Challenging the portrayal of sexual inequality as a universal condition, Lepowsky presents a vivid account of Vanatinai, a matrilineal society in New Guinea. Contradticting scholars who consider sexual inequality a universal condition, Fruit of the Motherland reveals an exceptional society in which women have equivalent access to power and prestige and significant control over the means of production. Lepowsky presents an ethnography of Vanatinai, a matrilineal, decentralized society in New Guinea where there is no ideology of male dominance and women and men are considered fundamentally equal. tracing the life cycle of islanders of both sexes, she examines the role of gender in thye Vanatinai's: social life and history, religious philosophy and worldview, practice of ceremonial exchange and ritual. In addition, Fruit of the Motherland includes useful cross-cultural analysis of gender roles, ideologies, and power.
“This book showcases the breadth and value of online pedagogy for applied linguistics. The chapters offer informative, practical and inspirational insights into teaching and learning used at the Open University, and how these approaches extend to the wider Higher Education context. A genuinely engaging and instructive book, written by experienced and innovative practitioners.”Dr Mel Evans, University of Leeds, UK“This timely collection on online pedagogy from an applied linguistics perspective offers an impressive range of important issues that educators need to constantly reflect on in this day and age. All chapters are written in a highly accessible manner and illustrated with ample examples. I am sure readers will find the book an enjoyable read.”Dennis Chau, Hong Kong Metropolitan University, Hong KongThis book is an essential guide to providing quality online and distance learning. As the educational landscape becomes increasingly digital, this book is designed to help readers embrace this transition and support their students. Written by a team of online experts at the Open University, the book skillfully combines core theories and principles with practical examples and student insights. Online Pedagogy and the Student Experience covers an expansive range of topics including blended learning, online social presence, dialogic learning and digital literacy. All chapters are illustrated with practical examples and supplemented with engaging exercises. The book:• Provides educators with tried and tested online pedagogical techniques• Integrates the student voice to highlight their perspective• Contains illuminative case studies and reflective exercisesThe authors do not assume access to specific technologies or platforms, making the book accessible for all. Perfect for educators and postgraduate students contemplating their future in the world of digital education, this book supports teachers in developing their online learning strategies.Maria Leedham is Senior Lecturer in Applied Linguistics and English Language at the Open University, UK. She has worked there for over 15 years, writing material for modules at under- and postgraduate level in applied linguistics and English language as well as running modules in presentation.Caroline Tagg is Senior Lecturer in Applied Linguistics and English Language, and has taught across The Open University’s undergraduate and postgraduate programmes since 2015. Her research focuses on the role of mobile technologies in shaping language and communication. She is currently Secretary of the British Association of Applied Linguistics (BAAL).Jackie Tuck is Senior Lecturer in Applied Linguistics and English Language at the Open University, UK. She has been involved in teaching in English Language and Applied Linguistics (module design, materials writing and delivery) at the Open University for 25 years. Jackie also co-ordinates the University’s Professional Academic Communication in English programme for postgraduate research students.
Have you ever been confused by the fact that the words 'though' and 'bough' are pronounced differently, or frustrated by the realisation that 'hint' and 'pint' don't rhyme? It is well known that the spelling system of English is notoriously unhelpful as an indicator of how to pronounce English words. Spoken and written representations of English are mutually inconsistent, making it difficult to interpret the 'logic' of the language. Learning to transcribe English phonetically, however, provides an accurate visual interpretation of pronunciation: it helps you to realise what you actually say, rather than what you think you say.English Transcription Course is the ideal workbook for anyone wishing to practice their transcription skills. It provides a series of eight lessons, each dealing with a particular aspect of pronunciation, and introduces and explains the most important features of connected speech in modern British English - such as assimilation, elision and weak forms, concentrating on achieving a relaxed, informal style of speech. Each lesson is followed by a set of exercises which allow for extensive practise of the skills learnt in both current and previous chapters. Students can check their progress with the 'model' answers provided in the appendix.
