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Signifikant(g) auf Tony Morrisons Postschwarzsein

Signifikant(g) auf Tony Morrisons Postschwarzsein

José Endoença Martins

Verlag Unser Wissen
2024
pokkari
"Signifikant(g) auf Tony Morrisons Postschwarzsein" ist eine Sammlung wissenschaftlicher Texte zu den Romanen der afroamerikanischen Schriftstellerin Toni Morrison, die 1993 mit dem Literaturnobelpreis ausgezeichnet wurde. Ihre Romane - The Bluest Eye, Song of Solomon, Tar Baby - werden unter den Vorzeichen von drei verschiedenen Konzepten kritisch diskutiert: Negriceness, Negritude und Negriticeness. Diese Konzepte dienen als theoretische Versuche, sowohl die inter- als auch die intrarassische N he der Hauptfiguren der Romane zu schwarzen und wei en kulturellen Welten und Werten zu messen. So wird Pecola Breedlove in The Bluest Eye aus der Perspektive der Negriticeness untersucht, was ihren Wunsch nach blauen Augen erkl rt. In Song of Solomon wird Milkman Dead unter dem Gesichtspunkt der Negritude untersucht, die die pers nliche Suche nach den Vorfahren seiner Familie und die Legende des fliegenden Sklaven in den S dstaaten der USA rechtfertigt. Was schlie lich den Blick auf das Negritische betrifft, so assoziiert Jadine Childs in Tar Baby ihr doppelstimmiges Schwarzsein mit ihrem Leben zwischen den schwarzen Childs und den wei en Streets. Letztendlich bedeutet Morrisons Post-Blackness die Summe all unserer Schwarzheiten.
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Significare sulla Postblackness di Tony Morrison

Significare sulla Postblackness di Tony Morrison

José Endoença Martins

Edizioni Sapienza
2024
pokkari
"Significare sulla Postblackness di Tony Morrison" una raccolta di testi accademici sui romanzi della scrittrice afroamericana Toni Morrison, insignita del Premio Nobel per la letteratura nel 1993. I suoi romanzi - The Bluest Eye, Song of Solomon, Tar Baby - sono discussi criticamente sotto l'egida di tre concetti distinti: Negricit , Negritudine e Negriticit . Questi concetti funzionano come tentativi teorici di misurare la vicinanza interrazziale e intrarrazziale dei personaggi principali dei romanzi con i mondi e i valori culturali sia bianchi che neri. Cos , per quanto riguarda L'occhio pi azzurro, la protagonista Pecola Breedlove viene studiata dalla prospettiva della negritudine, che spiega il suo desiderio di avere gli occhi azzurri. Per quanto riguarda Song of Solomon, Milkman Dead valutato dal punto di vista della negritudine, che giustifica la ricerca personale degli antenati della sua famiglia e la leggenda dello schiavo volante, negli Stati Uniti del Sud. Infine, per quanto riguarda lo sguardo della negritudine, Jadine Childs di Tar Baby associa la sua doppia voce nera alla sua vita tra i Childs neri e le Streets bianche. Alla fine, la post-nerit di Morrison significa la somma di tutte le nostre nerezze.
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The Adventures of Tony Blue

The Adventures of Tony Blue

Himali Chakraborty

Pencil (One Point Six Technologies Pvt Ltd)
2021
pokkari
The book starts with a description of the streets of Howrah and the author's experiences of travelling to station in between the traffic . In the journey, to North Bengal in train; the author would meet with a person, who she would feel interesting as that person was very different from other passengers . Their introduction would capture the essence of the college life of that person and would also make a very nice friendship bond between the author and that person . The author would get her next story from that journey . The story would be of that person being a private investigator and of his life's first case as "Tony Blue".
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The Ecstatic Cinema of Tony Ching Siu-Tung

