Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Collins Matt
Wilkie Collins, Medicine and the Gothic
Laurence Talairach-Vielmas
University of Wales Press
2009
sidottu
This book examines how Wilkie Collins's interest in medical matters developed in his writing through explorations of his revisions of the late eighteenth century Gothic novel, from his first sensation novels to his last novels of the 1880s. Throughout his career, Collins made changes in the prototypical Gothic scenario. The aristocratic villains, victimized maidens and medieval castles of classic Gothic tales were reworked and adapted to thrill his Victorian readership. With the advances of neuroscience and the development of criminology as a significant backdrop to most of his novels, Collins drew upon contemporary anxieties and used the medical more and more to propel his criminal plots. While the archetypal castles were turned into modern medical institutions, his heroines no longer feared ghosts but the scientist's knife. This study underlines the way in which Collins's Gothic adaptations increasingly tackled medical questions, using the medical terrain to capitalize on the readers' fears. It demonstrates how Wilkie Collins's fiction revised Gothic themes and presented them through the prism of contemporary scientific, medical and psychological discourses, from debates revolving around mental physiology to those dealing with heredity and transmission. The book's structure is chronological, covering a selection of texts in each chapter; with a balance between discussion of the more canonical of Collins's texts, such as The Woman in White, The Moonstone and Armadale, and some of his more neglected writings.
Vengeful spirits, mysterious revenants and haunted objects stalk the pages of Wilkie Collins' short fiction, and yet his reputation as a sensation and detective novelist has long overshadowed his inventive contributions to the ghost story genre. Drawing from across the writer's career, Xavier Aldana Reyes presents eight stories of the strange and uncanny to celebrate this lesser-known side of the Collins' imaginative and ground-breaking fiction, guiding the reader into a candlelit night in which unearthly forces - and inescapable doom - lie in wait.
‘The freedom to achieve freedom’ – a book to help children discover the life of the remarkable Irish political hero Michael Collins! Discover the soldier and peacemaker that was Michael Collins! Michael Collins was born in County Cork and was the youngest of eight children. He moved to London as a teenager but returned to Ireland to fight in the Easter Rising of 1916. By 1919 he was Minister for Finance in the First Dáil. After the Irish War of Independence, Michael went back to London to negotiate peace. The resulting Anglo-Irish Treaty established the Irish Free State but depended on an oath of allegiance to the Crown. And so the Irish Civil War began … Michael Collins is the sixth book in Gill’s Little Library series. Other books in the series are Granuaile, Brian Boru, Mary Robinson, Tom Crean and Constance Markievicz. When your collection is complete you’ll have a Little Library – and big knowledge!
Looks in depth at Michael Collins's role in the Anglo-Irish War of 1919 to 1921. This book describes Collins' rise to prominence within Irish republicanism after the Easter Rising and, as de facto leader of the IRA and GHQ Director of Intelligence, how he was instrumental in bringing about the Anglo-Irish War.
Michael Collins is often thought of as Ireland's lost leader: a man born into a revolutionary environment who became a skilled statesman and military leader. This book looks in at Collins' key role in the Anglo Irish War using primary sources which have not previously been available.
This is a biography of Bobby Collins, affectionately known as the Wee Barra, who played for the Scottish national football team for over 15 years, was inspirational in Celtic's famous 7-1 victory over Rangers', and was a leading player in Don Revie's build up of Leeds United from mediocrity to FA Cup Final.
An Collins' Divine Songs and Meditacions were first printed in a small octavo volume in London in 1653. The only extant copy is presently held at The Huntington Library and it is, therefore, this copy that is reproduced in this facsimile edition. It is an important text because it is one of the earliest volumes of collected poems by an English woman in the seventeenth century. The poems are especially intriguing because of the glimpses they provide into the life and mind of a woman writer during this period and because of the social, political, historical and religious contexts in which they are embedded. The precise identity of An Collins' remains a mystery, and scholars have had to rely on the Divine Songs and Meditacions for most of their understanding of its author, often drawing very different conclusions about her religious, social and political beliefs. To date critics have focused on the biographical and historical interest of the poems, but as Robert Evans highlights in his Introductory Note to the volume, these works also exhibit a rhetorical power and skill that merits further attention.