Meet Tommi Grayson: she's all bark . . . and all bite'It was like my wolf had been there all along, waiting for me to tap its hand and step into the ring . . .'Tommi Grayson's never exactly been a normal girl. Bright blue hair, a mysterious past and barely controlled rage issues have a way of making a woman stand out. Yet she's never come close to guessing who she really is . . . When her mother dies, a shattered Tommi decides to track down her estranged father. Leaving Scotland for a remote corner of New Zealand, she discovers the truth of her heritage - and it's a whole lot more than merely human. Barely escaping with her life, now Tommi must return to her her friends, pretending everything is normal, while all too aware of the dangers lurking outside - and within. Worse still, something has followed her home . . . With the clock ticking, can Tommi learn to control her new powers in time to save the ones she loves? Mixing elements of fantasy, mystery and romance, Who's Afraid? is a must-read tale about one woman who takes on the world, one bite at a time'Gripping, fast-paced, and completely unexpected, Who's Afraid has more twists than a tornado. I loved this story!' Darynda Jones, New York Times bestselling author of the Charley Davidson series
'Gripping, fast-paced, and completely unexpected, Who's Afraid has more twists than a tornado. I loved this story!' Darynda Jones, New York Times bestselling author of the Charley Davidson series'Truly one of the best in the genre I have ever read.' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)Tommi Grayson: all bark, all bite . . . and now she's BACK!After the worst family reunion in history, Tommi needed some space. She's spent the last few weeks trying to understand her heritage - the one that comes with a side order of fur - as well as learning about her Maori ancestry and how she can connect to it. But she can only escape for so long. When an unspeakable evil returns, Tommi will need every piece of knowledge and all the skills she has. With the help of allies old and new, frenemies both helpful and super-annoying, she's going to take the fight to the enemy . . . Praise for Maria Lewis 'It's about time we had another kick-arse werewolf heroine - can't wait to find out what happens next!' Keri Arthur'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck to give it a shake with her debut novel Who's Afraid?' The West Australian'Underworld meets Animal Kingdom.' ALPHA Reader 'Lewis creates an intriguing world that's just begging to be fleshed out in further books.' APN 'If you haven't heard about Maria Lewis's new urban fantasy novel Who's Afraid you must have been living under a rock.' Good Reading Magazine'An intriguing take on a classic monster with vibrant, modern characters.' Sci Fi Bulletin'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember.' One More Page 'Definitely worth reading over and over again, as well as buying multiple copies. Great stocking stuffers, those werewolf books.' Maria Lewis's mum
Winner of the Best Fantasy Novel Aurealis Award'Maria Lewis is a must-read' Buzzfeed 'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember' One More Page Considering her status as the world's most powerful medium, Casper von Klitzing and her twin brother Baristan have lived a pretty normal life - until now. After a horrific incident in her home city of Berlin, orchestrated by the mysterious Oct, Casper is consumed with vengeance towards an enemy she doesn't understand. But the only other person ever to escape Oct was a witch - and so Casper is soon on her trail. But this witch does not want to be found. Diving headfirst into the supernaturally secretive world of spells, charms and covens, it's not long before Casper is crossing more than just the line between the living and the dead . . . Reinventing witches and ghosts with a much-needed feminist twist, this is an unmissable new read from one of the most exciting voices in fantasy:'If you haven't heard about Maria Lewis you must have been living under a rock' Good Reading Magazine'I can't wait to find out what happens next!' Keri Arthur'Truly one of the best in the genre I have ever read' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'An intriguing take on a classic monster with vibrant, modern characters' Sci Fi Bulletin
*Winner of the Best Fantasy Novel Aurealis Award*'Maria Lewis is a must-read' Buzzfeed'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember' One More PageConsidering her status as the world's most powerful medium, Casper von Klitzing and her twin brother Baristan have lived a pretty normal life - until now. After a horrific incident in her home city of Berlin, orchestrated by the mysterious Oct, Casper is consumed with vengeance towards an enemy she doesn't understand. But the only other person ever to escape Oct was a witch - and so Casper is soon on her trail. But this witch does not want to be found. Diving headfirst into the supernaturally secretive world of spells, charms and covens, it's not long before Casper is crossing more than just the line between the living and the dead . . . Reinventing witches and ghosts with a much-needed feminist twist, this is an unmissable new read from one of the most exciting voices in fantasy:'If you haven't heard about Maria Lewis you must have been living under a rock' Good Reading Magazine'I can't wait to find out what happens next!' Keri Arthur'Truly one of the best in the genre I have ever read.' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'An intriguing take on a classic monster with vibrant, modern characters.' Sci Fi Bulletin'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember.' One More Page
