We are living in an era where global university schemes only offer narrow conceptions of quality, relying too heavily on international ranking systems. This timely book present an alternative perspective on evaluating 'world-class universities', showcasing how eight very different higher education institutions have defined and are pursuing excellence in their own way. Each case study highlights how institutions can align their work with shared values and goals, and strive to uphold these principles in all they do and say. The portraits offer insights into the ways institutions can create cultures of excellence tied to a vision of how to make a difference for their students and society. Their success suggest that policy makers should reward institutions that adopt and strive to fulfil particular educational purposes rather than continuing to perpetuate the status quo. It is essential reading for researchers and students of education research, education policy, and international education reform. This title is also available as Open Access on Cambridge Core.
One Shilling: The Football Programme Design Revolution of 1965-85 is the first-ever exploration of this golden era of football programme design, when the humble football programme suddenly boasted a remarkable variety of eye-catching covers and layouts. The football programme has been a staple of the national game since Victorian times. Passionate artists and typesetters designed printed programmes for match goers, but unlike the fashion or music industries, the names behind the artworks for these pocket-money priced matchday publications were often uncredited or ignored. Until now. At its heart, this is the story of John Elvin, the greatest football programme designer, who tore up the formal code of lay-outs and traditional typefaces, and used photos in new and innovative ways. The book also explores the wider cultural and political backstory of British football over a transformative two decades from England’s World Cup victory in 1966, and looking forward, it champions the potential of a new era for programme design.
Essay’d: 30 Detroit Artists highlights the individual contributors to Detroit’s thriving and diverse art scene. Stemming from the popular website of the same name, Essay’d seeks to introduce readers to some of the contemporary art practitioners who live and work in Detroit or have participated in the Detroit art scene in an important way. Even those familiar with Detroit and its art ecosystem are sure to find new insight and perspective on artists that have made their careers in Detroit.Four arts writers within the Detroit art scene—a professor, a gallerist, and two critics—create an ongoing series of short essays that focus briefly and intensely on standout artists. This blending of critical sensibilities and interests provides a unique perspective on a diverse place, offering many points of interest and access to one of the most vital and intriguing art environments in the country. While many artists have helped to grow and shape the local art tableau, the authors selected thirty for this volume, including Signal Return’s artistic director Lynne Avadenka; ""The Detroit Portrait Series"" artist Nicole Macdonald; 2012 DLECTRICITY performers Tzarinas of the Plane; and 2013 Kresge fellow Carl Wilson to name a few. This book is not a systematic attempt to identify the ""best"" or ""most important"" Detroit artists, or even to define what those terms mean. The position the essays take to their subjects is not critical but neither is it reverential. The objective is to create a platform for Detroit artists, not a pedestal.Essay’d is an excellent introduction to the Detroit art landscape, as well as an opportunity to deepen one’s knowledge of the Detroit art scene and its players. Art lovers and regional history buffs will not want to miss this collection.
Thirty illustrated essays highlighting a variety of Detroit artists.Essay’d 2: 30 Detroit Artists follows the welcome reception of last year’s Essay’d: 30 Detroit Artists in presenting short, illustrated essays about artists who live and work in Detroit, or who have participated in the Detroit art scene in an important way. Stemming from the popular website of the same name, the first volume of Essay’d sought to introduce readers, even those who are well versed in the Detroit art ecosystem, to new insight and a fresh perspective on the city’s contemporary art practitioners. The four arts writers behind Essay’d—a professor, a gallerist, and two critics—are joined in Essay’d 2 by a handful of guest writers, whose unique views offer different points of access to Detroit’s diverse and populous artist community.Essay’d 2 offers thirty new profiles of artists both well known and under the radar, seasoned and emerging. Advancing the argument that there are as many kinds of Detroit art as there are individual artists, the authors write about work created in a wide range of media, from painting, photography, ceramics, and textiles to performance, installation, and architectural intervention, produced in a kaleidoscopic array of individual styles. Some of the artists this volume highlights include S. Kay Young, an attendee of the College for Creative Studies with a thirty-year photography career; multimedia artist Adam Lee Miller, who is one half of the band ADULT; fiber artist and 2015 Kresge fellow Carole Harris; and master staff carver/mosaicist David Philpot.While Detroit has long been home to a storied and industrious community of artists, there has been relatively little writing that explores, analyzes, and contextualizes their work. Now, with renewed regional, national, and international attention being paid to Detroit and its creative culture, it is more important than ever that the evolving and vital work of the city’s artists be documented and made known to the wider public. The new essays collected here, written in a format that is at once in-depth and accessible, continue the authors’ ongoing mission to introduce the Detroit art community to the world, one artist at a time. Art lovers and regional history buffs will appreciate this continued conversation.
