Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
207 tulosta hakusanalla Linh Luu
Welcome to a Vietnamese language learning adventure—designed to make learning fun!The Let's Learn Vietnamese kit is an introductory language learning tool specially designed to help children from preschool through early elementary level acquire necessary words, phrases, and sentences in Korean in a fun and easy way. The flashcards can be used as a learning tool in a classroom setting, at home, or anywhere that learning takes place, and can easily be taped around the room for an interactive learning experience.The set contains a total of 64 words organized into thematic categories, including: My Family Colors Animals Food & Drink My Body Clothes EnvironmentAll of the Vietnamese words are illustrated—the pictures serve as useful visual aids to help children learn and remember each word's meaning. Words often reflect cultural objects and items and can be studied in any order. Learners may focus on one theme at a time or mix them up for a little more variety.This Vietnamese flashcards-for-kids kit contains:64 Flash Cards (4.25" x 2.7") that get children talking—about Numbers, Colors, Going Places, and more. Everyday words and sentences help children learn naturally.Accompanying Online Audio provides native pronunciation of the Korean words and sample sentences for practice—plus Korean songs that help make learning fun.Color Wall Chart (24" x 18") keeps all the new vocabulary in sight.Learning Guide for Parents and Teachers 32 ages tells you how to use the cards for most effective learning, and includes activities and games to play with your kids.All audio content is alternatively accessible on the Tuttle Publishing website
Hallie and Bo are cousins, living on the opposite sides of the globe. Through frequent phone calls, they share wonders of their worlds with excitement and sometimes bittersweet moments too. After Spring, Summer, and Fall, there's Winter. But wait When Tết, the Lunar New Year, arrives, a magical surprise unites them in a joyous celebration. Enjoy this story of familial love that spans time and distance, vividly illustrated with scenery, plants, and animals that will captivate both adults and children.H Ly v Bo l chị em họ c ch xa nhau nửa v ng tr i đất. Hai chị em hay gọi điện cho nhau v chia sẻ những điều k diệu của thế giới xung quanh m nh với bao hứng th v cả ch t tủi th n. Xu n, Hạ, Thu, Đ ng lần lượt đến, v khi Tết về, một điều k diệu mang hai thế giới của hai chị em x ch lại với nhau. Được minh họa với cảnh sắc, cỏ c y, hoa l , v đồ vật sống động thu h t cả người lớn v trẻ em, cuốn s ch diễn tả t nh cảm gia đ nh v cảm x c th n thương vượt khoảng c ch địa l v thời gian.
The Effect of Riparian Zones on Nitrate Removal by Denitrification at the River Basin Scale
Linh Hoang
CRC Press
2014
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At the interface between terrestrial and aquatic ecosystems, the riparian zone plays an important role in nitrogen removal, despite the minor proportion of the land area that it covers. Very limited studies are carried out in modelling these effects at the river basin scales. The Soil and Water Assessment Tool (SWAT) is a well-known river basin scale model to simulate hydrological processes and nutrient dispersal. So far, SWAT followed a lumped approach that did not take into account the effect of the particular position of the hydrological units and their interaction, which implied that SWAT could not model riparian zones as discrete units and take into account the effects from upland areas.This thesis presents two modifications in SWAT: (i) an approach to represent landscape variability and landscape routing across different landscape units, and (ii) a Riparian Nitrogen Model that simulates the denitrification process in riparian zones. This enhanced landscape SWAT model, referred to as SWAT_LS, was tested on a hypothetical case study and then applied to the Odense river basin, an agriculture-dominated and a densely tile-drained river basin.Case study results show that SWAT_LS is able to evaluate the effect of denitrification in riparian zones, taking into account their specific locations as interfaces between terrestrial and aquatic ecosystems. These modifications enable the SWAT model to be used for flow and nitrogen modelling in riparian zones.
30 Truyện Ngắn Đặc Sắc - Những l t cắt tinh tế của đời sống Với ng i b t gi u cảm x c v s u sắc, nh văn Linh Vang mang đến 30 Truyện Ngắn Đặc Sắc, một tập hợp những c u chuyện đầy nh n văn, phản nh những mảnh đời, số phận v những g c khuất trong t m hồn con người. Từ Một Đời Rồi Cũng Qua đến Anh C n Nợ Em, mỗi truyện ngắn l một l t cắt ch n thực về cuộc sống, với những niềm vui, nỗi buồn, mất m t, v cả những hy vọng mong manh. Những c u chuyện như Sau Cơn Mưa, Mất Việc, hay C n Đ u Ả Trăng Ng y Cũ kh ng chỉ khắc họa th n phận con người m c n khơi gợi sự đồng cảm s u sắc. T c phẩm của Linh Vang kh ng chỉ l những c u chuyện đơn thuần m c n chứa đựng những triết l nhẹ nh ng về t nh y u, gia đ nh, v sự đổi thay của thời gian. Độc giả sẽ bắt gặp những nh n vật vừa quen thuộc, vừa xa lạ - c thể l ch nh m nh hoặc ai đ trong đời. Tập truyện n y kh ng chỉ l một tuyển tập văn chương m c n l một cuộc h nh tr nh cảm x c, đưa người đọc qua những miền k ức, những khoảng lặng trong t m hồn, v để lại dư m s u lắng về những gi trị vĩnh cửu của cuộc sống.
