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477 tulosta hakusanalla Moya A. Ball
Moya Sibirskaya Epopeya
Pokazan'ev Aleksandr
Yam Young Authors' Masterpieces Publishing
2012
pokkari
MOYa SEM'Ya V ZERKALE VREMENI
Yam Young Authors' Masterpieces Publishing
2025
pokkari
For a brief few years in the sixteenth century, Pedro Moya de Contreras was the most powerful man in the New World. A church official and loyal royalist, he came to Mexico in 1571 to establish the Inquisition and later became archbishop and viceroy for the region. This new edition of Stafford Poole's definitive portrait of Moya de Contreras, first published in 1971, now offers an expanded understanding of this enigmatic figure's influence on the development of New Spain.In tracing the career of a sixteenth-century church official and administrator who was more notable for what he did than for who he was, Poole offers a rich source of information about Spanish rule in colonial Mexico and the evolving relationship between the Spanish monarchy and the Catholic Church. For this second edition, Poole draws on newly available sources to fill in gaps regarding Moya de Contreras's shadowy early career and final years in Spain. He also explores in greater depth the churchman's influence as Grand Inquisitor in light of the plethora of new research and recent publications on the Spanish Inquisition.Poole shows that Moya de Contreras was as diligent at carrying out the tortures of the Inquisition as he was at exposing government and church corruption. His reforming zeal reached its culmination in his leadership of the Third Mexican Provincial Council of 1585, which enacted a legal code for the Mexican Church that lasted more than three hundred years.
A fully illustrated in-depth look at the fascinating life of a Spanish artist, sent on a cultural mission by the king of Spain then abandoned by his homeland, who reinvented himself in the US as a muralist, painter and teacher.Jos Moya del Pino's life was divided into two completely separate halves; the first one took place in Spain between 1890 and 1925; the second began in 1925 with his trip, without return, to America. This book includes many figures, photographs, illustrations, and details never published before about the life and works of this almost-forgotten artist.Moya del Pino's life was never dull. After running away from home at age 11, he received acclaim as a book illustrator in Spain and France, then convinced king Alfonso XIII to send him around the world on a cultural mission for the crown, copying all of the works of Vel zquez in the Prado Museum of Madrid to bring them to the new world and promote the great art and culture of his home country.Stranded in California when the king's support faltered as Spain was on the brink of a civil war, he made inroads into the high society of San Francisco to become a sought-out portraitist and muralist. His mural in Coit Tower and many of those painted under the tutelage of the WPA under the New Deal are still viewable in post offices throughout California; for some, such as those covering entire buildings for the Golden Gate International Exposition of 1939, only sketches remain. The artist enjoyed friendships with Diego Rivera, Matisse and other prominent artists, and always lived his life fully and with exuberance.Those who knew the first part of Moya del Pino's life almost completely ignored what happened in the second, to the point that most biographical notes published in Spain end in 1925, as if the painter had disappeared from the universe without a trace. On the other hand, those who shared the second stage of his life, in the San Francisco Bay Area, only knew of his work in Spain that he copied the works of Vel zquez and made portraits of Alfonso XIII and the Duke of Alba. This book aims to put an end to these incomplete perspectives, uniting into one biography the artist's two lives.