In what is sure to be the definitive book on Eddie Collins's life and long career, author Rick Huhn covers the Hall of Fame player's experiences from childhood through his days at Columbia University, his tenure with the great Athletics clubs of 1906-1914, the highs and lows of a championship and scandal with the White Sox, and his return to the A's during their final run at greatness. By the time his 25-year playing career had ended, he was a pivotal performer on five all-time great clubs, dominating his position like no one before (or since), and earning a reputation for intelligent, selfless play that followed him to Cooperstown. Also covered in detail is his tenure with the Boston Red Sox, a team he served variously as part owner, vice-president and general manager until 1951, when after 45 years in major league baseball a stroke ended his career and, weeks later, his life.
Wilkie Collins, Vera Caspary and the Evolution of the Casebook Novel
A.B. Emrys
McFarland Co Inc
2011
pokkari
Wilkie Collins was one of the most popular novelists during England's Victorian era. While Collins scholarship has often focused on social issues, this critical study explores his formal ingenuity, particularly the novel of testimony constructed from epistolary fiction, trial reports and prose monologue. His innovations in form were later mirrored by Vera Caspary, who adapted The Woman in White three times into contemporary fiction. This text explores how the formal dialogue between Collins and Caspary has linked sensation fiction with noir thrillers and film noir.
This first book-length biography of Jimmy Collins examines the life of an intensely private, business-oriented ballplayer who was the first third baseman to be inducted into the Baseball Hall of Fame. Collins' life is covered in depth from his early years growing up in Buffalo, through his 14-year major league baseball career 1895-1908 primarily in Boston, to his post-baseball life as a real estate investor. This book sheds new light on Collins' motivations to leverage his baseball success--which included leading Boston to victory in the first modern-day World Series in 1903--into lucrative baseball contracts to fund his real estate investments. When he led the Boston Americans to successive American League championships in 1903 and 1904, Collins was instrumental in the foundation of today's highly successful Boston Red Sox franchise and its intense rivalry with the New York Yankees.
History of Kentucky. Collins' Historical Sketches of Kentucky. in Two Volumes. Volume I
Lewis Collins; Richard H Collins
Genealogical Publishing Company
2011
pokkari
History F Kentucky. Collins' Historical Sketches of Kentucky. in Two Volumes. Volume II
Lewis Collins; Richard H Collins
Genealogical Publishing Company
2011
pokkari
In the works and letters of his later years, Wilkie Collins continually expressed his displeasure over copyright violations. Wilkie Collins and Copyright: Artistic Ownership in the Age of the Borderless Word by Sundeep Bisla asks whether that discontent might not also have affected the composition of Collins's major early works of the 1850s and 60s. Bisla's investigation into this question, surprisingly, does not find an uncomplicated author uncomplicatedly launched on a defense of what he believes to be rightfully his. Instead, Bisla finds an author locked in fierce negotiation with the theoretical underpinnings of his medium, the written word, underpinnings best delineated by the twentieth-century deconstructionist Jacques Derrida. Collins's discomfort with copyright violation comes to be in tension with his budding understanding of the paradoxical nature of the "iterability" of the word, a nature presenting itself as a conflict between the settling and breaking manifestations of linguistic repetition. In his efforts at resolving this paradox, Collins adopts a mechanism of recursive self-reflexivity through which each story reflects upon itself to a more fundamental extent than had its predecessor. This self-reflexive exploration has significant consequences for the author's own iterability-menaced subjectivity, a striking example of which can be seen in the fact that the name being sought in Collins's last masterpiece, The Moonstone, will end up being "MY OWN NAME" -- in other words, "WILKIE COLLINS."
