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1000 tulosta hakusanalla Lars Hedbor

Serieantologi 2014

Serieantologi 2014

Lars Andersson; Max Andersson; Tomas Antila; Gerd Aurell; Mikael Bergkvist; Fredrik Dellkrantz; Niklas Eriksson; Åke Forsmark; Ludwig Franzén; Anneli Furmark; Stef Gaines; Armita Ghazinezam; Annika Giannini; Jenny Hannula; Jan Hoff; Mikke Hedberg; Joanna Hellgren; Sofia Karlström; Jonny Nordlund; Sofia Olsson; Åsa Palmborg; Stefan Petrini; Robert Pettersson; Malin Svedjeholm; Anna-Clara Tidholm; Elisabeth Widmark; Klara Wiksten; Erik Winbo; Li Österberg

Natt förlag
2014
sidottu
Serieantologi 2014Till kulturhuvudstadsåret har vi valt att lyfta även serien som ett av kulturuttrycken och det bästa sättet att göra det är genom att ge ut dem i bokform. Serieantologi 2014 samlar ett brett urval av serietecknare som alla har anknytning till Norrland och innehåller serier som (mer eller mindre) tar an Norrland som tema och visar på en enorm vidd i uttryck och stil. Här presenteras både nya talanger och etablerade serieskapare. Förordet är skrivet av Po Tidholm. Medverkande serieskapare: Lars Andersson, Max Andersson, Tomas Antila, Gerd Aurell, Mikael Bergkvist, Fredrik Dellkrantz, Niklas Eriksson, Åke Forsmark, Ludwig Franzén, Anneli Furmark, Stef Gaines, Armita Ghazinezam, Annika Giannini, Jenny Hannula Jan Hoff Mikke Hedberg Joanna Hellgren Sofia Karlström Jonny Nordlund Sofia Olsson Åsa Palmborg Stefan Petrini Robert Pettersson Malin Svedjeholm Anna-Clara Tidholm Elisabeth Widmark Klara Wiksten Erik Winbo Li Österberg
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Function Spaces and Potential Theory

Function Spaces and Potential Theory

David R. Adams; Lars I. Hedberg

Springer-Verlag Berlin and Heidelberg GmbH Co. K
1995
sidottu
Function spaces, especially those spaces that have become known as Sobolev spaces, and their natural extensions, are now a central concept in analysis. In particular, they play a decisive role in the modem theory of partial differential equations (PDE). Potential theory, which grew out of the theory of the electrostatic or gravita­ tional potential, the Laplace equation, the Dirichlet problem, etc. , had a fundamen­ tal role in the development of functional analysis and the theory of Hilbert space. Later, potential theory was strongly influenced by functional analysis. More re­ cently, ideas from potential theory have enriched the theory of those more general function spaces that appear naturally in the study of nonlinear partial differential equations. This book is motivated by the latter development. The connection between potential theory and the theory of Hilbert spaces can be traced back to C. F. Gauss [181], who proved (with modem rigor supplied almost a century later by O. Frostman [158]) the existence of equilibrium potentials by minimizing a quadratic integral, the energy. This theme is pervasive in the work of such mathematicians as D. Hilbert, Ch. -J. de La Vallee Poussin, M. Riesz, O. Frostman, A. Beurling, and the connection was made particularly clear in the work of H. Cartan [97] in the 1940's. In the thesis of J. Deny [119], and in the subsequent work of J. Deny and J. L.
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Function Spaces and Potential Theory

Function Spaces and Potential Theory

David R. Adams; Lars I. Hedberg

Springer-Verlag Berlin and Heidelberg GmbH Co. K
2010
nidottu
Function spaces, especially those spaces that have become known as Sobolev spaces, and their natural extensions, are now a central concept in analysis. In particular, they play a decisive role in the modem theory of partial differential equations (PDE). Potential theory, which grew out of the theory of the electrostatic or gravita­ tional potential, the Laplace equation, the Dirichlet problem, etc. , had a fundamen­ tal role in the development of functional analysis and the theory of Hilbert space. Later, potential theory was strongly influenced by functional analysis. More re­ cently, ideas from potential theory have enriched the theory of those more general function spaces that appear naturally in the study of nonlinear partial differential equations. This book is motivated by the latter development. The connection between potential theory and the theory of Hilbert spaces can be traced back to C. F. Gauss [181], who proved (with modem rigor supplied almost a century later by O. Frostman [158]) the existence of equilibrium potentials by minimizing a quadratic integral, the energy. This theme is pervasive in the work of such mathematicians as D. Hilbert, Ch. -J. de La Vallee Poussin, M. Riesz, O. Frostman, A. Beurling, and the connection was made particularly clear in the work of H. Cartan [97] in the 1940's. In the thesis of J. Deny [119], and in the subsequent work of J. Deny and J. L.
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Linjär algebra med geometri

