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1000 tulosta hakusanalla Katherine Pryor

The Collected Letters of Katherine Mansfield: Volume III: 1919-1920
The third volume of the Collected Letters of Katherine Mansfield covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'. For all the grimness of this period of her life, Mansfield's letters still offer the joie de vivre and wit, self-perception and lively frankness that make her correspondence such rewarding reading - an invaluable record of a `modern' woman and her time.
Katherine Mansfield and Virginia Woolf

Katherine Mansfield and Virginia Woolf

Angela Smith

Clarendon Press
1999
sidottu
Long after the death of Katherine Mansfield (1888-1923), Virginia Woolf (1882-1941) described being haunted by Mansfield in dreams. Through detailed comparative readings of their fiction, letters, and diaries, Smith explores the intense affinity between the two writers. Their particular inflection of modernism is interpreted through their shared experience as `threshold people', familiar with the liminal, for each of them a zone of transition and habitation. Writing at a time when the First World War and changing attitudes to empire problematized boundaries and definitions of foreignness, we see how the fiction of both Mansfield and Woolf is characterized by moments of disorienting suspension in which the perceiving consciousness sees the familiar made strange, the domestic made menacing.
The Collected Letters of Katherine Mansfield: Volume IV: 1920-1921
The letters is this volume cover the eighteen months katherine Mansfield spent in England, France, and Switzerland from May 1920 to the end of 1921. It is the period of her finest stories, and when her life took its most decisive turn. There is a subtle but unmistakable change in her expectations, a new 'spiritual' insistence that is both elusive and resolute. From her Chekovian acceptance that 'they are cutting down the cherry trees' she derives a tough existential directness: 'the little boat enters the dark, fearful gulf...Nobody listens. The shadowy figure rows on. One ought to sit still and uncover one's eyes.' There is a determined push - not always successful - towards a necessary honesty, as much as to artistic achievement; while those qualities of her earlier correspondence remain undiminished - the precision and directness, the intelligence and wit, the dark incisiveness as much as sheer fun. Above all, perhaps, these letters comprise a record of very considerable courage, against increasingly adverse odds, as they approach the final years of her life.
Katherine Parr

Katherine Parr

Katherine Parr

University of Chicago Press
2014
nidottu
To the extent that she is popularly known, Katherine Parr (1512-48) is the woman who survived King Henry VIII as his sixth and last wife. She merits far greater recognition, however, on several other fronts. Fluent in French, Italian, and Latin, Parr applied her languages in new diplomatic contexts after ascending to the throne in 1543. As Henry's wife and queen of England, she was a noted patron of the arts and music and took a personal interest in the education of her stepchildren, Princesses Mary and Elizabeth and Prince Edward. Above all, Parr commands interest for her literary labors: she was the first woman to publish under her own name in English in England. For this new edition of Parr's writing, Janel Muller has assembled the four publications attributed to her - Psalms or Prayers, Prayers or Meditations, The Lamentation of a Sinner, and a compilation of prayers and Biblical excerpts written in her hand - as well as her extensive correspondence, which is collected here for the first time. Mueller brings to this volume a wealth of knowledge of sixteenth-century English culture. She marshals the impeccable skills of a textual scholar in rendering Parr's sixteenth-century English for modern readers and provides useful background on the circumstances of and references in Parr's letters and compositions.
Katherine Mansfield and the Modernist Marketplace
Katherine Mansfield had a career-long engagement with the literary marketplace from the age of eighteen. This book examines how she developed as a writer within a range of book and periodical publishing contexts, reconsidering her writing's enactment of a commercially viable modern aesthetic in her experimentation with the short story form.
Katherine Grainger

