Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane (1871-1900). The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risqu by publishers because of its literary realism and strong themes. Crane - who was 22 years old at the time - financed the book's publication himself, although the original 1893 edition was printed under the pseudonym Johnston Smith. After the success of 1895's The Red Badge of Courage, Maggie was reissued in 1896 with considerable changes and re-writing. The story is followed by George's Mother. Plot: The story opens with Jimmie, at this point a young boy, trying by himself to fight a gang of boys from an opposing neighborhood. He is saved by his friend, Pete, and comes home to his sister Maggie, his toddling brother Tommie, his brutal and drunken father and mother, Mary Johnson. The parents terrify the children until they are shuddering in the corner. Years pass, the father and Tommie die, and Jimmie hardens into a sneering, aggressive, cynical youth. He gets a job as a teamster, having no regard for anyone but firetrucks who would run him down. Maggie begins to work in a shirt factory, but her attempts to improve her life are undermined by her mother's drunken rages. Maggie begins to date Jimmie's friend Pete, who has a job as a bartender and seems a very fine fellow, convinced that he will help her escape the life she leads. He takes her to the theater and the museum. One night Jimmie and Mary accuse Maggie of "Goin to deh devil", essentially kicking her out of the tenement, throwing her lot in with Pete. Jimmie goes to Pete's bar and picks a fight with him (even though he himself has ruined other boys' sisters). As the neighbors continue to talk about Maggie, Jimmie and Mary decide to join them in badmouthing her instead of defending her. Later, Nellie, a "woman of brilliance and audacity" convinces Pete to leave Maggie, whom she calls "a little pale thing with no spirit." Thus abandoned, Maggie tries to return home but is rejected by her mother and scorned by the entire tenement. In a later scene, a prostitute, implied to be Maggie, wanders the streets, moving into progressively worse neighborhoods until, reaching the river, she is followed by a grotesque and shabby man. The next scene shows Pete drinking in a saloon with six fashionable women "of brilliance and audacity." He passes out, whereupon one, possibly Nellie, takes his money. In the final chapter, Jimmie tells his mother that Maggie is dead. The mother exclaims, ironically, as the neighbors comfort her, "I'll forgive her "... Stephen Crane (November 1, 1871 - June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation....
The Monster is an 1898 novella by American author Stephen Crane (1871-1900). The story takes place in the small, fictional town of Whilomville, New York. An African-American coachman named Henry Johnson, who is employed by the town's physician, Dr. Trescott, becomes horribly disfigured after he saves Trescott's son from a fire. When Henry is branded a "monster" by the town's residents, Trescott vows to shelter and care for him, resulting in his family's exclusion from the community. The novella reflects upon the 19th-century social divide and ethnic tensions in America. The fictional town of Whilomville, which is used in 14 other Crane stories, was based on Port Jervis, New York, where Crane lived with his family for a few years during his youth. It is thought that he took inspiration from several local men who were similarly disfigured, although modern critics have made numerous connections between the story and the 1892 lynching in Port Jervis of an African-American man named Robert Lewis. A study of prejudice, fear, and isolation in a rather small town, the novella was first published in Harper's Magazine in August 1898. A year later, it was included in The Monster and Other Stories-the last collection of Crane's work to be published during his lifetime. Written in a more exact and less dramatic style than two of his previous major works (Maggie: A Girl of the Streets and The Red Badge of Courage), The Monster differs from the other Whilomville stories in its scope and length. Its themes include the paradoxical study of monstrosity and deformity, as well as race and tolerance. While the novella and collection received mixed reviews from contemporary critics, The Monster is now considered one of Crane's best works. PLOT: After being admonished by his father, Dr. Ned Trescott, for damaging a peony while playing in his family's yard, young Jimmie Trescott visits his family's coachman, Henry Johnson. Henry, who is described as "a very handsome negro", "known to be a light, a weight, and an eminence in the suburb of the town", 20] is friendly toward Jimmie. Later that evening Henry dresses smartly and saunters through town-inciting catcalls from friends and ridicule from the local white men-on his way to call on the young Bella Farragut, who is extremely taken with him. That same evening, a large crowd gathers in the park to hear a band play. Suddenly, the nearby factory whistle blows to alert the townspeople of a fire in the second district of the town; men gather hose-carts and head toward the blaze that is quickly spreading throughout Dr. Trescott's house. Mrs. Trescott is saved by a neighbor, but cannot locate Jimmie, who is trapped inside. Henry appears from the crowd and rushes into the house in search of the boy, finding him unharmed in his bedroom. Unable to retreat the way he came, Henry carries Jimmie, wrapped in a blanket, to the doctor's laboratory and the hidden stairway that leads outside. He discovers the fire has blocked this way out as well and collapses beside Dr. Trescott's desk. A row of nearby jars shatters from the heat, spilling molten chemicals upon Henry's upturned face..... Stephen Crane (November 1, 1871 - June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation....
