Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Stefania de Pascalis
"La stella Assenzio" von Livia de Stefani - Ökokritik als Endzeitmythos
Antonella Ippolito
Frank und Timme GmbH
2015
sidottu
Negotiating Dissidence traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria. Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Stefanie Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestinian filmmaker Mai Masri.
In spite of harsh censorship, conservative morals and a lack of investment, women documentarists in the Arab world have found ways to subtly negotiate dissidence in their films, something that is becoming more apparent since the 'Arab Revolutions'. In this book, Stefanie Van de Peer traces the very beginnings of Arab women making documentaries in the Middle East and North Africa (MENA), from the 1970s and 1980s in Egypt and Lebanon, to the 1990s and 2000s in Morocco and Syria.Supporting a historical overview of the documentary form in the Arab world with a series of in-depth case studies, Van de Peer looks at the work of pioneering figures like Ateyyat El Abnoudy, the 'mother of Egyptian documentary', Tunisia's Selma Baccar and the Palestinian filmmaker Mai Masri. Addressing the context of the films' production, distribution and exhibition, the book also asks why these women held on to the ideals of a type of filmmaking that was unlikely to be accepted by the censor, and looks at precisely how the women documentarists managed to frame expressions of dissent with the tools available to the documentary maker.
Deutsche R stungsunternehmen und ihr Marketing sind unternehmenshistorisch nicht erforscht. Die Arbeit l st mit der Untersuchung der wichtigsten westdeutschen Produzenten von Waffen und ihrer Marketinginstrumente ein lange beklagtes Desiderat ein. Sie kann zeigen, dass im Verlauf des Kalten Krieges nicht nur die konomischen Entwicklungen, sondern auch die ffentliche Meinung entscheidende Auswirkungen auf das Marketing der R stungsunternehmen nahmen. Hier war die Sicherheits-Werbung ein entscheidender Faktor. Denn auf die starke Abh ngigkeit von den Abnehmern durch lange Entwicklungszeiten und kurze Produktionszyklen, einem "System der Ma schneiderei", reagierte die R stungsindustrie mit erweiterten Marketingstrategien. Sie werden mit multiperspektivischer Methodik, die Unternehmens- und Kulturgeschichte miteinander verbindet, in den Blick genommen. Die Autorin kann berzeugend zeigen, dass nur eine solche Kombination die unerwartete Entwicklung der westdeutschen R stungsindustrie von einer Branche in Tr mmern zum boomenden Wirtschaftszweig und drittgr ten R stungsexporteur der Welt erkl ren kann. Die Au en- und Milit rpolitik, NATO-Strategien und Netzwerke waren weitere relevante Faktoren.
Lizenzgebühr für die Eigenvermarktung im Beachvolleyball
Stefanie Prange de Oliveira
AV Akademikerverlag
2017
nidottu
Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture.Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture.Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
Refocus: the Films of Annemarie Jacir
Iqra Shagufta Cheema; Stefanie Van de Peer
EDINBURGH UNIVERSITY PRESS
2023
sidottu
Takes a transnational, feminist approach to the oeuvre of Palestinian director, Annemarie Jacir An entirely different approach to Palestinian film culture, in that the focus on a singular woman filmmaker who works internationally informs our insights into the contemporary Arab world Rejection of the typical Western view that Arab cinema is a cinema of male auteurs, and instead offer a concrete description of a strong Arab woman filmmaker's career Interlace Jacir's contemporary poetic/written, her filmic/visual and her critical/curatorial work with historical and political theory.Focused critical analysis of the visual representation of Palestine in the global perception of place Opens new vistas of discovery and interest into Palestinian film culture and its persistent focus on space and land. With this book, we root our work in the geospatial reality of Palestinian film culture and move towards a deeper understanding of transnationalism, refugeeship, and the power of a global identity Draws attention to Palestinian women directors and their contribution, which often gets lost in the geopolitics Palestinian film culture is unique due to its geopolitical circumstances, including continued colonialism and occupation, and the refugeeship of its citizens. The scholarship on the politics of film and its role in the Israeli-Palestinian conflict including activist work, international solidarity films, and work on Palestinian documentaries is usually defined by historical overviews of geopolitical events and developments. In contrast, this book offers an auteur-focused study of a global artist influenced by but not limited to the political discourse surrounding the Occupied Palestinian Territories. Jacir is a Palestinian woman whose work is recognised globally as innovative, politically challenging, and genre-crossing. The book offers an in-depth study of her films and other works by locating it in a geospatial, sociocultural, and critical theoretical framework. It critically analyses Annemarie Jacir's development as an artist, filmmaker, and curator of film.
