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1000 tulosta hakusanalla S Augustus Mitchell

Livia's Advice to Augustus, Persuading Clemency in the Case of Cinna, Who, Was Taken in Actual Rebellion Against the Government. Collected from the Roman Historians
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++William Andrews Clark Memorial Library (UCLA)N011168A political satire. Livia = Caroline Whilhelmina; Augustus = George II.London: printed for T. Payne, 1722. vii, 1],32p.; 8
John Williams: Collected Novels (Loa #349): Butcher's Crossing / Stoner / Augustus
For the first time, a collected edition of the major works of John Williams, including the acclaimed novel Butcher's Crossing, now a major motion picture starring Nicholas Cage John Williams's three major works have come to be recognized as modern American classics and are collected in this Library of America volume for the first time. In Butcher's Crossing, he unsettles the conventions of the Western novel to tell the haunting story of a buffalo hunting expedition that exposes the savagery and greed behind the myth of the frontier. In Stoner, he portrays power politics in academe and the quiet heroism of a midwestern English professor dedicated to the honest and dogged pursuit of his craft. In Augustus, set in ancient Rome, Williams again takes on the subject of power--more particularly, in the author's own words, "the ambivalence between the public necessity and the private want or need." Rounding out the volume are three essays by Williams on writing fiction and his speech upon accepting the National Book Award for Augustus in 1973.