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1000 tulosta hakusanalla Shaun M. Sutton

Composing Diverse Identities

Composing Diverse Identities

D. Jean Clandinin; Janice Huber; Marilyn Huber; M. Shaun Murphy; Anne Murray Orr; Marni Pearce; Pam Steeves

Routledge
2006
nidottu
In a climate of increasing emphasis on testing, measurable outcomes, competition and efficiency, the real lives of children and their teachers are often neglected or are too messy and intricate to legislate and quantify. As such, curricula are designed without including the very people that compose the identities of schools. Here Clandinin takes issue with this tendency, bringing together a collection of narratives from seven writers who spent a year in an urban school, exploring the experiences and contributions of children, families, teachers and administrators. These stories show us an alternative way of attending to what counts in schools, shifting away from the school as a business model towards an idea of schools as places to engage citizenship and to attend to the wholeness of people’s lives.Articulating the complex ethical dilemmas and issues that face people and schools every day, this fascinating study puts school life under the microscope raises new questions about who and what education is for.
Places of Curriculum Making

Places of Curriculum Making

D. Jean Clandinin; Janice Huber; M. Shaun Murphy

Emerald Publishing Limited
2011
sidottu
This book documents a radical shift in thinking from focusing on the school as the place where curriculum is made to realizing the ways children and families are engaged as curriculum makers in homes, in communities, and in the spaces in-between, outside of school. The narrative inquiry framing this book investigates the tensions experienced by teachers, children and families as they make curriculum attentive to lives. It draws on a research project involving multiperspectival narrative inquiries spanning four research sites and traces the tensions experienced by children, families and teachers in multiple curriculum making sites and some of the profound identity making and assessment making implications that become visible. Its attention to the relational in narrative inquiry is focused on tensions that shape lives and, as well, the unfolding of narrative inquiries. This informative book has a wide reaching audience of educational researchers, teacher educators, research methodologists, particularly those interested in narrative inquiry, curriculum scholars, graduate students, university faculty, teachers, administrators and parents alike.
Places of Curriculum Making

Places of Curriculum Making

D. Jean Clandinin; Janice Huber; M. Shaun Murphy

Emerald Publishing Limited
2012
nidottu
This book documents a radical shift in thinking from focusing on the school as the place where curriculum is made to realizing the ways children and families are engaged as curriculum makers in homes, in communities, and in the spaces in-between, outside of school. The narrative inquiry framing this book investigates the tensions experienced by teachers, children and families as they make curriculum attentive to lives. It draws on a research project involving multiperspectival narrative inquiries spanning four research sites and traces the tensions experienced by children, families and teachers in multiple curriculum making sites and some of the profound identity making and assessment making implications that become visible. Its attention to the relational in narrative inquiry is focused on tensions that shape lives and, as well, the unfolding of narrative inquiries. This informative book has a wide reaching audience of educational researchers, teacher educators, research methodologists, particularly those interested in narrative inquiry, curriculum scholars, graduate students, university faculty, teachers, administrators and parents alike.
School Safety

School Safety

David E. Johnson; Glenn G. Norling; Pamela M. VanHorn; Jeffrey Yarbrough; Shaun Hurtado

BLOOMSBURY PUBLISHING PLC
2026
sidottu
School Safety confronts one of the most urgent and unsettling challenges facing American education today: the alarming rise of school rampage shootings. As these once-unthinkable tragedies become tragically common, the need for informed, courageous, and capable leadership has never been greater. This timely and essential book offers a comprehensive exploration of school safety, not merely as a set of protocols but as a complex, dynamic system requiring thoughtful coordination and decisive action. What sets School Safety apart is its unique approach—unpacking the intricate relationships among the many factors that influence safety in schools, and presenting practical, real-world strategies to manage and mitigate these risks. Equally distinctive is the expert team behind the book: a diverse group of professionals whose combined skills, education, and deep experience in education, leadership, crisis response, and mental health create a richly informed and actionable resource. School Safety is a vital guide for school leaders, policymakers, educators, and anyone committed to creating safer, more resilient learning environments for all.
School Safety

School Safety

David E. Johnson; Glenn G. Norling; Pamela M. VanHorn; Jeffrey Yarbrough; Shaun Hurtado

BLOOMSBURY PUBLISHING PLC
2026
nidottu
School Safety confronts one of the most urgent and unsettling challenges facing American education today: the alarming rise of school rampage shootings. As these once-unthinkable tragedies become tragically common, the need for informed, courageous, and capable leadership has never been greater. This timely and essential book offers a comprehensive exploration of school safety, not merely as a set of protocols but as a complex, dynamic system requiring thoughtful coordination and decisive action. What sets School Safety apart is its unique approach—unpacking the intricate relationships among the many factors that influence safety in schools, and presenting practical, real-world strategies to manage and mitigate these risks. Equally distinctive is the expert team behind the book: a diverse group of professionals whose combined skills, education, and deep experience in education, leadership, crisis response, and mental health create a richly informed and actionable resource. School Safety is a vital guide for school leaders, policymakers, educators, and anyone committed to creating safer, more resilient learning environments for all.
Readability Research

