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1000 tulosta hakusanalla Werner Hahn

Vandforsyning

Vandforsyning

Anders Hahn Kristensen; Elin Dichmann Jensen; Erik Karlsen; Henning Karlby; Inga Sørensen; Jens Ove Nielsen; Kim Brinck; Kurt Ellemose; Loren Ramsay; Mikael Jørgensen; Peter Roslev; Pia Jacobsen; Stefan Schmidt; Werner Bai

Lindhardt og Ringhof
2014
sidottu
Denne bog rummer alt, hvad du skal vide om vandforekomster, vandindvinding og vandforsyning, Den nødvendige teori er grundigt forklaret og illustreret med mange figurer og praktiske eksempler. Et omfattende stikordsregister gør bogen let at slå op i, og de mange referencer gør det muligt altid at finde frem til yderligere oplysninger om emnerne. Bogen er således anvendelig både som lærebog på de videregående uddannelser og som håndbog for den praktiske vandværksmand eller den projekterende ingeniør.
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Framtid : 11 berättelser för mellanstadiet

Framtid : 11 berättelser för mellanstadiet

Kerstin Lundberg Hahn; Karin Aspenström; Oskar Källner; Oskar Kroon; Ida Ömalm Ronvall; Alma Thörn; Gustav Tegby; Maria Turtschaninoff; Ida Kjellin; Anna-Clara Söderlund; Jack Werner

Rabén Sjögren
2020
nidottu
En mystisk brevvän, en upptäckt som ställer världen på ända, en bilfärd som förändrar allt ...Framtiden kan ligga flera tusen år framåt i tiden, eller bara ett ögonblick bort. Här har vi samlat tio noveller och en tecknad serie som på olika sätt handlar om framtiden. Några utspelar sig i vår tid och värld, andra i en helt annan tid i ett helt annat universum. Några kommer att få dig att skratta, andra att tänka till. En härlig blandning av kalla kårar, sorg, humor och spänning när den är som allra bäst!Medverkar gör: Karin Aspenström, Oskar Kroon, Ida Kjellin, Oskar Källner, Kerstin Lundberg Hahn, Anna-Clara Söderlund, Gustav Tegby, Alma Thörn, Maria Turtschaninoff, Jack Werner och Ida Ömalm Ronvall.
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Werner

Werner

Jan Kronies

Books on Demand
2022
pokkari
Wie schnell die Zeit vergeht - wer fragt sich das nicht mindestens einmal in seinem Leben? Auch Ellie sieht sich damit konfrontiert, als sie ihren im Sterben liegenden Gro vater Werner besucht. Zusammen begeben sie sich auf eine Reise in die gro en Themen des Lebens und des Todes, um zu verstehen, was war, nun enden wird und wie Zeit begriffen werden kann: damit wir nie wieder daran verzweifeln, wie schnell sie vergangen ist.
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Werner Herzog

Werner Herzog

Joshua Lund

University of Illinois Press
2020
sidottu
Werner Herzog's protean imagination has produced a filmography that is nothing less than a sustained meditation on the modern human condition. Though Herzog takes his topics from around the world, the Americas have provided the setting and subject matter for iconic works ranging from Aquirre, The Wrath of God and Fitzcarraldo to Grizzly Man. Joshua Lund offers the first systematic interpretation of Werner Herzog's Americas-themed works, illuminating the director's career as a political filmmaker-a label Herzog himself rejects. Lund draws on materialist and post-colonial approaches to argue that Herzog's American work confronts us with the circulation, distribution, accumulation, application, and negotiation of power that resides, quietly, at the center of his films. By operating beyond conventional ideological categories, Herzog renders political ideas in radically unfamiliar ways while fearlessly confronting his viewers with questions of world-historical significance. His maddeningly opaque viewpoint challenges us to rethink discovery and conquest, migration and exploitation, resource extraction, slavery, and other foundational traumas of the contemporary human condition.
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Werner Herzog

Werner Herzog

Joshua Lund

University of Illinois Press
2020
nidottu
Werner Herzog's protean imagination has produced a filmography that is nothing less than a sustained meditation on the modern human condition. Though Herzog takes his topics from around the world, the Americas have provided the setting and subject matter for iconic works ranging from Aquirre, The Wrath of God and Fitzcarraldo to Grizzly Man. Joshua Lund offers the first systematic interpretation of Werner Herzog's Americas-themed works, illuminating the director's career as a political filmmaker-a label Herzog himself rejects. Lund draws on materialist and post-colonial approaches to argue that Herzog's American work confronts us with the circulation, distribution, accumulation, application, and negotiation of power that resides, quietly, at the center of his films. By operating beyond conventional ideological categories, Herzog renders political ideas in radically unfamiliar ways while fearlessly confronting his viewers with questions of world-historical significance. His maddeningly opaque viewpoint challenges us to rethink discovery and conquest, migration and exploitation, resource extraction, slavery, and other foundational traumas of the contemporary human condition.
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Werner's Nomenclature of Colours

Werner's Nomenclature of Colours

Patrick Syme

The Natural History Museum
2018
sidottu
First published in 1814, Werner's Nomenclature of Colours is a taxonomic guide to colour which been cherished by naturalists and anthropologists for over two centuries. In the late 1790's Abraham Gottlob Werner devised his own standardised colour scheme, which allowed the writer to describe even the subtlest of chromatic differences with consistent terminology. His scheme was then adapted by an Edinburgh flower painter, Patrick Syme, who traced the actual minerals described by Werner, and used them to create the colour charts found in the book. In the pre-photographic age, almost all visual details had to be captured using the written word, and scientific observers could not afford any ambiguity in their descriptions. These included Charles Darwin, for whom Werner's Nomenclature was an indispensable tool during his seminal voyage on the Beagle. Werner's Nomenclature of Colours is a charming artefact from the age of explorers, which continues to be treasured by artists and scientists alike.
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