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Susan Stebbing

Susan Stebbing

OXFORD UNIVERSITY PRESS INC
2025
nidottu
Susan Stebbing: Analysis, Common Sense, and Public Philosophy is the first edited volume to be dedicated exclusively to the philosophy of Susan Stebbing (1885-1943)-a pivotal female figure in the male-dominated tradition of early analytic philosophy, and Britain's first female professor of philosophy who has, until recently, been unjustly neglected. This volume collects eleven new essays that explore various elements of Stebbing's prolific output: the significance of her work on metaphysical analysis, her contributions to public philosophy, including her work in the philosophy of physics, critical thinking, ethics, and counterpropaganda efforts, as well as her work in philosophical logic and the philosophy of language. The volume and its contributors aim to reinstate Stebbing's place in the analytic tradition by examining her ideas - many of which are still relevant to present day philosophy - in context and elucidating their significance.
Susan Stebbing and the Language of Common Sense
This first book-length study of the work and life of L. Susan Stebbing relates the development of her thought to the philosophical, social and political background of her life. It also assesses Stebbing's contribution in the light of developments both in analytic philosophy and in linguistics in the decade since her death.
Susan Sontag

Susan Sontag

Jonathan Cott

Yale University Press
2014
pokkari
Published in its entirety for the first time, a candid conversation with Susan Sontag at the height of her brilliant career “A humanizing interview with the late cultural icon, who was often perceived as a fiercely aggressive and polarizing intellect.”—Kirkus Reviews Susan Sontag (1933–2004), one of the most internationally renowned and controversial intellectuals of the latter half of the twentieth century, still provokes. In 1978 Jonathan Cott, a founding contributing editor of Rolling Stone magazine, interviewed Sontag first in Paris and later in New York. Only a third of their twelve hours of discussion ever made it to print. This book provides the entire transcript of Sontag’s remarkable conversation, accompanied by Cott’s preface and recollections. Sontag’s musings and observations reveal the passionate engagement and breadth of her critical intelligence and curiosities at a moment when she was at the peak of her powers. These hours of conversation offer a revelatory and indispensable look at the self-described “besotted aesthete” and “obsessed moralist.”
Susan Watkins and Women Artists of the Progressive Era
This survey of the life and work of American painter Susan Watkins explores how she and other women artists carved paths to success at the turn of the twentieth century In a career that spanned only a little more than fifteen years, American artist Susan Watkins (1875–1913) reached the heights of her profession, exhibiting regularly at the Paris Salon and earning accolades among the American art press. This study offers a close look at Watkins’s story and considers how women artists of the era overcame barriers within the institutions that structured the professional art world, often through training and exhibiting at established and traditional settings. Exploring what artistic and commercial success looked like for Watkins and her contemporaries, scholars reexamine Watkins’s achievements and highlight the overlooked progressive nature of her art. Essays discuss women’s art training in the United States, women’s art clubs in Paris, the expatriate artist community in Capri, and the role of racial and class politics in careers such as Watkins’s. With more than seventy-five objects—including paintings, drawings, photographs, and manuscripts—from the artist’s personal archive and works by her peers and teachers—such as William Merritt Chase, Meta Warrick Fuller, Anna Klumpke, Elizabeth Nourse, Lilla Cabot Perry, and Henry Ossawa Tanner—this beautifully illustrated book offers a new way to understand the stakes and accomplishments of women artists working at the turn of the twentieth century. Published in association with the Chrysler Museum of Art Exhibition Schedule: Dixon Gallery and Gardens, Memphis (July 13–September 28, 2025) Chrysler Museum of Art, Norfolk (October 17, 2025–January 11, 2026)
Dr. Susan Love's Breast Book