Readability Research

Sofie Beier; Sam Berlow; Esat Boucaud; Zoya Bylinskii; Tianyuan Cai; Jenae Cohn; Kathy Crowley; Stephanie L. Day; Tilman Dingler; Jonathan Dobres; Jennifer Healey; Rajiv Jain; Marjorie Jordan; Bernard Kerr; Qisheng Li; Dave B. Miller; Susanne Nobles; Alexandra Papoutsaki; Jing Qian; Tina Rezvanian; Shelley Rodrigo; Ben D. Sawyer; Shannon M. Sheppard; Bram Stein; Rick Treitman; Jen Vanek; Shaun Wallace; Benjamin Wolfe

Now Publishers Inc
2022
nidottu
From the moment we wake up to the moment we end our day, we use interfaces built out of the written word. Textual information remains now, as it has for centuries, the cornerstone of human information acquisition. The wide adoption of smartphone, tablets, e-readers and personal computers has shifted the bulk of this reading from inflexible paper to digital content. The control provided by digital displays over how visual information is presented to readers has the potential to improve reading for each and every reader, regardless of ability or diagnosis. This represents a profound shift in how we think about reading because text is no longer rendered immutable by writers, designers, or publishers at a single stage, and human-computer interaction research is key to realizing its potential. Readability research takes a fundamentally individual approach to what each reader needs. Each reader has their own individual needs. Meanwhile, adapting the written word to the individual reader has never been easier, and the goal of maximizing individual reading efficacy is increasingly attainable. No one discipline or field has all the tools or answers, and readability work is inherently interdisciplinary. The authors of this monograph include vision scientists, technology experts, educators, designers, typographers, and data scientists. Together they represent voices from academia, the tech industry, and non-profit institutions, driven by common goals to improve the reading interfaces of today. In this review, they provide a comprehensive introduction to interdisciplinary methodologies, tools, and materials required for readability research focused on the individual reader. They call on the HCI community to contribute to the growing understanding of readers’ needs; to study the interactions between text, user, and task; and to build the tools and interfaces needed to improve reading outcomes for all.
In Color: Photographs by Shawn M. Tomlinson
I seem to be writing a lot of books lately. I guess it is because I did not have the opportunity to do so until this year, 2015. This particular collection is a group of photographs rather than an actual written book. It came about because of a desire to have some of my photographic work in print outside of newspapers. Thousands of my images have been published in newspapers over the years as part of my work as an editor, reporter and photographer. But, as we used to say in newspapers, it has to be perfect today, but tomorrow it's fish wrap. Not exactly permanent. The photos in this book span a period of 10 years, from 2005 to 2015 and none of them appeared in newspapers. - Shawn M. Tomlinson, Oct. 18, 2015
METAPHYSICS 1 WORKBOOK (for Shawn M. Cohen's 12 week Metaphysics Course)
Shawn M. Cohen's Metaphysics 1 Workbook has 12 weeks of classes in Psychic Development, Spiritual Awakening and the many tools along the Path, such as Meditation, Meet Your Guide, Candle Magic, Seeing Auras, Laying on the Hands for Healing, Dream Work, Palmistry, Dowsing with a Pendulum, Inner development and Holistic Health via Accupressure, Iridology for Diagnosis and Reflexology and more This book is available for all Students in Metaphysics 1, and those who would like to learn these tools for personal, psychic and spiritual growth. Shawn M. Cohen is a Psychic, Medium, Metaphysician, Tarot Reader and Author of "The Tarot, The Tarot Workbook," a Past Life Regressionist, a Blogger, Artist, Poet and Creator/ Host of Cafe Esoterica Radio on Blog Talk Radio.com airing every Thursday from 7-9:00pm UK, 2-4pm EST. If you would like to study with Shawn please email her at: [email protected] Her 12 week Metaphysics classes are available worldwide on Zoom media. Please get in touch for information and when the next class begins. Tarot and Astrology Classes also available.
Do You See What I'm Saying?

Do You See What I'm Saying?

