Nigel Zimmermann presents critical reflections from leading Catholic prelates and scholars on the significance of the Second Vatican Council fifty years after it began. These include two senior Cardinals, one of whom is the head of the Congregation of Bishops and the other a member of Pope Francis' new advisory body on reforming the Roman Curia, as well as Prefect of the Secretariat for the Economy. Together with thinkers from North America, the UK, Rome and Australia, they take up key themes from the Conciliar documents and assess the reception of the Council half a century on from its inception. In doing so, they open up new avenues for thinking through the authentic witness and teaching of the most important ecclesiastical event of the twentieth century. These avenues include discussion of themes such as the liturgy, communio, the Council in its historical context, the role of the laity, communicating the Council in a social media world, and the task of mission in the future. This volume marks a turning point in the Council's reception in the wider Church.
Nigel Zimmermann presents critical reflections from leading Catholic prelates and scholars on the significance of the Second Vatican Council fifty years after it began. These include two senior Cardinals, one of whom is the head of the Congregation of Bishops and the other a member of Pope Francis' new advisory body on reforming the Roman Curia, as well as Prefect of the Secretariat for the Economy. Together with thinkers from North America, the UK, Rome and Australia, they take up key themes from the Conciliar documents and assess the reception of the Council half a century on from its inception. In doing so, they open up new avenues for thinking through the authentic witness and teaching of the most important ecclesiastical event of the twentieth century. These avenues include discussion of themes such as the liturgy, communio, the Council in its historical context, the role of the laity, communicating the Council in a social media world, and the task of mission in the future. This volume marks a turning point in the Council's reception in the wider Church.
Playwright and novelist Nigel Williams's stage adaptation of William Golding's story was first professionally produced by the Royal Shakespeare Company at Stratford-upon-Avon in July 1995. 'Remarkably true to the novel in spirit . . . the theatre lends itself particularly well to the ritualistic aspects of the story - chanting, dancing, marching, forming a circle round the victim, stamping out a fire . . . You end up feeling you have seen a fable of infinite implications enacted in a little room.' Sunday TelegraphThis special acting edition, particularly suitable for schools and amateur groups, contains the full playtext as well as notes on staging, a full properties list and lighting and sound cues.
'Formerly, he thinks to himself, an artist took real people and transformed them into painted ones: how much finer and more satisfying is the modern method of assuming that people are not real at all, only self-painted, and of proceeding to make them real by giving them new selves based on the best-available theories of human nature...'In Nigel Dennis's 1955 novel - instantly acclaimed as a satirical masterpiece - a long-empty country house is reopened by Captain Mallet, his wife, and his dashing son Beaufort. Their task is to prepare for the annual summer conference of 'The Identity Club': a group of psychologists firmly of the view that people can be instructed as to who they really are and, consequently, persuaded to do well-nigh anything.'I have read no novel published during the last fifteen years with greater pleasure and admiration.' W.H. Auden, 1955 'One of the funniest, most intelligent and far-reaching pieces of satire.' Times
'Everyone who now remembers Nigel Dennis thinks that his first novel was Cards of Identity (1955). But in fact he had already written Boys and Girls Come Out to Play (1949)... what I recall liking so much about it was first the story of a young man's emergence from the dark tunnel of his childhood, with the discovery that there are drugs to control the epilepsy that has kept him imprisoned, and then the account of his first glorious summer of freedom... in an unnamed but famously picturesque north European city... What caught my imagination was Dennis's ability both to enjoy the brightness of this little arena of casual pleasure and to go with the waiters and skivvies into the backstage world of dark kitchens and hard labour that frames and sustains it.' Michael Frayn, Guardian
A House in Order was Nigel Dennis's third and final novel, first published in 1966. 'A quizzical pleasure... This civilized conundrum is about a nameless man captured in a timeless war in an anonymous country who manages to survive in a greenhouse, where he is most protected as well as most exposed... An antiseptic little man, a cartographer by profession, a horticulturist by avocation, he spends a first night in an abandoned, mucky greenhouse and is very happy to be permitted to stay on there, tending his 283 plants... However he lives in the fear that every day will be his last...' Kirkus Review 'A parable of human anguish raised to an existential level.' Time 'A haunting allegory that has influenced my writing.' Diane Johnson (Lulu in Marrakech, Le Divorce)
Beginning Classical Guitar is the ultimate method for students of all ages, ideal for use in individual or group lessons, as well as for self-taught players. It provides a concise, easy-to-follow introduction to both the classical guitar techniques and music notation required to reach Grade 1 (early elementary level), supporting all major exam syllabuses. With helpful diagrams, exciting backing tracks to bring practice to life and demonstration audio recorded by Nigel himself, this book is sure to motivate all aspiring classical guitarists to start playing.
This collection of critical thinking situates the satire of Jonathan Swift within both its eighteenth-century contexts and our modern anxieties about personal identity and communication. Augustan satire at its most provocative is not simply concerned with the public matters of politics or religion, but also offers a precise medium in which to express the paradox of ironic detachment amidst deep conviction. The critics chosen for this volume demonstrate the complexity of Swift's work. Its four sections explore matters of authorial identity, the relation between Swift's writing and its historical context, the full range of his comments on gender, and his deployment of metaphor and irony to engage the reader. Swift has often been regarded as a writer who anticipated many twentieth-century cultural preoccupations, and this volume provides an opportunity to test just how modern he actually was. It also provides an answer to those who would wish to simplify his writing as that of Tory and misogynist. The theoretical perspectives of the contributors are lucidly explained and their critical terms located in the wider contexts of contemporary theory in the introduction and headnotes. The volume places Swift historically within the philosophical and religious traditions of eighteenth-century thought.