Dr. Susan Love's Breast Book

Susan M. Love MD; Elizabeth Love

Hachette Books
2023
pokkari
The "Bible" (New York Times) and the "seminal work" (LA Times) offering the most authoritative guidance through all stages of breast cancer diagnosis and recovery, fully revised and updated.While the amount of information regarding a breast cancer diagnosis is vaster than ever, online and off, what continues to be missing is the explanation behind the options. Most of the data online on medical sites is generic and often comes from the same source. Then there are the patient sites as well as many social media outlets that provide peer to peer support and information. This is important for emotional support but still leaves out the full range of options and the reasons for them. The Breast Book is where people go for a deeper understanding of how to make the best possible choices for their particular situations. Now in its seventh edition, the Breast Book has been fully revised to incorporate all the most recent developments in prevention, treatments and research. This new edition covers: - New treatments: including new drugs, vaccines, hormonal treatment and drugs with longer duration (10 years) for the estrogen positive tumors- The increasing focus on where cells live, both locally (immune system, hormones, etc.) and systemically (stress, etc.)- Prevention: several new drugs have been added to the list of chemoprevention drugs. In addition, preventative surgery has received increased attention.- Increased data on "alternative" approaches such as stress reduction and exercise in reducing recurrence.- Increased understanding of the immune system and how it either controls or promotes the cancer.- Risks for survivors- Genetics- Special groups: Men with breast cancer are demanding a louder voice in the conversation and research.
Susan Glaspell

Susan Glaspell

Mary Elizabeth Papke

Greenwood Press
1993
sidottu
Co-founder of the Provincetown Players and one of its leading writers, Susan Glaspell won the Pulitzer Prize for Alison's House (1930) and was also successful as an actress, producer, and novelist. Her plays were compared, often favorably, with O'Neill's. After a period of eclipse, Glaspell's concern with woman's desire for selfhood brought her plays to the attention of feminist scholarship beginning in the 1970s. Mary Papke argues in this work for a reassessment of Glaspell as a major American playwright. This sourcebook begins with a bio-critical survey and includes plot summaries for each staged work, complete with production history and critical reception. An annotated bibliography of primary works includes plays, novels, short fiction, nonfiction, nonprint, and archival sources. The secondary bibliography documents reviews and provides extensive annotations for a broad range of materials. Chronologically organized, it constitutes a detailed examiniation of Glaspell criticism.
Susan B. Anthony: Biography of a Rebel, Crusader, and Humanitarian of the Women’s Rights and Feminist Movements
Alma Lutz's outstanding biography of Susan B. Anthony is revered for its descriptive power, attention to detail and historical significance to the women's Suffragette movement. In this superb biography, we receive passionate accounts of the major turning points in Susan B. Anthony's life. The people who were her role models as a young woman, such as the articulate anti-slavery author Frederick B. Douglass, receive attention. Anthony's vociferous opposition to slavery led her to campaign before and during the U.S. Civil War for its abolition: her resolute spirit is well-documented from an early age: even as a teenager, Susan B. Anthony leafleted and campaigned for emancipation. As a leading figure in women's rights during the 19th and early 20th centuries, Susan B. Anthony was responsible for forming and organising several groups instrumental to women eventually gaining the vote in the United States. A tireless campaigner and speaker, Anthony would average between 75 and 100 speeches each year.
Susan B. Anthony: Biography of a Rebel, Crusader, and Humanitarian of the Women’s Rights and Feminist Movements (Hardcover)
Alma Lutz's outstanding biography of Susan B. Anthony is revered for its descriptive power, attention to detail and historical significance to the women's Suffragette movement. In this superb biography, we receive passionate accounts of the major turning points in Susan B. Anthony's life. The people who were her role models as a young woman, such as the articulate anti-slavery author Frederick B. Douglass, receive attention. Anthony's vociferous opposition to slavery led her to campaign before and during the U.S. Civil War for its abolition: her resolute spirit is well-documented from an early age: even as a teenager, Susan B. Anthony leafleted and campaigned for emancipation. As a leading figure in women's rights during the 19th and early 20th centuries, Susan B. Anthony was responsible for forming and organising several groups instrumental to women eventually gaining the vote in the United States. A tireless campaigner and speaker, Anthony would average between 75 and 100 speeches each year.
Susan Isaacs

