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1000 tulosta hakusanalla Sabine Traeder

Jacquetta (1886). By: Sabine Baring-Gould: Jacquetta and Other Stories, 1890: The Story of Jael, Jacquetta, Moth-Mullein .
The Reverend Sabine Baring-Gould (28 January 1834 - 2 January 1924) of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1240 publications, though this list continues to grow. His family home, the manor house of Lew Trenchard, near Okehampton, Devon, has been preserved as he had it rebuilt and is now a hotel. He is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers" and "Now the Day Is Over". He also translated the carol "Gabriel's Message" from the Basque language to English. CAREER: Because the family spent much of his childhood travelling round Europe, most of his education was by private tutors. He only spent about two years in formal schooling, first at King's College School in London (then located in Somerset House) and then, for a few months, at Warwick Grammar School (now Warwick School). Here his time was ended by a bronchial disease of the kind that was to plague him throughout his long life. His father considered his ill-health as a good reason for another European tour. In 1852 he was admitted to Cambridge University, earning the degrees of Bachelor of Arts in 1857, then Master of Arts in 1860 from Clare College, Cambridge.In September 1853 he informed Nathaniel Woodard of his desire to be ordained. He taught for only ten days at one of Woodard's boys' boarding schools in Sussex, Lancing College, but then moved to another, Hurstpierpoint College, where he stayed from 1857 to 1864.While there he was responsible for several subjects, especially languages and science, and he also designed the ironwork of the bookcases in the boys' library, as well as painting the window jambs with scenes from the "Canterbury Tales" and the "Faery Queen". He took Holy Orders in 1864, and became the curate at Horbury Bridge, West Riding of Yorkshire. It was while acting as a curate that he met Grace Taylor, the daughter of a mill hand, then aged fourteen. In the next few years they fell in love. His vicar, John Sharp, arranged for Grace to live for two years with relatives in York to learn middle-class manners. Baring-Gould, meanwhile, relocated to become perpetual curate at Dalton, near Thirsk. He and Grace were married in 1868 at Wakefield.Their marriage lasted until her death 48 years later, and the couple had 15 children, all but one of whom lived to adulthood. When he buried his wife in 1916 he had carved on her tombstone the Latin motto Dimidium Animae Meae ("Half my Soul"). Baring-Gould became the rector of East Mersea in Essex in 1871 and spent ten years there. In 1872 his father died and he inherited the 3,000-acre (12 km2) family estates of Lew Trenchard in Devon, which included the gift of the living of Lew Trenchard parish. When the living became vacant in 1881, he was able to appoint himself to it, becoming parson as well as squire. He did a great deal of work restoring St Peter's Church, Lew Trenchard, and (from 1883 to 1914) thoroughly remodelled his home, Lew Trenchard Manor...................
Sabine Baring-Gould

Sabine Baring-Gould

J. E. Thomas

Fonthill Media
2015
sidottu
Sabine Baring-Gould was one of the most remarkable Englishmen of the Victorian Age. Born as the heir to an estate in Devon, he received an erratic education travelling on the continent. Eventually he became a clergyman, and when thirty he married an eighteen year old mill girl, and act which attracted national interest and comment.Over the next sixty years he became famous as a pioneer archaeologist, the first collector of West Country folk music, composer of hymns, a writer on theology-he was extremely critical of his Church-and one of the most popular novelists of the day. As well as this staggering output, he ran his large estate with compassion, and as if to cement his Victorian credentials he and Grace had fifteen children. He died in 1924 aged eighty nine. This biography analyses in detail his extraordinary life and work, especially his literary output, and draws a picture of a great character. It is high time we were reminded of a major figure in Victorian England.
Sabine Summers

Sabine Summers

Crystal Graham

Independently Published
2018
nidottu
The Sabine River borders Louisiana and Southeast Texas. What could be more fun than tent camping with your whole family for a long weekend? Keep reading to find out just how much fun and adventure you could have too
The Book of Were-Wolves (1865) by: Sabine Baring-Gould

The Book of Were-Wolves (1865) by: Sabine Baring-Gould

Sabine Baring-Gould

Createspace Independent Publishing Platform
2017
nidottu
The Rev. Sabine Baring-Gould (28 January 1834 - 2 January 1924) of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1240 publications, though this list continues to grow. His family home, the manor house of Lew Trenchard, near Okehampton, Devon, has been preserved as he had it rebuilt and is now a hotel. He is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers" and "Now the Day Is Over". He also translated the carol "Gabriel's Message" from the Basque language to English.
Sabine Baring-Gould, best books

Sabine Baring-Gould, best books

Sabine Baring-Gould

Createspace Independent Publishing Platform
2017
nidottu
The Rev. Sabine Baring-Gould (1834--1924) of Lew Trenchard in Devon, England, was an Anglican priest, hagiographer, antiquarian, novelist, folk song collector and eclectic scholar. His bibliography consists of more than 1240 publications, though this list continues to grow. His family home, the manor house of Lew Trenchard, near Okehampton, Devon, has been preserved as he had it rebuilt and is now a hotel. He is remembered particularly as a writer of hymns, the best-known being "Onward, Christian Soldiers" and "Now the Day Is Over". He also translated the carol "Gabriel's Message" from the Basque language to English. In this book: Curious Myths of the Middle Ages The Book of Were-Wolves A Book of Ghosts
Sabine de Ségur, En Religion Soeur Jeanne-Françoise

Sabine de Ségur, En Religion Soeur Jeanne-Françoise

Anatole-Henri-Philippe de Ségur

Hachette Livre - BNF
2013
pokkari
Sabine de Segur, en religion soeur Jeanne-Francoise, par le Cte Anatole de SegurDate de l'edition originale: 1873Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Sabine Groschup – DER DOPPELTE (T)RAUM
The artistic works by Sabine Groschup, a student of Maria Lassnig, range from painting, textile art and cinematic creations to sculptural pieces, literature and photography as well as spatial, video and sound installations. In her Augsburg solo exhibition "DER DOPPELTE (T)RAUM" (the Double Dream), Groschup presents her multifaceted work on a specially created, surreal stage. Real space and dream oscillate and merge into one another. This sets in motion a tense interplay between reality and dream, which is the focus of the artist's creative œuvre. The essays collected here - by Silvia Eiblmayr, Katja Gasser and Peter Weibel, among others - help the reader to decipher and classify this œuvre. First comprehensive presentation of Groschup's extensive and diverse artistic œuvre. Presentation of the aesthetically unique, surreal stage scenario of the Augsburg exhibition Exhibition tim AugsburgJune 29, 2022–October 9, 2022
Sabine Groß

Sabine Groß

Kerber Verlag
2021
nidottu
Show Time initially awakens thoughts of glittering entertainment, shiny surfaces, and fancy stunts — a world that does not really belong in a museum. But here the title is associated with something more literal: time being shown to us. In Sabine Groß's (*1961) exhibition at the Museum für Vor- und Frühgeschichte Saarbrücken, archaeological finds meet contemporary art for the first time. As a professor of sculpture, Groß has specialised for many years in this type of confrontation, practising a kind of “archaeology of the future” in which she presents recent significant works of art as potential archaeological objects. Published to accompany an exhibition Sabine Groß. Show Time – Eine Archäologie der Zukunft, which runs from 11 December 2020-7 November 2021 at Museum für Vor- und Frühgeschichte, Saarbrücken, Germany. Text in English and German.