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1000 tulosta hakusanalla Mark C. Murphy

Confidence Games

Confidence Games

Mark C. Taylor

University of Chicago Press
2008
nidottu
In "Confidence Games", Mark C. Taylor posits that money and markets do not exist in a vacuum but grow in a profoundly cultural medium, reflecting and in turn shaping their world. Bringing John Calvin, Hegel, and Adam Smith to Wall Street by way of Las Vegas, Taylor first explores the historical and psychological origins of money, the importance of religious beliefs and practices for the emergence of markets, and the unexpected role of religion and art in the classical understanding of economics. He then moves to an account of economic developments during the past four decades, exploring the dawn of our new information age, the growing virtuality of money and markets, and the complexity of the networks by which monetary value is now negotiated. Returning full circle to a version of the market first proposed by Adam Smith, "Confidence Games" closes with a plea for a conception of life that embraces uncertainty and insecurity as signs of the openness and possibility of the future.
After God

After God

Mark C. Taylor

University of Chicago Press
2007
sidottu
Religion, Mark C. Taylor argues in "After God", is more complicated than either its defenders or critics think and, indeed, is much more influential than any of us realize. Our world, Taylor maintains, is shaped by religion even when it is least obvious. Faith and value, he insists, are unavoidable and inextricably interrelated for believers and nonbelievers alike. The first comprehensive theology of culture since the pioneering work of Paul Tillich, "After God" redefines religion for our contemporary age. This volume is a radical reconceptualization of religion and Taylor's most path breaking work yet, bringing together various strands of theological argument and cultural analysis four decades in the making.
After God

After God

Mark C. Taylor

University of Chicago Press
2009
nidottu
Religion, Mark C. Taylor argues in "After God", is more complicated than either its defenders or critics think and, indeed, is much more influential than any of us realize. Our world, Taylor maintains, is shaped by religion even when it is least obvious. Faith and value, he insists, are unavoidable and inextricably interrelated for believers and nonbelievers alike. The first comprehensive theology of culture since the pioneering work of Paul Tillich, "After God" redefines religion for our contemporary age. This volume is a radical reconceptualization of religion and Taylor's most path breaking work yet, bringing together various strands of theological argument and cultural analysis four decades in the making.
Seeing Silence

Seeing Silence

Mark C Taylor

THE UNIVERSITY OF CHICAGO PRESS
2022
nidottu
Mark C. Taylor explores the many variations of silence by considering the work of leading visual artists, philosophers, theologians, writers, and composers. “To hear silence is to find stillness in the midst of the restlessness that makes creative life possible and the inescapability of death acceptable.” So writes Mark C. Taylor in his latest book, a philosophy of silence for our nervous, chattering age. How do we find silence—and more importantly, how do we understand it—amid the incessant buzz of the networks that enmesh us? Have we forgotten how to listen to each other, to recognize the virtues of modesty and reticence, and to appreciate the resonance of silence? Are we less prepared than ever for the ultimate silence that awaits us all? Taylor wants us to pause long enough to hear what is not said and to attend to what remains unsayable. In his account, our way to hearing silence is, paradoxically, to see it. He explores the many variations of silence by considering the work of leading modern and postmodern visual artists, including Barnett Newman, Ad Reinhardt, James Turrell, and Anish Kapoor. Developing the insights of philosophers, theologians, writers, and composers, Taylor weaves a rich narrative modeled on the Stations of the Cross. His chapter titles suggest our positions toward silence: Without. Before. From. Beyond. Against. Within. Between. Toward. Around. With. In. Recasting Hegel’s phenomenology of spirit and Kierkegaard’s stages on life’s way, Taylor translates the traditional Via Dolorosa into a Nietzschean Via Jubilosa that affirms light in the midst of darkness.Seeing Silence is a thoughtful meditation that invites readers to linger long enough to see silence, and, in this way, perhaps to hear once again the wordless Word that once was named “God.”
Field Notes from Elsewhere

