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1000 tulosta hakusanalla Jorg Imberger

Tobias Kruse / Jorg Bruggemann

Tobias Kruse / Jorg Bruggemann

Kerber Verlag
2020
nidottu
In this book, Joerg Bruggemann and Tobias Kruse ask what kind of a relationship 'friendship' is. It is neither familial nor romantic, and yet, it often goes so much deeper. Together, the two photographers have photographed each other and observed friendships in public spaces. In their new series for the OBSCURA Festival of Photography and this artist's book, they find emblematic images of closeness and distance, joy and sorrow, love and competition, trust and doubt, giving and taking, strength and weakness, sharing and separating. Text in English and German.
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Fault Lines: Jörg Colberg

Fault Lines: Jörg Colberg

Kerber Verlag
2025
nidottu
Following decades of relative unity, Europe is once again seeing an intensification of nationalism and illiberalism. “The past is never dead,” wrote William Faulkner, “it’s not even past.” Like tectonic plates, perceptions shift without us realising it. Only when the resulting tensions erupt do we notice the new reality. The soul of a country, however, reveals itself along much longer time scales. In Fault Lines, Jörg Colberg examines the origins and effects of such processes in Hungary, where the authoritarian transformation of state and society has been underway for more than a decade without regard for losses. Text in English and German.
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Gerda Steiner & Jörg Lenzlinger: Copain

Gerda Steiner & Jörg Lenzlinger: Copain

Gerda Steiner; Jörg Lenzlinger

Verlag Fur Moderne Kunst
2023
nidottu
A playful meditation on the topic of breadSwiss artist duo Gerda Steiner and J rg Lenzlinger (born 1967, 1964) are known for their ethereal and immersive large-scale floral installations. This catalog accompanies a recent project in which they playfully investigate the types, traditions and baking procedures of bread.
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Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475-1536

Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475-1536

Cuneo

Brill
1998
erikoissidos
An exploration of the interaction between art and politics in early modern Germany, this work focuses on art, political in content, produced by the Augsburg artist Jörg Breu the Elder during the second and third decodes of the sixteenth century. The book argues for the function of the art as fashioning political identities. The artist Jörg Breu is first introduced. His work for the city of Augsburg and for Habsburg and Wittelsbach rulers are examined. These works are placed within their historical context and analyzed according to how they articulate themes of warfare, ceremony, and history in order to construct political identity. The analysis of Breu's city chronicle and of the response of his art to political contest is particularly useful for historians of art and of politics.
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