Katherine Grainger

Katherine Grainger; Sir Steve Redgrave

Andre Deutsch Ltd
2016
pokkari
Katherine Grainger is not only Great Britain's finest ever woman rower, but also she has won more Olympic medals than any other female British athlete in any sport. At Rio de Janeiro in the 2016 Olympic Games, at the age of 40, and less than two years after coming out of 'retirement', with a different partner, she came within one second of retaining her women's Double Sculls gold medal. On 3 August 2012, on the water at Eton Dorney in the London 2012 Olympic Games, she – and Anna Watkins – had rowed to glory in the women's Double Sculls. Three times an Olympic silver medallist, she could finally hang up her oars as an Olympic champion to add to her six World Championships and eight World Cup gold medals – but she didn't. Katherine's story is a remarkable one – proof that nice people can be winners and dedication and hard work pay off. Incredibly bright, Grainger combined her athletic career with her education and she has degrees from Glasgow and Edinburgh universities and a PhD from London, in subjects as diverse as law, philosophy and homicide. No wonder she is so much in demand as a motivational speaker. Katherine Grainger: The Autobiography continues her inspirational story taking in her post-London activities, the return to training, finding a new double sculls partner in Vicky Thornley, the highs and lows of their attempt to qualify for Rio 2016 and eventually their astonishing row to another silver medal.
Katherine Mansfield

Katherine Mansfield

Claire Tomalin

Penguin Books Ltd
2012
pokkari
Katherine Mansfield is the celebrated biography be bestselling author Claire Tomalin'One of the best biographies I have ever read: a perfect match of author and subject. It should become a classic' Alison LuriePursuing art and adventure across Europe, Katherine Mansfield lived and wrote with the Furies on her heels; but when she died aged only thirty-four she became one of the most influential writers of the twentieth century. Sexually ambiguous, craving love yet quarrelsome and capricious, she glittered in the brilliant circles of D. H. Lawrence and Virginia Woolf, her beauty and recklessness inspiring admiration, jealousy, rage and devotion. Claire Tomalin's biography brings us nearer than we have ever been to this courageous, greatly gifted, haunted and haunting writer.'Generous, dispassionate, even-handed, setting out probably as plainly as anyone ever will Katherine's high hopes, the odds she faced and the impossible obstacles that ditched her in the end' Hilary Spurling, Daily Telegraph'Provides the finest and most subtly shaded portrait so far' John Gross, New York TimesFrom the acclaimed author of Samuel Pepys: The Unequalled Self, Charles Dickens: A Life and The Invisible Woman, this virtuoso biography is invaluable reading for lovers of Katherine Mansfield everywhere.Claire Tomalin is the award-winning author of eight highly acclaimed biographies, including: The Life and Death of Mary Wollstonecraft; Shelley and His World; Katherine Mansfield: A Secret Life; The Invisible Woman: The Story of Nelly Ternan and Charles Dickens; Mrs Jordan's Profession; Jane Austen: A Life; Samuel Pepys: The Unequalled Self; Thomas Hardy: The Time-Torn Man and, most recently, Charles Dickens: A Life. A former literary editor of the New Statesman and the Sunday Times, she is married to the playwright and novelist Michael Frayn.
Katherine Dunham

Katherine Dunham

Joyce Aschenbrenner

University of Illinois Press
2002
sidottu
Throughout the better part of the twentieth century, and in performance halls, classrooms, and communities throughout the world, the wellspring of Katherine Dunham's remarkable career can be traced to the intersection of dance, culture, and society. More than a recounting of Dunham's accomplishments as a dancer and choreographer, this biography is the first to thoroughly examine her pioneering contributions to dance anthropology and her commitment to humanizing society through the arts. Founder of the first self-supporting African American dance company, Dunham relied on her fieldwork as an anthropologist to fundamentally change modern dance. She shaped new dance techniques and introduced other cultures to U.S. and European audiences by fusing Caribbean and African-based movement with ballet and modern dance. Her revolutionary approaches to dance and its greater connection to the world have influenced a generation of dancers, theatrical performers, and scholars. She believes that dance involves the development of an entire person and the rituals and traditions of dance are integral to the study of culture. Throughout her career she has been a living model of the socially responsible artist working to whet cultural appetites and combat social injustice. Joyce Aschenbrenner's multifaceted portrait blends personal observations based on her own interactions with Dunham, archival documents, and interviews with Dunham's colleagues, students, and members of the Katherine Dunham Dance Company. Integrating these sources, Aschenbrenner characterizes the social, familial, and cultural environment of Dunham's upbringing and the intellectual and artistic community she embraced at the University of Chicago that laid the groundwork for her development as a dancer, anthropologist, and humanitarian. The book vividly depicts Dunham's and her dancers' touring experiences and includes detailed descriptions of her community cultural and educational programs in East St. Louis.
Uncollected Early Prose of Katherine Anne Porter

