Kirjojen hintavertailu. Mukana 12 016 292 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Lee Read

Lee's Tigers Revisited

Lee's Tigers Revisited

Terry L. Jones

Louisiana State University Press
2017
sidottu
In Lee's Tigers Revisited, noted Civil War scholar Terry L. Jones dramatically expands and revises his acclaimed history of the approximately twelve thousand Louisiana infantrymen who fought in Robert E. Lee's Army of Northern Virginia. Sometimes derided as the ""wharf rats from New Orleans"" and the ""lowest scrappings of the Mississippi,"" the Louisiana Tigers earned a reputation for being drunken and riotous in camp, but courageous and dependable on the battlefield. Louisiana's soldiers, some of whom wore colorful uniforms in the style of French Zouaves, reflected the state's multicultural society, with regiments consisting of French-speaking Creoles and European immigrants. Units made pivotal contributions to many crucial battles- resisting the initial Union onslaught at First Manassas, facilitating Stonewall Jackson's famous Valley Campaign, holding the line at Second Manassas by throwing rocks when they ran out of ammunition, breaking the Union line temporarily at Gettysburg's Cemetery Hill, containing the Union breakthrough at Spotsylvania's Bloody Angle, and leading Lee's attempted breakout of Petersburg at Fort Stedman. The Tigers achieved equal notoriety for their outrageous behavior off the battlefield, so much so that sources suggest no general wanted them in his command. By the time of Lee's surrender at Appomattox, there were fewer than four hundred Louisiana Tigers still among his troops. Lee's Tigers Revisited uses letters, diaries, memoirs, newspaper articles, and muster rolls to provide a detailed account of the origins, enrollments, casualties, and desertion rates of these soldiers. Illustrations- including several maps newly commissioned for this edition- chart the Tigers' positions on key battlefields in the tumultuous campaigns throughout Virginia. By utilizing first-person accounts and official records, Jones provides the definitive study of the Louisiana Tigers and their harrowing experiences in the Civil War.
Lee Considered

Lee Considered

Nolan Alan T.

The University of North Carolina Press
1996
nidottu
In a careful re-examination of the historical evidence, Alan Nolan explodes many long-standing myths about Robert E. Lee and the American Civil War. The book may change readers' perceptions of the South's premier icon, as Nolan separates the Lee of reality from the Lee of mythology. The book should be of interest to general readers as well as Civil War buffs.
Lee's Miserables

Lee's Miserables

The University of North Carolina Press
2002
nidottu
A vivid account of life in Lee's army; Based on research in more than 1,200 wartime letters and diaries by more than 400 Confederate officers and enlisted men, Lee's Miserables offers a compelling social history of Robert E. Lee's Army of Northern Virginia during its final year, from May 1864 to April 1865. The book uses the words of the soldiers themselves to provide a richly detailed view of the army's experiences in camp, on the march, in combat, and under siege - from the battles in the Wilderness to the final retreat to Appomattox.
Lee's Last Retreat

Lee's Last Retreat

Marvel William

The University of North Carolina Press
2006
nidottu
Few events in Civil War history have generated such deliberate myth-making as the retreat that ended at Appomattox. William Marvel shows that during the final week of the war in Virginia, Lee's troops were more numerous yet far less faithful to their cause than has been suggested: Lee himself made mistakes in this campaign, and defeat wrung from him an unusual display of fault-finding. Finally, Marvel proves accounts of the congenial intermingling of the armies at Appomattox to be shamelessly overblown and the renowned exchange of salutes to be apocryphal.
Lee and His Army in Confederate History

Lee and His Army in Confederate History

The University of North Carolina Press
2006
nidottu
Was Robert E. Lee a gifted soldier whose only weaknesses lay in the depth of his loyalty to his troops, affection for his lieutenants, and dedication to the cause of the Confederacy? Or was he an ineffective leader and poor tactician whose reputation was drastically inflated by early biographers and Lost Cause apologists? These divergent characterizations represent the poles between which scholarly and popular opinion on Lee has swung over time. In eight essays, Gary Gallagher offers his own refined thinking on Lee, exploring the relationship between Lee's operations and Confederate morale, the quality of his generalship, and the question of how best to assess his legacy in light of the many distortions that grew out of Lost Cause historiography.
Lee's Last Retreat

Lee's Last Retreat

The University of North Carolina Press
2010
nidottu
Few events in Civil War history have generated such deliberate myth making as the retreat that ended at Appomattox. William Marvel offers the first history of the Appomattox campaign written primarily from contemporary source material, with a skeptical eye toward memoirs published well after the events they purport to describe. Marvel shows that during the final week of the war in Virginia, Lee's troops were more numerous yet far less faithful to their cause than has been suggested. He also proves accounts of the congenial intermingling of the armies at Appomattox to be shamelessly overblown and the renowned exchange of salutes to be apocryphal.
Lee Considered