Shawn M Nicholson

L3 Publishing House
2023
pokkari
Do You See What I'm Saying; Walking by Faith. Our goal is for the reader to take away this spiritual and biblical fact, Faith Must be Released in WORDS. For years faith has been taught in the church. People have been encouraged to believe. But we have not heard many teachings about WORDS or saying what you believe. Faith Equals the Word of God Hebrews 11:1 reads, "Now faith is the substance of things...." Therefore, all things were made by faith. In other words, "everything that you see around you was made by faith." Do You See What I'm Saying? I wrote this book, Do You See What I'm Saying? To help reduce barriers, that may prevent you from reaching your purpose. To encourage all people who are struggling emotionally, physically, spiritually, or even mentally and are looking for helpful information and resources to assist with their spiritual journey towards purpose. Child of God, you can overcome every negative circumstance in life by getting the Word in your spirit and speaking the promises of God. You see, faith is more than just believing. To have the God kind of faith you must believe, trust, and rely on His Word. In God's Word, you'll find the wisdom necessary to accomplish the Lord's will for your life.
The Real Cyber War

The Real Cyber War

Shawn M. Powers; Michael Jablonski

University of Illinois Press
2015
sidottu
Contemporary discussion surrounding the role of the internet in society is dominated by words like: internet freedom, surveillance, cybersecurity, Edward Snowden and, most prolifically, cyber war. Behind the rhetoric of cyber war is an on-going state-centered battle for control of information resources. Shawn Powers and Michael Jablonski conceptualize this real cyber war as the utilization of digital networks for geopolitical purposes, including covert attacks against another state's electronic systems, but also, and more importantly, the variety of ways the internet is used to further a state's economic and military agendas. Moving beyond debates on the democratic value of new and emerging information technologies, The Real Cyber War focuses on political, economic, and geopolitical factors driving internet freedom policies, in particular the U.S. State Department's emerging doctrine in support of a universal freedom to connect. They argue that efforts to create a universal internet built upon Western legal, political, and social preferences is driven by economic and geopolitical motivations rather than the humanitarian and democratic ideals that typically accompany related policy discourse. In fact, the freedom-to-connect movement is intertwined with broader efforts to structure global society in ways that favor American and Western cultures, economies, and governments. Thought-provoking and far-seeing, The Real Cyber War reveals how internet policies and governance have emerged as critical sites of geopolitical contestation, with results certain to shape statecraft, diplomacy, and conflict in the twenty-first century.
The Real Cyber War

The Real Cyber War

Shawn M. Powers; Michael Jablonski

University of Illinois Press
2015
nidottu
Contemporary discussion surrounding the role of the internet in society is dominated by words like: internet freedom, surveillance, cybersecurity, Edward Snowden and, most prolifically, cyber war. Behind the rhetoric of cyber war is an on-going state-centered battle for control of information resources. Shawn Powers and Michael Jablonski conceptualize this real cyber war as the utilization of digital networks for geopolitical purposes, including covert attacks against another state's electronic systems, but also, and more importantly, the variety of ways the internet is used to further a state's economic and military agendas. Moving beyond debates on the democratic value of new and emerging information technologies, The Real Cyber War focuses on political, economic, and geopolitical factors driving internet freedom policies, in particular the U.S. State Department's emerging doctrine in support of a universal freedom to connect. They argue that efforts to create a universal internet built upon Western legal, political, and social preferences is driven by economic and geopolitical motivations rather than the humanitarian and democratic ideals that typically accompany related policy discourse. In fact, the freedom-to-connect movement is intertwined with broader efforts to structure global society in ways that favor American and Western cultures, economies, and governments. Thought-provoking and far-seeing, The Real Cyber War reveals how internet policies and governance have emerged as critical sites of geopolitical contestation, with results certain to shape statecraft, diplomacy, and conflict in the twenty-first century.
Ancient Photography

Ancient Photography

Shawn M Tomlinson

Lulu.com
2018
pokkari
The D100 was Nikon's first "consumer-level" DSLR, in fact only its second solo DSLR outing. As with the D1, the company got some things wrong on the D100. It's OK, they fixed the problems in the followup Nikon D70. The Nikon D100 is a good camera with a resolution of 6.1 megapixels. You don't need more than 6 megapixels to get really good images. I started working with the D100 the moment I got it. I wanted to find out what all the fuss was about. See, a kind of cult has grown up around the D100. As I went through all of the D100 images I shot from the day I got it to the present, I kind-of understood why. Some of these images I would swear were shot with much newer cameras. The sharpness and color are pretty damned good. I'm certainly happy with them. And with the Nikon D100
Finding Time

Finding Time

Shawn M Tomlinson

Lulu.com
2018
sidottu
It all began with the end of the world. Martin Fahy and friends made it out of the cities, past earthquakes, hurricanes, people with guns, to the Adirondacks where they hoped to sit out The Fall. The world became very dangerous. Some of them stepped up, often reluctantly, to fight for a future. Martin and his friends became heroes, legends, despite not really wanting to be. He had been a failed, well, everything, but he became a legendary leader. He left the sanctuary to live quietly in the desert. Instead, he found blasted to the 1800s, facing a cataclysm bigger than The Fall. It wasn't his mission. It should have been the Time Agents handling it. It wasn't. Martin Fahy again stepped up. It wasn't all bad. He met the love of his life, a girl named Chloe, born in 1829. Once the two of them were together, they formed a force - with the Time Agents and Martin's colleagues - that took on Time itself. This first omnibus collects the first four novels in the Time series. The mission continues...
Phenomenal Stories, Vol. 1, No. 1