Field Notes from Elsewhere

Mark C. Taylor

Columbia University Press
2009
sidottu
In the fall of 2005, Mark C. Taylor, the controversial public intellectual and widely respected scholar, suddenly fell critically ill. For two days a team of forty doctors, many of whom thought he would not live, fought to save him. Taylor would eventually recover, but only to face a new threat: surgery for cancer. "These experiences have changed me in ways I am still struggling to understand," Taylor writes in this absorbing memoir. "After the past year, I am persuaded that I have done enough fieldwork to write a book that combines philosophical and theological reflection with autobiographical narrative. Writing is not only possible but actually seems necessary." Field Notes from Elsewhere is Taylor's unforgettable, inverted journey from death to life. Each of his memoir's fifty-two chapters and accompanying photographs recounts a morning-to-evening experience with sickness and convalescence, mingling humor and hope with a deep exploration of human frailty and, conversely, resilience. When we confront the end of life, Taylor explains, the axis of the lived world shifts, and everything must be reevaluated. As Taylor sorts through his remembrances, much that once seemed familiar becomes strange, paradoxical, and contradictory. He reads his experience with and against ghosts from his past, recasting the meaning of mortality, sacrifice, solitude, and abandonment, along with a host of other issues, in light of modern ways of dying. "You never come back from elsewhere," Taylor concludes, "because elsewhere always comes back with you."
Field Notes from Elsewhere

Field Notes from Elsewhere

Mark C. Taylor

Columbia University Press
2014
pokkari
In the fall of 2005, Mark C. Taylor, the controversial public intellectual and widely respected scholar, suddenly fell critically ill. For two days a team of forty doctors, many of whom thought he would not live, fought to save him. Taylor would eventually recover, but only to face a new threat: surgery for cancer. "These experiences have changed me in ways I am still struggling to understand," Taylor writes in this absorbing memoir. "After the past year, I am persuaded that I have done enough fieldwork to write a book that combines philosophical and theological reflection with autobiographical narrative. Writing is not only possible but actually seems necessary." Field Notes from Elsewhere is Taylor's unforgettable, inverted journey from death to life. Each of his memoir's fifty-two chapters and accompanying photographs recounts a morning-to-evening experience with sickness and convalescence, mingling humor and hope with a deep exploration of human frailty and, conversely, resilience. When we confront the end of life, Taylor explains, the axis of the lived world shifts, and everything must be reevaluated. As Taylor sorts through his remembrances, much that once seemed familiar becomes strange, paradoxical, and contradictory. He reads his experience with and against ghosts from his past, recasting the meaning of mortality, sacrifice, solitude, and abandonment, along with a host of other issues, in light of modern ways of dying. "You never come back from elsewhere," Taylor concludes, "because elsewhere always comes back with you."
Refiguring the Spiritual

Refiguring the Spiritual

Mark C. Taylor

Columbia University Press
2012
sidottu
Mark C. Taylor provocatively claims that contemporary art has lost its way. With the art market now mirroring the art of finance, many artists create works solely for the purpose of luring investors and inspiring trade among hedge funds and private equity firms. When art is commodified, corporatized, and financialized, it loses its critical edge and is transformed into a financial instrument calculated to maximize profitable returns. Joseph Beuys, Matthew Barney, James Turrell, and Andy Goldsworthy are artists who differ in style, yet they all defy the trends that have diminished art's potential in recent decades. They understand that art is a transformative practice drawing inspiration directly and indirectly from ancient and modern, Eastern and Western forms of spirituality. For Beuys, anthroposophy, alchemy, and shamanism drive his multimedia presentations; for Barney and Goldsworthy, Celtic mythology informs their art; and for Turrell, Quakerism and Hopi myth and ritual shape his vision. Eluding traditional genres and classifications, these artists combine spiritually inspired styles and techniques with material reality, creating works that resist merging space into cyberspace in a way that overwhelms local contexts with global networks. Their art reminds us of life's irreducible materiality and humanity's inescapability of place. For them, art is more than just an object or process-it is a vehicle transforming human awareness through actions echoing religious ritual. By lingering over the extraordinary work of Beuys, Barney, Turrell, and Goldsworthy, Taylor not only creates a novel and personal encounter with their art but also opens a new understanding of overlooked spiritual dimensions in our era.
Rewiring the Real

