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1000 tulosta hakusanalla Emily Butler

Sweater Girls Club Collection: Sweater Designs by Emily A. Garrison

Sweater Girls Club Collection: Sweater Designs by Emily A. Garrison

Emily a. Garrison

Createspace Independent Publishing Platform
2017
nidottu
A hand knit sweater is an art form all its own. Sweaters can reflect your taste and style. There is nothing so fulfilling, as the completion of your own fashion creation, mistakes and all. It is unique because it was knitted by you.Design is everywhere in life, whether it be in the architecture of a building, or the pattern and color of a leaf. Keeping a sketchbook and a bulletin board filled with creative ideas, can integrate design into knitting. Using these different ideas can result in the development of new and unique sweater designs.
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Emily Floge

Emily Floge

Kathleen George; Cross Stitch Collectibles

Createspace Independent Publishing Platform
2017
pokkari
Emily Floge - Gustav Klimt cross stitch pattern by Cross Stitch Collectibles Finished Sizes (approximate)14 count: 17.75" x 26.75 "18 count: 14" x 20.75"24 count: 10.5" x 15.75"Stitches: 250w x 375h Pattern Features: * Large-print pattern for easy reading * Full color glossy front cover * Full cross stitches only (no backstitching or specialty stitches) * Black and white chart with easy-to-read alphabetic symbols * Comprehensive instruction sheet to guide you through the pattern pages. * Full thread list indicating DMC color numbers, names and quantity required * Cross stitch pattern chart only. No fabric, threads or other materials included. Benefits of Large-Print Cross Stitch Patterns: : This book is an "Extra-Large-Print" cross stitch pattern. Stitching our beautiful cross stitch patterns is a labor of love and very time-consuming. Reading such large patterns for hours at a time can pose a challenge for stitchers of all ages. The large grids and alphabetic symbols used in this cross stitch pattern book makes tackling such a large project much easier and more enjoyable. Founded in 1998, Cross Stitch Collectibles specializes in high quality cross stitch reproductions of fine art paintings by the Great Masters, including Italian Renaissance, Impressionist, Pre-Raphaelite, Asian, Fractal art, and many more styles. You will find something to love and cherish in our vast collection. Cross stitch your own masterpiece today ABOUT THE AUTHOR: Kathleen George is the founder of Cross Stitch Collectibles, and designer of more than 6,000 fine art counted cross stitch patterns since 1998. She recreates the world's most recognized and acclaimed masterpiece paintings in cross stitch, and was instrumental to the introduction and popularity of the international phenomenon of designing boldly-colored fractal cross stitch patterns, which have become a rapidly growing niche among cross stitch enthusiasts world-wide. Born in Pennsylvania, Kathleen now resides and works in Henderson, NV.
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Emily Dickinson: Selected Poems and Letters

Emily Dickinson: Selected Poems and Letters

Emily Dickinson

BROADVIEW PRESS LTD
2023
pokkari
This compact edition, designed for use in undergraduate courses, combines a substantial selection of Dickinson’s poems (including one complete fascicle) with a selection of letters and a range of contextual materials. In a number of cases several different versions of a poem are presented side by side. The texts are based on the handwritten manuscripts themselves, in the facsimile form in which the Emily Dickinson Archive now makes the vast majority of Dickinson’s manuscript versions available to the general public. The three major editions that are based directly on the manuscripts—those of Thomas H. Johnson (1955), R.W. Franklin (1998) and Cristanne Miller (2016)—have also been consulted; in many cases where the transcriptions of these editors differ from one another, this edition provides information in the notes as to those differences. Extensive explanatory footnotes are also provided, as is a concise but wide-ranging introduction to Dickinson and her work.The appendices include excerpts from numerous nineteenth-century reviews of Dickinson’s first published volume (including by William Dean Howells and Andrew Lang). Thomas Wentworth Higginson’s influential Atlantic Monthly article, “Emily Dickinson’s Letters,” is also included in its entirety.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts. This edition departs from other editions in the series in one important respect—its format. The large page size of the edition facilitates the reproduction of manuscript pages in readable facsimile form, and the two-column format of the text facilitates comparison between different versions.
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Emily Dickinson's Shakespeare

Emily Dickinson's Shakespeare

Paraic Finnerty

University of Massachusetts Press
2008
nidottu
This book tells how Dickinson's fascination with Shakespeare informed her life and her poetry. One of the messages that Emily Dickinson wanted to communicate to the world was her great love of William Shakespeare - her letters abound with references to him and his works. This book explores the many implications of her admiration for the Bard.Paraic Finnerty clarifies the essential role that Shakespeare had in Dickinson's life by locating her allusions to his writings within a nineteenth-century American context and by treating reading as a practice that is shaped, to a large extent, by culture. In the process, he throws new light on Shakespeare's multifaceted presence in Dickinson's world: in education, theater, newspapers, public lectures, reading clubs, and literary periodicals.Through analysis of letters, journals, diaries, records, periodicals, newspapers, and marginalia, Finnerty juxtaposes Dickinson's engagement with Shakespeare with the responses of her contemporaries. Her Shakespeare emerges as an immoral dramatist and highly moral poet; a highbrow symbol of class and cultivation and a lowbrow popular entertainer; an impetus behind the emerging American theater criticism and an English author threatening American creativity; a writer culturally approved for women and yet one whose authority women often appropriated to critique their culture. Such a context allows the explication of Dickinson's specific references to Shakespeare and further conjecture about how she most likely read him.Finnerty also examines those of Dickinson's responses to Shakespeare that deviated from what might have been expected and approved of by her culture. Imaginatively departing from the commonplace, Dickinson chose to admire three of Shakespeare's most powerful and transgressive female characters - Cleopatra, Queen Margaret, and Lady Macbeth - instead of his more worthy and virtuous heroines. More startling, although the poet found resonance for her own life in Hamlet, Romeo and Juliet, and Macbeth, she chose, in the racially charged atmosphere of nineteenth-century America, to identify with Shakespeare's most controversial character, Othello, thereby defying expectations once again.
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