***Shortlisted for Best Fantasy Novel in the Aurealis Awards******Shortlisted for the Vogel Award ***Good girls don't talk back. Good girls don't cry. Good girls don't scream.Sadie Burke has been forced to be a good girl her entire life. As a banshee, she's the bottom of the ladder when it comes to the supernatural hierarchy. Weak. Condemned. Powerless. Silent. That's what she and her six sisters have been told their entire lives, since their species was first banished from Ireland.Yet when a figure from her childhood unexpectedly arrives on the scene, Sadie finds it harder than ever to toe the line.Texas Contos is the son of their greatest oppressor. He's also someone she's inexplicably drawn to, and as they grow closer, Sadie begins to question what banshees have been told for centuries about their gifts.But the truth comes at a cost. With Sadie and Tex forced to run for their lives, their journey leads them to new friends, old enemies, and finally to her true voice - one that could shatter the supernatural world forever.'Maria Lewis is a must-read' Buzzfeed'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember' One More Page'If you haven't heard about Maria Lewis you must have been living under a rock' Good Reading Magazine'I can't wait to find out what happens next!' Keri Arthur'Truly one of the best in the genre I have ever read' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'An intriguing take on a classic monster with vibrant, modern characters' Sci Fi Bulletin
'Maria Lewis is a must-read' BUZZFEED'Weaves magic into each page' THE NERD DAILY 'Author Maria Lewis has created her own pop culture universe' DAILY TELEGRAPH _________________She never meant to be a hero . . . In fact, Dreckly Jones has made a point her whole life to be exactly not that. The daughter of a forbidden union between an earth elemental and a selkie, her rare powers have meant she has always had a target on her back.So Dreckly - a 40-something oyster shucker according to her fake documents, 140-something sprite if you're going to get all nit-picky about it - has become an expert at many things. Chief amongst them: hiding. When she meets a determined group of rebels who desperately need her help, she finds herself wanting to stick her neck out for the first time in a long while. Yet is she ready to be noticed? Is Dreckly willing to use her powers to stand up when it could cost her everything?___________________________Praise for Who's Afraid Too? (Nominee - Best Horror Novel, Aurealis Awards) 'Feminist werewolf antics [and] good old fashioned sex. More books please!' Natalia Tena (Harry Potter, Game Of Thrones)'Being curled up in a werewolf fantasy is a respite and a haven!' Teri Hatcher (Lois & Clark, Desperate Housewives) 'Maria Lewis is definitely one to watch' NY Times best-selling author Darynda Jones'A fresh, funny, sexy & downright sassy take on the werewolf genre' Geek Bomb Praise for The Witch Who Courted Death (Winner - Best Fantasy Novel, Aurealis Awards)'[Takes] a fresh look at the things that make us scream' The West Australian 'An unashamedly feminist story about a woman out for revenge' Readings Praise for The Wailing Woman (Nominee - Best Fantasy Novel, Aurealis Awards) 'World-building at its finest' The Nerd Daily 'An absolute master of the genre' Bookish Bron 'An excellent urban fantasy novel . . . magic, intrigue and romance' Canberra Weekly'Suspenseful and fantastical' Her HQ'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'Truly one of the best in the genre I have ever read' Oscar-nominee Lexi Alexander 'An intriguing take on a classic monster with vibrant, modern characters' Sci Fi Bulletin
She never meant to be a hero . . . In fact, Dreckly Jones has made a point her whole life to be exactly not that. The daughter of a forbidden union between an earth elemental and a selkie, her rare powers have meant she has always had a target on her back.So Dreckly - a 40-something oyster shucker according to her fake documents, 140-something sprite if you're going to get all nit-picky about it - has become an expert at many things. Chief amongst them: hiding. When she meets a determined group of rebels who desperately need her help, she finds herself wanting to stick her neck out for the first time in a long while. Yet is she ready to be noticed? Is Dreckly willing to use her powers to stand up when it could cost her everything?Readers LOVE Maria Lewis...'Maria Lewis is a must-read' Buzzfeed'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember' One More Page'I can't wait to find out what happens next!' Keri Arthur'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'Truly one of the best in the genre I have ever read' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)'An intriguing take on a classic monster with vibrant, modern characters' Sci Fi Bulletin
Four women. One world changed forever. It has all come down to this. Werewolf Tommi Grayson always knew she was a weapon, she just needed the right target. Never in a million years did she expect that target to be the current leaders of the supernatural world. Sprite Dreckly Jones has spent the entirety of her 140-years hiding in one form or another. Until now. Having seen enough wars, she should be fleeing from the action. Yet some battles are unavoidable. Some are destined.Corvossier 'Casper' von Klitzing knew this day was coming. Or rather, the ghost of her dead brother Creeper kept telling her so. Repeatedly. The supernatural world is in outright revolt against their government, the Treize, and Casper's gift to rally the living and the dead is more vital than ever. Banshee Sadie Burke's bravery was the catalyst for this chaos - and for the unique chance the supernatural world now has to change the balance of power forever. Witches and werewolves working together. Sprites teaming up with shifters. Demons and goblins in cahoots. The human world on the precipice of learning they're not alone. Yet Sadie's power came at a cost, three of them in fact, with the future hinging on the birth of her unborn triplets. The four women and their collective of monsters, misanthropes and misfits have no choice but to risk everything to save everything, with their personal prejudices paling in comparison to a possibility ... the possibility of a better world for themselves and every being that comes after. This is the thrilling conclusion to Maria Lewis' award-winning, best-selling Supernatural Sisters: Who's Afraid? Who's Afraid Too? The Witch Who Courted Death The Wailing Woman They Came From the Deep The Rose Daughter
A celebration of the virtuoso of well-turned phrases and the master of the studied insult with this collection of his most acerbic quips. No playwright apart from Shakespeare is as widely quoted and Oscar Wilde's needle-sharp rejoinders are often repeated with delight. However, his jibes were rarely cruel, and displayed a profound understanding of the human character and its vanities.