Phenomenal Stories, Vol. 1, No. 1

Shawn M Tomlinson

Lulu.com
2018
pokkari
There's nothing like holding a pulp magazine; smelling that wonderful smell of the decaying acidic paper, seeing the garish brightly colored cover, looking for the names that became legends. Since 1978, I always wanted to create, edit, design and publish my own "pulp" speculative fiction - science fiction, fantasy, horror, weird, cyberpunk, etc. - magazine. I've tried many times. I know it's a ridiculous pursuit, especially since magazines themselves virtually are extinct as of 2018. Reading the non-fiction in the pulps is a glimpse into how scientists and writers thought the future would happen. The way the future was. This is an attempt to feel a little of that. It may or may not be a one-off, depending upon how many writers I can get to contribute. At least one issue, the one you hold in your hands, of Phenomenal Stories does exist, and that's one more pulp magazine than existed before. Perhaps one day, you can read this and think, hmm, that's the way the future was.
Phenomenal Stories, Vol. 1, No. 2

Phenomenal Stories, Vol. 1, No. 2

Shawn M Tomlinson

Lulu.com
2018
pokkari
In this second issue of Phenomenal Stories, we continue the Cyberpunk serial 'Closer' and the more traditional science fiction serial 'After: The End of the World's Not All It's Cracked Up To Be.' Richard H. Nilsen returns with a horror story in collaboration with Shawn M. Tomlinson titled "The 9 Corners." It takes place at Nine Corners Lake in the Adirondacks. J.D. Hayes-Canell is back, too, with another horror tale, this one titled, "Julie in a Jar." The story of Robert and Cara continues with "A Visitor in Arkham." Over on the non-fiction side, there's Gosh Wow A Personal History of the Pulps Chapter 2: The Start of It All. And Shawn M. Tomlinson rounds out the issue with his Hitchhiker in Time column, The Lurking Fear, about H.P. Lovecraft and the need to write.
Phenomenal Stories, Vol. 1, No. 3

Phenomenal Stories, Vol. 1, No. 3

Shawn M Tomlinson

Lulu.com
2018
pokkari
This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh Wow A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
Phenomenal Stories, Vol. 1, No. 2 - Special Collectors' Edition
In this second issue of Phenomenal Stories, we continue the Cyberpunk serial 'Closer' and the more traditional science fiction serial 'After: The End of the World's Not All It's Cracked Up To Be.' Richard H. Nilsen returns with a horror story in collaboration with Shawn M. Tomlinson titled "The 9 Corners." It takes place at Nine Corners Lake in the Adirondacks. J.D. Hayes-Canell is back, too, with another horror tale, this one titled, "Julie in a Jar." The story of Robert and Cara continues with "A Visitor in Arkham." Over on the non-fiction side, there's Gosh Wow A Personal History of the Pulps Chapter 2: The Start of It All. And Shawn M. Tomlinson rounds out the issue with his Hitchhiker in Time column, The Lurking Fear, about H.P. Lovecraft and the need to write.
Phenomenal Stories, Vol. 1, No. 3 - Special Collectors' Edition
This third issue of Phenomenal Stories features the conclusion of the three-part cyberpunk short novel, 'Closer, ' and continues the science fiction end of the world novel, 'After.' In the short story department, Richard H. Nilsen tells the odd tale of "The Quick & the Curious," and the saga of Robert & Cara continues in the Robert W. Chambers-inspired tale, "The House of the Sign." The editor takes a look at "That Lovecraft Bunch," and 'Gosh Wow A Personal History of the Pulps' continues with part 3. Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.
Vol. 26

Vol. 26

Shawn M Tomlinson

Lulu.com
2018
pokkari
Simply put, medium-format photography is quite a bit more complex than shooting with 35mm film SLRs or 35mm-style DSLRs. It takes a bit more skill - and experience - to handle medium-format cameras. Not only do you need to learn to think differently about how you shoot, but you also have a whole new type of equipment to learn. Medium-format cameras produce bigger images, which allows for more detail and greater enlargement. And because they, in general, were designed for professional photographers, the lenses tend to be of better quality that most 35mm lenses, which also adds to the detail in the images. In this book, we'll take a look at medium-format SLRs and TLRs, and we'll even touch upon some other types. We'll also consider a few lenses, although these largely are a matter of choice. And there are far fewer choices for medium-format cameras than for other types. Time to do some weight training and heft those medium-format cameras and lenses into position. Let's go.