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968 tulosta hakusanalla Winifred G. Helmes

Winifred Power. a Novel. [By Bella Duffy.]

Winifred Power. a Novel. [By Bella Duffy.]

Winifred Power; Bella Duffy

British Library, Historical Print Editions
2011
pokkari
Title: Winifred Power. A novel. By Bella Duffy.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Power, Winifred; Duffy, Bella; 1883. 3 vol.; 8 . 12635.u.13.
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Winifred Black/Annie Laurie and the Making of Modern Nonfiction

Winifred Black/Annie Laurie and the Making of Modern Nonfiction

Katherine H. Adams; Michael L. Keene

McFarland Co Inc
2015
pokkari
Winifred Black worked in journalism from 1888 to 1936, often writing under the pseudonym Annie Laurie. Her work appeared in the Hearst papers--especially the San Francisco Examiner--and in fifty additional newspapers weekly through syndication. Black wrote 10,000 short pieces, as well as three books, a nonfiction oeuvre that combined quasi-autobiographical details with characters and scenes to provide cultural analysis for a nationwide audience. She wrote about the realities facing modern women--their work, their marriages and divorces, the violence they endured, their need for independence. Contemporary praise for Black named her "the world's most famous feature writer" and "one of the world's most successful reporters," while her critics affixed the pejorative labels "stunt girl" and "sob sister." This study covers her influential career and gives the first serious attention to her journalism and nonfiction.
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Winifred Sanford

Winifred Sanford

Betty Holland Wiesepape

UNIVERSITY OF TEXAS PRESS
2023
nidottu
Winifred Sanford is generally regarded by critics as one of the best and most important early twentieth-century Texas women writers, despite publishing only a handful of short stories before slipping into relative obscurity. First championed by her mentor, H. L. Mencken, and published in his magazine, The American Mercury, many of Sanford’s stories were set during the Texas oil boom of the 1920s and 1930s and offer a unique perspective on life in the boomtowns during that period. Four of her stories were included in The Best American Short Stories of 1926. Questioning the sudden end to Sanford’s writing career, Wiesepape, a leading literary historian of Texas women writers, delved into the author’s previously unexamined private papers and emerged with an insightful and revealing study that sheds light on both Sanford’s abbreviated career and the domestic lives of women at the time. The first in-depth account of Sanford’s life and work, Wiesepape’s biography discusses Sanford’s fiction through the lens of the sociohistorical contexts that shaped and inspired it. In addition, Wiesepape has included two previously unpublished stories as well as eighteen previously unpublished letters to Sanford from Mencken. Winifred Sanford is an illuminating biography of one of the state’s unsung literary jewels and an important and much-needed addition to the often overlooked field of Texas women’s writing.
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Winifred the Wondrous Whale Shark

Winifred the Wondrous Whale Shark

Amanda Flannery

Independently Published
2018
nidottu
Winifred the Wondrous Whale Shark shares the experiences of a marine biologist, Amanda, and Winifred the whale shark. Through the simple, visual narrative, Amanda individually recognizes and tracks whale sharks, and follows Winifred, as Amanda tries to learn more about Winifred's mysterious life. It aims to excite young readers about marine biology and develop positive attitudes surrounding sharks. It is an excellent entry-level book for families with young children to enjoy, filled with hand-painted illustrations to captivate readers.
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Winifred Nicholson

Winifred Nicholson

Nicholson Jovan

Philip Wilson Publishers Ltd
2016
nidottu
This new publication explores the whole career of Winifred Nicholson with a special emphasis on her theories of colour. Using specific paintings to examine her ideas and writings about colour the book includes her late 'prismatic' pictures which have never been properly explained. Throughout her life Winifred Nicholson was interested in prisms and rainbows, but when she was given some prisms by a physicist friend in the mid 1970s her painting took on a new direction. Looking through a prism she saw objects with a rim of prismatic colour, and explored and developed these ideas, often painting pictures that verged on the abstract. Nicholson's 'prismatic' pictures were a culmination of her life's search to find "form's secret and rhythmic law". She painted them in Greece in 1979, at her home in Cumbria, and during her last painting trip to the Island of Eigg in the Hebrides in 1980, where she had an inspired period of painting and made some of her best loved pictures. Published on the occasion of the exhibition 'Liberation of Colour' at mima, Middlesbrough Institute of Modern art, the book illustrates many previously unseen paintings from private collections, as well as some of Nicholson's best known works, and draws on new research, including previously unseen archival material.
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Winifred Lamb: Aegean Prehistorian and Museum Curator