This book contains expository papers and articles reporting on recent research by leading world experts in nonstandard mathematics, arising from the International Colloquium on Nonstandard Mathematics held at the University of Aveiro, Portugal in July 1994. Nonstandard mathematics originated with Abraham Robinson, and the body of ideas that have developed from this theory of nonstandard analysis now vastly extends Robinson's work with infinitesimals. The range of applications includes measure and probability theory, stochastic analysis, differential equations, generalised functions, mathematical physics and differential geometry, moreover, the theory has implicaitons for the teaching of calculus and analysis. This volume contains papers touching on all of the abovbe topics, as well as a biographical note about Abraham Robinson based on the opening address given by W.A>J> Luxemburg - who knew Robinson - to the Aveiro conference which marked the 20th anniversary of Robinson's death. This book will be of particular interest to students and researchers in nonstandard analysis, measure theory, generalised functions and mathematical physics.
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
Take Note for Exam Success! York Notes offer an exciting approach to English literature. This market leading series fully reflects student needs. They are packed with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis. York Notes, The Ultimate Literature Guides
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
This third edition of Modern Criticism and Theory represents a major expansion on its previous incarnations with some twenty five new pieces or essays included. This expansion has two principal purposes. Firstly, in keeping with the collection’s aim to reflect contemporary preoccupations, the reader has expanded forward to include such newly emergent considerations as ecocriticism and post-theory. Secondly, with the aim of presenting as broad an account of modern theory as possible, the reader expands backwards to to take in exemplary pieces by formative writers and thinkers of the late nineteenth and early twentieth centuries such as Marx, Freud and Virginia Woolf.. This radical expansion of content is prefaced by a wide-ranging introduction, which provides a rationale for the collection and demonstrates how connections can be made between competing theories and critical schools. The purpose of the collection remains that of introducing the reader to the guiding concepts of contemporary literary and cultural debate. It does so by presenting substantial extracts from seminal thinkers and surrounding them with the contextual materials necessary to a full understanding. Each selection has a headnote, which gives biographical details of the author and provides suggestions for further reading, and footnotes that help explain difficult references. The collection is ordered both historically and thematically and readers are encouraged to draw for themselves connections between essays and theories. Modern Criticism and Theory has long been regarded as a necessary collection. Now revised for the twenty first century it goes further and provides students and the general reader with a wide-ranging survey of the complex landscape of modern theory and a critical assessment of the way we think – and live – in the world today.
A "profound, sometimes hilarious, often heartbreaking" (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle "A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America."--Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California's San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia's contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for "eavesdropping." It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States--a number that grows by 600,000 annually--Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel's and Earlonne's distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.
A "profound, sometimes hilarious, often heartbreaking" (The New York Times) view of prison life, as told by currently and formerly incarcerated people, from the co-creators and co-hosts of the Peabody- and Pulitzer-nominated podcast Ear Hustle "A must-read for fans of the legendary podcast and all those who seek to understand crime, punishment, and mass incarceration in America."--Piper Kerman, author of Orange Is the New Black When Nigel Poor and Earlonne Woods met, Nigel was a photography professor volunteering with the Prison University Project and Earlonne was serving thirty-one years to life at California's San Quentin State Prison. Initially drawn to each other by their shared interest in storytelling, neither had podcast production experience when they decided to enter Radiotopia's contest for new shows . . . and won. Using the prize for seed money, Nigel and Earlonne launched Ear Hustle, named after the prison term for "eavesdropping." It was the first podcast created and produced entirely within prison and would go on to be heard millions of times worldwide, garner Peabody and Pulitzer award nominations, and help earn Earlonne his freedom when his sentence was commuted in 2018. In This Is Ear Hustle, Nigel and Earlonne share their own stories of how they came to San Quentin, how they created their phenomenally popular podcast amid extreme limitations, and what has kept them collaborating season after season. They present new stories, all with the same insight, balance, and rapport that distinguish the podcast. In an era when more than two million people are incarcerated across the United States--a number that grows by 600,000 annually--Nigel and Earlonne explore the full and often surprising realities of prison life. With characteristic candor and humor, their moving portrayals include unexpected moments of self-discovery, unlikely alliances, inspirational resilience, and ingenious work-arounds. One personal narrative at a time, framed by Nigel's and Earlonne's distinct perspectives, This Is Ear Hustle reveals the complexity of life for incarcerated and formerly incarcerated people while illuminating the shared experiences of humanity that unite us all.
Carlos is a young teenage mastermind with relentless ambition who is determined to become a hood legend. Carlos grooms his best friend Kendrick into the perfect partner in crime, but the stakes rise when they unknowingly rob a crooked cop named Officer Miles. Carlos has immortality on his mind, a crooked cop on his trail and a seductive snake name Sasha in his bed. Money brings fame, fame attracts the police and friends become enemies at the blink of an eye and turning the phrase "Death Before Dishonor", into dishonor before death.
