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1000 tulosta hakusanalla Philip Wolny

Philip the Chancellor and Eudes of Châteauroux

Philip the Chancellor and Eudes of Châteauroux

Oxford University Press
2024
sidottu
Sermones Contra Hereticos presents an edition and translation of a group of mostly unpublished Latin sermons which were originally preached in the context of the Albigensian Crusade of 1226 and during the fight against heresy in northern France in 1231. The nine extant sermon texts are unique in that they can be connected to specific preaching events for which the identity of the preacher, the time, and location, as well as the audience are known. The sermons were originally preached before academics at the University of Paris, to King Louis VIII of France at the start of his crusade in Bourges, at a procession in Paris in aid of the crusade army at the siege of Avignon, for the recruitment of additional crusaders, and at an episcopal synod at Laon and to laypeople at Bruyères-et-Montbérault in an attempt to ward off the spread of heretical beliefs. These texts provide us with an opportunity to tie particular strands of crusade ideology and doctrine to specific moments of the crusade movement and to the church's endeavours to counteract heresies by intensifying pastoral preaching. In addition, the texts can tell us a great deal about the way in which oral preaching was recorded and about the differences between the surviving textual record and the historical spoken word.
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Sir Philip Sidney

Sir Philip Sidney

Philip Sidney

Oxford University Press
2008
nidottu
This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Sidney's poetry and prose - all the major writing, complemented by letters and elegies - to give the essence of his work and thinking. Born in 1554, Sir Philip Sidney was hailed as the perfect Renaissance patron, soldier, lover, and courtier, but it was only after his untimely death at the age of 31 that his literary accomplishments were truly recognized. This collection ranges more widely through Sidney's works than any previous volume and includes substantial parts of both versions of the Arcadia, The Defence of Poesy and the whole of the sonnet sequence Astrophil and Stella. Supplementary texts, such as his letters and the numerous elegies which appeared after his death, help to illustrate the whole spectrum of his achievements, and the admiration he inspired in his contemporaries. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Philip Roth

Philip Roth

Patrick Hayes

Oxford University Press
2014
sidottu
When we try to find words to express our most visceral and primary responses to literature, we are often inclined to speak of its power. But in academic contexts, that intuitive feeling for the vividness, energy, and special intensity of literary experience is all too often subdued, and exchanged for a supposedly more sophisticated discussion of its ethical or political significance. Philip Roth has long thumbed his nose at the 'virtue racket', as one of his characters called it, and his fiction has repeatedly satirised the moralistic idiom that tends to rule the public discussion of literature. In doing so he has earned the disapproval of an unusually wide range of university teachers and intellectuals. Philip Roth: Fiction and Power argues that Roth's importance derives precisely from his revaluation of what counts as sophisticated and serious in our response to literature. As well as examining how Roth emerged as a writer, and defining the main lines of influence on him, the book measures his impact on the dominant ways of thinking about literary value in post-war America. Attention is given to particular questions: about the place of emotion and affective experience, the nature and value of tragedy, the relevance of art to life, the relationship between literature and the unconscious, the concept of the author, the idea of a literary canon, and the ways that fiction illuminates America's complex post-war history. The book will be of importance to readers of modern American literature, and indeed to anyone interested in why literature matters.
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Philip II and Alexander the Great

Philip II and Alexander the Great

Oxford University Press Inc
2010
sidottu
The careers of Philip II and his son Alexander the Great (III) were interlocked in innumerable ways: Philip II centralized ancient Macedonia, created an army of unprecedented skill and flexibility, came to dominate the Greek peninsula, and planned the invasion of the Persian Empire with a combined Graeco-Macedonian force, but it was Alexander who actually led the invading forces, defeated the great Persian Empire, took his army to the borders of modern India, and created a monarchy and empire that, despite its fragmentation, shaped the political, cultural, and religious world of the Hellenistic era. Alexander drove the engine his father had built, but had he not done so, Philip's achievements might have proved as ephemeral as had those of so many earlier Macedonian rulers. On the other hand, some scholars believe that Alexander played a role, direct or indirect, in the murder of his father, so that he could lead the expedition to Asia that his father had organized. In short, it is difficult to understand or assess one without considering the other. This collection of previously unpublished articles looks at the careers and impact of father and son together. Some of the articles consider only one of the Macedonian rulers although most deal with both, and with the relationship, actual or imagined, between the two. The volume will contain articles on military and political history but also articles that look at the self-generated public images of Philip and Alexander, the counter images created by their enemies, and a number that look at how later periods understood them, concluding with the Hollywood depiction of the relationship. Despite the plethora of collected works that deal with Philip and Alexander, this volume promises to make a genuine contribution to the field by focusing specifically on their relationship to one another.
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Philip Roth

