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If We Were Electric

If We Were Electric

Patrick Earl Ryan

University of Georgia Press
2020
pokkari
If We Were Electric’s twelve stories celebrate New Orleans in all of its beautiful peculiarities: macabre and magical, muddy and exquisite, sensual and spiritual. The stunning debut collection finds its characters in moments of desire and despair, often stuck on the verge of a great metamorphosis, but burdened by some unreasonable love. These are stories about missed opportunities, about people on the outside who don’t fit in, about the consequences of not mustering enough courage to overcome the binds. In “Feux Follet,” an old man’s grief attracts supernatural lights in the dark Louisiana swamps. An exploding transformer’s raw, unnerving energy in the title story matches the strange, ferocious temper of an unlucky hustler. “Blackout” sets the profound numbness of a young man physically abused by his mentally unstable partner beside the meaningful beauty of an unexpected moment of joy with someone else. The teenage narrator in “Before Las Blancas” is so overwhelmed by his sexuality that he abandons everything and everyone he’s known to live in a happy illusion . . . in Mexico. And “Where It Takes Us” is a poignant, understated snapshot of a gay man who accompanies his straight, HIV-positive brother to the race track to bond again.
Speed Reading Riches: Make a Fortune Helping People Read More Than They Ever Thought Possible
Is there a special key to success? Yes there is, and you are holding that key right now. And others want to know what this key is all about, as well. You will be able to help others to read more and comprehend better than they ever thought possible. This is a business you can work part or full time by teaching how to read more in less time through the power of Dynamic Affirmation. This program is fun, exciting, and simple to learn and also teach.
Patrick's RICH POETRY

Patrick's RICH POETRY

Patrick Ebomwonyi

Elm Hill Books
2021
nidottu
A brief summary or general survey: This book does Include, a range of common varieties of Christian topics that I bring light too. To help the consumer grow and broaden their view to many of the world's wonders.
Handbook of Sample Preparation for Scanning Electron Microscopy and X-Ray Microanalysis
Scanning electr on microscopy (SEM) and x-ray microanalysis can produce magnified images and in situ chemical information from virtually any type of specimen. The two instruments generally operate in a high vacuum and a very dry environment in order to produce the high energy beam of electrons needed for imaging and analysis. With a few notable exceptions, most specimens destined for study in the SEM are poor conductors and composed of beam sensitive light elements containing variable amounts of water. In the SEM, the imaging system depends on the specimen being sufficiently electrically conductive to ensure that the bulk of the incoming electrons go to ground. The formation of the image depends on collecting the different signals that are scattered as a consequence of the high energy beam interacting with the sample. Backscattered electrons and secondary electrons are generated within the primary beam-sample interactive volume and are the two principal signals used to form images. The backscattered electron coefficient ( ? ) increases with increasing atomic number of the specimen, whereas the secondary electron coefficient ( ? ) is relatively insensitive to atomic number. This fundamental diff- ence in the two signals can have an important effect on the way samples may need to be prepared. The analytical system depends on collecting the x-ray photons that are generated within the sample as a consequence of interaction with the same high energy beam of primary electrons used to produce images.
Old Odd Ends

Old Odd Ends

Patrick Elliott

Createspace Independent Publishing Platform
2014
nidottu
In empty places darkness lives; hidden in small towns citizens find themselves traversing tales that others know to be safely confined in storybooks. Mr. Edward opens bookstores in these hamlets, selling rare works and indoctrinating children into "The Program" for lessons in the art of writing. Despite his oddness there is something about the gentleman that demands enough respect and admiration from the locals and his prot g s for him to quietly go about his business. Thomas, one of Mr. Edward's most promising pupils, admires and perhaps even loves the old man who nurtures his burgeoning talent for writing and introduces him to Samantha, who will grow to be the love of his life. Sensing something wrong Thomas begins to wonder if the darkness is in him and not his mentor. Between the old shop owner and the love of his life, Thomas's story takes many twists that his loving mother does not approve of. Mr. Edward's motives would thrill the devil himself. Warily keeping his most promising pupil off balance, he mercilessly culls from "The Program" those too weak to serve his sinister ends. Finally only Thomas remains; finding that everything he loves is on the line as he faces the greatest challenge yet, a monster with a familiar face. Two masters of words and magic go head to head with the young author's soul up for grabs as he challenges one of the great truths of the universe; that no one can write their own happy ending.
The Irrefutable Evidence For God