Rewiring the Real

Mark C. Taylor

Columbia University Press
2013
sidottu
Digital and electronic technologies that act as extensions of our bodies and minds are changing how we live, think, act, and write. Some welcome these developments as bringing humans closer to unified consciousness and eternal life. Others worry that invasive globalized technologies threaten to destroy the self and the world. Whether feared or desired, these innovations provoke emotions that have long fueled the religious imagination, suggesting the presence of a latent spirituality in an era mistakenly deemed secular and posthuman. William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo are American authors who explore this phenomenon thoroughly in their work. Engaging the works of each in conversation, Mark C. Taylor discusses their sophisticated representations of new media, communications, information, and virtual technologies and their transformative effects on the self and society. He focuses on Gaddis's The Recognitions, Powers's Plowing the Dark, Danielewski's House of Leaves, and DeLillo's Underworld, following the interplay of technology and religion in their narratives and their imagining of the transition from human to posthuman states. Their challenging ideas and inventive styles reveal the fascinating ways religious interests affect emerging technologies and how, in turn, these technologies guide spiritual aspirations. To read these novels from this perspective is to see them and the world anew.
Rewiring the Real

Rewiring the Real

Mark C. Taylor

Columbia University Press
2014
pokkari
Digital and electronic technologies that act as extensions of our bodies and minds are changing how we live, think, act, and write. Some welcome these developments as bringing humans closer to unified consciousness and eternal life. Others worry that invasive globalized technologies threaten to destroy the self and the world. Whether feared or desired, these innovations provoke emotions that have long fueled the religious imagination, suggesting the presence of a latent spirituality in an era mistakenly deemed secular and posthuman. William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo are American authors who explore this phenomenon thoroughly in their work. Engaging the works of each in conversation, Mark C. Taylor discusses their sophisticated representations of new media, communications, information, and virtual technologies and their transformative effects on the self and society. He focuses on Gaddis's The Recognitions, Powers's Plowing the Dark, Danielewski's House of Leaves, and DeLillo's Underworld, following the interplay of technology and religion in their narratives and their imagining of the transition from human to posthuman states. Their challenging ideas and inventive styles reveal the fascinating ways religious interests affect emerging technologies and how, in turn, these technologies guide spiritual aspirations. To read these novels from this perspective is to see them and the world anew.
Recovering Place

Recovering Place

Mark C. Taylor

Columbia University Press
2014
sidottu
Mark C. Taylor recounts a poignant love affair not with a person but with a place that, paradoxically, cannot be easily localized. For many years, Taylor has lived in the Berkshire Mountains, where he writes and creates land art and sculpture. In a world of mobile screens and virtual realities, where speed is the measure of success and place is disappearing, his work slows down thought and brings life back to earth to give readers time to ponder the importance of place before it slips away. Taylor extends reflection beyond the page and returns with new insights about what is hiding in plain sight all around us. Weaving together words and images, his artful work enacts what it describes. Things long familiar suddenly appear strange, and the strange, unexpected, and unprogrammed unsettle readers in surprising ways. This timely meditation gives pause in the midst of harried lives and turns attention toward what we usually overlook: night, silence, touch, grace, ghosts, water, earth, stones, bones, idleness, infinity, slowness, and contentment. Recovering Place is a unique work with reflections that linger long after the book is closed.
Recovering Place

Recovering Place

Mark C. Taylor

Columbia University Press
2016
pokkari
Mark C. Taylor recounts a poignant love affair not with a person but with a place that, paradoxically, cannot be easily localized. For many years, Taylor has lived in the Berkshire Mountains, where he writes and creates land art and sculpture. In a world of mobile screens and virtual realities, where speed is the measure of success and place is disappearing, his work slows down thought and brings life back to earth to give readers time to ponder the importance of place before it slips away. Taylor extends reflection beyond the page and returns with new insights about what is hiding in plain sight all around us. Weaving together words and images, his artful work enacts what it describes. Things long familiar suddenly appear strange, and the strange, unexpected, and unprogrammed unsettle readers in surprising ways. This timely meditation gives pause in the midst of harried lives and turns attention toward what we usually overlook: night, silence, touch, grace, ghosts, water, earth, stones, bones, idleness, infinity, slowness, and contentment. Recovering Place is a unique work with reflections that linger long after the book is closed.
Intervolution

Intervolution

Mark C. Taylor

Columbia University Press
2020
sidottu
Where does my body begin? Where does it end? What is inside my body? What is outside? What is primary? What is secondary? What is natural? What is artificial?Science fiction has long imagined a future fusion of humanity with technology. Today, many of us—especially people with health issues such as autoimmune diseases—have functionally become hybrids connected to other machines and to other bodies. The combination of artificial intelligence with implants, transplants, prostheses, and genetic reprogramming is transforming medical research and treatment, and it is now also transforming what we thought was human nature.Mark C. Taylor identifies this process as “intervolution” and explores how it is weaving together smart things and smart bodies to create new forms of life. Our wired bodies are no longer freestanding individuals, but interconnected nodes in worldwide networks. Recognizing this transformation overturns deeply entrenched distinctions and oppositions between minds and bodies. Intervolution reveals that we are already cyborgs, integral cogs in what will become a superorganism of bodies and things.
Intervolution