Thirty illustrated essays highlighting a variety of Detroit artists.Essay’d 3: 30 Detroit Artists is the third volume in a series of collections that present short, illustrated essays about artists who live and work in Detroit or who have participated in the Detroit art scene in an important way. Stemming from the popular website of the same name, Essay’d 3 seeks to introduce readers to new insight and a fresh perspective on the city’s contemporary art practitioners. The arts writers behind the original Essay’d—a professor, a gallerist, and a critic—are joined in Essay’d 3 by twelve guest writers. This remarkable multiplicity of voices enlarges and enriches the overall scope of this ambitious project as it grows to become ever more inclusive of Detroit’s astonishingly rich and diverse art community.Essay’d 3 offers thirty new profiles of artists both well-known and under-the-radar. Each artist is profiled by a writer with an avowed interest in and enthusiasm for that artist’s work and each essay takes into account biography, context, interpretation, and analysis of individual artworks. Certain themes emerge in this collection, including a turn toward more performing artists, as well as a recurrent concern with the use of the body as a surrogate for social conditions. Some of the artists highlighted in this volume include Richard Lewis, a portrait painter and ""keen-eyed explorer of souls and their discontents""; photographer Lauren Semivan, who works inserial aggregates of thirty or more black-and-white images, shot with an early twentieth-century, large-format, tripod-mounted camera; experimental performance artists The Hinterlands (Liza Bielby and Richard Newman); and Tom Phardel—sculptor, ceramist, and curator—who has served as teacher and chair of ceramics at the College for Creative Studies for thirty years.With renewed regional, national, and international attention on Detroit and its creative culture, it is more important than ever that the evolving and vital work of the city’s artists be documented and made known to the wider public. Art lovers and regional history buffs will appreciate this continued conversation.Featured artists: Susan Aaron-Taylor, Carla Anderson, Jeanne Bieri, Sophie Eisner, Gary Eleinko, Ed Fraga, Eli Gold, Oren Goldenberg, Cynthia Greig, Matthew Angelo Harrison, The Hinterlands, Sydney G. James, Laith Karmo, Nicola Kuperus, Richard Lewis, Billy Mark, Tiff Massey, Allie McGhee, Carole Morisseau, Sabrina Nelson, Tom Phardel, Sharon Que, Yvette Rock, Gary Schwartz, Lauren Semivan, Donita Simpson, Maya Stovall, Andrew Thompson, Millee Tibbs, Timothy Van Laar.
Matthew Holness; Ramsey Campbell; Bernardine Bishop; Lucie McKnight-Hardy; Margaret Drabble; David Constantine; Mark Haddon; Gaia Holmes; Lara Williams; Alan Beard
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
This title examines how the urban physical, social, and political environment constrains aerospace operations; identifies key operational tasks that aerospace forces can help accomplish; and discusses strategies and technologies that can improve success in urban operations.
Enter a world of tents, tea, and terrifically good jam with RHS Great British Village Show. Written by Thane Prince and Matthew Biggs, and with a foreword by Alan Titchmarsh, this is the ultimate illustrated guide to a unique British tradition.Every year, hundreds of country shows and village fairs take place across the UK. Celebrate this tradition and step behind the scenes of the British country show with insider facts and beautiful photographs that show you every aspect of preparing, presenting, and prize-winning on the big day. Discover how judges reach their nail-biting decisions by using official RHS guidelines for over 100 fruit, vegetable, and flower categories. Learn the secrets behind growing perfect produce, preparing show-quality preserves and bakes with tips from the experts. RHS Great British Village Show tells you exactly what the judges are looking for - and what to avoid. Packed with staging tips, expert guides, photo diaries, and prize-winning recipes, RHS Great British Village Show is a unique insider's look behind the scenes of a wonderful British tradition.
