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1000 tulosta hakusanalla Isaac Jenkinson
Isaac Layman—Paradise
Jo-Anne Birnie Danzker; Doug Nufer
University of Washington Press
2011
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In a few short years, Isaac Layman (b. 1977) has established himself as an exceptional talent. In Paradise, Layman expands his practice of constructing large-scale, psychologically charged photographic-based visions of the spaces and objects found in his Seattle home. His most recent photographic constructions explore the desire to fabricate escapes, destinations, and monuments and the role discontent plays in driving the need to create imagined perfection.
Isaac Bashevis Singer
University of Wisconsin Press
2003
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Isaac Bashevis SInger brought the vibrant milieu of pre-Holocaust Polish Jewry to the English-speaking world through his subtle psychological insight, deep sympathy for the eccentricities of Jewish folk custom and unerring feel for the heroism of everyday life. His novels, including ""The Family Moskat and Enemies: A Love Story"" and his short stories such as ""Yentl"" and ""Gimpel the Fool"" prove him to be a consummate storyteller and one of the greatest Yiddish writers of the 20th century.
Isaac Bashevis Singer and the Lower East Side
University of Wisconsin Press
2004
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Isaac Bashevis Singer, the Polish-born Yiddish writer and Nobel laureate, and New York documentary photographer Bruce Davidson collaborated on a surreal feature film made in 1973, entitled Isaac Bashevis Singer s Nightmare and Mrs. Pupko s Beard. This film was at once a documentary about Singer s New York and a dramatization of one his short stories. The film grew out of their friendship, as residents of the same building on the upper West Side of Manhattan, and their common interest in New York City street life. During and after production, Davidson made numerous portraits of Singer and also returned to the Lower East Side for a documentary series of photographs.A selection of more than forty of the stunning images made between 1957 and 1990 is available here for the first time in Isaac Bashevis Singer and the Lower East Side: Photographs by Bruce Davidson. The book also includes portraits of Singer, stills from the film, the black and white portfolio known as The Garden Cafeteria, and selections from the Lower East Side series. The Garden Cafeteria was a collaboration depicting denizens of the East Broadway restaurant frequented by Singer during his trips to The Jewish Daily Forward. The portfolio has never been published nor exhibited in its entirety until this volume. Included is an introduction by Singer himself on Davidson s images, an in-depth interview with Davidson about his art, aesthetic and political views, and his Jewishness, and a reflective, contextual essay by Ilan Stavans on the relevance of this collaboration between the writer and the photographer. Through Davidson s lens we see Singer s literary world of Holocaust survivors and emigres from Eastern Europe a displaced culture in its twilight.This book is a co-publication and appears in conjunction with an exhibition organized and presented by the Mead Art Museum at Amherst College, on the occasion of the centennial celebration nationwide of Singer's birth in 2004."
A landmark survey of the work of Isaac Mizrahi, a trailblazing and influential American fashion designer, artist, and entrepreneur Beginning with Isaac Mizrahi’s first fashion collection, which debuted to critical acclaim in 1986, and running though the present day, this stylish, lavishly illustrated book presents his signature couture collections. Mizrahi’s exuberant couture style is classic American, inventively reimagined. He pioneered the concept of “high/low” in fashion, and was the first high-end fashion designer to create an accessibly priced mass-market line. Mizrahi approached other complex issues through his designs, as well—mixing questions of beauty and taste with those of race, religion, class, and politics. Although Mizrahi (b. 1961) is best known for his clothing, his work in theater, film, and television is also explored. The result is a spirited discourse on high versus low, modern glamour, and contemporary culture. Three essayists discuss Mizrahi’s place in fashion history, his close connection to contemporary art, and the performative nature of his designs. New photography brings Mizrahi’s fashions to life, and an interview with the artist offers an intimate perspective on his kaleidoscopic work in diverse media.Published in association with the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York (03/18/16–08/07/16)
Two high-voltage scholars engage in a bitter conflict in this irresistible tale of principle and politics in the Cold War years Rancorous and highly public disagreements between Isaiah Berlin and Isaac Deutscher escalated to the point of cruel betrayal in the mid-1960s, yet surprisingly the details of the episode have escaped historians’ scrutiny. In this gripping account of the ideological clash between two of the most influential scholars of Cold War politics, David Caute uncovers a hidden story of passionate beliefs, unresolved antagonism, and the high cost of reprisal to both victim and perpetrator.Though Deutscher (1907–1967) and Berlin (1909–1997) had much in common—each arrived in England in flight from totalitarian violence, quickly mastered English, and found entry into the Anglo-American intellectual world of the 1950s—Berlin became one of the presiding voices of Anglo-American liberalism, while Deutscher remained faithful to his Leninist heritage, resolutely defending Soviet conduct despite his rejection of Stalin’s tyranny. Caute combines vivid biographical detail with an acute analysis of the issues that divided these two icons of Cold War politics, and brings to light for the first time the full severity of Berlin’s action against Deutscher.