"The Open Boat" is a short story by American author Stephen Crane (1871-1900). First published in 1897, it was based on Crane's experience of surviving a shipwreck off the coast of Florida earlier that year while traveling to Cuba to work as a newspaper correspondent. Crane was stranded at sea for thirty hours when his ship, the SS Commodore, sank after hitting a sandbar. He and three other men were forced to navigate their way to shore in a small boat; one of the men, an oiler named Billie Higgins, drowned after the boat overturned. Crane's personal account of the shipwreck and the men's survival, titled "Stephen Crane's Own Story", was first published a few days after his rescue. Crane subsequently adapted his report into narrative form, and the resulting short story "The Open Boat" was published in Scribner's Magazine. The story is told from the point of view of an anonymous correspondent, with Crane as the implied author, the action closely resembles the author's experiences after the shipwreck. A volume titled The Open Boat and Other Tales of Adventure was published in the United States in 1898; an edition entitled The Open Boat and Other Stories was published simultaneously in England. Praised for its innovation by contemporary critics, the story is considered an exemplary work of literary Naturalism, and is one of the most frequently discussed works in Crane's canon. It is notable for its use of imagery, irony, symbolism, and the exploration of such themes as survival, solidarity, and the conflict between man and nature. H. G. Wells considered "The Open Boat" to be "beyond all question, the crown of all Crane's] work" PLOT: "The Open Boat" is divided into seven sections, each told mainly from the point of view of the correspondent, based upon Crane himself. The first part introduces the four characters-the correspondent, a condescending observer detached from the rest of the group; 15] the captain, who is injured and morose at having lost his ship, yet capable of leadership; the cook, fat and comical, but optimistic that they will be rescued; and the oiler, Billie, who is physically the strongest, and the only one in the story referred to by name. The four are survivors of a shipwreck, which occurred before the beginning of the story, and are drifting at sea in a small dinghy. In the following four sections, the moods of the men fluctuate from anger at their desperate situation, to a growing empathy for one another and the sudden realization that nature is indifferent to their fates. The men become fatigued and bicker with one another; nevertheless, the oiler and the correspondent take turns rowing toward shore, while the cook bails water to keep the boat afloat. When they see a lighthouse on the horizon, their hope is tempered with the realization of the danger of trying to reach it. Their hopes dwindle further when, after seeing a man waving from shore, and what may or may not be another boat, they fail to make contact. The correspondent and the oiler continue to take turns rowing, while the others sleep fitfully during the night. The correspondent then notices a shark swimming near the boat, but he does not seem to be bothered by it as one would expect. In the penultimate chapter, the correspondent wearily recalls a verse from the poem "Bingen on the Rhine" by Caroline Norton, in which a "soldier of the Legion" dies far from home.... Stephen Crane (November 1, 1871 - June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation.