The Ecstatic Cinema of Tony Ching Siu-Tung

Jeremy Mark Robinson

CRESCENT MOON PUBLISHING
2025
pokkari
THE ECSTATIC CINEMA OF TONY CHING SIU-TUNGBy Jeremy Mark RobinsonTony Ching Siu-tung (b. 1953) started out as an actor and stuntman, working in movies in the late 1960s and 1970s; he moved into television as martial arts co-ordinator, in the late 1970s and thru the 1980s (where on several historical TV series); he moved up to directing movies with 1983's Duel To the Death. This book is fully illustrated in colour. Tony Ching Siu-tung's two signature works are probably A Chinese Ghost Story and The Swordsman 2. Critically, those two films (and their movie series, the Chinese Ghost Story series and the Swordsman series) have garnered the highest criticial accolades (and they were big hits financially), and The Swordsman 2 has been the subject of numerous analyses of gender-bending issues in cinema. The sight of Brigitte Lin in drag and later fooling around with Jet Li as a 'woman' seems to drive film critics goo-goo. Tony Ching Siu-tung has won awards for the action choreography for The Witch From Nepal, Shaolin Soccer, New Dragon Gate Inn, Hero and The Swordsman. Like the other famous action directors in Hong Kong cinema (such as Yuen Woo-ping, Sammo Hung, Corey Yuen and Yuen Bun), Tony Ching Siu-tung has worked with every single star in Hong Kong, every producer, every cameraman, designer, stylist, costumier, etc, and probably every stuntman and stuntwoman. Ching Siu-tung had provided action direction for Tsui Hark, Johnnie To, John Woo, Wong Jing, Ringo Lam, Zhang Yimou, Peter Chan, Andy Lau, Kevin Chu, and Stephen Chow, among others. That is, practically all of the major filmmakers in China. Technically, the movies directed by Tony Ching Siu-tung are breathtaking - in every department of film production, Ching's movies excel. Costumes are lavish, the sets are super-detailed, and the cinematography is stellar. Sometimes you really are looking at something very close to a classical, Chinese painting, where the billowing robes that the actors wear fit in perfectly, and are spot-on equivalents for the spiritual mood of Chinese art. Fully illustrated, with images from the films of Tony Ching and other Chinese/ Hong Kong productions. With filmography, bibliography and notes. 492 pages. www.crmoon.com
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The Cinema of Tony Richardson

The Cinema of Tony Richardson

State University of New York Press
1999
pokkari
Critically surveys the films of Tony Richardson, one of Britain's most inventive directors of stage and screen. The Cinema of Tony Richardson examines for the first time the stage and screen achievements of Academy Award–winning director Tony Richardson, and includes recent interviews with his colleagues as well as a complete bibliography and filmography of his work. An important cultural trend-setter both in Britain and America, Richardson is here given his due as an influential and inventive film director who specialized in literary adaptations and worked constantly in theatre, film, and television production. Richardson (1928–1991) worked with George Devine at the Royal Court Theatre during the 1950s where he revolutionized British theater through his productions of John Osborne's plays Look Back in Anger (1956) and The Entertainer (1957). Both plays were then adapted to the cinema, launching Richardson's career as a feature film director. Richardson and Osborne later founded Windfall Film Productions, Ltd. to extend the concerns of "kitchen sink" realism from stage to screen and to make films that display the reality of British life. The Osborne projects were followed by screen adaptations of Shelagh Delaney's A Taste of Honey (1961) and Alan Sillitoe's The Loneliness of the Long Distance Runner (1962), which became benchmark films for the British New Wave. Richardson went on to a distinguished career in Hollywood as a result of his Academy Award–winning 1963 adaptation of Henry Fielding's satiric novel Tom Jones. [Contributors include Kevin Brownlow, Linda Costanzo Cahir, Jocelyn Herbert, Robert Holtzclaw, William L. Horne, Edward T. Jones, Paul Meier, Kenneth S. Nolley, Rebecca M. Pauly, Gene D. Phillips, S.J., Karel Reisz, Judith Bailey Slagle, John C. Tibbetts, and James M. Welsh.]
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Thirty Days: An Inside Account of Tony Blair at War

Thirty Days: An Inside Account of Tony Blair at War

Peter Stothard

HARPERCOLLINS PUBLISHERS
2004
nidottu
For thirty days I was close by him at historic events -- in the places where writers never are.Before Britain could help the United States in the war against Saddam Hussein, Tony Blair faced a battle against his own voters, his own party, and his own allies in Europe. These were among the most tense and tumultuous weeks the world had seen since the fall of the Berlin Wall.In thirty days, Blair took on his opponents and won.Through it all, Peter Stothard had unprecedented access to Blair -- from Ten Downing Street and the House of Commons through the war summits in the Azores, Brussels, Belfast, and at Camp David. Stothard brings us inside the corridors of power during this extraordinary time, offering a vivid, up-close view of an enormously popular leader facing the challenge of his life.
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