Philip Roth

Ira Nadel

Oxford University Press Inc
2021
sidottu
This new biography of famed American novelist Philip Roth offers a full account of his development as a writer. Philip Roth was much more than a Jewish writer from Newark, as this new biography reveals. His life encompassed writing some of the most original novels in American literature, publishing censored writers from Eastern Europe, surviving less than satisfactory marriages, and developing friendships with a number of the most important writers of his time from Primo Levi and Milan Kundera to Isaac Bashevis Singer, Saul Bellow and Edna O'Brien. The winner of a Pulitzer Prize, National Book Award, and the Man Booker International Prize, Roth maintained a remarkable productivity throughout a career that spanned almost fifty years, creating 31 works. But beneath the success was illness, angst, and anxiety often masked from his readers. This biography, drawing on archives, interviews and his books, delves into the shaded world of Philip Roth to identify the ghosts, the character, and even identity of the man.
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Philip Roth

Philip Roth

Blake Bailey

Jonathan Cape Ltd
2021
sidottu
'Superlative... definitive and genuinely gripping' SUNDAY TIMES'Utterly engrossing' EVENING STANDARD'Compulsively readable... Beautifully written... Definitive' OBSERVER Appointed by Philip Roth and granted complete access and independence, Blake Bailey spent years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and engaging Roth himself in breathtakingly candid conversations. The result is an indelible portrait of an American master and of the post-war literary scene. Bailey shows how Roth emerged from a lower-middle-class Jewish milieu to achieve the heights of literary fame, how his career was nearly derailed by his catastrophic first marriage, and how he championed the work of dissident novelists behind the Iron Curtain. Bailey examines Roth's rivalrous friendships with Saul Bellow, John Updike and William Styron, and reveals the truths of his florid love life, culminating in his almost-twenty-year relationship with actress Claire Bloom, who pilloried Roth in her 1996 memoir, Leaving a Doll's House. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of post-war American culture.*A 'BOOKS OF 2021' PICK IN THE OBSERVER, GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, EVENING STANDARD, SPECTATOR AND NEW STATESMAN*
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Philip Sparrow Tells All

Philip Sparrow Tells All

Samuel Steward; Justin Spring

University of Chicago Press
2015
sidottu
Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared his considerable range of experiences with Alfred Kinsey, and a prolific writer of everything from scholarly articles to gay erotica (under the penname Phil Andros). Given this biography, he sounds like a most unlikely contributor to a trade magazine like the Illinois Dental Journal. Yet from 1944 to 1949, writing under the name Philip Sparrow, Steward produced monthly columns for the journal that were full of wit and flourish and that constituted a kind of disguised autobiography, with their reflections on his friendships and experiences and their endless allusions to his trove of multifarious knowledge. For Philip Sparrow Tells All, Jeremy Mulderig has gathered thirty of Steward's most playful and insightful columns, which together paint a vivid portrait of 1940s America. In these essays we spend time with Steward's friends like Gertrude Stein, Andre Gide, and Thornton Wilder (who was also Steward's occasional lover). We hear of his stint as a holiday sales clerk at Marshall Field's (where he met and seduced Rock Hudson), his roles as an opera and ballet extra in hilariously shoddy costumes, his hoarding tendencies, his disappointment with the drabness of men's fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig's entertaining annotations identify Steward's often obscure allusions and tie the essays to the people and events of the day. Many decades later, Steward's writing feels as stylistically fresh and charming as it did in his time. With richly detailed introductions to the essays that situate them in the context of Steward's fascinating life, Philip Sparrow Tells All will bring this unusual and engaging writer to a fresh readership beyond the dental chair.
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Philip Sparrow Tells All

