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1000 tulosta hakusanalla Suzanna Mack

Bodacious: The Shepherd Cat

Bodacious: The Shepherd Cat

Suzanna Crampton

HARPER ELEMENT
2018
nidottu
BODACIOUS: THE SHEPHERD CAT is a heart-warming and charming tale in which Bodacious tells us about life as The Shepherd Cat on Black Sheep Farm. 'I am Bodacious, The Shepherd Cat, and this is my story. I wasn't always called Bodacious. I must have been called something else in my kitten-hood in the nearby city of Kilkenny, but it's all a bit of a mystery to My Human. As far as she's concerned, I appeared one day and have never left. It's a secret I plan to keep.' Written from the perspective of Bodacious the cat, this is a beautifully written memoir of Bodacious's life on the farm and everything that entails - early mornings, frosty starts, beautiful sunrises, adventurous rare-breed Zwartbles sheep, hard work, entertaining animals, mouth-watering food, kind people and idyllic country living with its highs and lows. The Shepherd often tells Bodacious her favourite story of how she went out to buy red ribbon to wrap a gift for her friend, but instead came home with a gift for herself: a daring, assertive, ambitious cat looking for a home. But soon The Shepherd realises she needs Bodacious as much as he needs her. As soon as he arrives, Bodacious saunters around the farm like he owns the place and immediately establishes himself as Top Cat. But Bodacious isn't content to pad round the house and curl up by the Aga, and soon he befriends a farm cat called Oscar who trains him in the ways of the farm. As well as Oscar, Bodacious gets to know all the other animals on the farm -- cats Miss Marley and Ovenmitt, the scruffy border collie/fox terrier-cross called Pepper, and The Big Fellow, to name a few. With wonderful characterisation, humour, sharp observation, and a plucky attitude, Bodacious shows us the ropes of Black Sheep Farm. As we soak in the atmosphere of the house, the orchards and the fields, we also learn how this Top Cat Shepherd got his name - by being 'Big, bold, beautiful, bolshie', as his Shepherd always says...
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House in Fez

House in Fez

Suzanna (Author) Clarke

Ebury Press
2008
pokkari
When Suzanna Clarke and her husband bought a dilapidated house in the Moroccan town of Fez, their friends thought they were mad. Located in a maze of donkey-trod alleyways, the house - a traditional riad - was beautiful but in desperate need of repair.
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Cosmos and Materiality in Early Modern Prague

Cosmos and Materiality in Early Modern Prague

Suzanna Ivanic

Oxford University Press
2021
sidottu
Prague in the seventeenth century is known as home to a scintillating imperial court crammed with exotic goods, scientists, and artisans, receiving ambassadors from Persia, and also as a city suffering plagues, riots, and devastating military attacks. But Prague was also the setting for a complex and shifting spiritual world. At the beginning of the century it was a multiconfessional city, but by 1700 it represented one of the most archetypical Catholic cities in Europe. Through a material approach, Cosmos and Materiality pieces together how early modern men and women experienced this transformation on a daily basis. Cosmos and Materiality in Early Modern Prague presents a bold alternative understanding of the history of early modern religion in Central Europe. The history of religion in the early modern period has overwhelmingly been analysed through a confessional lens, but this book shows how Prague's spiritual worlds were embedded in their natural environment and social relations as much if not more than in confessional identity in the seventeenth century. While texts in this period trace emerging discourses around notions of religion, superstition, magic, and what it was to be Catholic or Protestant, a material approach avoids these category mistakes being applied to everyday practice. It is through a rich seam of material evidence in Prague - spoons, glass beakers, and amulets as much as traditional devotional objects like rosaries and garnet encrusted crucifixes - that everyday beliefs, practices, and identities can be recovered.
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Disgraced

Disgraced

Suzanna Krivulskaya

OXFORD UNIVERSITY PRESS INC
2025
sidottu
Disgraced is a sweeping religious and cultural history of Protestant sex scandals in nineteenth and twentieth century America. Suzanna Krivulskaya investigates the cultural consequences of scandal, what demands the public made of religion in response to revelations of pastoral misdeeds, and how Protestantism itself changed in the process. From the birth of the modern press to the advent of the internet age, the book traces the public downfalls of religious leaders who purported to safeguard the morality of the nation. Along the way, Protestant ministers' private transgressions journeyed from the privilege of silence to the spectacle of sensationalism. At first hesitant to report on sexual misconduct among the clergy in order to protect the reputation of Protestantism writ large, newspapers embraced the genre of pastoral scandal in the 1870s, when the biggest celebrity minister of the era, Henry Beecher, stood trial for adultery. Scandal reporting escalated in the following decades, creating multiple publicity crises, the likes of which continue to plague churches to this day. As Protestant institutions struggled to protect their reputations, they turned to secrecy and silencing-often foregoing opportunities for engaging in productive reckoning with the problem of sexual hypocrisy among their clergy. Sex scandals, it turns out, have not been mere aberrations in the history of modern Protestantism; they have, in fact, been key to its development. Disgraced shows how the persistence of stories about misbehaving Protestant ministers allowed the press to compete with the pulpit as a source of moral authority, forced denominations to confront the problems that scandal exposed, and emboldened public scrutiny of religious piety. In its broad scope and compelling storytelling, the book is a timely contribution to the current moment of cultural reckoning with religious hypocrisy, charismatic authority, and sexual abuse.
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Animals, Power, and Intersectionality in the Books of Samuel

