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1000 tulosta hakusanalla Mark Novak

Mark and Livy

Mark and Livy

Resa Willis

Routledge
2016
sidottu
Olivia Langdon Clemens was not only the love of Mark Twain's life and the mother of his children, she was also his editor, muse, critic and trusted advisor. She read his letters and speeches. He relied on her judgment on his writing, and readily admitted that she not only edited his work, but also edited his public persona.Until now, little has been known about Livy's crucial place in Twain's life. In Resa Willis's affecting and fascinating biography, we meet a dignified, optimistic women who married young, raised three sons and a daughter, endured myriad health problems and money woes and who faithfully traipsed all over the world with Twain - Africa, Europe, Asia - while battling his moodiness and her frailty.Twain adored her. A hard-drinking dreamer with an insatiable wanderlust, he needed someone to tame him. It was Livy who encouraged him to finish his autobiography even through the last stages of her illness. When she died in 1904, Twain's zest for life and writing was gone. He died six years later.A triumph of the biographer's art, Mark and Livy presents the fullest picture yet of one of the most influential women in American letters.
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Mark Twain's Humor

Mark Twain's Humor

Routledge
2017
sidottu
Originally published in 1993. The purpose of this volume is to lay out documents which give an estimate of Mark Twain as a humourist in both historical scope and in the analysis of modern scholars. The emphasis in this collection is on how Twain developed from a contemporary humourist among many others of his generation into a major comic writer and American spokesman and, in several more recent essays by younger Twain scholars, the outcomes of that development late in his career. The essays determine how the humor takes on meaning and importance and how the humor works in a number of ways in the literary canon and even in the persona of Mark Twain.
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Mark Twain's Humor

Mark Twain's Humor

Routledge
2019
nidottu
Originally published in 1993. The purpose of this volume is to lay out documents which give an estimate of Mark Twain as a humourist in both historical scope and in the analysis of modern scholars. The emphasis in this collection is on how Twain developed from a contemporary humourist among many others of his generation into a major comic writer and American spokesman and, in several more recent essays by younger Twain scholars, the outcomes of that development late in his career. The essays determine how the humor takes on meaning and importance and how the humor works in a number of ways in the literary canon and even in the persona of Mark Twain.
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Mark Twain

Mark Twain

I. M. Walker

Routledge
2017
sidottu
Originally published in 1970. Mark Twain is generally known as a children’s writer. This serious and appreciative introduction by I. M. Walker shows that he is in fact a great writer who produced mature and developed literature. The study of his works is divided into five sections: the comic narrator; techniques of humour; character portrayal; style and description; and irony and satire.
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Mark Twain

Mark Twain

I. M. Walker

Routledge
2019
nidottu
Originally published in 1970. Mark Twain is generally known as a children’s writer. This serious and appreciative introduction by I. M. Walker shows that he is in fact a great writer who produced mature and developed literature. The study of his works is divided into five sections: the comic narrator; techniques of humour; character portrayal; style and description; and irony and satire.
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Mark X

Mark X

Yasuhiro Takeuchi

Routledge
2018
sidottu
In the summer of 1876, Mark Twain started to write Adventures of Huckleberry Finn as a detective novel surrounding the murder of Huck’s father, Pap Finn. The case is unresolved in the novel as it exists today, but Twain had already planted the clue to the identity of the killer. It is not the various objects ostentatiously left around Pap’s naked body; they are not the foreground of the scene, but actually the background, against which a peculiar absence emerges distinctively—Pap’s boots, with a "cross" in one of the heels, are gone with his murderer.The key to the mystery of Twain’s writings, as this book contends from a broader perspective, is also such an absence. Twain’s persistent reticence about the death of his father, especially the autopsy performed on his naked body, is a crucial clue to understanding his works. It reveals not only the reason why he aborted his vision of Huckleberry Finn as a detective novel, but also why, despite numerous undertakings, he failed to become a master of detective fiction.
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