This volume examines the organization and ritual economy of a pre-Columbian chiefdom that developed in central Honduras over a 1,400-year period from 400 BC to AD 1000. Extremely applicable and broadly important to the archaeological studies of Mesoamerica, Ritual and Economy in a Pre-Columbian Chiefdom models the ritual organization of pre-Columbian societies across Honduras to expand the understanding of chiefdom societies in Central America and explore how these non-Maya societies developed and evolved. As part of the ritual economy, a large quantity of jade and marble artifacts were deposited as offerings in the ritual architecture of the El Cajón region’s central community of Salitrón Viejo. Over 2,800 of these high-value items were recovered from their original ritual contexts, making Salitrón Viejo one of the largest in situ collections of these materials ever recovered in the New World. These materials are well dated and tremendously varied and provide a cross-section of all jade-carving lapidary traditions in use across eastern Mesoamerica between AD 250 and 350. With a complementary website providing extensive additional description, visualization, and analysis (https://journals.psu.edu/opa/issue/view/3127), Ritual and Economy in a Pre-Columbian Chiefdom is a new and original contribution that employs an “economy of ritual approach” to the study of chiefdom societies in the Americas. It is a foundational reference point for any scholar working in Mesoamerica and Central America, especially those engaged in Maya research, as well as archaeologists working with societies at this scale of complexity in Latin America and around the world.
From New York Times and USA Today Bestselling authors Lorelei James, Lara Adrian, Christopher Rice, and Julie Kenner... Four Dark Tales. Four Sensual Stories. Four Page Turners. ROPED IN: A Blacktop Cowboys® Novella by Lorelei James: When World champion bulldogger Sutton Grant is sidelined by an injury, he needs help keeping his horse in competition shape. London is humiliated when her boyfriend dumps her for a rodeo queen. What’s worse, she’s forced to see the lovebirds on the rodeo circuit every weekend. In an attempt to save face, London agrees to assist the notoriously mild, but ruggedly handsome Sutton Grant with his horse training problem on one condition: Sutton has to pretend to be her new boyfriend. But make believe doesn't last long between the sassy cowgirl and the laid-back bulldogger. TEMPTED BY MIDNIGHT: A Midnight Breed Novella by Lara Adrian: Lazaro Archer, one of the eldest, most powerful of the Breed, is sworn to his duty as the leader of the Order’s command center in Italy. When a covert mission takes a deadly wrong turn, Lazaro finds himself in the unlikely role of hero with a familiar, intriguing beauty he should not desire, but cannot resist. Melena Walsh has never forgotten the dashing Breed male who saved her life as a child. But the chivalrous hero of her past is in hard contrast to the embittered, dangerous man on whom her safety now depends. And with an unwanted—yet undeniable—desire igniting between them, Melena fears that Lazaro’s protection may come at the price of her heart…. THE FLAME: A Desire Exchange Novella by Christopher Rice: Cassidy Burke has the best of both worlds, a driven and successful husband and a wild, impulsive best friend. But after a decadent Mardi Gras party, Cassidy finds both men pulling away from her. Did the three of them awaken secret desires during a split-second of alcohol-fueled passion? Or is Mardi Gras a time when rules are meant to be broken without consequence? With the strike of a match and one tiny flame, she will call forth a supernatural being with the ultimate power—the power to unchain the heart, the power to remove the fear that stands between a person and their truest desires. CARESS OF DARKNESS: A Dark Pleasures Novella by Julie Kenner: From the first moment I saw him, I knew that Rainer Engel was like no other man. Dangerously sexy and darkly mysterious, he both enticed me and terrified me. I wanted to run–to fight against the heat that was building between us—but there was nowhere to go. I needed his help as much as I needed his touch. And so help me, I knew that I would do anything he asked in order to have both. But even as our passion burned hot, the secrets in Raine’s past reached out to destroy us…and we would both have to make the greatest sacrifice to find a love that would last forever. Every Dark Nights tale is breathtakingly sexy and magically romantic.
