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1000 tulosta hakusanalla W. B. Patterson
In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature.W. B. Yeats (1865-1939) was born in Dublin, and was educated in Ireland and England. He was instrumental in the development of a national Irish theatre - and in particular, the founding of the Abbey Theatre. He was awarded the Nobel Prize for Literature in 1923.
W. B. Yeats (1865-1939) was not only Ireland's greatest poet but one of the most influential voices in world literature in the twentieth century. His extraordinary work, in the words of this volume's editor Seamus Heaney, encourages us 'to be more resolutely and abundantly alive, whatever the conditions.'Other volumes in this series: Auden, Betjemen, Eliot, Hughes and Plath
Contemporary scholarship about W.B. Yeats (1865-1939) is increasingly clear about the implications of his being a nationalist from a Protestant background. He always felt a degree of distance from his Catholic compatriots, while at the same time believing that his own background offered him relative freedom to interpret Ireland’s pre-Christian traditions and mythology. This study shows how Yeats moved from passionate identification with the idea of Ireland in his early work, through a period in which he re-emphasizes his Anglo-Irish inheritance and its difference from that of Catholics, to a new sense of unity in his later work, founded on the belief that the Gaelic and the Anglo-Irish aristocracies were fundamentally alike. Effects of indecision and provisionality in the writing are intimately bound up with this ambivalent sense of identity, as are aesthetic doctrines such as that of the Mask. In line with recent scholarship, this study also treats Yeats’ occult researches as important for understanding the poetry, and as possessing political significance. Other topics addressed include the concept of the nation, representations of gender, and Orientalism, as well as those questions of style and form which underlie the extraordinary esteem in which Yeats’ poetry is still held by poets and readers of the twenty-first century.
W. B. Yeats and the Secret Masters of the World
Peter Fludde Partners
2013
nidottu
W. B. Yeats's 'A Vision'
Clemson University Digital Press
2012
nidottu
W. B. Yeats in Context
Cambridge University Press
2015
pokkari
W. B. Yeats is a writer who requires, and at the same time tests the limits of, contextual study. More than perhaps any other Irish writer, he produced his own context as much as it produced him. His cultural and political activities, combined with his prolific literary output, made an impact that can only be understood by close attention to his words in relation to the times in which he lived. W. B. Yeats in Context maps Yeats' world in concise, lively essays by distinguished critics and historians. The places, people, themes and intellectual frameworks most important to his development receive close attention, as do his artistic influences, and the production and reception of his work. As a gateway into the study of Yeats, this volume offers much new information for both students, scholars and anyone interested in the life and times of this enigmatic and influential poet.
This title, first published in 1990, is a census of the manuscripts of William Butler Yeats. The census includes not only his books, plays and poetry but also the whereabouts of many of Yeats’s letters and speeches, and will be of particular interest to students of literature. For further reading please refer to Conrad A. Balliet’s chapter ‘A Supplement to W. B. Yeats: A Census of the Manuscripts’ in Richard J. Finnerman’s (Editor) Yeats: An Annual of Critical and Textual Studies (Volume XIII, 1995, The University of Chicago Press).
This title, first published in 1990, is a census of the manuscripts of William Butler Yeats. The census includes not only his books, plays and poetry but also the whereabouts of many of Yeats’s letters and speeches, and will be of particular interest to students of literature. For further reading please refer to Conrad A. Balliet’s chapter ‘A Supplement to W. B. Yeats: A Census of the Manuscripts’ in Richard J. Finnerman’s (Editor) Yeats: An Annual of Critical and Textual Studies (Volume XIII, 1995, The University of Chicago Press).
In this study, first published in 1951, the author examines the poetry of Yeats’s last years, that poetry which reached and held to the ‘intensity’ which he had striven for all his life. Vivienne Koch explores the ways in which the great but troubled poems derive their energy from suffering, and examines thirteen of his last poems in detail, each with a slightly different focus. This title will be of interest to students of literature.
In this study, first published in 1951, the author examines the poetry of Yeats’s last years, that poetry which reached and held to the ‘intensity’ which he had striven for all his life. Vivienne Koch explores the ways in which the great but troubled poems derive their energy from suffering, and examines thirteen of his last poems in detail, each with a slightly different focus. This title will be of interest to students of literature.
This chief aim of this title, first published in 1965, is to present a comprehensive picture of Yeats’s achievement and some of the means for an evaluation of that achievement. To this end both the poems and plays have been examined and some of Yeats’s critical ideas have been briefly discussed. Professor Rajan’s study provides a compact introduction to Yeats’s work, and will be of interest to the general reader as well as to students of literature.
This chief aim of this title, first published in 1965, is to present a comprehensive picture of Yeats’s achievement and some of the means for an evaluation of that achievement. To this end both the poems and plays have been examined and some of Yeats’s critical ideas have been briefly discussed. Professor Rajan’s study provides a compact introduction to Yeats’s work, and will be of interest to the general reader as well as to students of literature.
W. B. Yeats and T. Sturge Moore
Routledge
2016
sidottu
The letters in this book, first published in 1953, throw light on the literary scene at a time in which William Butler Yeats and Thomas Sturge Moore regularly corresponded. In the early days of their friendship Yeats and Sturge Moore often saw each other in London where they both played an active part in the literary and artistic scene. When Yeats later lived chiefly in Ireland and Sturge Moore spent much of his time in the country and abroad they met less often but kept in touch by letter. Many of these letters, and therefore a record of their friendship, has been preserved and presented in this book. This title will be of interest to students of literature and literary history.
W. B. Yeats and T. Sturge Moore
Routledge
2018
nidottu
The letters in this book, first published in 1953, throw light on the literary scene at a time in which William Butler Yeats and Thomas Sturge Moore regularly corresponded. In the early days of their friendship Yeats and Sturge Moore often saw each other in London where they both played an active part in the literary and artistic scene. When Yeats later lived chiefly in Ireland and Sturge Moore spent much of his time in the country and abroad they met less often but kept in touch by letter. Many of these letters, and therefore a record of their friendship, has been preserved and presented in this book. This title will be of interest to students of literature and literary history.