Philip Sparrow Tells All

Samuel Steward; Justin Spring

University of Chicago Press
2015
nidottu
Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells Angels, a sexual adventurer who shared his considerable range of experiences with Alfred Kinsey, and a prolific writer of everything from scholarly articles to gay erotica (under the penname Phil Andros). Given this biography, he sounds like a most unlikely contributor to a trade magazine like the Illinois Dental Journal. Yet from 1944 to 1949, writing under the name Philip Sparrow, Steward produced monthly columns for the journal that were full of wit and flourish and that constituted a kind of disguised autobiography, with their reflections on his friendships and experiences and their endless allusions to his trove of multifarious knowledge. For Philip Sparrow Tells All, Jeremy Mulderig has gathered thirty of Steward's most playful and insightful columns, which together paint a vivid portrait of 1940s America. In these essays we spend time with Steward's friends like Gertrude Stein, Andre Gide, and Thornton Wilder (who was also Steward's occasional lover). We hear of his stint as a holiday sales clerk at Marshall Field's (where he met and seduced Rock Hudson), his roles as an opera and ballet extra in hilariously shoddy costumes, his hoarding tendencies, his disappointment with the drabness of men's fashions, and his dread of turning forty. We go along with him to a bodybuilding competition and a pet cemetery, and together we wander the boulevards of Paris and the alleys of Algiers. Throughout, Mulderig's entertaining annotations identify Steward's often obscure allusions and tie the essays to the people and events of the day. Many decades later, Steward's writing feels as stylistically fresh and charming as it did in his time. With richly detailed introductions to the essays that situate them in the context of Steward's fascinating life, Philip Sparrow Tells All will bring this unusual and engaging writer to a fresh readership beyond the dental chair.
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Philip Johnson

Philip Johnson

Franz Schulze

University of Chicago Press
1996
nidottu
In this biography, Franz Schulze probes the private and professional life of one of the most famous architects and architectural critics of the 20th century. The only son of a wealthy Midwestern family, Philip Johnson was a millionaire by the time he graduated from Harvard, and in 1932 he helped stage the historic International Style exhibition at the Museum of Modern Art. A patron of the arts and a political activist who flirted with the politics of Hitler, Huey Long, and Father Coughlin, Johnson created controversial and historical structures such as the Glass House, the Roofless Church, the AT & T Building, the Crustal Cathedral, and many more. Johnsons's personal charms paired with his manipulative ploys - like his "borrowing" of designs - shine through in this biography. Drawing on Johnson's correspondence, personal photographs, and speeches, and on interviews with his friends and contemporaries, Schulze fills the biography with information on the architect's family, travels, friends and lovers, and his many buildings and spaces themselves.
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Philip Larkin and His Audiences

Philip Larkin and His Audiences

G. Steinberg

Palgrave Macmillan
2010
sidottu
Philip Larkin, one of England's greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin's poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers.
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Philip Larkin: Art and Self

Philip Larkin: Art and Self

M. Rowe

Palgrave Macmillan
2011
sidottu
Exploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert).
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Philip Payton

Philip Payton

Kevin McGruder

Columbia University Press
2021
sidottu
At the turn of the early twentieth century, Harlem—the iconic Black neighborhood—was predominantly white. The Black real estate entrepreneur Philip Payton played a central role in Harlem’s transformation. He founded the Afro-American Realty Company in 1903, vowing to vanquish housing discrimination. Yet this ambitious mission faltered as Payton faced the constraints of white capitalist power structures.In this biography, Kevin McGruder explores Payton’s career and its implications for the history of residential segregation. Payton stood up for the right of Black people to live in Harlem in the face of vocal white resistance. Through skillful use of print media, he branded Harlem as a Black community and attracted interest from those interested in racial uplift. Yet while Payton “opened” Harlem streets, his business model depended on continued racial segregation. Like white real estate investors, he benefited from the lack of housing options available to desperate Black tenants by charging higher rents. Payton developed a specialty in renting all-Black buildings, rather than the integrated buildings he had once envisioned, and his personal successes ultimately entrenched Manhattan’s racial boundaries. McGruder highlights what Payton’s story shows about the limits of seeking advancement through enterprise in a capitalist system deeply implicated in racial inequality.At a time when understanding the roots of residential segregation has become increasingly urgent, this biography sheds new light on the man and the forces that shaped Harlem.
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Philip Payton