Lee Considered

The University of North Carolina Press
2010
nidottu
Of all the heroes produced by the Civil War, Robert E. Lee is the most revered and perhaps the most misunderstood. Lee is widely portrayed as an ardent antisecessionist who left the United States Army only because he would not draw his sword against his native Virginia, a Southern aristocrat who opposed slavery, and a brilliant military leader whose exploits sustained the Confederate cause. Alan Nolan explodes these and other assumptions about Lee and the war through a rigorous reexamination of familiar and long-available historical sources, including Lee's personal and official correspondence and the large body of writings about Lee. Looking at this evidence in a critical way, Nolan concludes that there is little truth to the dogmas traditionally set forth about Lee and the war.
Lee J. Cobb

Lee J. Cobb

Donald Dewey

Rowman Littlefield Publishers
2014
sidottu
For many of his theater contemporaries, Lee J. Cobb (1911–1976) was the greatest actor of his generation. In Hollywood he became the definitive embodiment of gangsters, psychiatrists, and roaring lunatics. From 1939 until his death, Cobb contributed riveting performances to a number of films, including Boomerang, On the Waterfront, The Brothers Karamazov, 12 Angry Men, and The Exorcist. But for all of his conspicuous achievements in motion pictures, Cobb’s name is most identified with the character Willy Loman in the original stage production of Arthur Miller’s Death of a Salesman (1949). Directed by Elia Kazan, Cobb’s Broadway performance proved to be a benchmark for American theater. In Lee J. Cobb: Characters of an Actor, Donald Dewey looks at the life and career of this versatile performer. From his Lower East Side roots in New York City—where he was born Leo Jacob—to multiple accolades on stage and the big and small screens, Cobb’s life proved to be a tumultuous rollercoaster of highs and lows. As a leading man of the theater, he gave a number of compelling performances in such plays as Golden Boy and King Lear. For the Hollywood studios, Cobb fit the description of the “character actor.” No one better epitomized the performer who suddenly appears on the screen and immediately grabs the audience’s attention. During his forty-five-year career, there wasn’t a significant star—from Humphrey Bogart and James Stewart to Paul Newman and Clint Eastwood—with whom he didn’t work. Cobb was also followed by controversy: he appeared before the House Un-American Activities Committee in the 1950s and was a witness to a movie-set murder case in the 1970s. Through it all, he never lost his taste for fast cars and gin rummy. A bear of a man with a voice that equally accommodated growls and sibilant sympathies, Cobb was undeniably an actor to be reckoned with. In this fascinating book, Dewey captures all of the drama that surrounded Cobb, both on screen and off.
Lee's Cavalrymen

Lee's Cavalrymen

Longacre Edward G.

STACKPOLE BOOKS
2011
sidottu
A companion to his previous work, Lincoln's Cavalrymen, this volume will focus on the confederate cavalry of the Army of Northern Virginia - its leadership, the military life of its officers and men as revealed in their diaries and letters, the development of its tactics as the war evolved, and the influence of government policies on its operational abilities. All the major players are discussed and appraised, including Joseph E. Johnston, P.G.T Beauregard, and J.E.B. Stuart, and individual actions and battles are recounted in detail. As evidenced in his previous books, Longacre's painstakingly thorough research will make this volume as indispensable a reference as its predecessor.
Lee's Real Plan at Gettysburg

Lee's Real Plan at Gettysburg

Troy D. Harman

Stackpole Books
2018
pokkari
For almost 100 years, analysis of the Gettysburg Campaign has been centered around a set of commonly held beliefs, among them an oversimplified view of Confederate general Robert E. Lee's goals for the battle. Author and Gettysburg National Military Park historian Troy D. Harman believes this view is misinformed. Lee's Real Plan at Gettysburg presents a provocative new theory regarding Lee's true tactical objectives during this pivotal battle of the American Civil War.
Lee's Young Artillerist

Lee's Young Artillerist

Peter S. Carmichael

University of Virginia Press
1998
nidottu
During the American Civil War, William R.J. Pegram became one of the most prominent artillerists in the Army of Northern Virginia. Pegram shared the values of the South's ruling elite and this book argues that he entered Confederate service to defend a way of life he believed was ordained by God.
Lee's Tarnished Lieutenant