Dette er 2. udgave af den bredt anerkendte og populære lærebog. Som noget nyt i 2. udgave har alle interessenter deltaget i tilblivelsen af bogen. Det gælder psykiatribrugere, sygeplejerskestuderende, sygeplejersker, undervisere og forskere, som sammen er blevet enige om bogens overordnede indhold og struktur, ligesom bogens kapitler er blevet skrevet og redigeret i fællesskab. Bogen beskriver væsentlige emner inden for psykiatrisk sygepleje, og den indeholder grundige introduktioner til de praksisser, vi forventer sygeplejersker skal kende og mestre. Det gælder f.eks. deeskalering og psykisk førstehjælp, men også mere specialiserede emner som f.eks. miljøterapi og psykosocial sundhedspædagogik. Bogen rummer også introduktioner til de vigtigste teorier og modeller inden for psykiatrisk sygepleje, f.eks. peerstøtte, The Tidal Model og Åben Dialog. Psykiatrisk sygepleje er skrevet til alle sygeplejersker, der arbejder med mennesker med psykiske lidelser. Det er en uundværlig grundbog for sygeplejerskestuderende i grunduddannelsen, både i teoretisk og klinisk sammenhæng, og den er oplagt på specialuddannelsen i psykiatrisk sygepleje. Bogen er også yderst relevant for erfarne klinikere og sygeplejersker, som har brug for opdateret viden og indblik i nye tendenser som f.eks. traumebevidst tilgang og resonans.
In the doorway of an elegant New York apartment, blood seeps over silk negligee, over polished wood floors and plush carpet: a beautiful young woman lies dead, her face disfigured by a single gun shot. But who was Laura?
In a captivating departure, Larry Watson, "a writer whose work is worthy of prizes" ("Los Angeles Times Book Review"), unveils a portrait of faith, obsession, and enduring love -- and a work of greater tenderness than anything he has yet written. "Laura" Love captures Paul Finley, in, of all places, his own bedroom -- literally waking him from his dreams. The night he discovers Laura Pettit standing at his windowsill, Paul is eleven years old, a boy naturally inclined toward seriousness, precociously adept at the art of watching the world without being watched. Laura is twenty-two, a fiercely passionate and independent poet already experiencing the first flickers of fame, a beautiful woman on the brink of seducing Paul's father. No matter; Paul is smitten. When she leaves him to rejoin the grown-ups' party downstairs, Laura issues Paul a wholly impossible command, one that will haunt and consume both of them for the rest of their lives: "Forget me." Laying bare the inner life of one man during the course of nearly four decades, Larry Watson delivers a riveting treatise on the excruciating power of love -- and two of the most remarkable characters in recent American literature. Infused with breathtaking pathos and delicate grace, "Laura" is an extraordinary triumph of the novelist's art.
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
How do men imagine women? In the poetry of Petrarch and his English successors-Wyatt, Donne, and Marvell-the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-FranÇois Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts.Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
Laura is a fictionalized story of Laura Boult of St. Maurice, Louisiana. She left her small town and went to the big city in 1900 after having four boys with two different common-law husbands. In 1905, after being fired by the famous Schubert Brothers of Broadway fame, she left New York in disgrace with an all-black dance troupe headed to Paris, France. It was in Paris that she met the handsome Fran oise Goldman who taught her how to drop her strap and step out of her tap pants to fame and fortune, the likes of which she had never imagined. In 1940, just days before the Germans invaded Paris, Laura, Fran oise, and their daughter fled for their lives, arriving in New York with little more than the clothes they carried in their suitcases. While in New York, they worked at whatever jobs that were offered them. Laura returned to a liberated Paris in 1948 where, with the help of her former stage manger Jules Eitenne, she regained both her fame and her fortune.
Laura Hunt was the ideal modern woman: beautiful, elegant, highly ambitious, and utterly mysterious. No man could resist her charms-not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman-or has he? "Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters-including a woman who stands as the ultimate femme fatale.
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