Animals, Power, and Intersectionality in the Books of Samuel

Suzanna Millar

Oxford University Press
2026
sidottu
Animals pervade the books of Samuel. Though their presence often goes unnoticed, they are integral players in the society narrated. What's more, they are caught up in societal power dynamics and are treated in ways that intersect with the treatment of marginalized humans, such as women, foreigners, and children. Working with a robust analytic framework, Animals, Power, and Intersectionality in the Books of Samuel draws on scholars of animal studies, power, and intersectionality, to examine selected texts from the books of Samuel to highlight these oft-overlooked players. Suzanna Millar shows how animals are utilized by certain humans in their power-play as their deaths are ritualized through sacrificial killing; killings which have pivotal significance in the shifts of power between Eli, Samuel, and Saul. It explores how animals are subordinated alongside certain humans, as both groups are taken by kings vying for power: animals and humans are plundered, taxed, and stolen by kings like David as they develop, consolidate, and abuse their sovereignty. The book further considers how animals can become images to represent certain humans; specifically, they become implicated in the construction and delegitimization of the masculinities of Goliath, Absalom, and Mephibosheth. Finally, it examines how animals interact with certain humans in specific times and places and thereby might express their own agency and power (though they are recursively brought back under human control). In these and other ways, Millar robustly demonstrates the role of animals in the intersectional power dynamics of Samuel.
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All the Rage

All the Rage

Suzanna Danuta Walters

University of Chicago Press
2001
sidottu
Splashed against the tumultuous Clinton years and framed by the clash between gay political might and anti-gay activism, "All the Rage" presents the first authoritative guide to the new gay visibility. From the public outing of Ellen DeGeneres to the vicious murder of Matthew Shepard, gay lives and images have moved onto the centre stage of American public life. Lesbians and gay men are indeed everywhere, from television sitcoms to Budweiser ads, from the White House to the Magic Kingdom. Combining personal stories with incisive analysis, Suzanna Danuta Walters chronicles this historic moment in our culture, arguing that we live in a time when gays are seen, but not necessarily known. Many consider the new gay visibility a sign of social acceptance, while others charge that it is mere window dressing, obscuring the dogged persistence of discrimination. Walters moves beyond these positions and instead argues that these realities coexist: gays are at once the sign of social decay in our culture and the chic flavour of the month. Taking on the common wisdom that visibility means progress, "All the Rage" maps the terrain on which gays are accepted as witty accessories in movies, gain access to political power, and yet still fall into constrictive stereotypes. Walters warns us with clarity and wit of the pitfalls of equating visibility with full integration into the fabric of American society. From the playful TV fantasies of lesbian weddings on "Friends" to the very real obstacles confronting gay marriage, from the award-winning comedy "Will & Grace" to Bible-thumping radio superhost Dr. Laura, "All the Rage" takes on naive celebrants and jaded naysayers alike. With a sophisticated mix of caution and optimism, the book provides an illuminating guide through these heady, controversial times.
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All the Rage

All the Rage

Suzanna Danuta Walters

University of Chicago Press
2003
nidottu
From the public outing of Ellen DeGeneres and the success of Will and Grace to the vicious murder of Matthew Shepard, recent years have seen gay lives and images move onto the center stage of American public life. In this incisive and authoritative guide to the new gay visibility, Suzanna Danuta Walters argues that we now live in a time when gays are seen, but not necessarily known. Taking on the common wisdom that equates visibility with full integration, All the Rage maps the terrain on which gays are accepted as witty film accessories and sassy sitcom stars yet denied full citizenship.
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The Denied Ones

The Denied Ones

Suzanna Abigail King

Lulu.com
2017
pokkari
The story of Jesse and her mother, Jean. It begins in St Helena in the south Atlantic, then the family move to England, the land of opportunities. Jean has to find out the hard way about life there. Jesse is one of the results. Jesse is treated to a special upbringing in a manor house until Jean falls in love. This proves to be a disaster but Jean finally meets someone to share her life with. Jesse discovers she has two sisters, witnesses a murder, and supports her mother during a crisis. Jesse has several attempts to find true love. Money from the sale of this book will be donated to charities supporting work into cancer, dementia and mental health.
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Comprehensive Integrative Oncology