For fans of Inkheart and The Land of Stories, a sweeping, timeless middle grade fantasy about reclaiming and redefining homeLan is caught between two countries, and neither one feels quite like home.A recent immigrant to Canada from Việt Nam, Lan is lonely in the basement apartment she shares with her dad. Her mom and little brother are still in Việt Nam, and she misses them so much. Her books are the only things that bring her comfort.No one is more surprised than Lan when a mysterious wind whisks her right into the pages of her latest fantasy read--and more shocking still is the fact that she summoned the winds herself Plunged into the magical world of Silva, Lan learns she is a budding witch with the power to help Annabelle and Marlow, the very characters she'd just been reading about, save their home.As Lan faces off against tree guardians, moving corn mazes, heart-eaters, and thoughtless kings, she finds that Silva is not so different from Toronto: new homes can be messy, wherever they are. Now, torn between several places at once, Lan confronts an important question: how do you redefine a lost home?
Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Th?y Nguy?n's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguy?n rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.
Nearly fifty years after the end of the war in Vietnam, American children of Vietnamese refugees continue to process the meanings of the war and its consequences through creative work. Displacing Kinship examines how Vietnamese American cultural productions register lived experiences of racism in their depictions of family life and marginalization. Second-generation texts illustrate how the children of refugees from Vietnam are haunted by trauma and a violent, ever-present, but mostly unarticulated past. Linh Th?y Nguy?n's analysis reveals that present experiences of economic insecurity and racism also shape these narratives of familial loss. Developing a theory of intergenerational trauma, Nguy?n rethinks how U.S. imperialism, the discourse of communism, and assimilation impacted families across generations. Through ethnic studies and feminist and queer-of-color critique, Displacing Kinship offers a critical approach for reading family tensions and interpersonal conflict as affective investments informed by the material, structural conditions of white supremacy and racial capitalism.
In Governing the Dead, Linh D. Vu explains how the Chinese Nationalist regime consolidated control by honoring its millions of war dead, allowing China to emerge rapidly from the wreckage of the first half of the twentieth century to become a powerful state, supported by strong nationalistic sentiment and institutional infrastructure. The fall of the empire, internecine conflicts, foreign invasion, and war-related disasters claimed twenty to thirty million Chinese lives. Vu draws on government records, newspapers, and petition letters from mourning families to analyze how the Nationalist regime's commemoration of the dead and compensation of the bereaved actually fortified its central authority. By enshrining the victims of violence as national ancestors, the Republic of China connected citizenship to the idea of the nation, promoting loyalty to the "imagined community." The regime constructed China's first public military cemetery and hundreds of martyrs' shrines, collectively mourned millions of fallen soldiers and civilians, and disbursed millions of yuan to tens of thousands of widows and orphans. The regime thus exerted control over the living by creating the state apparatus necessary to manage the dead. Although the Communist forces prevailed in 1949, the Nationalists had already laid the foundation for the modern nation-state through their governance of dead citizens. The Nationalist policies of glorifying and compensating the loyal dead in an age of catastrophic destruction left an important legacy: violence came to be celebrated rather than lamented.
Love, Marriage and Family in Tarot: How to Predict Relations Such as Dating, Love, Marriage, Family, Divorce and More with Tarot
Linh Doan
Createspace Independent Publishing Platform
2015
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Tarot Little Guide: Dating: Du Doan Hen Ho Trong Tarot Nhu the Nao ?
Linh Doan
Createspace Independent Publishing Platform
2016
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Tarot Little Guide: Meeting: Du Doan Lam Quen Nhu the Nao ?
Linh Doan
Createspace Independent Publishing Platform
2016
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With nine stories set in the United States and twelve in Vietnam, Fake House explores the weird, atrocious, fond, and ongoing intimacies between these two countries. The politics of race and sex anchor these stories, as Dinh's characters try to make sense of life in a post-Vietnam War world, dignity here lies in the ways one faces the conflicts within, and those out in the world. Marginal souls in two cultures linked by a complicated past, the characters in Fake House are often driven by misdirected intensity and anger.
Blood and Soap is a breakthrough collection of modern-day fables from a wildly inventive American writer whose fiction has been called "terse and edgy" (Booklist) and "vividly imagined" (Kirkus Reviews). Dinh's gift is for constructing, in the manner of Italo Calvino, simple narratives that quickly frame larger questions; with a poet's timing, the author builds his stories to the one or few climactic sentences that brand them with unforgettable meaning. In one tale, a Vietnamese boy's self-guided, haphazard study of English gives way to a meditation on the universality of language: "Everything seems chaotic at first, but nothing is chaotic. One can read anything: ants crawling on the ground; pimples on a face; trees in a forest." In another story, a man opens a newspaper and sees the photograph of a man he may have murdered, which he impulsively clips, only to feel that in doing so he unwittingly has sealed his crime: "As soon as I finished, I realized what I had done: by cutting my father's likeness out of the newspaper, I had removed him from the world." The collection crescendoes in displays of raw creative power, as in "Eight Plots," a rapid-fire of three- and four-sentence summaries, and the brilliant, impressionistic " "Blood and Soap is an arresting collection from one of a small number of writers on the vanguard of American fiction.