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1000 tulosta hakusanalla Rusty Barrett
Gija Dictionary
Frances Kofod; Eileen Bray; Rusty Peters; Joe Blythe; Anna Crane
ABORIGINAL STUDIES PRESS
2022
nidottu
If anyone knows what it takes to be an elite entrepreneur, it's Ephren Taylor. Author of a 2009 Wall Street Journal bestseller Creating Success from the Inside Out, Taylor started his first business venture at age 12, when he began making video games. By age 17, he built a multimillion-dollar technology company and took a company public at age 23. Now 27, Taylor appears weekly on FOX News and has been featured on 20/20, PBS, Black Enterprise and CNN Money, and even his own infomercial as the youngest ever African-American CEO of a publicly traded company. In The Elite Entrepreneur: How to Master the 7 Phases of Growth & Take Your Business from Pennies to Billions, Taylor, with Rusty Fischer, relays his years of successful business experience to take the guesswork out of entrepreneurialism. Full of anecdotes, tips, strategies and resources, The Elite Entrepreneur and Taylor identify and gives readers advice on the essential seven phases of business: *Startup *Branding *Sales *Hiring *Innovation, joint ventures and partnerships *Stock offerings *Charity and social entrepreneurship The Elite Entrepreneur contains a checklist to help readers determine what their next steps should be. This book will provide the reader - young or old, doctorate or GED-holder - the motivation and tools to break the mold and become an Elite Entrepreneur.
The Dark Man: the Journal of Robert E. Howard Studies
Lee Breakiron; Mark Finn; Jeffrey Shanks; Mark Hall; Rusty Burke
Lulu.com
2015
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The Dark Man: The Journal of Robert E. Howard Studies, Vol. 7, No. 2. Articles by Lee Breakiron (The Cromlechers, on the fanzine the Cromlech), and Jeffrey Shanks on theosophy in the works of Robert E. Howard. The journal ends with a book review by Mark Finn.
Writing the Self-Elegy
Teresa Leo; Jennifer McCauley; John Chavez; Kasey Jueds; Catherine Kyle; Adam Crittenden; Rigoberto Gonzalez; Kyle McCord; Jane Wong; Naomi Ortiz; Denise Leto; Carol Berg; Kristy Bowen; Floydd Michael Elliot; Jehanne Dubrow; Carl Phillips; Bruce Bond; Kevin Prufer; Rusty Morrison; Sheila Black; Lauren Berry; Anne Kaier; TC Tolbert; Raymond Luczak; Stephanie Heit; Juliet Cook; Tanaya Winder
SOUTHERN ILLINOIS UNIVERSITY PRESS
2023
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An innovative roadmap to facing our past and present selves Honest, aching, and intimate, self-elegies are unique poems focusing on loss rather than death, mourning versions of the self that are forgotten or that never existed. Within their lyrical frame, multiple selves can coexist—wise and nai¨ve, angry and resigned—along with multiple timelines, each possible path stemming from one small choice that both creates new selves and negates potential selves. Giving voice to pain while complicating personal truths, self-elegies are an ideal poetic form for our time, compelling us to question our close-minded certainties, heal divides, and rethink our relation to others. In Writing the Self-Elegy, poet Kara Dorris introduces us to this prismatic tradition and its potential to forge new worlds. The self-elegies she includes in this anthology mix autobiography and poetics, blending craft with race, gender, sexuality, ability and disability, and place—all of the private and public elements that build individual and social identity. These poems reflect our complicated present while connecting us to our past, acting as lenses for understanding, and defining the self while facilitating reinvention. The twenty-eight poets included in this volume each practice self-elegy differently, realizing the full range of the form. In addition to a short essay that encapsulates the core value of the genre and its structural power, each poet’s contribution concludes with writing prompts that will be an inspiration inside the classroom and out. This is an anthology readers will keep close and share, exemplifying a style of writing that is as playful as it is interrogative and that restores the self in its confrontation with grief.
The author of the visionary New York Times bestseller Dread Nation returns with another spellbinding historical fantasy set at the crossroads of race and power in America.It is 1937, and Laura Ann Langston lives in an America divided--between those who work the mystical arts and those who do not. Ever since the Great Rust, a catastrophic event that blighted the arcane force called the Dynamism and threw America into disarray, the country has been rebuilding for a better future. And everyone knows the future is industry and technology--otherwise known as Mechomancy--not the traditional mystical arts.Laura disagrees. A talented young queer mage from Pennsylvania, Laura hopped a portal to New York City on her seventeenth birthday with hopes of earning her mage's license and becoming something more than a rootworker.But four months later, she's got little to show for it other than an empty pocket and broken dreams. With nowhere else to turn, Laura applies for a job with the Bureau of the Arcane's Conservation Corps, a branch of the US government dedicated to repairing the Dynamism so that Mechomancy can thrive. There she meets the Skylark, a powerful mage with a mysterious past, who reluctantly takes Laura on as an apprentice.As they're sent off on their first mission together into the heart of the country's oldest and most mysterious Blight, they discover the work of mages not encountered since the darkest period in America's past, when Black mages were killed for their power--work that could threaten Laura's and the Skylark's lives, and everything they've worked for.
