled by bestselling prophecy teachers Ed Hindson, Mark Hitchcock, and Tim LaHaye, this volume has 150+ topics on the most important subjects of prophetic study from 40+ of world’s foremost prophecy experts, including Armageddon, the Day of the Lord, eternal life, the glorious appearing, the messianic kingdom, the millennium, rewards, and the Tribulation. You will gain clear and useful insights about the future in this A-to-Z handbook, which is written to provide thousands of Bible-based facts about the end times and beyonda chronology of the last days from a pretribulational, premillennial viewdetailed definitions of all the major prophecy-related terms Both new and experienced students of prophecy will find this a tool they can use and understand. Ideal for browsing or serious research, you’ll find yourself reaching for this indispensable resource again and again.
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Hitchcock

Hitchcock

Routledge
2003
sidottu
This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
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Hitchcock

Hitchcock

Routledge
2003
nidottu
This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
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Hitchcock

Hitchcock

Francois Truffaut

Faber Faber
2017
pokkari
Based on the famous series of dialogues between Francois Truffaut and Alfred Hitchcock from the 1960s, the book moves chronologically through Hitchcock's films to discuss his career, techniques, and effects he achieved. It changed the way Hitchcock was perceived, as a popular director of suspense films - such as Psycho and The Birds - and revealed to moviegoers and critics, the depth of Hitchcock's perception and his mastery of the art form. As a result of the changed perceptions about Hitchcock, his masterpiece, Vertigo, hit the No 1 slot in Sight & Sound's recent poll of film-makers and critics, displacing Citizen Kane as the Best Film of all time.
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Hitchcock

Hitchcock

Francois Truffaut; Helen G. Scott

Simon Schuster
1985
pokkari
The classic study of the great director and his films, comprising a series of dialogues between Hitchcock and Truffaut, is fully updated with material on Hitchcock's last years and his final four films
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Hitchcock

Hitchcock

Susan Smith

BFI Publishing
2000
nidottu
Susan Smith's treatment of the works of the most subtle of all film-makers analyses the key elements of suspense, humour and tone across the whole of the director's career. Arguing that all three are central to our viewing experience, the book demonstrates how Hitchcock's masterly integration of those elements is the key to his success as a film-maker. Examining in detail such films as Sabotage, Notorious, Rear Window, Psycho, Shadow of a Doubt, Rope and The Birds, amongst many others, the book discusses the idea of the director as saboteur and the importance of 'the avoidance of cliché' in Hitchcock's narrative.
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Hitchcock

Hitchcock

William Rothman

State University of New York Press
2012
pokkari
An expanded edition of a classic work of film criticism, with a provocative and eloquent new chapter on Marnie, Hitchcock's most heartfelt—and most controversial—film.First published in 1982, William Rothman's Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last.In addition to a thoughtful new preface and the original readings of The Lodger (1927), Murder! (1930), The 39 Steps (1935), Shadow of a Doubt (1943), and Psycho (1960), this expanded edition includes a groundbreaking new chapter-now the book's longest-on Marnie (1964), Hitchcock's most heartfelt yet most controversial film. Hitchcock never tired of quoting Oscar Wilde's line, "And all men kill the thing they love." Dark moods therefore prevail in the five original chapters, culminating in the reading of Psycho, but in demonstrating how Marnie overcomes, or transcends, the murderous aspect of Hitchcock's art, this new chapter balances the scales and gives an important new dimension to the book.With exemplary precision, Hitchcock, Second Edition shows how Hitchcock films express, cinematically, serious thoughts about such matters as the nature and relationships of love, murder, sexuality, marriage, and theater-and about their own medium. In so doing, it keeps faith with the idea that Hitchcock was a master, perhaps the master, of what he called the "art of pure cinema." However, insofar as it investigates philosophically the conditions of authorship in the medium of film, it is an auteurist study unlike any other. By attending to the films themselves and to the ways we experience them, rather than allowing some theory to dictate what to say about them, the book proves the fruitfulness of an approach that is open and responsive to the ways serious films are capable of teaching us how to think seriously about them.
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Hitchcock