Susan Isaacs

Philip Graham

Routledge
2019
sidottu
This biography provides a critical account of the life and work of Susan Isaacs (1885-1948). This educationist, a pioneer of child-centred education in Britain was also an early and historically important child psychoanalyst. She is described in the Oxford Dictionary of National Biography as the greatest influence on British education in t
Susan Strange and the Future of Global Political Economy
This edited volume addresses the 2007/2009 financial crisis as the occasion to engage critically with the corpus of Susan Strange’s work, in order to consider what changes (if any) this crisis portends for the structural organization of the global political economy. The contributors use Strange’s rich conceptual framework to explore the financial crisis and its aftermath, and reflect critically on the broader contributions which her work has made to the discipline of IPE.The volume makes three valuable contributions for scholars and students. First, it raises the profile of Susan Strange, a unique and powerful contributor to the field of IPE whose ideas matter to our current circumstance and can provide deep and enduring insights into important questions and issues. Secondly, each contributor to this volume combines her work and ideas with that of other traditions or individual theorists in ways that extend and/or deepen Strange’s own efforts. Finally, this volume leaves us with a judicious optimism about the future of both IPE and the world as it actually is, on the ground. This book will be of interest to scholars and students who are interested in the dynamics shaping contemporary and future developments in the global political economy, as well as those who are interested in the theoretical debates about how to study IPE.
A Susan Sontag Reader

A Susan Sontag Reader

Susan Sontag

Farrar, Straus and Giroux
1982
nidottu
Susan Sontag occupies a special place in Modern American letters. She has become our most important critic, while her brilliant novels and short fiction are, at long last, getting the recognition they deserve. Sontag is above all a writer, which is only to say that, though the form may differ, there is an essential unity in all her work. The truth of this is perhaps more evident in A Susan Sontag Reader than in any of Sontag's individual books. The writer selected a sampling of her work, meaning the choice both to reflect accurately a career and also to guide the reader toward those qualities and concerns which she prizes in her own writing. A Susan Sontag Reader is arranged chronologically and draws on most of Sontag's books. There are selections from her two novels, The Benefactor and Death Kit, and from her collections of short stories, I, etcetera. The famous essays from the 1960s--"Against Interpretation," "Notes on Camp," and "On Style"--which established Sontag's reputation and can be fairly said to have shaped the cultural views of a generation are included, as are selctions from her two subsequent volumes of essays, Styles of Radical Will and Under the Sign of Satury.A part of Sontag's best-selling On Photography is also included. It is astonishing to read these works when they are detached from the books they appeared in and offered instead in the order in which Sontag wrote them. The connections between various literary forms, the progression of themes, are revealed in often startling ways. Moreover, Sontag has included a long interview in which she moves mroe informally over the whole range of her concerns and of her work. The volume ends with "Writing Itself," a previously uncollected essay on Roland Barthes which, in the eyes of many, is one of Sontag's finest achievements. This collection is, in a sense, both a self-potrait and a key for a reader to understand the work of one of the most imporant writers of our time.
Susan Sontag

Susan Sontag

Rollyson Carl E.; Paddock Lisa Olson

WW Norton Co
2007
sidottu
The first--and unauthorized--biography of the so-called dark lady of American letters. Ever since she took American culture by storm with the publication of her Notes on Camp in 1964, Susan Sontag has been a star. Her austere glamour has been a critical factor in her success, making her a role model for intellectual women, a sex symbol for brainy men. She has never ceased to fascinate the public: as brilliant wunderkind, bringing the latest in French thought to America; as sophisticated analyst of her own experience with cancer in Illness as Metaphor; as champion of free speech in the Rushdie Affair; as theater director in besieged Sarajevo; and, with the publication of The Volcano Lover, as best-selling historical novelist. Yet she has both courted that fascination and insisted on holding it at a distance, demanding control over her public image. This first--and most definitely unauthorized--biography delves beneath the surface to examine the forces that made Susan Sontag an international icon. Carl Rollyson and Lisa Paddock explore her public persona and private passions, including the strategies behind her meteoric rise to fame and her political moves and missteps. Above all, they show how the life of Susan Sontag reveals to us the way we live now.
Susan Glaspell and Sophie Treadwell

Susan Glaspell and Sophie Treadwell

Barbara Ozieblo; Jerry Dickey

Routledge
2008
nidottu
Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Susan Glaspell and Sophie Treadwell