Intervolution

Mark C. Taylor

Columbia University Press
2020
pokkari
Where does my body begin? Where does it end? What is inside my body? What is outside? What is primary? What is secondary? What is natural? What is artificial?Science fiction has long imagined a future fusion of humanity with technology. Today, many of us—especially people with health issues such as autoimmune diseases—have functionally become hybrids connected to other machines and to other bodies. The combination of artificial intelligence with implants, transplants, prostheses, and genetic reprogramming is transforming medical research and treatment, and it is now also transforming what we thought was human nature.Mark C. Taylor identifies this process as “intervolution” and explores how it is weaving together smart things and smart bodies to create new forms of life. Our wired bodies are no longer freestanding individuals, but interconnected nodes in worldwide networks. Recognizing this transformation overturns deeply entrenched distinctions and oppositions between minds and bodies. Intervolution reveals that we are already cyborgs, integral cogs in what will become a superorganism of bodies and things.
After the Human

After the Human

Mark C. Taylor

Columbia University Press
2025
sidottu
The world is on fire and time for avoiding impending disaster is rapidly running out. This catastrophe has deeply entrenched foundations: a belief in human exceptionalism and human mastery over the Earth. Accelerating technological changes ranging from genetic engineering, synthetic biology, and nanotechnology to biobots, neuroprosthetics, and artificial intelligence are creating new worlds in which human beings will either be radically transformed or become extinct.After the Human is an ambitious and audacious grand synthesis that weaves together philosophy, theology, quantum mechanics, relativity theory, information theory, ecology, plant and animal cognition, and artificial intelligence to forge a new philosophical vision for the future. Mark C. Taylor calls for replacing human exceptionalism with a theory of radical relationalism, an account of the world in which everything is interrelated and codependent. People, in this telling, are not isolated individuals separated from each other and set apart from the complex world they are destined to dominate but integral parts of a vital web, where differences enrich each other and nourish the greater whole. Ranging from the grounded worlds of dirt and soil to the most abstract realms of quantum ecology, After the Human reveals the alternative intelligences and transformative possibilities that provide hope for life beyond our perilous moment.
After the Human

After the Human

Mark C. Taylor

Columbia University Press
2025
pokkari
The world is on fire and time for avoiding impending disaster is rapidly running out. This catastrophe has deeply entrenched foundations: a belief in human exceptionalism and human mastery over the Earth. Accelerating technological changes ranging from genetic engineering, synthetic biology, and nanotechnology to biobots, neuroprosthetics, and artificial intelligence are creating new worlds in which human beings will either be radically transformed or become extinct.After the Human is an ambitious and audacious grand synthesis that weaves together philosophy, theology, quantum mechanics, relativity theory, information theory, ecology, plant and animal cognition, and artificial intelligence to forge a new philosophical vision for the future. Mark C. Taylor calls for replacing human exceptionalism with a theory of radical relationalism, an account of the world in which everything is interrelated and codependent. People, in this telling, are not isolated individuals separated from each other and set apart from the complex world they are destined to dominate but integral parts of a vital web, where differences enrich each other and nourish the greater whole. Ranging from the grounded worlds of dirt and soil to the most abstract realms of quantum ecology, After the Human reveals the alternative intelligences and transformative possibilities that provide hope for life beyond our perilous moment.
Critical Code Studies

Critical Code Studies

Mark C. Marino

MIT Press
2020
sidottu
An argument that we must read code for more than what it does-we must consider what it means.Computer source code has become part of popular discourse. Code is read not only by programmers but by lawyers, artists, pundits, reporters, political activists, and literary scholars; it is used in political debate, works of art, popular entertainment, and historical accounts. In this book, Mark Marino argues that code means more than merely what it does; we must also consider what it means. We need to learn to read code critically. Marino presents a series of case studies-ranging from the Climategate scandal to a hactivist art project on the US-Mexico border-as lessons in critical code reading.Marino shows how, in the process of its circulation, the meaning of code changes beyond its functional role to include connotations and implications, opening it up to interpretation and inference-and misinterpretation and reappropriation. The Climategate controversy, for example, stemmed from a misreading of a bit of placeholder code as a "smoking gun" that supposedly proved fabrication of climate data. A poetry generator created by Nick Montfort was remixed and reimagined by other poets, and subject to literary interpretation.Each case study begins by presenting a small and self-contained passage of code-by coders as disparate as programming pioneer Grace Hopper and philosopher Friedrich Kittler-and an accessible explanation of its context and functioning. Marino then explores its extra-functional significance, demonstrating a variety of interpretive approaches.
Writing the Oral Tradition