Comprehensive Integrative Oncology

Suzanna Zick; Ting Bao

ELSEVIER SCIENCE PUBLISHING CO INC
2025
nidottu
Comprehensive Integrative Oncology is a vital resource for clinicians who seek to blend integrative therapies with conventional oncology care to enhance patient outcomes. This book, authored by experts in both conventional and integrative medicine, emphasizes a holistic approach to cancer treatment. It provides practical guidance on incorporating scientifically-backed therapies like botanicals, supplements, mind-body practices, lifestyle changes, nutrition, and exercise into standard cancer care, all while prioritizing patient safety, prevention, and overall wellness. The book delves into the philosophy of integrative oncology, offers tools for practical application, and presents integrative strategies for cancer prevention and symptom management. Additionally, it explores the needs of special populations within oncology. It serves as an indispensable textbook for oncology researchers and practitioners who aim to provide holistic and patient-centered care.
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Catholica

Catholica

Suzanna Ivanic

THAMES HUDSON LTD
2022
sidottu
A clear, concise and detailed analysis of the eclectic and beautiful visual and material culture of Catholicism. Focusing on a carefully curated selection of Catholic art and artefacts, this book explains the meaning of the iconography and the mystic power of the faith's ritual objects. A wealth of often hidden symbols are identified and examined close up, building into a catalogue of key visual symbols for readers to use to interpret all Catholic visual and material culture. The book is organized into three parts - Tenet, Locus and Spiritus - each containing three themed chapters. The first part introduces the centrepieces of the faith, explaining the symbolism in the artistic representation of the holy family, apostles and saints, and in stories from scripture. The second part examines places of worship, identifying the constituent parts of the cathedral and presenting evocative images of roadside shrines. The third part explores celebrations and traditions, including personal devotional tools and jewelry. For each of the nine themed chapters, illustrated introductory text is followed by a spread-by-spread presentation of the key figures, the key stories and the key iconography relevant to each theme. Paintings and artefacts are examined in detail, identifying and explaining the symbolism and the stories depicted in each. As the book progresses, readers will build up knowledge of the entire Catholic visual code - the symbols that define Catholic practice, the attributes of the saints, the parts of the cathedral - allowing them to interpret Catholic imagery and objects wherever they find them and to understand the tenets, sites and rituals of the faith.
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Lives Together/Worlds Apart

Lives Together/Worlds Apart

Suzanna Danuta Walters

University of California Press
1994
pokkari
In the 1940s film "Now", "Voyager", Bette Davis plays a daughter struggling against her mother's stifling repression. Nearly fifty years later, in the Hollywood saga "Postcards from the Edge", Shirley MacLaine, as a neglectful and bossy mother, inflicts untold psychological pain on her daughter, played by Meryl Streep. These dramas of conflict and the ambivalent struggle for separation have been central to popular images of mothers and daughters in the last half-century in the U.S. Walters boldly challenges these dichotomies and proposes an innovative and multi layered understanding of the cultural construction of the mother/daughter relationship. In a discussion of popular media ranging from themes of maternal martyrdom to maternal malevolence, Walters shows that since World War II, mainstream culture has generally represented the mother/daughter relationship as one of never-ending conflict and thus promoted an 'ideology of separation' as necessary to the daughter's emancipation and maturity. This ideological move is placed in a social context of the anti-woman backlash of the early post-war period and the renewed anti-feminism of the Reagan and Bush years. Walters uses exceptions to mainstream imagery-films such as "A Tree Grows in Brooklyn", television shows like "Maude," novels like "The Joy Luck Club" - to offer evidence of alternative traditions and paradigms. Timely and vividly argued, "Lives Together/Worlds Apart" makes a brilliant contribution to discussions of popular culture and feminism.
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Material Girls

Material Girls

Suzanna Danuta Walters

University of California Press
1995
pokkari
Madonna, Murphy Brown, Thelma and Louise: These much-discussed media icons are the starting points of Suzanna Walter's brilliant, much-needed introduction to feminist cultural theory. Accessible yet theoretically sophisticated, up-to-date and entertaining, "Material Girls" acquaints readers with the major theories, debates, and concepts in this new and exciting field. With numerous case studies and illustrations, Walters situates feminist cultural theory against the background of the women's movement and media studies. Using examples from film, television, advertising, and popular discourse, she looks at topics such as the 'male gaze', narrative theory, and new work on female 'ways of seeing' and spectatorship. Throughout, Walters provides a historically grounded account of representations of women in popular culture while critiquing the dominance of psychoanalytic and postmodern analyses. The first comprehensive guide to the approaches and debates that make up this growing field, "Material Girls" belongs on the shelf of every cultural critic and savvy student today.
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We Sell Drugs