Hitchcock

Markku Soikkeli

Avain
2023
nidottu
Alfred Hitchcockin (1899–1980) tuotanto yltää mykkäkauden jännitystarinoista hypnoottisen kauniisiin värifilmeihin. Niiden kerronnallinen kekseliäisyys, brittiläinen ironia ja tekninen etevyys todistavat, että viihdyttäviä elokuvia voi tehdä taiteellisesta kunnianhimosta tinkimättä. Alfred Hitchcock - 30 klassikkoa esittelee ohjaajauran ohella mestarin tärkeimmät teokset. Miksi Epäilyksen varjo on paras klassikoista? Miten "väärän miehen" ja "väärän naisen" tarinat eroavat toisistaan? Mitkä Hitchcockin mykkäfilmeistä ovat Psykon ja Vertigon vertaisia? Markku Soikkeli (FT) on romansseihin ja genrefilmeihin erikoistunut tietokirjailija. Häneltä on julkaistu mm. Rakkauselokuvien käsikirja (2018).
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Hitchcock

Hitchcock

William Rothman

State University of New York Press
2012
sidottu
An expanded edition of a classic work of film criticism, with a provocative and eloquent new chapter on Marnie, Hitchcock's most heartfelt—and most controversial—film. First published in 1982, William Rothman's Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last. In addition to a thoughtful new preface and the original readings of The Lodger (1927), Murder! (1930), The 39 Steps (1935), Shadow of a Doubt (1943), and Psycho (1960), this expanded edition includes a groundbreaking new chapter-now the book's longest-on Marnie (1964), Hitchcock's most heartfelt yet most controversial film. Hitchcock never tired of quoting Oscar Wilde's line, "And all men kill the thing they love." Dark moods therefore prevail in the five original chapters, culminating in the reading of Psycho, but in demonstrating how Marnie overcomes, or transcends, the murderous aspect of Hitchcock's art, this new chapter balances the scales and gives an important new dimension to the book. With exemplary precision, Hitchcock, Second Edition shows how Hitchcock films express, cinematically, serious thoughts about such matters as the nature and relationships of love, murder, sexuality, marriage, and theater-and about their own medium. In so doing, it keeps faith with the idea that Hitchcock was a master, perhaps the master, of what he called the "art of pure cinema." However, insofar as it investigates philosophically the conditions of authorship in the medium of film, it is an auteurist study unlike any other. By attending to the films themselves and to the ways we experience them, rather than allowing some theory to dictate what to say about them, the book proves the fruitfulness of an approach that is open and responsive to the ways serious films are capable of teaching us how to think seriously about them.
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Hitchcock's America

Hitchcock's America

Oxford University Press Inc
1999
nidottu
Alfred Hitchcock has long been understood as an inspired technician and master of abnormal psychology. The authors of this volume suggest, through new readings of his American films, that he is also a cultural critic of remarkable insight and undeniable presence. With new intensity , Hitchbock's America looks at Hitchcock's analysis of, and engagement with, American culture. His films, including Vertigo, Psycho, Rear Window, and Strangers on a Train, emerge as our richest history of American middle-class culture at mid-century.
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Hitchcock and Herrmann