Writing the Oral Tradition

Mark C. Amodio

University of Notre Dame Press
2004
nidottu
Mark Amodio's book focuses on the influence of the oral tradition on written vernacular verse produced in England from the fifth to the fifteenth century. His primary aim is to explore how a living tradition articulated only through the public, performance voices of pre-literate singers came to find expression through the pens of private, literate authors. Amodio argues that the expressive economy of oral poetics survives in written texts because, throughout the Middle Ages, literacy and orality were interdependent, not competing, cultural forces. After delving into the background of the medieval oral-literate matrix, Writing the Oral Tradition develops a model of non-performative oral poetics that is a central, perhaps defining, component of Old English vernacular verse. Following the Norman Conquest, oral poetics lost its central position and became one of many ways to articulate poetry. Contrary to many scholars, Amodio argues that oral poetics did not disappear but survived well into the post-Conquest period. It influenced the composition of Middle English verse texts produced from the twelfth to the fourteenth century because it offered poets an affectively powerful and economical way to articulate traditional meanings. Indeed, fragments of oral poetics are discoverable in contemporary prose, poetics, and film as they continue to faithfully emit their traditional meanings. Writing the Oral Tradition will appeal to specialists and students interested in medieval literature, medieval cultural studies, and oral theory.
Washington Hall at Notre Dame

Washington Hall at Notre Dame

Mark C. Pilkinton

University of Notre Dame Press
2011
nidottu
At the heart of the University of Notre Dame's campus sits the Main Building with its trademark golden dome. Flanking it on the west is the equally distinctive Sacred Heart Basilica, and on the east is the building known today as Washington Hall. Washington Hall at Notre Dame is the first history of this building—the university's first performing arts center—and illuminates the ways in which Washington Hall has served as the prime venue of secular communal assembly for the university and surrounding communities since 1864. In addition to detailing the history of Washington Hall, Mark Pilkinton, a theatre historian, emphasizes the art form of theatre and its development at Notre Dame, but also discusses the contributions of music, debate, and lectures, as well as the introduction of the "new media" of film, radio, and television. Among many other fascinating stories, the author recounts the early commencements and "exhibitions" that included students' orations in Latin and Greek, chronicles the history of the ghost of Washington Hall, and describes the contributions Knute Rockne made to the performing arts at the university, both as a student actor and as a faculty member. Lavishly illustrated with 50 halftones and 5 line drawings, Washington Hall at Notre Dame offers a fascinating history of Notre Dame through the prism of its first performing arts center and adds to our understanding of American Catholic higher education and American history in general.
Washington Hall at Notre Dame

Washington Hall at Notre Dame

Mark C. Pilkinton

UNIVERSITY OF NOTRE DAME PRESS
2022
sidottu
At the heart of the University of Notre Dame's campus sits the Main Building with its trademark golden dome. Flanking it on the west is the equally distinctive Sacred Heart Basilica, and on the east is the building known today as Washington Hall. Washington Hall at Notre Dame is the first history of this building—the university's first performing arts center—and illuminates the ways in which Washington Hall has served as the prime venue of secular communal assembly for the university and surrounding communities since 1864. In addition to detailing the history of Washington Hall, Mark Pilkinton, a theatre historian, emphasizes the art form of theatre and its development at Notre Dame, but also discusses the contributions of music, debate, and lectures, as well as the introduction of the "new media" of film, radio, and television. Among many other fascinating stories, the author recounts the early commencements and "exhibitions" that included students' orations in Latin and Greek, chronicles the history of the ghost of Washington Hall, and describes the contributions Knute Rockne made to the performing arts at the university, both as a student actor and as a faculty member. Lavishly illustrated with 50 halftones and 5 line drawings, Washington Hall at Notre Dame offers a fascinating history of Notre Dame through the prism of its first performing arts center and adds to our understanding of American Catholic higher education and American history in general.