ReFocus: The Films of Annemarie Jacir
Iqra Shagufta Cheema; Stefanie Van de Peer
EDINBURGH UNIVERSITY PRESS
2025
nidottu
This book offers a transnational, internationalist-feminist approach to the oeuvre of award-winning director, writer, and curator, Annemarie Jacir.Palestinian film culture is unique due to its geopolitical circumstances, including continued colonialism and occupation, and the refugeeship of its citizens. The scholarship on the politics of film and its role in the Israeli-Palestinian conflict including activist work, international solidarity films, and work on Palestinian documentaries is usually defined by historical overviews of geopolitical events and developments. In contrast, this book offers an auteur-focused study of a global artist influenced by but not limited to the political discourse surrounding the Occupied Palestinian Territories.Jacir is a Palestinian woman whose work is recognised globally as innovative, politically challenging, and genre-crossing. The book offers an in-depth study of her films and other works by locating it in a geospatial, sociocultural, and critical theoretical framework. It critically analyses Annemarie Jacir's development as an artist, filmmaker, and curator of film.
Waffeningenieure im Zwielicht
Rainer Karlsch; Stefanie van de Kerkhof; Andrea H. Schneider-Braunberger
Siedler Verlag
2024
sidottu
Nutritional Epidemiology of Breast Cancer
Alvaro Luis Ronco; Eduardo De Stéfani
Springer
2011
sidottu
The book is the first one published exclusively on the field of nutritional epidemiology of breast cancer. It summarizes the currently existing knowledge, with an updated and comprehensive international bibliography (~ 1.000 references). The authors also performed a review on the epidemiological studies on nutrition and breast cancer carried out in Uruguay between 1994 and 2011, which allowed exploring and identifying the main risk and protective factors for the disease in this high-risk country. Epidemiologists, Nutritionists, Public Health managers and breast specialists –from the prevention to the treatment fields – will find in this book a unique source of technical information, which will contribute in expanding their knowledge and view of the disease.
Nutritional Epidemiology of Breast Cancer
Alvaro Luis Ronco; Eduardo De Stéfani
Springer
2013
nidottu
The book is the first one published exclusively on the field of nutritional epidemiology of breast cancer. It summarizes the currently existing knowledge, with an updated and comprehensive international bibliography (~ 1.000 references). The authors also performed a review on the epidemiological studies on nutrition and breast cancer carried out in Uruguay between 1994 and 2011, which allowed exploring and identifying the main risk and protective factors for the disease in this high-risk country. Epidemiologists, Nutritionists, Public Health managers and breast specialists –from the prevention to the treatment fields – will find in this book a unique source of technical information, which will contribute in expanding their knowledge and view of the disease.
Moral and Intellectual Virtues in Practices
Timothy Reilly; Darcia Narvaez; Mark Graves; Keke Kaikhosroshvili; Stefanie Israel de Souza
Springer International Publishing AG
2022
sidottu
This book provides an integrative interdisciplinary view of how intellectual and moral virtues are understood in two separate practices, science and music. The authors engage with philosophical and psychological accounts of virtue to understand scientists’ and musicians’ understandings of intellectual and moral virtues. They present empirical evidence substantiating the MacIntyrean claim that traditions and practices are central to understanding the virtues."
Discours Le 2 Novembre 1876, À l'Occasion de la Translation Des Restes de l'Abbé Stefani,
Pion de Hersant
Hachette Livre - BNF
2017
pokkari
Intermediale (De)Konstruktionen von Geschlecht in Bilderbüchern
Stefanie Fürnsinn
AV Akademikerverlag
2016
nidottu
Erec et Enide - der erste in Versen abgefasste altfranz sische Roman des mittelalterlichen Schriftstellers Chr tien de Troyes, der formale und inhaltliche Prototyp des arturischen Versromans. Viel wurde ber dieses Werk bereits reflektiert, das gerade auch in der deutschsprachigen Literaturwissenschaft aufgrund seiner starken Rezeption durch Hartmann von Aue Interesse erf hrt. Die folgende Arbeit widmet sich einem vor allem in der Vergangenheit immer wieder diskutierten Thema der Artusforschung, n mlich der Strukturierung des zweiten Romanhauptteils, der die recreantise des Helden und die durch sie ausgel ste avanture-Fahrt enth lt, die als Einheit zu verstehen sind. Es soll dabei nach einer Kurzinterpretation der bisher meist nur beil ufig untersuchten recreantise-Szene, die die Bedeutung der Verfehlung des Helden f r die Struktur des Romans herausarbeitet, der Versuch unternommen werden, die wichtigsten literaturwissenschaftlichen Beitr ge zur Strukturierung des genannten Romanabschnitts zu ordnen und bewerten. Anschlie end sollen berlegungen zur strukturellen Einordnung der Episode der Joie de la Cort in den zweiten Romanteil angestellt werden - ein Untersuchungsansatz, der bis jetzt nicht systematisch, allenfalls fragmentarisch verfolgt wurde. Die gesammelten und entwickelten Beobachtungen f hren dann zu einem neuen Strukturierungsansatz, der einige Elemente aus fr heren Ans tzen bernimmt, andere verwirft und vor allem der Joie de la Cort eine andere als bisher angenommene Stellung im Roman zuschreibt. Eine zus tzliche Einzelinterpretation der Abenteuerepisoden verbietet der beschr nkte Umfang der Arbeit, die Untersuchung konzentriert sich daher beinahe ausschlie lich auf die Analyse der Strukturierung des Romans.
Miguel de Cervantes Saavedras "Don Quijote de la Mancha
Stefanie Weber
Bachelor + Master Publishing
2015
pokkari