Lee's Tarnished Lieutenant

William Garrett Piston

University of Georgia Press
1990
pokkari
In the South, one can find any number of bronze monuments to the Confederacy featuring heroic images of Robert E. Lee, Stonewall Jackson, J. E. B. Stuart, and many lesser commanders. But while the tarnish on such statues has done nothing to color the reputation of those great leaders, there remains one Confederate commander whose tarnished image has nothing to do with bronze monuments. Nowhere in the South does a memorial stand to Lee's intimate friend and second-in-command James Longstreet.In Lee's Tarnished Lieutenant, William Garrett Piston examines the life of James Longstreet and explains how a man so revered during the course of the war could fall from grace so swiftly and completely. Unlike other generals in gray whose deeds are familiar to southerners and northerners alike, Longstreet has the image not of a hero but of an incompetent who lost the Battle of Gettysburg and, by extension, the war itself. Piston's reappraisal of the general's military record establishes Longstreet as an energetic corps commander with an unsurpassed ability to direct troops in combat, as a trustworthy subordinate willing to place the war effort above personal ambition. He made mistakes, but Piston shows that he did not commit the grave errors at Gettysburg and elsewhere of which he was so often accused after the war.In discussing Longstreet's postwar fate, Piston analyzes the literature and public events of the time to show how the southern people, in reaction to defeat, evolved an image of themselves which bore little resemblance to reality. As a product of the Georgia backwoods, Longstreet failed to meet the popular cavalier image embodied by Lee, Stuart, and other Confederate heroes. When he joined the Republican party during Reconstruction, Longstreet forfeited his wartime reputation and quickly became a convenient target for those anxious to explain how a "superior people" could have lost the war. His new role as the villain of the Lost Cause was solidified by his own postwar writings. Embittered by years of social ostracism resulting from his Republican affiliation, resentful of the orchestrated deification of Lee and Stonewall Jackson, Longstreet exaggerated his own accomplishments and displayed a vanity that further alienated an already offended southern populace.Beneath the layers of invective and vilification remains a general whose military record has been badly maligned. Lee's Tarnished Lieutenant explains how this reputation developed—how James Longstreet became, in the years after Appomattox, the scapegoat for the South's defeat, a Judas for the new religion of the Lost Cause.
Lee Boo of Belau

Lee Boo of Belau

Daniel J. Peacock

University of Hawai'i Press
2007
nidottu
This is the story of the adventures of a Pacific island prince, Lee Boo, one of the first of the “noble savages” to be feted by London society. Within six months of his arrival in England he fell victim to small pox and died, far from his island home. How he came to spend his last days in London beside the Thames is a fascinating story, yet this is the first time the events that surrounded him have been detailed.In 1783 a packet ship of the East India Company was wrecked on the reefs off Belau (Palau) in the western Pacific. When its captain returned to England nearly a year later he brought with him Lee Boo, the twenty-year-old son of a Belauan chief. The story of Lee Boo’s adventures takes place both in the island world of Belau when “civilization” arrived with the captain and crew of the Antelope and in the world of the English sea traders of the 1780s. The author has painstakingly researched sources on both sides of the Atlantic and the result is a history that any scholar of the Pacific islands will treasure.Lee Boo was well remembered for many years after his death, inspiring poems and plays. This book, a tantalizing portrait of the life and times of Lee Boo of Belau, shows he has still not been forgotten.
Lee Friedlander: Prayer Pilgrimage for Freedom
Early work from Lee Friedlander capturing a pivotal moment in the Civil Rights Movement On May 17, 1957, through the generosity of Bayard Rustin, Lee Friedlander was given full access to photograph the participants of the Prayer Pilgrimage for Freedom in Washington, D.C. This extraordinary event, organized by Mr. Rustin, as well as A. Philip Randolph, Roy Wilkins and Dr. Martin Luther King, Jr., brought together many of the great thinkers and leaders of the period, and was a pivotal moment in the Civil Rights Movement. Friedlander's photographs depict the famous individuals at the event—Mahalia Jackson, Ruby Dee and Harry Belafonte, among many other luminaries of the African-American community—but they also pay particular attention to the 25,000 men, women and children who gathered to give voice and energy to the ideas embattled by the movement. The 58 previously unpublished photographs gathered here are among Friedlander's earliest work. Also included in this publication is the typescript of Martin Luther King, Jr.'s "Give Us the Ballot" speech and additional ephemera from the march produced in facsimile.
Lee Friedlander: The American Monument
Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the twentieth century. Long out of print, with only a rare few available on the secondary market, this second edition makes a treasure available once more to new audiences. Published in the same over-sized format as the first edition—with exquisite reproductions of 213 photographs—the album of post-bound single sheets can easily be temporarily disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers. The second edition includes a new essay by eminent photography curator and Friedlander scholar, Peter Galassi, which illuminates the history and continued significance of this publication. This album by Lee Friedlander is a memorial in photographs to the American monument. The photographs were selected from several thousand negatives and more than a thousand prints the photographer made of the subject during a dozen years while traveling throughout the United States. The curator John Szarkowski stated: “I am still astonished and heartened by the deep affection of those pictures, by the photographer’s tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters.”
Lee Friedlander: The Mind and the Hand
Friedlander’s social landscape is a who’s who of postwar American photography In the 1960s and '70s, Lee Friedlander (born 1934) developed his signature approach to documenting the American “social landscape”: deadpan, structurally complex black-and-white photographs of seemingly anything, anybody or anyplace that passed in front of his lens. But as he was making his name as a documentary photographer capturing the look and feel of modern American life, he was also photographing his closest friends, a practice he has continued throughout his long career. A slipcased set of six paperback books, The Mind and the Hand presents the photographer’s intimate portraits of six of his best friends taken over the past five decades. The subjects, each presented in their own separate volume, comprise a veritable who's who of one of America's most fertile periods in photography: Richard Benson, William Christenberry, William Eggleston, Walker Evans, John Szarkowski and Garry Winogrand. Each volume begins with a relevant quote from its subject.
Lee Friedlander: The People's Pictures
The democracy of the image in the social landscape The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In Lee Friedlander: The People’s Pictures we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what’s in front of the camera as they are about the photographer’s lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape, these photographs of photography’s street presence seem inevitable to Friedlander’s vast visual orchestration of what our society looks like. But make no mistake, Friedlander’s photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place. Lee Friedlander (born 1934) has published more than 50 monographs since 1969, and has exhibited extensively around the world for the past five decades, including a major retrospective at the Museum of Modern Art, New York, in 2005. Friedlander lives in New York.
Lee Friedlander: Real Estate

