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1000 tulosta hakusanalla Iain McCalman
Consecutive Exposition: A Weighing of Iain H. Murray's "Time for Caution"
Tim J. R. Trumper
From His Fullness
2014
nidottu
George Campbell Hay (Dersa Mac Iain Dhersa) - Collected Poems and Songs
George Campbell Hay
Edinburgh University Press
2000
sidottu
George Campbell Hay (Deorsa Mac Iain Dheorsa) has been hailed as an important voice in Scottish literature and as a crucial figure in the renaissance of Gaelic poetry in the twentieth century. Yet with his collections long out of print, only a small proportion of his work has been available to the public. This book gathers together for the first time George Campbell Hay's complete original poems, in Gaelic, Scots, English, French, Italian and Norwegian. Volume I presents all of the poems chronologically, with accompanying English translations. Volume II provides annotations to each poem, including a full list of sources; a detailed biography, heavily reliant on Hay's own correspondence, which sheds new light on the social, political and literary context of his work; an outline of Hay's main poetic concerns, in theme and in form; and some of Hay's own musical settings. The publication of this long-awaited scholarly edition is a landmark in Scottish and Gaelic publishing. The volumes represent a notable addition to the canon of twentieth-century Scottish literature and should permit a full evaluation of Hay's significance. Published as a two-volume set in a deluxe edition in association with the Lorimer Memorial Trust.
George Campbell Hay (Dersa Mac Iain Dhersa) - Collected Poems and Songs
George Campbell Hay
Edinburgh University Press
2002
nidottu
The work of a highly significant figure in the renaissance of Gaelic poetry in the twentieth century is gathered together for the first time in one authoritative volume. George Campbell Hay's complete original poems, in Gaelic, Scots, English, French, Italian and Norwegian, are presented chronologically with accompanying English translations and annotations to each poem. This edition also includes a detailed biography, drawing on Hay's own correspondence, which sheds new light on the social, political and literary context of his work; an outline of Hay's main poetic concerns in theme and in form; and some of Hay's own musical settings. Hardback still available in deluxe 2-volume set
Sabbath Questions: An open letter to Iain Murray
David H. J. Gay
Createspace Independent Publishing Platform
2014
nidottu
This book offers a detailed analysis of all mainstream novels of Iain Banks. It explores the question of mediation, the process of a semiotic (re)construction of the world on the part of Banks’s characters, with reference to the four directions of fictional worldmodelling, i.e. the four types of relationship between the individual and the world established by the author’s first novel, The Wasp Factory. In order to give justice to the extremely eclectic novelistic production of Iain Banks, the analysis of fifteen of his novels contained in the present study employs diverse interpretative «tools», fusing elements of various methodologies: structural-semiotic analysis supplemented by a mythographic approach along with psychological and gender specific theories. Mediating the World in the Novels of Iain Banks: The Paradigms of Fiction thus develops a critical paradigm capable of uniting the extremely versatile mainstream production of this Scottish writer.
Life on the Edge: The Neolithic and Bronze Age of Iain Crawford’s Udal, North Uist
Archaeopress
2018
sidottu
The discovery of archaeological structures in North Uist in 1974 after storm damage led to the identification by Iain Crawford of a kerb cairn complex, with a cist and human remains. Six years later he went back, and over the next three years excavated another cist with human remains in its kerbed cairn, many bowl pits dug into the blown sand, and down to two late Neolithic structures and a ritual complex. He intensively studied the environmental conditions affecting the site and was among the first archaeologists in Scotland to understand the climate changes taking place at the transition between late Neolithic and the early Bronze Age. The deposition of blown sand and the start of the machair in the Western Isles, including the rise in sea-level and inundations into inhabited and farmed landscapes, are all part of the complex story of natural events and human activities. Radiocarbon dating and modern scientific analyses provide the detail of the story of periods of starvation suffered by the people that were buried on the site, of the movement away of the community, of their attempts of bringing the ‘new’ land back into cultivation, of a temporary tent-like structure, and of marking their territory by the construction of enduring monuments to the dead.
Athghearradh Teagaisg Chriosta, Air a Cheartachadh Le Iain Camshron, Easbuig Antigonish
John Cameron
Kessinger Pub
2009
pokkari
Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair
David Anderson
Oxford University Press
2020
sidottu
This book situates the film-maker Patrick Keiller alongside the writers W.G. Sebald and Iain Sinclair as the three leading voices in 'English psychogeography', offering new insights to key works including London, The Rings of Saturn, and Lights Out for the Territory. Excavating social and political contexts while also providing plentiful close analysis, it examines the cultivation of a distinctive 'affective' mode or sensibility especially attuned to the cultural anxieties of the twentieth century's closing decades. Landscape and Subjectivity explores motifs including essayism, the reconciliation of creativity with market forces, and the foregrounding of an often agonised or melancholic. It asks whether the work can, collectively, be seen to constitute a 'critical theory of contemporary space' and suggests that Keiller, Sebald, and Sinclair's contributions represent a highly significant moment in English culture's engagement with landscape, environment, and itself. The book's analyses are fuelled by archival and topographical research and are responsive to various interdisciplinary contexts, including the tradition of the 'English Journey', the set of ideas associated with the 'spatial turn', critical theory, the so-called 'heritage debate', and more recent theorisation of the 'anthropocene'.
A major biography of the most modern and the most underrated of English Literature's Great Victorians.
