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Velma Susanne Warren's latest book on golden oak is an important addition to every oak furniture collector's bookshelf. Using over 700 color photos and related graphics, the author leads us through room after room of fabulous antiques. With detailed commentary on the pieces in the photos that the reader is seeing, the author describes, instructs, and amuses as we follow her guided tour. Faithful readers of Ms. Warren's first book, Golden Oak Furniture, now in its third revised edition, will be enthusiastic about More Golden Oak. With pleasure, they will turn page after page of photos of beautiful golden oak tables, chairs, bedroom sets, desks, and other handsome, sturdy glowing furniture, none of which they have seen before. New readers are in for a delightful experience. All will value the price guide and descriptions as useful tools for many years to come. So settle in for a good read-preferably in a golden oak rocker-and enjoy!
Hundreds of handsome designs from the turn-of-the-century are presented in this, the most comprehensive collection of glowing oak furniture ever published. Pictured are many styles of tables, chairs, sofas, sideboards, clocks, bedroom suites, chests, and cupboards in more than 670 color photographs. The author explains quality and points out details of construction and ornamentation in her descriptive text, and provides current values and an extensive glossary of terms. This is an invaluable reference work for all antique collectors and dealers, and a terrific guide for interior designers and furniture designers alike.
In "Dread Talk" Velma Pollard describes the language of Rastafari, tracing its development as an expansion of Jamaican Creole while showing how it is distinct both from Creole and Standard English.
Although Geoffrey Chaucer is the major author for Middle English studies, he often receives little notice in studies of children's literature. However, there is a fascinating relationship between Chaucer and children's interests. This book examines in detail Chaucer stories retold for children--both the texts and the illustrations, which are excellent examples of the verbal and visual storytelling that are very important in children's literature. The popularity of certain Chaucer stories, their adjustment for children, and the historical, political, educational, and social contexts of the retellings reveal Victorian and Edwardian attitudes. The author also considers how retellings of Chaucer stories contributed to the traditional view of Chaucer as the Father of English and how this view of him was developed at the turn of the twentieth century as part of an expansion of general education and English studies.
Although William Shakespeare is widely regarded as the greatest writer in the English language, he traditionally receives little notice in studies of children's literature. However, there is a fascinating relationship between Shakespeare and children's interests, and the Bard's works have been successfully adapted for children's use over several centuries. This book continues and parallels the author's previous study, Chaucer as Children's Literature, as part of a greater endeavor to evaluate the significance of traditional literature retold as children's literature in modern English studies. It examines the ways in which William Shakespeare's stories have been adapted for children, particularly in Mary and Charles Lamb's Tales from Shakespeare, which was almost immediately recognized as a classic of children's literature when it was first published in 1807. The author describes the significance of the Lamb's Tales as the pre-eminent children's adaptation of Shakespeare's literature, focusing particularly on the lavishly illustrated Edwardian editions which used pictures to convey Shakespeare's stories for children. Other topics include Victorian alternatives to the Lambs' stories, including anthologies from David Murray Smith, Abby Sage Richardson, and Mary Seymour; the lavish illustrations of Shakespeare's stories found in antique English textbooks; Shakespeare in nursery books, including sophisticated collections from Mary Macleod, Thomas Carter, Alice S. Hoffman, and other noted authors; and Shakespeare in multi-volume American collections, including The Children's Hour, Journeys through Bookland, and The Junior Classics.
Hoe kyk 'n mens terug na jou lewe en wens jy het 'n ander vurk in die pad geneem? Wat sou gebeur het as? As? In die diep ontroerende novelle toor die skrywer soos 'n alchemis van ouds met verdriet en spyt. Dit is 'n liefdesroman, 'n elegie aan die verlore liefde. Die verteller verlang terug na Anders, na Jena, na Duitsland. Maar die verlede spoel 'n mens rond soos die see. Nou is dit te laat. Vir altyd te laat.