The rise and fall of one of America’s first Black sports celebrities “Deeply and impressively researched. . . . Ms. Mooney pieces together a narrative with an arc so tight and clean that it’s a wonder it actually happened. . . . It reads, in other words, like a novel, and that is because the author brought not just rigor, but craft.”—Max Watman, Wall Street Journal Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. They were internationally famous, the first African American superstar athletes—and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all. At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences. Katherine C. Mooney uncovers the history of Murphy’s troubled life, his death in 1896 at age thirty-five, and his afterlife. In recounting Murphy’s personal story, she also tells two of the great stories of change in nineteenth-century America: the debates over what a multiracial democracy might look like and the battles over who was to hold power in an economy that increasingly resembled the corporate, wealth-polarized world we know today.
Isaac Julien
Isaac Julien; Giuliana Bruno; Mark Nash; Rafaela Mendes Ferreira
Yale Center for British Art
2025
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A visual record and philosophical investigation of Isaac Julien’s immersive installation on the modernist architect Lina Bo Bardi Isaac Julien’s multiscreen installation Lina Bo Bardi—A Marvellous Entanglement is a poetic portrait exploring the life, work, and legacy of the Italian-born Brazilian architect Lina Bo Bardi (1914–1992). The installation enfolds viewers in a narrative that exemplifies Bo Bardi’s observation that “time is not linear, it is a marvellous entanglement.” In this book, Julien combines elements of his recent video installation, works from his related photographic series, and a rich selection of archival materials, offering a deeper understanding of Bo Bardi and her influence. The publication features an essay by theorist Giuliana Bruno, a behind-the-scenes account of the project by curator and scholar Mark Nash, and a conversation between Julien and members of Brazilian art collective Araká, who performed in A Marvellous Entanglement. Distributed for Yale Center for British Art
The rise and fall of one of America’s first Black sports celebrities “Deeply and impressively researched. . . . Ms. Mooney pieces together a narrative with an arc so tight and clean that it’s a wonder it actually happened. . . . It reads, in other words, like a novel, and that is because the author brought not just rigor, but craft.”—Max Watman, Wall Street Journal Isaac Murphy, born enslaved in 1861, still reigns as one of the greatest jockeys in American history. Black jockeys like Murphy were at the top of the most popular sport in America at the end of the nineteenth century. They were internationally famous, the first African American superstar athletes—and with wins in three Kentucky Derbies and countless other prestigious races, Murphy was the greatest of them all. At the same time, he lived through the seismic events of Emancipation and Reconstruction and formative conflicts over freedom and equality in the United States. And inevitably he was drawn into those conflicts, with devastating consequences. Katherine C. Mooney uncovers the history of Murphy’s troubled life, his death in 1896 at age thirty-five, and his afterlife. In recounting Murphy’s personal story, she also tells two of the great stories of change in nineteenth-century America: the debates over what a multiracial democracy might look like and the battles over who was to hold power in an economy that increasingly resembled the corporate, wealth-polarized world we know today.
There is no more beloved musician in the classical world than Isaac Stern, revered not only as a great violinist but also as a generous personality and a crucial figure in the world of the arts. One of the few people who has known every major classical musician of the last two-thirds of the twentieth century, he shares his personal and artistic experiences in this warm, passionate account of his life: the story of his rise to eminence his feelings about music and the violin and his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals. Stern the man, the musician, and the cultural institution come alive in the most readable and revealing musical autobiography of the decade.