The Irrefutable Evidence For God

Patrick Echols

Xulon Press
2020
pokkari
Patrick Echols has a Bachelor of Science in Biology from Youngstown State University. He currently attends Barry University for a Master of Science degree, which ranked #1 in the United States for two consecutive years for master's programs in the Biomedical Sciences, where he has a perfect 4.0 G.P.A. He plans on attending medical school, where he will become a physician. This aspiring minister/pastor loves God, wishing to share his zeal for the things of God with others so that they, too, can have a relationship with the Lord
Echo Cycle

Echo Cycle

Patrick Edwards

Titan Books Ltd
2020
pokkari
Gladiator meets 1984 in this near-future thriller featuring timeslips, ancient magic and a disturbingly plausible dystopian Britain... 68 CE Fleeing disaster, young Winston Monk wakes to find himself trapped in the past, imprisoned by the mad Emperor Nero. The Roman civilization he idolized is anything but civilized, and his escape from a barbaric home has led him somewhere far more dangerous. 2070 CE As the European Union crumbled, Britain closed its borders, believing they were stronger alone. After decades of hardship, British envoy Lindon Banks joins a diplomatic team to rebuild bridges with the hypermodern European Confederacy. But in Rome, Banks discovers his childhood friend who disappeared without a trace. Monk appears to have spent the last two decades living rough, but he tells a different story: a tale of Caesars, slavery and something altogether more sinister. Monk’s mysterious emergence sparks the tinderbox of diplomatic relations between Britain and the Confederacy, controlled by shadowy players with links back to the ancient world itself…
Joan Eardley

Joan Eardley

Patrick Elliott; Anne Galastro

National Galleries of Scotland
2016
sidottu
Joan Eardley (1921-1963) is one of Scotland's most admired artists. During a career that lasted barely fifteen years, she concentrated on two very distinct themes: children in the Townhead area of central Glasgow, and the fishing village of Catterline, just south of Aberdeen, with its leaden skies and wild sea. The contrast between this urban and rural subject matter is self-evident, but the two are not, at heart, so very different. Townhead and Catterline were home to tight-knit communities, living under extreme pressure: Townhead suffered from overcrowding and poverty, and Catterline from depopulation brought about by the declining fishing industry. Eardley was inspired by the humanity she found in both places. These two intertwining strands are the focus of this book, which looks in detail at Eardley's working processes. Her method can be traced from rough sketches and photographs through to pastel drawings and large oil paintings. Identifying many of Eardley's subjects and drawing on unpublished letters, archival records and interviews, the authors provide a new and remarkably detailed account of Eardley's life and art.
Joan Eardley

Joan Eardley

Patrick Elliott

NATIONAL GALLERIES OF SCOTLAND
2021
nidottu
In 1951, Joan Eardley visited the coastal fishing village of Catterline in north-east Scotland for the first time. Her visit sparked a fascination that would last the rest of her life. She made the village her home and found inspiration in the dramatic light and rapidly changing weather. The gentle landscapes and wild rolling seascapes she painted of Catterline in wind, snow, rain and sun are among her best-loved works. Unpublished archival material and interviews with many of those who knew her shed new light on Eardley’s life in Catterline. A vivid portrait is painted both of Eardley and of the village, showing the vital part Catterline played in her development as an artist. The story of her experiences on the wild Scottish coast is evocatively told and beautifully illustrated with some of her most remarkable drawings and paintings.