Lee Friedlander: Real Estate

Peter Kayafas

Eakins Press,N.Y.
2023
sidottu
A superbly assembled survey of Friedlander’s abiding fascination with the American social landscape across six decades This volume presents 155 photographs spanning 60 years of the artist’s exploration of the built environment in the American social landscape. Collectively these photographs add to one of the broadest and most nuanced visual explorations of America, and, individually, they are filled with the kind of intellectual humor and observation for which Friedlander has become celebrated. Along the way, of course, Friedlander has expanded our ideas of what constitutes real estate, just as he continues to compel us to reconsider how photography reveals essential aspects of our lives over time. The mirror that Lee Friedlander holds up to us is his mirror and everything reflected in it has the common traits of his way of seeing—each picture is definitively a Friedlander picture. Real Estate is an essential collection of one of Friedlander’s lifelong subjects, and takes its place alongside other classic titles of his quest to photograph the ever-changing social landscape: The People’s Pictures (2021), Signs (2019), The American Monument (1976/2017), Letters from the People (1993) and American Musicians (2001).
Lee Friedlander: Christmas

Lee Friedlander: Christmas

Peter Kayafas

Eakins Press,N.Y.
2025
sidottu
With a healthy sprinkle of plastic and tinsel, Friedlander's visions of a commercial, uniquely American Christmas evoke both irony and nostalgia Whether or not you celebrated Christmas at some point during the last 70 years, you have no doubt encountered many of the scenes shown here in Lee Friedlander's eclectic black-and-white documentation of the holiday season across America. From city sidewalks to cookie-cutter suburbs, Friedlander captures it all: main street store window displays; plastic nativities on snow-covered lawns; inflatable snowglobes and Santa Clauses; questionable St. Nicholas–themed lingerie; oversize or underwhelming Christmas trees; and houses so covered in string lights as to demand nothing short of a miracle from the local power grid. As in all of his work, Friedlander's images of Christmas reflect his own version of the holiday. Is Christmas in America a religious celebration? A commercial precept? A misunderstanding? An indulgent blasphemy? Or all of the above? The only certain thing is that December 25 has provided an opportunity for the people's photographer to hold up a mirror to a flawed, inventive, preoccupied and wonderful society. Lee Friedlander (born 1934) has published more than 60 monographs since 1969. He was represented alongside Diane Arbus and Garry Winogrand in the 1967 New Documents exhibition at the Museum of Modern Art, now understood as a landmark event in American documentary photography, and received his own retrospective at the same museum in 2005. He has lived and worked in New York since 1956.