The author of the visionary New York Times bestseller Dread Nation returns with another spellbinding historical fantasy set at the crossroads of race and power in America.It is 1937, and Laura Ann Langston lives in an America divided--between those who work the mystical arts and those who do not. Ever since the Great Rust, a catastrophic event that blighted the arcane force called the Dynamism and threw America into disarray, the country has been rebuilding for a better future. And everyone knows the future is industry and technology--otherwise known as Mechomancy--not the traditional mystical arts.Laura disagrees. A talented young queer mage from Pennsylvania, Laura hopped a portal to New York City on her seventeenth birthday with hopes of earning her mage's license and becoming something more than a rootworker.But four months later, she's got little to show for it other than an empty pocket and broken dreams. With nowhere else to turn, Laura applies for a job with the Bureau of the Arcane's Conservation Corps, a branch of the US government dedicated to repairing the Dynamism so that Mechomancy can thrive. There she meets the Skylark, a powerful mage with a mysterious past, who reluctantly takes Laura on as an apprentice.As they're sent off on their first mission together into the heart of the country's oldest and most mysterious Blight, they discover the work of mages not encountered since the darkest period in America's past, when Black mages were killed for their power--work that could threaten Laura's and the Skylark's lives, and everything they've worked for.
In the heyday of American labor, the influence of local unions extended far beyond the workplace. Unions were embedded in tight-knit communities, touching nearly every aspect of the lives of members—mostly men—and their families and neighbors. They conveyed fundamental worldviews, making blue-collar unionists into loyal Democrats who saw the party as on the side of the working man. Today, unions play a much less significant role in American life. In industrial and formerly industrial Rust Belt towns, Republican-leaning groups and outlooks have burgeoned among the kinds of voters who once would have been part of union communities.Lainey Newman and Theda Skocpol provide timely insight into the relationship between the decline of unions and the shift of working-class voters away from Democrats. Drawing on interviews, union newsletters, and ethnographic analysis, they pinpoint the significance of eroding local community ties and identities. Using western Pennsylvania as a case study, Newman and Skocpol argue that union members’ loyalty to Democratic candidates was as much a product of the group identity that unions fostered as it was a response to the Democratic Party’s economic policies. As the social world around organized labor dissipated, conservative institutions like gun clubs, megachurches, and other Republican-leaning groups took its place.Rust Belt Union Blues sheds new light on why so many union members have dramatically changed their party politics. It makes a compelling case that Democrats are unlikely to rebuild credibility in places like western Pennsylvania unless they find new ways to weave themselves into the daily lives of workers and their families.
In the heyday of American labor, the influence of local unions extended far beyond the workplace. Unions were embedded in tight-knit communities, touching nearly every aspect of the lives of members—mostly men—and their families and neighbors. They conveyed fundamental worldviews, making blue-collar unionists into loyal Democrats who saw the party as on the side of the working man. Today, unions play a much less significant role in American life. In industrial and formerly industrial Rust Belt towns, Republican-leaning groups and outlooks have burgeoned among the kinds of voters who once would have been part of union communities.Lainey Newman and Theda Skocpol provide timely insight into the relationship between the decline of unions and the shift of working-class voters away from Democrats. Drawing on interviews, union newsletters, and ethnographic analysis, they pinpoint the significance of eroding local community ties and identities. Using western Pennsylvania as a case study, Newman and Skocpol argue that union members’ loyalty to Democratic candidates was as much a product of the group identity that unions fostered as it was a response to the Democratic Party’s economic policies. As the social world around organized labor dissipated, conservative institutions like gun clubs, megachurches, and other Republican-leaning groups took its place.Rust Belt Union Blues sheds new light on why so many union members have dramatically changed their party politics. It makes a compelling case that Democrats are unlikely to rebuild credibility in places like western Pennsylvania unless they find new ways to weave themselves into the daily lives of workers and their families.
Rust in Peace details the making of Megadeth's iconic record, Rust In Peace, which was released in 1990, at an incredible time of flux and creativity in the rock world. Relayed by the lead vocalist and guitarist songwriter of Megadeth himself, Dave Mustaine, the book covers the process of hiring the band and supporting cast, of trying to handle the ensuing success, and ultimately the pressure of fame and fortune-which caused the band to finally break-up. In short, it's a true story of groundbreaking anti-pop that was moving toward the mainstream (or the mainstream that was moving toward the band), at a time of great cultural change, power, ego, drugs, and other vices that went hand-in-hand with Rock N' Roll, circa the late eighties-early nineties. Little did Mustaine know that the birth pangs of the record were nothing compared to the oncoming pain and torment that would surround it. Alcohol, drugs, sex, money, power, property, prestige, the lies the band was told by the industry--and the lies they told each other--were just beginning, and much like rust in real life, these factors would ultimately eat away at the band's bond until only the music survived.Rust in Peace is a story of perseverance, of scraping off the rust off that builds over time on everything: ourselves, our relationships, pop culture, art, and music.
