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1000 tulosta hakusanalla Richard Lane

Richard Coeur de Lion. An Historical Romance. From the French of Monsr. Sedaine. As Performed at the Theatre-Royal, Drury-Lane
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)T168289Translated by John Burgoyne.Dublin: printed for Messrs. W. Watson, Colles, Wilson, Wilkinson, Exshaw, and 11 others in Dublin], 1786. 4],53, 1]p.; 12
The Northern Lass, or, the Nest of Fools. A Comedy. As it is now Acted by Her Majesties Servants at the Theatre-Royal in Drury-Lane. With Prologue, Epilogue, and new Songs. By Richard Brome, Gent. The Sixth Impression
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++National Library of ScotlandT176584At foot of titlepage: "The musick to this play is composed by Mr. D. Purcel; and printed for J. Walsh .. ."London: printed for H. N. and are to be sold by James Round, 1706. 8],72p.; 4
A Catalogue of Books Printed for and Sold by Richard Ware, Bookseller, at the Bible and Sun in Warwick-Lane, Amen Corner, London
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT087055Drop-head title. First line of text: "Atlas maratimus & commercialis, fol.". London, 1735?]. 20p.; 8
King Richard III. A Tragedy. As it is Acted at the Theatres-Royal in Drury-Lane and Covent-Garden. By Shakespeare
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Trinity College Library Watkinson CollectionT029476London: printed for J. Wenman; and sold by all other booksellers in town and country, 1778. 19, 1]p., plate; 8
The Tragical History of King Richard III. As it is Acted at the Theatre-Royal in Drury-Lane. Alter'd From Shakespear, by C. Cibber
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT222931An alteration of William Shakespeare's 'Richard III'.London: printed for W. Feales; and the book-sellers of London and Westminster, 1735. 71, 1]p.: ill.; 12
The Tragical History of King Richard III. Altered From Shakespeare by Colley Cibber, Esq; As Performed at the Theatres-Royal in Drury-Lane and o Vent [sic]-Garden
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT062177Vertical chain-lines.London: printed and sold by W. Oxlade, 1775. 57, 1]p.: ill; 12
Quotations for the Fast Lane

Quotations for the Fast Lane

Richard W. Pound

McGill-Queen's University Press
2013
sidottu
Richard Pound has spent half a lifetime identifying, collecting, and organizing thousands of quotations. Quotations for the Fast Lane is the result of that effort, selected by someone with an impressive range of local, national, and international experience, and arranged alphabetically by theme to be easily accessible for all readers and all occasions. Words from personalities ranging from William Blake to Warren Buffett on all topics imaginable, serve to elevate and inspire. The great majority of the quotations in this book are pithy, often humorous and sardonic, but always containing an interesting perspective on life, conduct, and achievement. Quotations for the Fast Lane: "I have great faith in fools - my friends call it self-confidence." Edgar Allan Poe "It is better to be approximately right than precisely wrong." Warren Buffett "The last refuge of the insomniac is a sense of superiority to the sleeping world." Leonard Cohen
"Sheila": The Girl From The Lane

"Sheila": The Girl From The Lane

Richard Hugh Blackford

Createspace Independent Publishing Platform
2014
nidottu
Jamaican novel - Paperback 307 pages. The island of Jamaica boasts pristine white sand beaches, rolling hills with plush green vegetation, pulsating reggae music, and a people as vibrant as the sun. Beneath this picture though is the dark side of the island, of a society undergoing social and economic transformation that produces a myriad of challenges that affects its people in different ways.This is the landscape that has developed Sheila Sampson, the third of seven children of Alphanso and Delceita Sampson, both ordinary working class parents from the inner city community of 33 Lane in the tough Waltham Park Road area of Kingston, Jamaica.Despite the desire of her parents for their daughter to provide an example to her younger siblings, Sheila's youthful exuberances leads her in a completely different direction resulting in her being ostracized from her family and forced to face life on her own and to raise two young children in trying circumstances, especially after the departure of her lover and childhood sweetheart Tony.
Pirate Cove: An Insider's Account of the Infamous Southport Lane Scandal
In Pirate Cove, Richard D. Bailey provides an insider's chronicle of a white-collar crime whose headline-grabbing elements first appeared on the front pages of The Wall Street Journal. It's the true, unvarnished, complete, previously untold, and fascinating story of how one honest man helped unravel the massive Southport Lane fraud perpetrated by the author's former employer, 26-year-old, self-proclaimed financial prodigy Alexander Chatfield Burns. A really smart friend of the author once asked Burns how he got control of four state-regulated insurance companies. With a Cheshire cat grin, Burns cryptically responded, "Jesus with a telescope on Mars couldn't figure out how I did this." But the author eventually did. If (and when) Pirate Cove is made into a movie, it'll stand right alongside such successful dramedies as American Hustle, Can You Ever Forgive Me, Bad Education, White Collar Crime, The Wolf of Wall Street, and Michael Clayton.
Woods, Hedges and Leafy Lanes

Woods, Hedges and Leafy Lanes

Richard Muir

The History Press Ltd
2008
nidottu
The landscapes of Britain have been shaped by hundreds of generations, moulding the countryside to fit with their own ideals, through the planting of hedgerows and wooded pastures. This type of scenery has been long in the making, with new additions and flourishes being added every century, yet in today's modern world it is rapidly being transplanted by concrete and tarmac. This absorbing new book unravels the history of these landscapes.