Stephen Crane (November 1, 1871 - June 5, 1900) was an American poet, novelist, and short story writer. Prolific throughout his short life, he wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. He is recognized by modern critics as one of the most innovative writers of his generation. The ninth surviving child of Protestant Methodist parents, Crane began writing at the age of four and had published several articles by the age of 16. Having little interest in university studies, he left college in 1891 to work as a reporter and writer. Crane's first novel was the 1893 Bowery tale Maggie: A Girl of the Streets, generally considered by critics to be the first work of American literary Naturalism. He won international acclaim in 1895 for his Civil War novel The Red Badge of Courage, which he wrote without having any battle experience. In 1896, Crane endured a highly publicized scandal after appearing as a witness in the trial of a suspected prostitute, an acquaintance named Dora Clark. Late that year he accepted an offer to travel to Cuba as a war correspondent. As he waited in Jacksonville, Florida, for passage, he met Cora Taylor, with whom he began a lasting relationship. En route to Cuba, Crane's vessel the SS Commodore, sank off the coast of Florida, leaving him and others adrift for 30 hours in a dinghy. 1] Crane described the ordeal in "The Open Boat". During the final years of his life, he covered conflicts in Greece (accompanied by Cora, recognized as the first woman war correspondent) and later lived in England with her. He was befriended by writers such as Joseph Conrad and H. G. Wells. Plagued by financial difficulties and ill health, Crane died of tuberculosis in a Black Forest sanatorium in Germany at the age of 28. At the time of his death, Crane was considered an important figure in American literature. After he was nearly forgotten for two decades, critics revived interest in his life and work. Crane's writing is characterized by vivid intensity, distinctive dialects, and irony. Common themes involve fear, spiritual crises and social isolation. Although recognized primarily for The Red Badge of Courage, which has become an American classic, Crane is also known for his poetry, journalism, and short stories such as "The Open Boat", "The Blue Hotel", "The Bride Comes to Yellow Sky", and The Monster. His writing made a deep impression on 20th-century writers, most prominent among them Ernest Hemingway, and is thought to have inspired the Modernists and the Imagists.
Do you wish you could shoot a basketball like a future Hall of Fame superstar? Discover the insider secrets, training techniques, and daily workouts of one of the NBA's sharpest shooters. Are you embarrassed to show off your shot on the basketball court? Are you fed up with time-consuming drills that haven't improved your game? Author Steve James spent his youth analyzing professional athletes and documenting the practices of successful players. In this comprehensive biography, James reveals all of Stephen Curry's incredible shooting methods, training workouts, and specific practice programs. In Stephen Curry: A Sharpshooter's Journey to the NBA & Beyond, you'll discover the exact methods used by NBA superstar Stephen Curry that will show you how to shoot with deadly accuracy. James' insightful basketball biography dives deep into Curry's workouts and drills, setting out a blueprint for you to follow and get incredible results.In Stephen Curry, you'll discover: A comprehensive analysis of Curry's life and disciplines including his motivational rituals Exactly how many shots you need to take per day to develop pro skillsCurry's secret training regimens he uses to continue improving his gameThe famous dribbling method that sets Curry apart from all othersThe insider secrets that have allowed Curry to dominate the game and much, much more Stephen Curry is a comprehensive unpacking of the daily disciplines, workout secrets, and basketball sharpshooting skills that make Curry the NBA showstopper he is today. If you like practical techniques, easy-to-understand instructions, and following the exact training methods used by professional athletes, then you'll love James' brilliant biography.Buy Stephen Curry to start draining more threes today
When Stephen spots a beetle he takes off his shoe and raises his arm, ready to strike… but then he has second thoughts. He lays his head down on the ground and the beetle walks right up to him. At the last moment the beetle turns aside and each can go on with the day, having avoided the worst.In this very simple story Jorge Luján presents the kind of deep moral questions that can occur even in the smallest child's day. Chiara Carrer's very original etched and painted illustrations perfectly complement the story, and are in and of themselves beautiful works of art.