Philip Payton

Kevin McGruder

Columbia University Press
2021
pokkari
At the turn of the early twentieth century, Harlem—the iconic Black neighborhood—was predominantly white. The Black real estate entrepreneur Philip Payton played a central role in Harlem’s transformation. He founded the Afro-American Realty Company in 1903, vowing to vanquish housing discrimination. Yet this ambitious mission faltered as Payton faced the constraints of white capitalist power structures.In this biography, Kevin McGruder explores Payton’s career and its implications for the history of residential segregation. Payton stood up for the right of Black people to live in Harlem in the face of vocal white resistance. Through skillful use of print media, he branded Harlem as a Black community and attracted interest from those interested in racial uplift. Yet while Payton “opened” Harlem streets, his business model depended on continued racial segregation. Like white real estate investors, he benefited from the lack of housing options available to desperate Black tenants by charging higher rents. Payton developed a specialty in renting all-Black buildings, rather than the integrated buildings he had once envisioned, and his personal successes ultimately entrenched Manhattan’s racial boundaries. McGruder highlights what Payton’s story shows about the limits of seeking advancement through enterprise in a capitalist system deeply implicated in racial inequality.At a time when understanding the roots of residential segregation has become increasingly urgent, this biography sheds new light on the man and the forces that shaped Harlem.
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Philip Kaufman

Philip Kaufman

Annette Insdorf

University of Illinois Press
2012
sidottu
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.
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Philip Kaufman

Philip Kaufman

Annette Insdorf

University of Illinois Press
2012
nidottu
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. His latest film, Hemingway & Gellhorn(premiering May 2012 on HBO), stars Nicole Kidman and Clive Owen. In this study, Annette Insdorf argues that the stylistic and philosophical richness of Kaufman's cinema makes him a versatile auteur. She demonstrates Kaufman's skill at adaptation, how he finds the precise cinematic device for a story drawn from seemingly unadaptable sources, and how his eye translates the authorial voice from books that serve as inspiration for his films. Closely analyzing his movies to date (including Invasion of the Body Snatchers, The Wanderers, and Quills), Insdorf links them by exploring the recurring and resonant themes of sensuality, artistic creation, codes of honor, and freedom from manipulation. While there is no overarching label or bold signature that can be applied to his oeuvre, she illustrates the consistency of themes, techniques, images, and concerns that permeates all of Kaufman's works.
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Philip II of Spain and the Architecture of Empire

Philip II of Spain and the Architecture of Empire

Laura Fernández-González

Pennsylvania State University Press
2021
sidottu
Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions.Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.
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Philip Roth

Philip Roth

Derek Parker Royal

Praeger Publishers Inc
2005
sidottu
Of all contemporary American writers, Philip Roth is perhaps the most ambitious, yet he is one of the most underrepresented in terms of critical attention given his place in American letters. Unlike many aging novelists, whose production and creative mastery wane over time, Roth has demonstrated a unique ability not only to sustain his literary output, but also to surpass the scope and talent inherent in his previous writings. He has been awarded many literary honors, and in the 1990s alone he won every major American book award. This long-overdue collection of essays covers Roth's entire output and links themes across works, highlighting those thoughts and ideas that recur frequently. Unlike older introductions to Roth's writings, this volume will provide up-to-date coverage of all his works. Each chapter introduces the work or works under discussion, provides a brief summary of the story, and moves on to a lively analysis of its various literary elements and its significance in Roth's overall body of work. While each chapter focuses on the central issues in the specific work, several larger themes that run throughout many of his writings will be addressed, including the rise of suburbanization in post-war America, the problems and prominence of the family, American (Jewish) ethnicity, comedy and satire, the costs of literary celebrity, the promises and failures of the American dream, and others. Newcomers to and fans alike will find everything they need in this volume to build a better appreciation of Roth's work.
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