Isaac Asimov (1920-1992) had a brilliant career as a scientist, teacher, and writer. Best known for his science fiction novels and stories, he also wrote poetry and nonfiction, and he prepared guides to the Bible, Shakespeare, and other literary works. His personal book collection is held in the Special Collections Department of the Mulgar Library at Boston University. This volume is a guide to the holdings of the Asimov collection there. Included are annotated entries for books by Asimov along with books that he owned. Such books may have influenced him, for he thought them important enough to keep in his private library. The first half of the book includes works by Asimov, with chapters devoted to particular types of works. The second half includes entries for works that Asimov owned but did not write, with chapters arranged similarly. Entries in each chapter are listed alphabetically, with annotations discussing the significance of the works and the editions held by the library.
Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History
Erik Larson
Vintage Books USA
2000
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NEW YORK TIMES BESTSELLER - The riveting true story of the Galveston hurricane of 1900, still the deadliest natural disaster in American history--from the acclaimed author of The Devil in the White City "A gripping account ... fascinating to its core, and all the more compelling for being true." --The New York Times Book ReviewSeptember 8, 1900, began innocently in the seaside town of Galveston, Texas. Even Isaac Cline, resident meteorologist for the U.S. Weather Bureau failed to grasp the true meaning of the strange deep-sea swells and peculiar winds that greeted the city that morning. Mere hours later, Galveston found itself submerged in a monster hurricane that completely destroyed the town and killed over six thousand people--and Isaac Cline found himself the victim of a devastating personal tragedy. Using Cline's own telegrams, letters, and reports, the testimony of scores of survivors, and our latest understanding of the science of hurricanes, Erik Larson builds a chronicle of one man's heroic struggle and fatal miscalculation in the face of a storm of unimaginable magnitude.
Isaac Asimov was one of the most prolific authors of our time. When he died in 1992 at the age of seventy-two, he had published more than 470 books in nearly every category of fiction and nonfiction. Asimov was a prodigious correspondent as well as a prolific author. During his professional career he received more than one hundred thousand letters, over ninety thousand of which he answered.For Asimov's younger brother, veteran newspaperman Stanley Asimov, the creation of Yours, Isaac Asimov was truly a labor of love. Completed before Stanley's death in August 1995, the book is made up of excerpts from one thousand never-before-published letters, each handpicked by Stanley for inclusion in this volume. Arranged by subject and accompanied by Stanley's short, insightful introductions, here are letters to statesmen and scientists, actors and authors, as well as to children, housewives, aspiring writers, and fans the world over. The letters are warm, engaging, reasoned, and occasionally impassioned. Through them all Isaac Asimov's legendary genius, wit, and charm shine through.And so we have Yours, Isaac Asimov: A Lifetime of Letters, an intimate glimpse into the thoughts, feelings, and opinions of a great writer and thinker of the modern age. As Stanley Asimov advised, "Read the letters carefully. One of them may have been written to you."
Considered one of the greatest writers of the twentieth century--and the most revered short-story writer since Chekhov--Isaac Babel (1894-1940) left an extraordinary literary legacy that continues to grow, remarkably, more than sixty years after his death in Lubyanka Prison at the hands of Stalin's secret police. Despite Babel's celebrated stature--which had already been achieved during his lifetime--the whole of his work, owing to his arrest and the state of affairs in the Soviet Union, was never assembled in one place. This magnificent edition of Babel's collected work fulfills a lifelong ambition of Babel's daughter, Nathalie, who has authorized and edited the entire collection, and has collaborated with award-winning translator Peter Constantine in readying the work for publication. Every story or selection included in this volume (147 in total) has been newly edited and translated, beginning with Babel's first published story, "Old Shloyme," originally published in 1913, and concluding with two scenes from a screenplay that Babel did not live to see made into a film. Included in The Complete Works are stories that will be familiar to Babel enthusiasts, like the "Red Cavalry" cycle and his diaries, as well as untranslated stories and other works that appear in English for the first time. To read Babel is to relive the wild and often terrifying swings of twentieth-century Russian history. No writer has conveyed with such emotion and convulsive energy the tragic story of a modern nation that remained a prisoner of its