Uncollected Early Prose of Katherine Anne Porter

Katherine Anne Porter

University of Texas Press
1993
pokkari
This volume brings together twenty-nine pieces dating from before 1932, none of which appeared in Porter's collected works and many of which are published here for the first time. Both fiction and essays are covered. All these pieces belong to Porter's apprenticeship as a creative writer. Thus, they offer new insights into her artistic development and her relationship with Mexico, a place that, as she later said, "influenced everything I did afterward."
Katherine the Queen: The Remarkable Life of Katherine Parr, the Last Wife of Henry VIII
The general perception of Katherine Parr is that she was a provincial nobody with intellectual pretensions who became queen of England because the king needed a nurse as his health declined. Yet the real Katherine Parr was attractive, passionate, ambitious, and highly intelligent. Thirty years old (younger than Anne Boleyn had been) when she married the king, she was twice widowed and held hostage by the northern rebels during the great uprising of 1536 37 known as the Pilgrimage of Grace. Her life had been dramatic even before she became queen and it would remain so after Henry's death. She hastily and secretly married her old flame, the rakish Sir Thomas Seymour, and died shortly after giving birth to her only child in September 1548. Her brief happiness was undermined by the very public flirtation of her husband and stepdaughter, Princess Elizabeth. She was one of the most influential and active queen consorts in English history, and this is her story."
Katherine Mansfield

Katherine Mansfield

Angela Smith

Palgrave Macmillan
2000
sidottu
In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.
Katherine Mansfield

Katherine Mansfield

Angela Smith

Palgrave Macmillan
2000
nidottu
In a letter, Katherine Mansfield writes: 'I hate the sort of licence that English people give themselves - to spread over and flop and roll about. I feel as fastidious as though I write with acid'. This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fuavist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.
Katherine Philips: Form, Reception, and Literary Contexts
Katherine Philips (1632–1664) is widely regarded as a pioneering figure within English-language women’s literary history. Best known as a poet, she was also a skilled translator, letter writer and literary critic whose subjects ranged from friendship and retirement to politics and public life. Her poetry achieved a high reputation among coterie networks in London, Wales and Ireland during her lifetime, and was published to great acclaim after her death. The present volume, drawing on important recent research into her early manuscripts and printed texts, represents a new and innovative phase in Philips's scholarship. Emphasizing her literary responses to other writers as well as the ambition and sophistication of her work, it includes groundbreaking studies of her use of form and genre, her practices as a translator, her engagement with philosophy and political theory, and her experiences in Restoration Dublin. It also examines the posthumous reception of Philips’s poetry and model theoretical and digital humanities approaches to her work. This book was originally published as two special issues of Women’s Writing.
Katherine Mansfield's Selected Stories

Katherine Mansfield's Selected Stories

Katherine Mansfield

WW Norton Co
2005
nidottu
With the exception of the first four stories, all were written within a period of ten years. These stories, and the letters following, reflect the urgency of a writer who knew her time was limited. All but four of the texts of the stories reprinted here are versions that Mansfield herself revised or selected. Twenty excerpts from Mansfield’s correspondence address the craft of writing and her own views on her work, subjects rarely broached in her many letters. "Criticism" includes eighteen essays that collectively suggest the changing emphases in how Mansfield has been read by critics. Contributors include fellow writers Rebecca West, T. S. Eliot, Katherine Anne Porter, V. S. Pritchett, Elizabeth Bowen, and Frank O’ Connor, as well as biographers Claire Tomalin and Vincent O’Sullivan, among others. A Selected Bibliography is also included.
Katherine's Rainbow Dress

Katherine's Rainbow Dress

Christchurch Fisher

Kingfisher Publishing
2019
pokkari
Katherine's Rainbow Dress is a children's learn to read story about a girl and her favorite dress for 4 - 5 years olds. It was written by Katherine Fisher, who loves to learn to read.In her rainbow dress, Katherine plays with her friends and her Dad, and goes for a walk in the rain.