In Medicalizing Ethnicity, Vilma Santiago-Irizarry shows how commendable intentions can produce unintended consequences. Santiago-Irizarry conducted ethnographic fieldwork in three bilingual, bicultural psychiatric programs for Latino patients at public mental health facilities in New York City. The introduction of "cultural sensitivity" in mental health clinics, she concludes, led doctors to construct essentialized, composite versions of Latino ethnicity in their drive to treat mental illness with sensitivity. The author demonstrates that stressing Latino differences when dealing with patients resulted not in empowerment, as intended, but in the reassertion of Anglo-American standards of behavior in the guise of psychiatric categories by which Latino culture was negatively defined. For instance, doctors routinely translated their patients' beliefs in the Latino religious traditions of espiritismo and Santería into psychiatric terms, thus treating these beliefs as pathologies.Interpreting mental health care through the framework of culture and politics has potent effects on the understanding of "normality" toward which such care aspires. At the core of Medicalizing Ethnicity is the very definition of multiculturalism used by a variety of institutional settings in an attempt to mandate equality.
This lavishly illustrated study is a comprehensive literary and social history which offers a record of changing genres, manuscript/book production, and cultural, political, and religious emphases by examining one of the most long lived popular legends in England. Guy of Warwick became part of history when he was named in chronicles and heraldic rolls. The power of the Earls of Warwick, especially Richard de Beauchamp, inspired the spread of the legend, but Guy's highest fame came in the Renaissance as one of the Nine Worthies. Widely praised in texts and allusions, Guy's feats were sung in ballads and celebrated on the stage in England and France. The first Anglo-Norman romance of Gui de Warewic, a Saxon hero of the tenth century was written in the early 13th century; the latest retellings of the legend are contemporary. Examples of Guy's legend can be found in two English translations that survived the Middle Ages, a new French prose romance, a didactic tale in the Gesta Romanorum, and late medieval versions in Celtic, German, and Catalan, as well as English. Guy remained a favorite Edwardian children's story and was featured in the Warwick Pageant, an historical extravaganza of 1906. The patriotism of World War II sparked a resurgence of interest that produced several new versions, mostly folkloric.
The Popularity of Middle English Romance
Velma Bourgeois Richmond
Bowling Green University Popular Press,US
1975
sidottu
The Middle English romance has elicited throughout the centuries a curious mixture of indifference, hostile apprehension, and contempt that perhaps no other literature-except its most likely offspring, modern best-sellers-has provoked.
On a May morning in 1939, eighteen-year-old Velma Demerson and her lover were having breakfast when two police officers arrived to take her away. Her crime was loving a Chinese man, a ""crime"" that was compounded by her pregnancy and subsequent mixed-race child. Sentenced to a home for wayward girls, Demerson was then transferred (along with forty-six other girls) to Torontos Mercer Reformatory for Females. The girls were locked in their cells for twelve hours a day and required to work in the on-site laundry and factory. They also endured suspect medical examinations. When Demerson was finally released after ten months' incarceration weeks of solitary confinement, abusive medical treatments, and the state's apprehension of her child, her marriage to her lover resulted in the loss of her citizenship status. This is the story of how Demerson, and so many other girls, were treated as criminals or mentally defective individuals, even though their worst crime might have been only their choice of lover. Incorrigible is a survivor's narrative. In a period that saw the rise of psychiatry, legislation against interracial marriage, and a populist movement that believed in eradicating disease and sin by improving the purity of Anglo-Saxon stock, Velma Demerson, like many young women, found herself confronted by powerful social forces. This is a history of some of those who fell through the cracks of the criminal code, told in a powerful first-person voice.