Linjär algebra med geometri

Lennart Andersson; Anders Grennberg; Torbjörn Hedberg; Reinhold Näslund; Lars-Erik Persson; Inge Söderkvist; Björn von Sydow

Studentlitteratur AB
1999
nidottu
Boken inleds med ett fylligt kapitel som behandlar geometriska vektorer, linjer och plan samt andragradskurvor. De följande avsnitten, som behandlar matriser, linjära avbildningar, linjära ekvationssystem, determinanter samt egenvärden och egenvektorer, bygger i hög grad på detta första kapitel. Begrepp och satser illustreras och troliggörs så långt som möjligt med geometriska tolkningar. Två avslutande och helt nyskrivna kapitel behandlar basbyten, diagonalisering och kvadratiska former samt ger en inledning till den abstrakta teorin för vektorrum. Boken behandlar även vissa numeriska metoder och ger en introduktion till singulärvärdesuppdelning (SVD) och pseudoinverser.Boken är försedd med ett stort antal lösta exempel och övningsuppgifter. Många av exemplen är hämtade från områden där linjär algebra kommer till konkret användning. Boken vänder sig främst till studerande under första året på civilingenjörs- och högskoleingenjörsutbildningar.Författarna, som alla undervisar eller har undervisat vid Luleå tekniska universitet, har lång erfarenhet av matematikundervisning och har medverkat som författare i andra läroböcker i matematik.Andra upplagan
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Lars

Lars

Ann Gimpel

Ann Giimpel Books, LLC
2018
pokkari
Tamara MacBride has a much bigger problem than hiding her shifter side from the world. By the skin of her teeth, and with a smattering of Irish luck, she manages to kill her sister's murderer. Escaping from the scene of the crime is much harder than she anticipated. Just when she thinks she might be safe, her cab driver shrieks and slumps over the wheel.An unknown assailant terminates Lars Kinsvogel's target. Pleased by the outcome--after all dead is dead--he exchanges the glitz of Monte Carlo for a nearby airport, intent on collecting the private plane he left there. He's no sooner arrived when a cab jumps the curb, and he races over to investigate. There's not much he can do for the cabbie, but his passenger is still very much alive.Trying to hustle Tamara out of the cab is tough. She's frozen by fear, but when Lars lays out the rest of his plan to move her out of danger's path, her temper flares. He can't leave her alone in Monte Carlo. Can he convince her to trust him in time to save her life?
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Lars

Lars

Ulrica Martinsdotter

Lava Förlag
2023
nidottu
Mitt i morgonpromenaden, steg 1834 för att vara mer exakt, bestämmer sig Lars för att han ska ta livet av sig. Han bestämmer också att han ska göra det en regnig dag – han vill nämligen inte påverka någons soliga dag med sitt avslut.Den soligaste sommaren på 103 år får vi sedan följa Lars och hans tankar när han planerar allt in i minsta detalj, i väntan på regnet.I ett bibliotek står Lisa och tar emot för sent tillbakalämnade böcker med dåliga ursäkter som obligatoriskt komplement.Hon drömmer sig tillbaka till när barnen var så små att hon kunde högläsa deckare för dem, eftersom de ändå inte förstod vad hon sa. Nu är allt hon hinner läsa baksidestexter på böckerna hon packar upp på jobbet, och samma barnböcker om och om igen.
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Lars von Trier Beyond Depression

Lars von Trier Beyond Depression

Linda Badley

Columbia University Press
2022
sidottu
Lars von Trier built a reputation as a provocateur from the start—but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to “extreme” cinema. Following von Trier’s experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director’s controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier’s preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier’s artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier’s work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, “dark ecology,” and the postcinematic.
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Lars von Trier Beyond Depression