We Sell Drugs

Suzanna Reiss

University of California Press
2014
sidottu
This history of US-led international drug control provides new perspectives on the economic, ideological, and political foundations of a Cold War American empire. US officials assumed the helm of international drug control after World War II at a moment of unprecedented geopolitical influence embodied in the growing economic clout of its pharmaceutical industry. We Sell Drugs is a study grounded in the transnational geography and political economy of the coca-leaf and coca-derived commodities market stretching from Peru and Bolivia into the United States. More than a narrow biography of one famous plant and its equally famous derivative products Coca-Cola and cocaine this book situates these commodities within the larger landscape of drug production and consumption. Examining efforts to control the circuits through which coca traveled, Suzanna Reiss provides a geographic and legal basis for considering the historical construction of designations of legality and illegality. The book also argues that the legal status of any given drug is largely premised on who grew, manufactured, distributed, and consumed it and not on the qualities of the drug itself. Drug control is a powerful tool for ordering international trade, national economies, and society's habits and daily lives. In a historical landscape animated by struggles over political economy, national autonomy, hegemony, and racial equality, We Sell Drugs insists on the socio-historical underpinnings of designations of legality to explore how drug control became a major weapon in asserting control of domestic and international affairs.
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We Sell Drugs

We Sell Drugs

Suzanna Reiss

University of California Press
2014
pokkari
This history of US-led international drug control provides new perspectives on the economic, ideological, and political foundations of a Cold War American empire. US officials assumed the helm of international drug control after World War II at a moment of unprecedented geopolitical influence embodied in the growing economic clout of its pharmaceutical industry. We Sell Drugs is a study grounded in the transnational geography and political economy of the coca-leaf and coca-derived commodities market stretching from Peru and Bolivia into the United States. More than a narrow biography of one famous plant and its equally famous derivative products Coca-Cola and cocaine this book situates these commodities within the larger landscape of drug production and consumption. Examining efforts to control the circuits through which coca traveled, Suzanna Reiss provides a geographic and legal basis for considering the historical construction of designations of legality and illegality. The book also argues that the legal status of any given drug is largely premised on who grew, manufactured, distributed, and consumed it and not on the qualities of the drug itself. Drug control is a powerful tool for ordering international trade, national economies, and society's habits and daily lives. In a historical landscape animated by struggles over political economy, national autonomy, hegemony, and racial equality, We Sell Drugs insists on the socio-historical underpinnings of designations of legality to explore how drug control became a major weapon in asserting control of domestic and international affairs.
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Handbook For The Dead, The Living Dead, And Those Who Occasionally Wished They Were Dead

Handbook For The Dead, The Living Dead, And Those Who Occasionally Wished They Were Dead

Suzanna Marie Terrell

Suzana Terrell
2012
nidottu
A string of coincidences that nevertheless lead to seeing the Light at the end of the Tunnel, even for the reader The True Story of a woman who becomes the focus of an insidious stalker, despite police efforts the stalker continues to haunt three generations of the family. Handbook for the Dead follows the life of Suzanna Terrell and includes the process regarding the creation of her Scientific Theories. The story comes to a climax as the stalker turns his attention to Suzanna's own daughter, and with the help of detectives and the F.B.I. he is finally brought to justice with a magnificent twist This is an amazing true story and a thrilling page-turner YOU WILL LOVE Actual Case Numbers: Federal Bureau Investigation Case# 04-7850 Prosecution# w-07-cr-104 --(Previously printed under "Comfort Soup For The Mind")
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Escaping a Narcissistic Marriage

Escaping a Narcissistic Marriage

Suzanna James

TRU Media
2024
pokkari
From darkness to lightEscaping a Narcissistic Marriage portrays the author's traumatic life over many years. Suzanna James describes living with a narcissist through the mind games, insidious manipulations that not only stripped her of her own self-worth but had her living with the infidelity and betrayal in their marriage of 19 years. She endured until she had a lightbulb moment. This book is a very personal account of her journey and the lessons learned.Suzanna James' story highlights the mental abuse she suffered at the hands of a narcissist. Her husband felt he could control anyone if there was something in it for him. He had to have the perfect house, the perfect cars, look like the perfect husband and father.Then it all started to unravel when his secret affairs came to light.There had been a number of women in her husband's life from the very beginning of their relationship, and she can no longer live that way. Suzanna hires a private detective, searching once and for all for the truth.The marriage could not go on, even if it meant having to hurt her children by breaking up her family home. Suzanna did not realise how hard raising a family on her own would be through those teenage years but she is a strong woman, a survivor."A very easy read and gave me a better understanding of a narcissist personality and how to listen to your instincts."- Jen T"A must read The book gave me an insight into how powerful another person can impact your life without you realising."- Grace M
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