Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Peter E. Tarlow
In the spring of 1929, Martin Heidegger and Ernst Cassirer met for a public conversation in Davos, Switzerland. They were arguably the most important thinkers in Europe, and their exchange touched upon the most urgent questions in the history of philosophy: What is human finitude? What is objectivity? What is culture? What is truth? Over the last eighty years the Davos encounter has acquired an allegorical significance, as if it marked an ultimate and irreparable rupture in twentieth-century Continental thought. Here, in a reconstruction at once historical and philosophical, Peter Gordon reexamines the conversation, its origins and its aftermath, resuscitating an event that has become entombed in its own mythology. Through a close and painstaking analysis, Gordon dissects the exchange itself to reveal that it was at core a philosophical disagreement over what it means to be human. But Gordon also shows how the life and work of these two philosophers remained closely intertwined. Their disagreement can be understood only if we appreciate their common point of departure as thinkers of the German interwar crisis, an era of rebellion that touched all of the major philosophical movements of the day—life-philosophy, philosophical anthropology, neo-Kantianism, phenomenology, and existentialism. As Gordon explains, the Davos debate would continue to both inspire and provoke well after the two men had gone their separate ways. It remains, even today, a touchstone of philosophical memory.This clear, riveting book will be of great interest not only to philosophers and to historians of philosophy but also to anyone interested in the great intellectual ferment of Europe’s interwar years.
From the beginning to the end of his career, the philosopher Theodor W. Adorno sustained an uneasy but enduring bond with existentialism. His attitude overall was that of unsparing criticism, verging on polemic. In Kierkegaard he saw an early paragon for the late flowering of bourgeois solipsism; in Heidegger, an impresario for a “jargon of authenticity” cloaking its idealism in an aura of pseudo-concreteness and neo-romantic kitsch. Even in the straitened rationalism of Husserl’s phenomenology Adorno saw a vain attempt to break free from the prison-house of consciousness.“Gordon, in a detailed, sensitive, fair-minded way, leads the reader through Adorno’s various, usually quite vigorous, rhetorically pointed attacks on both transcendental and existential phenomenology from 1930 on…[A] singularly illuminating study.”—Robert Pippin, Critical Inquiry“Gordon’s book offers a significant contribution to our understanding of Adorno’s thought. He writes with expertise, authority, and compendious scholarship, moving with confidence across the thinkers he examines…After this book, it will not be possible to explain Adorno’s philosophical development without serious consideration of [Gordon’s] reactions to them.”—Richard Westerman, Symposium
Christians in the Movies traces the arc of the portrayal in film of Christians from 1905 to the present. For most of the first six decades, the portrayals were favorable and even reverential. By contrast, from 1970 on, Christians have often been treated with hostility and often outright ridicule. This book explores this shift through in-depth reviews and commentaries on 100 important films, as well as briefer discussions of about 75 additional Christian-themed films. Peter E. Dans examines various causative factors for this change such as the abolition of the Hays Motion Picture Production Code, the demise of the Catholic Legion of Decency, and the associated profound societal and cultural changes. From a look at the real story behind the Scopes trial to portraits of actors, directors and writers most prominently associated with films involving Christians and Christianity, Christians in the Movies provides a great resource for those who wish to select films for showing at churches, universities or for personal viewing and critical examination of the recent cultural movements and thought.
The new discoveries in physics during the twentieth century have stimulated intense debate about their relevance to age-old theological questions. Views range from those holding that modern physics provides a surer road to God than traditional religions, to those who say that physics and theology are incommensurable and so do not relate. At the very least, physics has stimulated renewed theological discussions. In this critical introduction to the science-theology debate, Peter E. Hodgson draws on his experience as a physicist to present the results of modern physics and the theological implications. Written for those with little or no scientific background, Hodgson describes connections between physics, philosophy and theology and then explains Newtonian physics and Victorian physics, the theories of relativity, astronomy and quantum mechanics, and distinguishes the actual results of modern physics from speculations. The connections with theology are explored throughout. The concluding section draws discussions together and makes an important new contribution to the debate.
This new study of the sea-going Phantoms includes contributions from over a hundred aircrew and maintainers who were involved in the Phantom’s success from the earliest service development flying to its twilight years in the Reserve units. There are personal accounts of MiG battles from more than a dozen MiG killers, first-hand descriptions of the F-4’s introduction into combat with the Marines as a CAS and reconnaissance aircraft, memories of ‘Bear’ intercepts on Mediterranean cruises, narratives covering the aircraft’s service into the 1980s, and much more. These voices are blended with a detailed technical and developmental description of the aircraft, supported by comprehensive appendices and over 450 photos in color and black and white.
An eclectic selection of historical essays demonstrates the early influence of the Scots in shaping Canada
An eclectic selection of historical essays demonstrates the early influence of the Scots in shaping Canada
All the Tools You Need to Transform Your Management Style and Get the Results You Want Managers have naturally either a "relating" or a "requiring" style. Those who naturally require are weaker at relating, and vice versa. The best managers possess the ability to do both well and know when to choose one over the other. Having the ability to relate and require is fundamental for effective managing. The 2R Manager offers specific advice tailored to an individual manager's current management style. Take the self-surveys, see the results, and learn the effect you have on those you manage. The 2R Manager will reveal what changes you must make in your management style . . . and will tell you exactly how to make them.
Juan Rana was the most famous buffoon of his time. An actor working during the years 1617-1672, he achieved a status similar to that of the Italian Harlequin and was a favourite of the ruling monarchy and the general populace. Over fifty short plays were written especially for Rana by some of the most important playwrights of the day, including Pedro Calderón de la Barca, who crowned Rana the most famous gracioso of the baroque era. Juan Rana was arrested in 1636 for the 'nefarious sin' of homosexuality and thereafter played more gender bending, transvestite, and homosexual roles. Many of his roles wrestle with issues of gender, sexual, and biological difference but, surprisingly, little work has been done on the important issue of his sexuality. In The Triumphant Juan Rana, Peter E. Thompson examines the actor's sexuality both on and off the stage and demonstrates that his homosexuality was tolerated, even understood and applauded, by the public. Thompson challenges many preconceived ideas about the Spanish Golden Age and fills an existing void in queer studies of this important period in European theatrical and literary history.
Juan Rana, the most famous actor of the Spanish Golden Age, enjoyed a long and successful career from 1617 to 1672. Over fifty entremeses - interludes featured between the main acts of full-length plays - were written especially for him by some of the most important playwrights of the period. This bilingual and annotated edition of The Outrageous Juan Rana Entremeses translates a selection of the entremeses for the first time, highlighting their literary complexity and providing historical context for the many double meanings and innuendos they contain. Rana's arrest for homosexuality in 1636 led him to play more gender bending, transvestite, and implicitly sexual roles. Many of his roles parody marriage, patriarchy, and heterocentric values while wrestling with issues of gender, sexual, and biological identity. As Peter E. Thompson ably demonstrates, these interludes challenge preconceived notions about society during the Spanish Golden Age by dealing with subject matter that remains extraordinarily relevant today.
Pioneer Photographers from the Mississippi to the Continental Divide
Peter E. Palmquist; Thomas R. Kailbourn
Stanford University Press
2005
sidottu
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.