Born to an immigrant Philadelphia family in 1779, Stephen Decatur became at age twenty-five the youngest man ever to serve as a captain in the U.S. Navy. His intrepid heroism, leadership, and devotion to duty made him a perfect symbol of the aspirations of the growing nation. Leading men to victory in Tripoli, the War of 1812, and the Algerian war of 1815, and coining the phrase ""Our country, right or wrong,"" Decature created an enduring legend of bravery, celebrated in poetry, song, paintings, and the naming of dozens of towns - from Georgia to Alabama to Illinois. Decatur's friendships with James Madison, John Quincy Adams, and others made him a rising star in national politics. He and his wife Susan built an elegant home near the White House, which became a center of Washington society. The capital and the nation were shocked when Decatur was killed at the age of forty-one in a duel with a rival navy captain. Although he died prematurely, Decatur played a significant role in the shaping of the nation's identity at a time when the American people were deciding what kind of nation they would become.
Foxcatcher meets The Art of Fielding, Stephen Florida follows a wrestler in North Dakota during his senior season, when every practice, every match, is a step closer to greatness and a step further from sanity. Profane, manic, and tipping into the uncanny, it's a story of loneliness, obsession, and the drive to leave a mark.
(LKM Music). Grammy-winning composer Stephen Hartke is widely recognized as one of the leading voices of his generation whose work has been hailed for both its singularity of voice and the inclusive breadth of its inspiration. This second volume of his collected piano music brings together two very distinctive sonatas: Sonata for Solo Piano (1998) composed for and recorded by Vicki Ray on CRI records, and Sonata for Piano Four-Hands (2014), which was written for the piano duet team of Anna Plonsky and Orion Weiss.
Stephen King has been terrorizing America ever since Carrie was published in 1974. For nearly forty years, he has fed our imaginations with a panoply of spooks and monsters, from telekinetic teenagers, vampires, and malevolent clowns to space aliens, crazed fans, haunted hotels, and our own psyches. Moreover, he is one of the country's most commercially successful writers: His books regularly shoot to the tops of best-seller lists, and in 2009 alone he earned an estimated $30 million. Yet for all of King's popular success, critics have long been hesitant to welcome him into the pantheon of American literature. Though the National Book Foundation awarded King its Medal for Distinguished Contribution to American Letters in 2003, critics such as Harold Bloom have continued to dismiss him as just another catalyst in "the shocking process of dumbing down our cultural life."Edited and with an introduction by Gary Hoppenstand, Professor of American Cultures at Michigan State University, this volume in the Critical Insights series brings together a variety of perspectives on King's contribution to American literature and popular culture. Hoppenstand's introduction situates King within the horror genre and American popular and literary fiction, and Nathaniel Rich of The Paris Review offers a writer's appreciation of King's fictive powers.A brief biography acquaints readers with the essential details of King's life, and a quartet of new essays helps them build a framework for in-depth study. Amy Palko describes how King has attempted to straddle the gap between popular fiction and serious literature, and Philip L. Simpson reviews King's popular and critical reception. Dominick Grace examines the metafictional elements of three King works, and Matthew J. Bolton demonstrates how Robert Browning and T. S. Eliot were sources of inspiration for King's Dark Tower series.Continuing the discussion is a selection of essays from the growing body of King criticism. Horror novelist Clive Barker meditates on King's imaginative abilities and his relation to the horror genre, and Michael R. Collings surveys King's fortunes among book reviewers, academics, and his peers and readers. Douglas E. Winter explores the tensions between fantasy and reality across King's work, and Heidi Strengel analyzes how American culture has shaped King's body of work. Through a series of close readings, Samuel Schuman makes a case for King's artistry, and Jonathan P. Davis turns his attention to King's particular brand of morality. Tony Magistrale links King to the American gothic and romance traditions, and James Egan offers an examination of King's dystopian attitude toward science and technology. Patrick McAleer analyzes the ending of King's Dark Tower series, and Tom Newhouse attends to King's teenaged characters and their revolts against the modern world. Edward J. Ingebretsen argues that, in his novels and short stories, King transmutes American culture's religious discourse into fictional horror. Finally, Mary Findley attempts to re-vision the film adaptation of Misery to cast it, along with The Shawshank Redemption and The Green Mile, as part of King's "prison film trilogy.
