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1000 tulosta hakusanalla Laura Dockrill

Sockflea

Sockflea

Laura Dockrill

WALKER BOOKS LTD
2026
nidottu
This little elephant is GOING CAMPING! And no, DAD, he will not need his teddies - he's FIVE. Besides, you don’t need teddies out in the wild, OK? Not even when it is dark (so dark) and the sky is endless black and there are scrunchy-crunchy noises all around... This little elephant is going camping. He’s never been before and he can’t wait for marshmallows on sticks, singing by the campfire and sleeping under the stars! When his grown-up asks, “Now, are you sure you don’t want to bring a teddy?” He’s SURE. He's way too old for for teddies. So, goodbye and good luck Mr Conkie, Gladys the hedgehog, Sugarpie and Bad Debbie (who really is bad) and it's all sun’s out, tent up, fire lit ... oh yeah. But when night comes … it’s so quiet, and dark and spooky in the tent and - guess what? - HE WANTS HIS TEDDIES! Luckily, quick-thinking Dad comes up with the perfect solution: Sockflea! Two (slightly smelly) socks become – ta-da! – a loveable rabbit. The perfect sock teddy for cosying up to. Goofy, deliciously funny and very relatable, Laura Dockrill and Eva Byrne have made a true laugh-out-loud picture book about being brave and adventuring in the great outdoors.
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I Am Strong Just Being Me

I Am Strong Just Being Me

Laura Dockrill

Little Tiger Press Group
2026
nidottu
A poetic story from Laura Dockrill (Angry Cookie, The Lipstick, Grey) that shows children that there are many different ways to be strong. Is strong brave and fearless? Does it always win a fight? Does strong have a shouty voice? Is it always right? These are some of the questions that the inquisitive Bean asks their Nanna one day while in the garden. What follows is a stunning, lyrical exploration of strength and its many guises. From the power of silence to the strength of an embrace, this uplifting picture book offers an alternative to the stereotypes around strength, and encourages all children that they can be strong in their own way. The lyrical text is accompanied by Kip Alizadeh's gorgeous, evocative illustrations, which are a celebration of the natural world. Just like Today I'm Strong by Nadiya Hussain and Ella Bailey, The Lion Inside by Rachel Bright and Jim Field, and the Big Bright Feelings series by Tom Percival, I Am Strong Just Being Me is a powerful picture book that inspires reflection.
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Sokkeloppe

Sokkeloppe

Laura Dockrill

Turbine
2026
sidottu
Vi skal på camping. Det har jeg aldrig prøvet før. JEG. KAN. IKKE. VENTE. Skumfiduser på pind! Sange omkring lejrbålet! Sove under stjernerne! Jeg behøver ikke pakke en bamse. Det er jeg alt for gammel til...
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Laura

Laura

Vera Caspary

Vintage
2012
pokkari
In the doorway of an elegant New York apartment, blood seeps over silk negligee, over polished wood floors and plush carpet: a beautiful young woman lies dead, her face disfigured by a single gun shot. But who was Laura?
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Laura

Laura

Larry Watson

Washington Square Press Inc.,N.Y.
2001
pokkari
In a captivating departure, Larry Watson, "a writer whose work is worthy of prizes" ("Los Angeles Times Book Review"), unveils a portrait of faith, obsession, and enduring love -- and a work of greater tenderness than anything he has yet written. "Laura" Love captures Paul Finley, in, of all places, his own bedroom -- literally waking him from his dreams. The night he discovers Laura Pettit standing at his windowsill, Paul is eleven years old, a boy naturally inclined toward seriousness, precociously adept at the art of watching the world without being watched. Laura is twenty-two, a fiercely passionate and independent poet already experiencing the first flickers of fame, a beautiful woman on the brink of seducing Paul's father. No matter; Paul is smitten. When she leaves him to rejoin the grown-ups' party downstairs, Laura issues Paul a wholly impossible command, one that will haunt and consume both of them for the rest of their lives: "Forget me." Laying bare the inner life of one man during the course of nearly four decades, Larry Watson delivers a riveting treatise on the excruciating power of love -- and two of the most remarkable characters in recent American literature. Infused with breathtaking pathos and delicate grace, "Laura" is an extraordinary triumph of the novelist's art.
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Laura

Laura

Barbara L. Estrin

Duke University Press
1994
pokkari
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
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Laura

Laura

Barbara L. Estrin

Duke University Press
1994
sidottu
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
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Laura!

Laura!

Tracey Richardson

Createspace Independent Publishing Platform
2013
nidottu
Laura is a fictionalized story of Laura Boult of St. Maurice, Louisiana. She left her small town and went to the big city in 1900 after having four boys with two different common-law husbands. In 1905, after being fired by the famous Schubert Brothers of Broadway fame, she left New York in disgrace with an all-black dance troupe headed to Paris, France. It was in Paris that she met the handsome Fran oise Goldman who taught her how to drop her strap and step out of her tap pants to fame and fortune, the likes of which she had never imagined. In 1940, just days before the Germans invaded Paris, Laura, Fran oise, and their daughter fled for their lives, arriving in New York with little more than the clothes they carried in their suitcases. While in New York, they worked at whatever jobs that were offered them. Laura returned to a liberated Paris in 1948 where, with the help of her former stage manger Jules Eitenne, she regained both her fame and her fortune.
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