Crown Point is the first collection of poems by one of the Caribbean's foremost woman poets. Velma Pollard's poems range from affectionate and observant family portraits to the righteous anger of an Afro-Caribbean woman's truth telling. Crown Point closes with a moving series of poems that meditate on death, mourning and their meaning for the living. They speak both of the deaths of parents and grandparents and of 'deaths falling early' and hear always Anancy's susu susu whispering words, 'tiday fi mi / tumaro fi yu'. These are poems which have a quiet, consoling truthfulness, no answers, just the unvarnished reminder that this is the way of life and that the dead remain with us: 'No one philosophy can answer all / each man is an island / each mind is a muffin tin / and so we sit with our invisible pencils / working out strategies to cope with brevity / to cope with our adieux / to love - too sweet to forget / to life - too intense to leave...' These tender elegiac poems of loss and remembrance have an eloquent stillness at their heart. All share a common depth of reflection and concern with poetic craft."Reading... Velma Pollard is to encounter an acutely sensitive consciousness grappling, even in apparently lighter moments, with the complexity of experience." Evelyn O'Callaghan, Jamaica JournalVelma Pollard writes poetry, fiction and studies of language. She was born in Jamaica and works at the University of the West Indies where she is Dean of the Faculty of Education.
Bandits, Bears, and Backaches
Velma B. Branscum Woody
Butler Centre for Arkansas Studies
2004
nidottu
The eleven stories in this collection all deal with human aspects of the history of Arkansas. The settings range from a pre-historic mastodon hunt to a twentieth-century family's departure from the state in search of employment. Lesson plans developed by the author are available for teachers at www.butlercenter.org.
Born in 1960, the sixth of thirteen children, Velma Wallis comes of age in a two-room log cabin in remote Fort Yukon, Alaska, a location accessible only by riverboat, airplane, snowmobile, or dog sled. Life is defined by the business of living off the land. Chopping wood. Hauling water from the river. Hunting moose. Catching salmon. Trapping fur. Taking care of the dogs. For a thousand years, the Gwich'in clan had followed migratory animals across the north. But two generations before, the people had settled where the Porcupine River flows into the Yukon. Now, the Wallis family has a post office box and an account at the general store, and Velma listens to Wolf Man Jack on armed forces radio. The author discovers that her people have surrendered their language, traditional values, and religion to white teachers, traders, and missionaries. Flu epidemics have claimed many loved ones. Village elders seem like strangers from another land, and in a way they are. There is much drinking when the monthly government checks come, and that is when the pain comes out of hiding. Written by the author of the international bestseller Two Old Women, this memoir yields a gritty, sobering, yet irresistible story filled with laughter even as generations of Gwich'in grief seeps from past to present. But hope pushes back hopelessness, and a new strength and wisdom emerge.
Based on an Athabascan legend passed along from mother to daughter for many generations on the upper Yukon River in Alaska, this is the tragic and shocking story--with a surprise ending--of two elderly women abandoned by a migrating tribe that faces starvation brought on by unusually harsh Arctic weather and a shortage of fish and game. The story of survival is told with suspense by Velma Wallis, whose subject matter challenges the taboos of her past. Yet, her themes are modern--empowerment of women, the graying of America, Native American ways. Twenty years after its first publication, Two Old Women continues to be a publishing phenomenon, despite scant national publicity. This word-of-mouth book has been translated into seventeen languages, selling more than 1.5 million copies. This twentieth anniversary edition includes a new introduction by the author, new afterword by the editor, and a discussion guide for book-group readers.
Thank God that octogenarian Vilma Ginzberg cannot help herself. She must 'make noise, ' and once again does so insistently, angrily, touchingly, and beautifully in her latest poetry collection unsurprisingly titled making noise. Every poem that Ms. Ginzberg writes truly embodies the woman she is now, the product of her long life as a psychologist, activist, and all around feisty but loving human being. However, it's not enough for Vilma Ginzberg to look back and reflect on politics, sounds, loves, and music, she goes a step beyond and looks forward to her own death in a movingly provocative poem. You can hear Vilma's voice clearly in every poem. There's a gutsiness in the political poems, a bright singing in the poems about writing and creation, a rich solemnity in the poems that honor the memory of creators, poets, musicians, friends, and her own life's work-all part of the celebration reflected in the explosion of color and light chosen for the book's opening image. A very enjoyable read from start to finish.