Chinese students are the largest international student group in UK universities today, yet little is known about their undergraduate writing and the challenges they face. Drawing on the British Academic Written English corpus - a large corpus of proficient undergraduate student writing collected in the UK in the early 2000s - this study explores Chinese students’ written assignments in English in a range of university disciplines, contrasting these with assignments from British students. The study is supplemented by questionnaire and interview datasets with discipline lecturers, writing tutors and students, and provides a comprehensive picture of the Chinese student writer today. Theoretically framed through work within academic literacies and lexical priming, the author seeks to explore what we know about Chinese students’ writing and to extend these findings to undergraduate writing more generally. In a globalized educational environment, it is important for educators to understand differences in writing styles across the student body, and to move from the widespread deficit model of student writing towards a descriptive model which embraces different ways of achieving success.Chinese Students’ Writing in English will be of value to researchers, EAP tutors, and university lecturers teaching Chinese students in the UK, China, and other English or Chinese-speaking countries.
A mysterious hitchhiker, a lovelorn pig, and a backseat gangster are among the colorful characters that populate these spooky stories. Noted folklorist Maria Leach spins a tapestry of yarns that originated in the British Isles, New England, and the American South. Moody black-and-white drawings complement the stories, which range from humorous and playful to downright eerie. There's the one about the fellow who saw two eyes staring at him from the foot of the bed, and the one about the family that ran away from their malevolent household spirit only to find that it had come with them. The tale of the golden arm, a favorite of Mark Twain's, is a standard of campfire gatherings. Other chilling stories recount scenes from haunted houses, ghostly visitations, and midnight trips to the graveyard. An amusing selection of "Do's and Don't's About Ghosts" offers advice to those who go looking for scares as well as those who find them accidentally, and the stories' sources and backgrounds are explained in helpful notes and a bibliography. "An enjoyably creepy collection of tales." -- Through Raspberry Colored Glasses.
Infants' Sense of People focusses on infants during their first year of life, exploring how they begin to think about other people, their feelings, emotions and intentions, and how they become aware of these aspects of their own development. Drawing on a broad range of research and developmental theory, Maria Legerstee takes the view that infants have an innate sense of people at birth, which is activated through sympathetic emotions. She questions the idea that infants use physical parameters such as contingencies or motion to distinguish people from objects, and rejects the assumption that infants are mechanical creatures before they become psychological ones. She argues persuasively that before infants learn to speak, interactions with others are possible because infants have a primitive pre-linguistic 'theory of mind'. This accessible book provides a valuable synthesis of current thinking on early social and cognitive development and the origins of theory of mind.
Infants' Sense of People focusses on infants during their first year of life, exploring how they begin to think about other people, their feelings, emotions and intentions, and how they become aware of these aspects of their own development. Drawing on a broad range of research and developmental theory, Maria Legerstee takes the view that infants have an innate sense of people at birth, which is activated through sympathetic emotions. She questions the idea that infants use physical parameters such as contingencies or motion to distinguish people from objects, and rejects the assumption that infants are mechanical creatures before they become psychological ones. She argues persuasively that before infants learn to speak, interactions with others are possible because infants have a primitive pre-linguistic 'theory of mind'. This accessible book provides a valuable synthesis of current thinking on early social and cognitive development and the origins of theory of mind.
Here are nearly 100 recipes for such classic Polish favorites as "Beer Soup with Cream and Cottage Cheese," "Roast Beef Roll with Mushrooms," "Roast Pork with Caraway Polish Style," and "Old Polish Royal Mazurek." The recipes are interwoven with a briefly outlined history of Polish culinary customs. Short essays cover subjects like Polish hospitality, holiday traditions, even the exalted status of the mushroom. The recipes are traditional family fare.