Lars von Trier Beyond Depression

Linda Badley

Columbia University Press
2022
pokkari
Lars von Trier built a reputation as a provocateur from the start—but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting audiences to “extreme” cinema. Following von Trier’s experience of clinical depression in 2006 and 2007, these films took an aggressively personal and retrospective turn against the backdrop of the director’s controversy-courting public appearances.Playing against widespread assumptions, Linda Badley takes a reparative approach, offering an in-depth examination of these four films and the contexts that produced them. Drawing on numerous interviews with the director and his collaborators as well as inside access to archival materials, she provides a thorough and comprehensive account of von Trier’s preproduction and creative process. Highlighting a transmedial turn, Badley tracks von Trier’s artistic touchstones from Wagner, Proust, and the Marquis de Sade to Scandinavian erotic cinema and serial killer genre tropes. She considers his portrayals of mental illness and therapy, gender and sexuality, nature and extinction, shedding light on the thematic concerns that unite these films as a distinct cycle. Offering nuanced readings of these films, the book emphasizes the significance of von Trier’s work for current critical and philosophical debates, showing how they engage with notions of the Anthropocene, “dark ecology,” and the postcinematic.
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Lars von Trier

Lars von Trier

Linda Badley

University of Illinois Press
2011
sidottu
Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde to American genre films. This volume provides a stimulating overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy (Breaking the Waves, The Idiots, and Dancer in the Dark), the as-yet unfinished USA Trilogy (Dogville and Manderlay), and individual projects such as the comedy The Boss of It All and the incendiary horror psychodrama Antichrist. Closely analyzing the films and their contexts, Linda Badley draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture. Two revealing interviews that Trier granted during crucial stages of Antichrist's development are also included.
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Lars Von Trier

Lars Von Trier

Linda Badley

University of Illinois Press
2011
nidottu
Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde to American genre films. This volume provides a stimulating overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy (Breaking the Waves, The Idiots, and Dancer in the Dark), the as-yet unfinished USA Trilogy (Dogville and Manderlay), and individual projects such as the comedy The Boss of It All and the incendiary horror psychodrama Antichrist. Closely analyzing the films and their contexts, Linda Badley draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture. Two revealing interviews that Trier granted during crucial stages of Antichrist's development are also included.
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Lars von Trier's Cinema

Lars von Trier's Cinema

Rebecca Ver Straten-McSparran

Routledge
2021
sidottu
This book offers a bold and dynamic examination of Lars von Trier’s cinema by interweaving philosophy and theology with close attention to aesthetics through style and narrative. It explores the prophetic voice of von Trier's films, juxtaposing them with Ezekiel's prophecy and Ricoeur’s symbols of evil, myth, and hermeneutics of revelation. The films of Lars von Trier are categorized as extreme cinema, inducing trauma and emotional rupture rarely paralleled, while challenging audiences to respond in new ways. This volume argues that the spiritual, biblical content of the films holds a key to understanding von Trier’s oeuvre of excess. Spiritual conflict is the mechanism that unpacks the films’ notorious excess with explosive, centrifugal force. By confronting the spectator with spiritual conflict through evil, von Trier's films truthfully and prophetically expose the spectator’s complicity in personal and structural evil, forcing self-examination through theological themes, analogous to the prophetic voice of the transgressive Hebrew prophet Ezekiel, his prophecy, and its form of delivery. Placed in context with the prophetic voices of Dante, Milton, Dostoyevsky, O’Connor, and Tarkovsky, this volume offers a theoretical framework beyond von Trier. It will be of great interest to scholars in film studies, film and philosophy, film and theology.
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Lars von Trier's Cinema

Lars von Trier's Cinema

Rebecca Ver Straten-McSparran

TAYLOR FRANCIS LTD
2023
nidottu
This book offers a bold and dynamic examination of Lars von Trier’s cinema by interweaving philosophy and theology with close attention to aesthetics through style and narrative. It explores the prophetic voice of von Trier's films, juxtaposing them with Ezekiel's prophecy and Ricoeur’s symbols of evil, myth, and hermeneutics of revelation. The films of Lars von Trier are categorized as extreme cinema, inducing trauma and emotional rupture rarely paralleled, while challenging audiences to respond in new ways. This volume argues that the spiritual, biblical content of the films holds a key to understanding von Trier’s oeuvre of excess. Spiritual conflict is the mechanism that unpacks the films’ notorious excess with explosive, centrifugal force. By confronting the spectator with spiritual conflict through evil, von Trier's films truthfully and prophetically expose the spectator’s complicity in personal and structural evil, forcing self-examination through theological themes, analogous to the prophetic voice of the transgressive Hebrew prophet Ezekiel, his prophecy, and its form of delivery. Placed in context with the prophetic voices of Dante, Milton, Dostoyevsky, O’Connor, and Tarkovsky, this volume offers a theoretical framework beyond von Trier. It will be of great interest to scholars in film studies, film and philosophy, film and theology.
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