John is 14 when his father's ship, the Isle of Skye, is shipwrecked on the coast of Cornwall as she makes for her home port. John survives the disaster, but soon learns to his horror that the villagers are not rescuers but wreckers - pirates who lure ships ashore in order to plunder their cargo.
A swashbuckling thriller, part two of THE HIGH SEAS ADVENTURES, set on the oceans of the eighteenth century – drama, horror, adventure… “Steer clear of that ship,” warns the mysterious gentleman who shares the coach to Dover with John Spencer and his father. “Death she’ll bring you. It’s the way of a ship that was christened in blood.” This is an ominous introduction to the schooner John is about to be entrusted with for a voyage north to London. But he’s too charmed by the pretty Dragon to heed the advice. The ship looks clever and quick, and John, now sixteen, can’t wait to sail her. She was a smugglers’ vessel once, but that was in the past. Now she’s the Spencers’ Dragon, and she will proudly carry wool for honest trade. But soon John will be forced to consider the gentleman’s warning. Could a ship that’s seen a smuggling run truly be spoiled for anything else? And what does John really know about his “bonny” crew of four? Alive with breathtaking action and unforgettable characters, this companion to The Wreckers is masterfully entertaining – a rousing nautical adventure full of danger and surprise.
A swashbuckling thriller, part three of THE HIGH SEAS TRILOGY, set on the oceans of the eighteenth century.
Johnny gradually comes to understand the difference between his toy soldiers and the reality of the World War I. He loves his army of nutcracker soldiers his father makes for him but soon war with Germany looms and his father's fate at the Front seems to depend on the battle he plays at home.
A remarkable debut novel, ‘Four Days in June’ is an imaginative but accurate reconstruction of five men – all real figures – five points of view, and four days of one of the world's most famous battles. Four days in June, 1815. Five men, three armies, on the fields of Waterloo. A battle for honour, glory, civilisation. And two great leaders, Napoleon and Wellington, in direct confrontation for the first time, to take their nations to victory. General De Lancey, Wellington's new Quartermaster-General, recently married and yearning for his beautiful wife. Colonel MacDonnell, a Scot who must hold his post to the last man. General Ziethen of the Prussian army, distrustful of the British but vital to their cause. Marshall Ney, mistrusted by Napoleon but revered by the French soldiers. And Napoleon, who must prove his worth as a great warrior for the glory of France. As the battle develops over the four days, it is seen through the very different positions and characters of the front men. From the eve of the battle to its bloody conclusion, there is defiance, desperation and great courage on both sides. Iain Gale, in his first novel, draws the scene, the devastation, the stench of war, with such vitality that, though the outcome is known, the tension of war comes vividly to life.
The first in a stunning new historical adventure series, perfect for all fans of Sharpe. Upper Bavaria, 1704. The British army, triumphant, fresh from victory, stands proudly to attention, ready to fight for honour and glory. Their enemy is Louis XIV of France, a megalomaniac intent on possessing all Europe. Among this proud group of men stands Lieutenant Jack Steel, admired by his men, the finest infantry in Queen Anne's army. Much praised for his courage, his strength, and his loyalty, Steel has come to the attention of his Commander in Chief, the Duke of Marlborough. Tasked with rescuing a letter whose controversial contents could destroy Marlborough, Steel leads his men through the battle of Blenheim, risking death and destruction in the fight for another man's honour. And along the way he is constantly threatened from within by the mellifluous Major Jennings, intent on destroying Steel and all he stands for. The first in a stunning new series featuring Jack Steel, Man of Honour is historical adventure perfect for all fans of Bernard Cornwell's Sharpe.
First in the Italian art-history crime series featuring English dealer and sleuth Jonathan Argyll, from the author of the best-selling masterpiece 'An Instance of the Fingerpost'.
Witty Italian art-history crime series featuring English dealer Jonathan Argyll, from the author of the best-selling literary masterpiece, 'An Instance of the Fingerpost'. Membership of the prestigious Titian Committee is normally considered a high honour. Normally, that is, until two of its members end up dead and someone seems to be taking the idea of backstabbing a little too far. Flavia de Stefano of Rome's Art Theft Squad is sent to find out why. She calls upon the help of dealer Jonathan Argyll, in Venice to buy a picture from the Marchesa di Mulino. But the sudden theft of the Marchesa's collection sets Flavia and Jonathan on a tortuous trail to uncover the truth. A further death threatens the very survival of the Committee itself, as well as offering the tantalizing possibility of an undiscovered Titian – a mysterious composition that may have been suppressed for 'moral' reasons….
Clever Italian art-history crime series featuring scholar and dealer Jonathon Argyll, from the author of the best-selling masterpiece 'An Instance of the Fingerpost'.
Witty Italian art-history crime series featuring English dealer Jonathan Argyll, from the author of the best-selling literary masterpiece, ‘An Instance of the Fingerpost’. Paris can do strange things to a man's mind… like making him agree to an apparently harmless favour of escorting a picture to Rome. ‘The Death of Socrates’ is a particularly nondescript piece, so art dealer Jonathan Argyll can sympathize when its recipient refuses to accept delivery. But in an unusual twist, the same man is found dead a few hours later. Surely the painting wasn't that bad? Now caught up in a murder investigation, Jonathan recalls an attempt to steal the artwork while he was at the train station. Could this be the killer? The bodies start piling up and Jonathan must uncover the dark wartime secret at the heart of the mystery – before someone puts him out of the picture for good.