William Collins and Eighteenth-Century English Poetry
Richard Wendorf
University of Minnesota Press
1981
nidottu
William Collins and Eighteenth-Century English Poetry was first published in 1981. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.William Collins (1721–1759) is one of several eighteenth-century poets who have received more attention for what they are said to have anticipated—the full-blooded Romanticism of Wordsworth and Coleridge—than for what they have achieved. Collins's career as a poet was brief, but the handful of major poems that he wrote in the mid -1740s has stirred interest among critics intrigued by the complexity and obscurity of his work and by the illness and possible madness that prematurely ended his life. Combining historical scholarship with close readings of all Collins's poems, Richard Wendorf provides the most comprehensive and detailed study to be devoted to the work of this enigmatic figure and to the forces that shaped his literary career. In doing so, he places Collins within an eighteenth-century poetic context and shows that his gift for myth-making makes him a vital link between the mythic poetry of Shakespeare and Spenser and that of the Romantics.Wendorf's opening and closing chapters examine the relationship between Collins's life and his work, providing an authoritative discussion of his supposed madness and of the myths of insanity that clouded his reputation in the eighteenth and nineteenth centuries. Wendorf argues that Collins's madness is problematical at best, and that much recent criticism is a distortion of his major work, which explores the transcendent powers of the irrational forces within us but is not necessarily the product of madness itself. The book's central chapters trace Collins's development as a poet and offer fresh approaches to his major odes. In these mature poems he turned from his early interest in Augustan poetry to very different sources of inspiration and came to reject the ordered and unified natural world of Pope and Thompson.
Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness as they experience the backlash of fandoms, Collins created two fictional music groups exclusively for this publication. Collins pulls themes of identity and mental health through this compellingly realistic but narrative fiction the solo star and pop group featured might remind readers of BLACKPINK and NewJeans, Olivia Rodrigo and Selena Gomez, and Y2K popstars. This book is a cinematic journey of the performers as seen through the eyes of their fans and stalkers, images of performances, rescues, and confrontations, interspersed with letters, conversations, and diary entries. The five chapters follow Ashley, a solo star, and Siren8, a teen idol group designed for bubblegum appeal. Ashley, once a quiet artistic student, is discovered at a school performance and pushed into pop stardom. She starts sincere and gentle, but fame twists her identity. Manipulated, isolated, and disassociated, she becomes a ghostlike figure to those who knew her before disappearing under mysterious circumstances. Siren8 contrasts with Ashley s 'dreamy-girl-next-door' image. They tour with Ashley before an unexplained falling-out. Vuyu, Ashley s quiet, protective best friend, knew the real Ashley and reappears in anonymous forums to correct misinformation. Momo, a hardcore Ashley fan and obsessive researcher who created a viral timeline thread that s a monument to Ashley s erasure. B, a loner at Ashley s school, fixates on Ashley as a symbol of truth. She writes dozens of letters, convinced she s protecting Ashley, an obsession that slowly turns violent.
A controversial educator explains her educational philosophy, and comments on key aspects of American education, including tests and IQ scores, corporal punishment, alternative schools, and automatic advancement
Cecil Collins, the Artist as Writer and Image Maker
Golgonooza Press
2009
pokkari
Phil Collins: Soy Mi Madre
Aspen Art Museum,US
2010
sidottu
Glasgow-based artist Phil Collins' film Soy Mi Madre examines the immigrant populations of Colorado's Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet's The Maids--a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity--Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.
Bethany Collins: A Pattern or Practice
Illinois State University, University Galleries
2023
sidottu
“Language itself, viewed as intrinsically racialized, is Bethany Collins’ primary material.” –Holland Cotter, New York Times The work of Chicago-based conceptualist Bethany Collins (born 1984) examines personal, bureaucratic, lyrical and literary language for its racial biases and failures. While straddling multiple mediums, Collins’ practice frequently finds expression through artist’s books. This publication accompanies her survey exhibition at University Galleries of Illinois State University and features dozens of paintings, drawings, prints, sculptures, artist’s books and performances created from 2012 to 2021. Examples include Black and Blue Dictionary, for which she methodically erased all terms related to the colors black and blue in a dictionary; America: A Hymnal, for which she researched and reproduced 100 different versions of the song “My Country ’Tis of Thee,” laser-cutting and burning the unifying musical notations; and A Pattern or Practice, an installation of 91 blind-embossed prints featuring text from the US Department of Justice report on the Ferguson, Missouri, Police Department.