ЕЛЕНА АНАНЬЕВА КИНО - МОЯ СУДЬБА. ВЕЧНОЕ ВОЗВРАЩЕНИЕ Публицистика. Сборник воспоминаний, впечатлений, рассказиков, интервью и об интервью. Кино - моя судьба. И моё вечное возвращение - из памяти о реальности. Об учёбе и встречвх с Кирой Георгиевной Муратовой, Василии Николаевиче Левине. Диалогах с известными, заслуженными киношниками - оператором легендарной Одесской киностудии Анатолием Борисовым, начало операторской работы которого - кинофильм Особое мнение. Или Прокурор даёт показания, в котором снимался Владимир Высоцкий. И снова об одной встрече с Владимиром Семёновичем Высоцком и съемках легендарного сериала. Диалоги с киевским оператором Игорем Иванко, внуком Леонида Бурлаки, главного оператора культового кино - Место встречи изменить нельзя. О поисках пропавших киноплёнок, аудиодиска интервью Леонида Антоновича, - воспоминания автора, Елены Ананьевой, из прошлого сквозь призму будущего. CODE-ART]
Rodrigo Moya is a prominent Mexican documentary photographer who began as a photojournalist in 1955. He covered the convulsive period that shook Latin America during the 1950s and 1960s, including the guerrilla movement in Guatemala, the invasion of Santo Domingo, and the Cuban Revolution, producing the iconic images “Guerillas in the Mist” and “Melancholy Che.” Since the 1960s, Moya’s work has broadened to encompass more of Mexico and Latin America-the land and sea, people both famous and anonymous, religious processions, the streets of Mexico, laborers, and cultural events involving theatre and dance. Moya’s photography is receiving renewed attention and acclaim in the twenty-first century, including the Espejo de Luz for his photographic career at the VI Bienal Mexicana de Fotoperiodismo and the Medal of Photography Merit from the Sistema Nacional de Fototecas (Instituto Nacional de AntropologÍa y Historia).Rodrigo Moya: Photography and Conscience/FotografÍa y conciencia is the first English-Spanish bilingual retrospective of the photographer’s career. It presents over one hundred striking images grouped into seven thematic suites, each briefly introduced by Moya. Distinguished historian Ariel Arnal provides an essay describing Moya’s impact as a documentary photographer, while Moya writes about his journey to become a photographer in the volume’s introduction, “El nacimiento de las imÁgenes/The Origin of the Images.” Including photographs that have never been published before, Rodrigo Moya adds an important new chapter to the history of twentieth-century Mexican photography.
Caryn Moya Block Romance Cover Art
Caryn Moya Block
Createspace Independent Publishing Platform
2015
pokkari
Carlos Moya
VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
Victor Moya
VDM Publishing House
2010
nidottu
Observera att förlaget som ger ut denna produkt baserar innehållet i sina produkter på fria källor som Wikipedia. Boken är med stor sannolikhet endast ett utdrag ur dessa informationskällor, alltså inte en vanlig bok i den bemärkelsen.
This book was first published in 1955. This work deals with the human remains (of the first millennium BC) from the late Sir Henry Wellcome's excavation at Jebel Moya in the Sudan between 1911 and 1914, and it is the anthropological complement of Mr Frank Addison's two volumes on the archaeology of the site, which appeared in 1949. While its primary object is to determine the physical types represented by the ancient Jebel Moyans and their links with other African peoples, this book formed a comprehensive guide to method in physical anthropology. Formulae for predicting the capacity of the crania by Trevor and Bawa are given, and statures are reconstructed from the regression equations for limb bones of Trotter and Gleser. The authors also explore the racial affinities of the inhabitants of Jebel Moya, known as Generalized Distance Statistic.
Odessa - Lubov Moya! I Drugie Rasskazi
Lyudmila Boring
Createspace Independent Publishing Platform
2008
nidottu
The princess Arianna continues her journey with the knowledge that she must once again confront her father. With her companion Darwynyen at her side, she sets out to find the great wizard Archemese-but her quest may be complicated by the fact that most believe he is dead. Arianna has faith that the only one who can help her is anything but dead. To make matters worse, they must now deal with a spy who lurks under a veil of deception, and he will stop at nothing to realize his own ambitions. It is her companions, who have sworn their allegiance that will assist her through the future quests she embarks on.
The princess Arianna continues her journey with the knowledge that she must once again confront her father. With her companion Darwynyen at her side, she sets out to find the great wizard Archemese-but her quest may be complicated by the fact that most believe he is dead. Arianna has faith that the only one who can help her is anything but dead. To make matters worse, they must now deal with a spy who lurks under a veil of deception, and he will stop at nothing to realize his own ambitions. It is her companions, who have sworn their allegiance that will assist her through the future quests she embarks on.