Susan Glaspell and Sophie Treadwell

Barbara Ozieblo; Jerry Dickey

Routledge
2008
sidottu
Susan Glaspell and Sophie Treadwell presents critical introductions to two of the most significant American dramatists of the early twentieth century. Glaspell and Treadwell led American Theatre from outdated melodrama to the experimentation of great European playwrights like Ibsen, Strindberg and Shaw. This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical, rather than literary, perspective, and presents a comprehensive overview of their work from lesser known plays to seminal productions of Trifles and Machinal. Although each woman pursued her own themes, subjects and manner of stage production, this shared volume underscores the theatrical and cultural conditions influencing female playwrights in modern America.
Susan Glaspell in Context

Susan Glaspell in Context

J. Ellen Gainor

The University of Michigan Press
2003
nidottu
Susan Glaspell in Context not only discusses the dramatic work of this key American author -- perhaps best known for her short story "A Jury of Her Peers" and its dramatic counterpart, Trifles -- but also places it within the theatrical, cultural, political, social, historical, and biographical climates in which Glaspell's dramas were created: the worlds of Greenwich Village and Provincetown bohemia, of the American frontier, and of American modernism. J. Ellen Gainor is Professor of Theatre, Women's Studies, and American Studies, Cornell University. Her other books include Performing America: Cultural Nationalism in American Theater (co-edited with Jeffrey D. Mason) from the University of Michigan Press.
Susan Glaspell

Susan Glaspell

The University of Michigan Press
2002
nidottu
The career of Susan Glaspell (1876-1948), the American playwright and novelist, follows closely the trajectory of other "reclaimed" American women writers of the century such as Kate Chopin, Charlotte Perkins Gilman, and Zora Neale Hurston. She was well known in her time, effaced from canonical consideration after her death, and rediscovered years later through the surfacing of one work around which critical attention has focused.Glaspell was a respected international playwright and novelist who amassed some of the most impressive credentials in American theater history, including the Pulitzer Prize in 1931. Over the past fifteen years, she has been rediscovered through the work of leading feminist scholars; and her one-act play Trifles and its short story form, "A Jury of Her Peers," have become classics.This book is the first collection devoted to the study of the body of Glaspell's work. Essays by leading playwrights and scholars provide an array of perspectives on the writer and her work. The book features the first complete Glaspell bibliography, including original reviews of her plays and fiction and recent critical studies of her writing.Linda Ben-Zvi is Professor of Theater, Tel Aviv University. She is also author of Theater in Israel (Michigan, 1996).
Susan Meiselas

Susan Meiselas

Susan Meiselas; Marta Gili

THAMES HUDSON LTD
2024
nidottu
Best known for her work documenting the political upheaval in Central America during the 1970s and 80s, American photographer Susan Meiselas has been at the forefront of ethical debates around documentary photography for most of her career. Through close engagement with subjects such as war and exploitation, she has interrogated her own relationship to what she’s photographing, the circulation and dissemination of these images, and the pivotal questions around social and cultural representation and memory. Her influential contribution to the way audiences approach and engage with photography is as vital and resonant today as it was 40 years ago. This new addition to the Photofile series also includes short texts by Meiselas herself accompanying each work in the volume.
Susan Meiselas: On the Frontline

Susan Meiselas: On the Frontline

Susan Meiselas

Thames Hudson Ltd
2017
sidottu
This landmark book offers a synthesis of celebrated Magnum photographer Susan Meiselas’s views on her work and the role of the documentary photographer. Through text drawn largely from exclusive interviews with editor Mark Holborn, she offers a remarkable commentary on her career, from early work with carnival strippers, through groundbreaking reportage on Nicaragua and El Salvador, to projects encompassing subjects as varied as the Dani tribe of Indonesia, the Kurds of Northern Iraq and victims of domestic violence in California. Central to Meiselas’s work are themes of collaboration, return and exchange. With over 110 photographs – some classics, others rarely published – this book demonstrates how the frontline on which Meiselas has worked involves a bearing of witness and a gathering of evidence. As Meiselas has stated: ‘To continue on is to be curious – to be compelled to confront, to examine, to expose, to engage, and not know where you will end up or how the journey will change you. The frontline is always a choice.’
Plays by Susan Glaspell

Plays by Susan Glaspell

Susan Glaspell

Cambridge University Press
1987
pokkari
A co-founder of the Provincetown Players - the group which acted as midwife to the American theatre - Susan Glaspell (1876–1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O’Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism which may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O’Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.