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890 tulosta hakusanalla Michaelangelo Rodriguez

La Herejía de Miguel Ángel / Michelangelo's Heresy

La Herejía de Miguel Ángel / Michelangelo's Heresy

Matteo Strukul

Ediciones B
2023
nidottu
Un Miguel ngel in dito por el autor de la gran saga de Los M dici. Sumido en una profunda crisis art stica y espiritual, el genio del Renacimiento concebir la versi n final de la tumba de Julio II de una forma que podr a condenarlo a la hoguera. Roma, oto o de 1542. Miguel ngel se encuentra en el punto de mira de la Inquisici n. Vive una profunda crisis religiosa y su amistad con Vittoria Colonna, la marquesa de Pescara, no ha pasado desapercibida. El jefe del Santo Oficio, el cardenal Gian Pietro Carafa, ha ordenado seguir a la dama para identificar el lugar donde se re ne la secta de los Espirituales, encabezada por Reginald Pole, que aboga por el retorno a la pureza evang lica en una ciudad donde la corrupci n campa a sus anchas. Roma, que se ha convertido en una ciudad devorada por el vicio, ser el cruel teatro en el que se crucen las vidas de Malasorte, la joven ladronzuela que ha recibido el encargo de espiar a los Espirituales, de Vittorio Corsini, el capit n de los esbirros de la ciudad, de Vittoria Colonna y del mismo Miguel Angel Buonarroti, el artista m s genial de su tiempo. ENGLISH DESCRIPTION An unreleased Michelangelo by the author of the great series The Medici. In a state of artistic and spiritual crisis, the genius of the Renaissance will conceive the final version of the tomb of Julius II in a way that could condemn him to the stake. Rome, Autumn of 1542. Michelangelo finds himself in the eyes of the Inquisition. He is experiencing a deep religious crisis, and his friendship with Vittoria Colonna, the Marquise of Pescara, has not gone unnoticed. The head of the Holy Office, Cardinal Gian Pietro Carafa, has ordered Lady Colonna be followed to identify the location where The Spirituals meet. The cult leader, Reginald Pole, advocates for the return to evangelical purity in a city where corruption runs free. Rome, now a city devoured by vice, will be the cruel theater in which the lives of Malasorte (the young thief who has been commissioned to spy on The Spirituals), Vittorio Corsini (captain of the city's henchmen), Vittoria Colonna, and Michelangelo himself (the greatest artist of this time) will come across.
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Self and Symbolism in the Poetry of Michelangelo, John Donne and Agrippa D’Aubigne

Self and Symbolism in the Poetry of Michelangelo, John Donne and Agrippa D’Aubigne

A.B. Altizer

Kluwer Academic Publishers
1973
nidottu
Alienation, ecstasy, death, rebirth: in the poetry of Michelangelo, Donne, and d' Aubigne these archetypal themes make possible the ultimate formulation of new poetic symbolizations of self and world. As their poetry evolves from a primarily rhetorical towards a fully symbolic mode, images of loss of self (in ecstasy or in alienation), of death and rebirth, recur with increasing frequency and intensity. Whether the context is love poetry or religious poetry, the basic problem remains the same; love is the link between the two kinds of poetry. And love is indeed a problem for these three poets, since it involves the self in relation to the "other," the other being either God or another human being. Increasingly, the work of each poet centers on a need to analyze or abolish the gulf separating subject and object, self and other. The dominant mode of most of the three poets' work is neither rhetorical nor symbolic, but expressive. This transitional mode reveals the individual poet's most urgent concerns and conflicts, his sense of self in Its most isolated or burdensome, affirmative or struggling state. Under­ lying most of their poems is a profound self-consciousness - a heightened awareness of self as a powerful, separate entity, with a corresponding objectification of all reality outside of self. The Renaissance in general is a time of increasing individualism and 1 self-consciousness.
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The Lost Battles: Leonardo, Michelangelo, and the Artistic Duel That Defined the Renaissance

The Lost Battles: Leonardo, Michelangelo, and the Artistic Duel That Defined the Renaissance

Jonathan Jones

VINTAGE
2013
nidottu
From one of Britain's most respected art historians, art critic of The Guardian--the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition. In 1504, the informal rivalry between two of the most celebrated artists in Florence became a direct contest. Michelangelo was commissioned to paint a scene from the ancient battle of Cascina on a wall of the Palazzo Vecchio--in the same room where Leonardo da Vinci had already been commissioned to paint a scene from another great Florentine victory, the battle of Anghiari. As the paintings progressed, Michelangelo set out to prove that his work, not Leonardo's, embodied the future of art--but in fact, the influence of both would become visible in the works of subsequent generations of artists. The Lost Battles is a riveting look at one of history's most resonant exchanges of ideas and offers a whole new understanding of an age and those at its center.
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The Agony and the Ecstasy: A Biographical Novel of Michelangelo

The Agony and the Ecstasy: A Biographical Novel of Michelangelo

Irving Stone

BERKLEY BOOKS
1987
pokkari
Irving Stone's classic biographical novel of Michelangelo--the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life. His time--the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family... His loves--the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love--the beautiful, unhappy Vittoria Colonna... His genius--a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium... His name--Michelangelo Buonarroti. Creator of the David, painter of the ceiling in the Sistine Chapel, architect of the dome of St. Peter's, Michelangelo lives once more in the tempestuous, powerful pages of Irving Stone's towering triumph. A masterpiece in its own right, this biographical novel offers a compelling portrait of one of the greatest artists the world has ever known.
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The Agony and the Ecstasy: A Biographical Novel of Michelangelo

The Agony and the Ecstasy: A Biographical Novel of Michelangelo

Irving Stone

BERKLEY BOOKS
2004
nidottu
Irving Stone's classic biographical novel of Michelangelo--the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life. His time--the turbulent Renaissance, the years of poisoning princes, warring Popes, and the all-powerful de'Medici family... His loves--the frail and lovely daughter of Lorenzo de'Medici, the ardent mistress of Marco Aldovrandi, and his last love, his greatest love--the beautiful, unhappy Vittoria Colonna... His genius--a God-driven fury from which he wrested brilliant work that made a grasp for heaven unmatched in half a millennium... His name--Michelangelo Buonarroti. Creator of the David, painter of the ceiling in the Sistine Chapel, architect of the dome of St. Peter's, Michelangelo lives once more in the tempestuous, powerful pages of Irving Stone's towering triumph. A masterpiece in its own right, this biographical novel offers a compelling portrait of one of the greatest artists the world has ever known.
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