Financial Management is an area that many nurses now need to know about. However, it can be difficult to explore. The first edition aimed to introduce nurses to techniques, which they would come across in their training and in their careers, in a clear, concise and logical way. This second edition has been updated to include the latest health care reforms, and offers the most relevant content in the context of the new Primary Care Trusts, and Foundation Hospitals. It includes exercises and activities, and an enhanced glossary with new topical words and phrases.
A significant portion of basic and applied life science research requires microorganisms as study specimens. Managing Microorganisms aims to be the standard reference for anyone who works with microorganisms, primarily bacteria and fungi. It is applicable to researchers who maintain their own collections of strains, and those who use one of the many public service culture collections. The book includes coverage of: · methods of preservation and characterization for different groups of microorganisms; · best practice guidelines for culture collection management; · how to protect investment in research with microorganisms; · where to source authenticated microorganisms; · how to store, handle and distribute microorganisms effectively and safely; · the factors to consider in designing a sustainable business plan for a culture collection; · the consideration of health and safety issues, and the wider regulatory environment. Managing Microorganisms is an essential reference for anyone working with microorganisms and culture collections. In addition, it will be of great use for academic researchers and students in applied life sciences, especially those who are involved in sourcing and maintaining reference strains, whilst it also will provide a useful guide for consultants, biotechnologists and other members of bioindustry.
This revision aid will be of great practical benefit to all radiology trainees studying for their professional examinations. The carefully structured questions and answers will enable trainees to undertake a systematic assessment of their knowledge, as well as highlighting areas where additional revision is required. Developed to complement its highly illustrated parent text, Applied Radiological Anatomy, both books can be used together or independently of one another. The choice of questions are relevant and useful for radiology trainees world-wide.
The fungi have been major players in the molecular revolution that has transformed biology. Because they can be manipulated as microorganisms, yeast and Neurospora provide information that is difficult to acquire with plants and animals, and experimental findings with fungi often throw light on corresponding processes in plants and animals. The filamentous fungus Neurospora crassa has become a valuable model organism because of its favorable features for genetic analysis and because of the vast store of information that has been acquired during 75 years of research. This compendium provides researchers and students with a concise account of current knowledge about the genes and genome of Neurospora, setting the stage for research that will follow completion of the genome sequence.This book, which is fully documented and abundantly illustrated, will be an indispensable tool in any laboratory that uses fungi for research in molecular genetics, classical genetics, developmental genetics, or cell biology.
Whether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.
Become the best you can be by investing in real estate it does not matter if you are just getting started, this guide is enough to equip and land you your goals.This invaluable step to step guide will be a quantum leap in your journey in 2020 as a real estate investor. It is the best companion you can have as it will get you accustomed to the options available in property management, and also strategies and benefits. There is indeed no better real estate investment guide for beginners than this handbook.Here are few of the things you stand to gain from this bookYou will learn how to start investing in 2020 as a beginner: no doubt, effective property management can be quite tasking but this guide has been simplified to teach you how to start real estate investment and ways to quickly adapt to the effective operations of the industry.You will get to know how to make better real estate investment in 2020: achieving cash flow in real estate comes when you make accurate decisions per time. This ultimate step to step handbook will open your enlighten you on how to make profitable decisions.You will understand the myth of property management: The author of this book is an expert in real estate industry and he has penned down enough information that will not only guide you but also open your understanding to the entirety of effective property management.This book will teach you how to avoid mistakes in real estate: as a beginner, it is essential you know how to recognise and avoid mistakes in property management. With this book, you are sure to achieve wealth with less or no mistake at all.
Farmers in Ireland have been protesting again recently about low farm incomes and calling for further state support. Yet farmers already receive large sums in EU and Irish state transfers to support their incomes, amounting to IR 32.4 billion per year. This amount now exceeds the value of farm income, raising the question of where this support has gone, and why are farmers complaining again? Farm Incomes--Myths and Realities examines current trends in farm incomes policy and shows the value of these transfers to Irish farmers and the Irish economy. It then analyzes the distribution of these payments among the farming population, and the relative importance of support to different types and sizes of farms. The book also compares total farm household incomes (including off-farm income) with the total incomes of non-farm households and examines the impact of social welfare transfers and income taxation on this comparison. It also highlights the extent and sources of rural poverty and deprivation. Finally, it recommends alternative mechanisms to provide a safety net for farm incomes within the context of ongoing changes in the EU's agricultural policy.