When Rust in Peace was released in 1990, the future of Megadeth was uncertain. Fresh off their performance at the record-breaking Monsters of Rock festival, and with knockout new albums from Slayer, Anthrax, and Metallica dominating the charts, the pressure to produce a standout statement record was higher than ever.In Rust in Peace: The Inside Story of the Megadeth Masterpiece, the band's lead vocalist and guitarist, Dave Mustaine, gives readers a never-before-seen glimpse into the artistry and insanity that went into making the band's most iconic record. He recounts the arduous task of hiring the band and supporting cast, of managing egos and extracurriculars during the album's ensuing success, and succumbing to the pressures of fame and fortune-which eventually forced the band to break up.And yet, Megadeth's demise was just the beginning; the birth pangs of the record were nothing compared to what came next. Alcohol, drugs, sex, money, power, property, prestige, the lies fed to the band by the industry-and the lies they told each other-threatened to eat away at the band's bond like rust, devouring it until only the music survived.Featuring a foreword by Slash
The third issue of Rust Belt Press's periodical Rust Belt Review, summer 2019 edition. Front and back cover art by Jyl Anais Ion. Interior art by Volodymyr Bilyk. Writing by Pete Donohue, Jyl Anais Ion, Matt Dennison, Wayne F. Burke, Matthew Borczon, Jeff Weddle, Luis Cuauhtemoc Berriozabal, Mark Hartenbach, George Anderson, Maxwell Ryder, R. Bremner, Red Focks, and Mark Borczon.
In steel-tipped prose, Craig Davidson conjures a savage world populated by fighting dogs, prizefighters, sex addicts, and gamblers. In his title story, Davidson introduces an afflicted boxer whose hand never properly heals after a bone is broken. The fighter's career descends to bouts that have less to do with sport than with survival: no referee, no rules, not even gloves. In "A Mean Utility" we enter an even more desperate arena: dogfights where Rottweilers, pit bulls, and Dobermans fight each other to the death. Davidson's stories are small monuments to the telling detail. The hostility of his fictional universe is tempered by the humanity he invests in his characters and by his subtle and very moving observations of their motivations. He shares with Chuck Palahniuk the uncanny ability to compel our attention, time and time again, to the most difficult subject matter.
Kerry Moyer is a poet with a young heart and an old soul who celebrates his beloved Kansas and the people who make it special. The poems in Rust & Weeds are glimpses of life in the Midwest, often bright with color, sometimes shrouded in gray. Moyer writes, "So very little impresses me anymore," followed a few pages later by an ode to the small things that bring him joy. Moyer's eye and ear for detail capture the contradictions that make our lives unique and so much like one another. -Mike Graves, Shadow of Death
An ancient beast stalks a small town on the edge of the sea. No one knows its purpose, only that wherever it goes it leaves death and a trail of red footprints where the ground bleeds under its feet. Its touch can paralyze flesh and can sink a ship. A young man working for his grandfather, a reclusive woman known as a witch by townsfolk, and a ship’s captain raised under the veil of the Viking gods are thrust together to find the answers about who they are and how to kill the evil. The creature protects one, fears another, and will stop at nothing to kill the third. Out of the ruins of an iron mill from the civil war, comes the ghost of a woman from a secret society of warriors to help battle the beast. But in order to succeed, they must all learn one thing - to trust.
Rusky is a Siberian Husky puppy who flies to Darwin with his human parents to travel around Australia in a campervan.This is as much a travel book for adults as it is a children's book. Jodie's love of painting in watercolours brings out so much of the wonderful Australian landscape that would be impossible to achieve with digital methods. Some of Rusky's adventures include a close call with a crocodile, walking inside the fossilised footprints of dinosaurs, and having his barbequed sausage stolen by a hungry Kookaburra.
The performance art of burlesque, once a faded form, has made a comeback in the twenty-first century, and it has shimmied back to life with a vengeance in Cleveland. Thanks to fans and entrepreneurs, neo-burlesque has taken the stage—and it's more inclusive, less seedy, and emphatically fun. Rust Belt Burlesque traces the history of burlesque in Cleveland from the mid-1800s to the present day, while also telling the story of Bella Sin, a Mexican immigrant who largely drove Northeast Ohio's neo-burlesque comeback. The historical center of Cleveland burlesque was the iconic Roxy Theater on East Ninth Street. Here, in its twentieth-century heyday, famed dancers like Blaze Starr and comics like Red Skelton and Abbott and Costello entertained both regulars and celebrity guests. Erin O'Brien's lively storytelling and Bob Perkoski's color photos give readers a peek into the raucous Ohio Burlesque Festival that packs the house at the Beachland Ballroom every year. Today's burlies come in all shapes, ethnicities, and orientations, drawing a legion of adoring fans. This is a show you won't want to miss.