brutal and repressive past. Combining the compassion of Dostoevsky with the mordant wit of Chekhov, Babel injected a daring social criticism and a palpable sexual tension into the literary climate of post-tsarist Russia. In the process, he created a style so vivid, so lacerating, and so utterly hypnotic that his stories have come to define the sanguinary landscape of the Soviet Union in the years between the two world wars. As these stories illustrate, and as Cynthia Ozick insightfully observes in her passionate introduction, Babel was a man of acute contradictions. Born in the cosmopolitan port city of Odessa during the long reign of Alexander II, Babel was quite competent in both Hebrew and Yiddish but, influenced by both Flaubert and Maupassant, wrote his first stories in fluent French. His often comic portrayal of characters--such as the ruthless Jewish mobsters depicted in his Benya Krik stories--resulted from observing them firsthand as a boy in the Moldavanka neighborhood of Odessa. As Ozick notes, the "breadth and scope of his social compass enabled him to see through the eyes of peasants, soldiers, priests, rabbis, children, artists, actors, women of all classes. . . . He was at once a poet of the city ('the glass sun of Petersburg') and a lyricist of the countryside ('the walls of sunset collapsing into the sky')." Arranged sequentially in fourteen sections, The Complete Works traces the entire arc of Babel's literary career, beginning with early stories, which are followed by The Odessa Stories and The Red Cavalry Stories. Also included are his Reports from St. Petersburg (1918), the remarkable 1920 Diary, and reports from Soviet Georgia and France, where his wife, Evgenia, and his daughter, Nathalie, lived. Many of his later stories (1925-38) reflect a compelling literary quality and abrupt change in style that have challenged translators for years. An accomplished playwright and screenwriter, Babel, at the height of his popularity, began writing for the Soviet cinema as early as the 1920s, and many of these works have never been translated before. This edition also includes a foreword and a biographical afterword by Nathalie Babel, a translator's preface and annotations throughout by Peter Constantine, and a chronology by Gregory Freidin, regarded as one of the foremost Babel scholars in the world. Unprecedented for both its literary and its scholarly achievement, The Complete Works of Isaac Babel will stand as Babel's final, most enduring legacy.
Presents the Russian author's stories in new translations, including a chronology and notes on the texts.
This is Volume V of six in the Psychology and Religion series. First published in 1954, this is a religious-psychological study of the father-son relationship. It represents a re-evaluation of the Oedipus Complex and is based on the exposition of the twenty-second chapter of Genesis, the Sacrifice of Isaac. The thesis of the study is that phenomena described in the Bible provide a unique contribution to psychological truth.
Isaac Albéniz is one of the most important figures in the history of Spanish music. A legendary child prodigy, he went on to become one of the leading concert pianists of his generation in Europe. However, he aspired to compose music rooted in the folklore of his native Spain, contributing seminal masterpieces that defined the sound of Spanish art music in the 20th century and served as an inspiration to his most eminent successors. This annotated bibliography and research guide provides an up-to-date and thorough presentation of all the sources any aficionado, performer, or scholar would need to deepen his or her understanding of this fascinating pianist and composer.
This is Volume V of six in the Psychology and Religion series. First published in 1954, this is a religious-psychological study of the father-son relationship. It represents a re-evaluation of the Oedipus Complex and is based on the exposition of the twenty-second chapter of Genesis, the Sacrifice of Isaac. The thesis of the study is that phenomena described in the Bible provide a unique contribution to psychological truth.
Isaac Asimov's I Robot: To Obey
Mickey Zucker Reichert
ROC (imprint of Penguin Group (USA) Inc)
2014
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Susan Calvin is about to enter her second year as a psych resident at the Manhattan Hasbro teaching hospital when a violent crime strikes very close to home. When she was young, Susan lost her mother in a terrible car wreck that also badly injured her father. She now believes the accident was orchestrated by government officials who wanted her parents dead. Susan has always known there was a faction of the U.S. government that wanted to hijack her father's work for military use. Now it seems that faction is back. As she struggles to overcome her pain and confusion, as well as deal with her studies, Susan finds herself hunted by violent antitech vigilantes who would revert mankind to the Dark Ages--and at the same time she's being watched very closely by extremists who want high-tech genocide. Somehow she must find a way to stop them both.