Winifred Lamb: Aegean Prehistorian and Museum Curator

David W. J. Gill

Archaeopress
2018
nidottu
Winifred Lamb was a pioneering archaeologist in the Aegean and Anatolia. She studied classics at Newnham College, Cambridge, and subsequently served in naval intelligence alongside J. D. Beazley during the final stages of the First World War. As war drew to a close, Sydney Cockerell, Director of the Fitzwilliam Museum in Cambridge, invited Lamb to be the honorary keeper of Greek antiquities. Over the next 40 years she created a prehistoric gallery, marking the university’s contribution to excavations in the Aegean, and developed the museum’s holdings of classical bronzes and Athenian figure-decorated pottery. Lamb formed a parallel career excavating in the Aegean. She was admitted as a student of the British School at Athens and served as assistant director on the Mycenae excavations under Alan Wace and Carl Blegen. After further work at Sparta and on prehistoric mounds in Macedonia, Lamb identified and excavated a major Bronze Age site at Thermi on Lesbos. She conducted a brief excavation on Chios before directing a major project at Kusura in Turkey. She was recruited for the Turkish language section of the BBC during the Second World War, and after the cessation of hostilities took an active part in the creation of the British Institute of Archaeology at Ankara.
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Winifred Gerin

Winifred Gerin

Helen MacEwan

LIVERPOOL UNIVERSITY PRESS
2015
nidottu
The biographer Winifred Gerin (1901-81), who wrote the lives of all four Bronte siblings, stumbled on her literary vocation on a visit to Haworth, after a difficult decade following the death of her first husband. On the same visit she met her second husband, a Bronte enthusiast twenty years her junior. Together they turned their backs on London to live within sight of the Parsonage, Gerin believing that full understanding of the Brontes required total immersion in their environment. Gerin's childhood and youth, like the Brontes', was characterised by a cultured home and intense imaginative life shared with her sister and two brothers, and by family tragedies (the loss of two siblings in early life). Strong cultural influences formed the children's imagination: polyglot parents, French history, the Crystal Palace, Old Vic productions. Winifred's years at Newnham College, Cambridge were enlivened by eccentric characters such as the legendary lecturer Quiller-Couch (Q'), Lytton Strachey's sister Pernel and Bloomsbury's favourite philosopher, G.E. Moore. Her happy life in Paris with her Belgian cellist husband, Eugene Gerin, was brought to an abrupt end by the Second World War, in which the couple had many adventures: fleeing occupied Belgium, saving Jews in Nice in Vichy France, escaping through Spain and Portugal to England, where they did secret war work for Political Intelligence near Bletchley. After Eugene's death in 1945 Winifred coped with bereavement through poetry and playwriting until discovering her true literary metier on the trip to Haworth. She also wrote about Elizabeth Gaskell, Anne Thackeray Ritchie and Fanny Burney. The book is based on her letters and on her unpublished memoir.
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Winifred Knights 1899-1947

Winifred Knights 1899-1947

Sacha Llewellyn

Lund Humphries Publishers Ltd
2016
sidottu
Winifred Knights (1899-1947) is one of the outstanding, but until recently neglected, British women painters of the first half of the 20th century. Copiously illustrated in colour throughout, this book provides the first full account of her life and work, examining Knights’ art in the context of interwar Modernism and assessing her contribution to the revival in this period of both Decorative Painting and religious imagery.Author Sacha Llewellyn traces the artist’s career from her years at the Slade School of Art and her First World War evacuation to rural Worcestershire through to the time she spent at the British School at Rome in the early 1920s and the many commissions she completed between 1926 and 1939. Presenting the artist as the central protagonist, and with models selected from her inner circle, Knights’ paintings were deeply autobiographical. She consistently re-wrote fairy-tale and legend, Biblical narrative and Pagan mythology to explore women’s relationship to war, the natural world, working communities, marriage, motherhood and death. Drawing on previously unpublished documentary material, including letters, diaries, sketchbooks and photographs, Sacha Llewellyn makes a strong case for recognising Knights as one of the most talented artists of her generation. The book reproduces all of Knights’ major works, including her masterpiece, The Deluge, which is among the most remarked upon works at Tate Britain, having been on almost permanent display there since 1995.
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