Hitchcock and Herrmann

Steven C. Smith

OXFORD UNIVERSITY PRESS INC
2026
sidottu
This is the story of the game-changing collaboration between director Alfred Hitchcock and composer Bernard Herrmann, who channelled their inner fears and desires into films that would become the nightmarish narratives and soundtracks of our lives. The 11-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann: The Friendship and Film Scores that Changed Cinema, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Smith draws on four decades of research, including previously unpublished documents and new interviews, to deliver a riveting account of what made the teaming of "Benny and Hitch" so memorable and influential -- and why it came to a bitter end. Their story involves the tumultuous changes in Hollywood from the mid-1950s to mid-1960s, as the collapsing studio system gave way to independent, counterculture filmmaking. It also involves the key figures in Hitchcock and Herrmann's inner circle including the director's gifted wife and most valued critic, Alma Reville; Herrmann's beautiful, put-upon spouse, Lucy Anderson; and talent agent-turned-studio mogul Lew Wasserman. Wasserman's negotiations made Hitchcock's greatest filmmaking period possible, but over time Lew's commercial instincts as head of Universal Studios clashed with Herrmann's pure artistic vision. Hitchcock and Herrmann is both a deeply researched historical study and a fast-moving, cinematic narrative -- one that puts readers on the film sets and scoring stages of Hitchcock masterworks. Their collaboration ended in a bitter break; but today Herrmann's pulse-quickening music has become the soundtrack of our own anxious times. The music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. In Smith's expert telling, readers get an an intimate look at two legendary creators who, despite seemingly opposite personalities, found in each other artistic completion.
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Hitchcock and Contemporary Art

Hitchcock and Contemporary Art

C. Sprengler

Palgrave Macmillan
2014
sidottu
Hitchcock and Contemporary Art introduces readers to the fascinating and diverse range of artistic practices devoted to Alfred Hitchcock's films. His works have the capacity to activate sophisticated engagements with Hitchcock's films and cinema more generally, tackling issues of time and space, memory and history, and sound and image.
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Hitchcock's Films Revisited

Hitchcock's Films Revisited

Robin Wood

Columbia University Press
2002
pokkari
When "Hitchcock's Films" was first published, it quickly became known as a new kind of book on film - one that came to be considered a necessary text in the Hitchcock bibliography. When Robin Wood returned to his writings on Hitchcock's films and published "Hitchcock's Films Revisited" in 1989, the multi-dimensional essays took on a new shape - one that was tempered by Wood's own development as a critic. This new revised edition of "Hitchcock's Films Revisited" includes a substantial new preface in which Wood reveals his personal history as a film scholar - including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life have remained deeply intertwined through the years. This revised edition includes all original eighteen essays and a new chapter on Marnie titled "Does Mark Cure Marnie? Or, 'You Freud, Me Hitchcock.'"
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Hitchcock's Romantic Irony

Hitchcock's Romantic Irony

Richard Allen

Columbia University Press
2007
sidottu
Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
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Hitchcock's Romantic Irony

Hitchcock's Romantic Irony

Richard Allen

Columbia University Press
2007
pokkari
Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.
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Hitchcock Annual

Hitchcock Annual

Sidney Gottlieb

Columbia University Press
2010
pokkari
This new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses of Rear Window and Gus Van Sant's shot-by-shot remake of Psycho, a dossier of To Catch a Thief, and an early essay by Hitchcock himself. The Hitchcock Annual will be published every spring, beginning in 2011 with Volume 17.
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Hitchcock Annual

Hitchcock Annual

Columbia University Press
2012
pokkari
Hitchcock Annual: Volume 17 contains essays on two of Hitchcock's most well-known films, Notorious and The Birds, and two of his lesser-known works, Juno and the Paycock and Stage Fright. It also includes a detailed study of the unused score for Frenzy by Henry Mancini, an examination of Hitchcock's presence in contemporary art installations and experimental films, and a review essay on two recent books on Hitchcock.
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Hitchcock Annual

Hitchcock Annual

Sidney Gottlieb

Columbia University Press
2013
pokkari
Hitchcock Annual: Volume 18 features essays on Hitchcock and Italian art cinema; the cinematic and cultural context of Hitchcock's silent film, Champagne (1928); Marnie (1964) and queer theory; the use of newspapers in Hitchcock's films; and Hitchcock's wartime documentary work.
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Hitchcock Annual

Hitchcock Annual

Sidney Gottlieb

Columbia University Press
2015
pokkari
Hitchcock Annual: Volume 19 is forthcoming in the fall of 2014. It will include articles on Hitchcock's silent film work and an analysis of Hitchock's Rear Window (1954).
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