Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan’s and Cohen’s fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists’ relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca’s concept of the poetry of inspiration and the emotional depths of ‘duende.’ Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the ‘duende,’ or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.
Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan’s and Cohen’s fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists’ relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca’s concept of the poetry of inspiration and the emotional depths of ‘duende.’ Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the ‘duende,’ or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.
Leonard Kaufmann was born in Germany in April 1935. With the threat of war looming, his uncle Arthur managed to secure sponsorship for Leonard to escape to England on the Kindertransport. Alice and Ronald Argles sponsored 30 children in total, and Leonard lived in their home in Staffordshire with them almost until the end of the war.When Leonard finished school, he went into the family business, manufacturing egg slicers, which later developed into a wholesale business. In 1961, Leonard married Ruth and moved to Gatley, Manchester. They had two daughters, Sarah and Debra. Leonard worked as a clothing manufacturer for a short time and later spent many years as the administrator for the Yeshurun Synagogue. He does not remember his family who all perished during the Holocaust.Leonard’s book is part of the My Voice book collection, a stand-alone project of The Fed, the leading Jewish social care charity in Manchester, dedicated to preserving the life stories of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education.
As a prominent conductor, composer, commentator and music educator, pianist, and writer, Leonard Bernstein has inspired numerous scholarly contributions. Being a composer of both concert music and musical theater, his output encompassed many different facets: from small-scale instrumental character pieces to symphonies, musicals to operas, pop songs to art song cycles, as well as ballets, film music, and Mass, a work that does not fit any category. Historical Dictionary of Leonard Bernstein contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries encompassing people whom he befriended or worked with, institutions, orchestras, performance venues, cities, compositional methods, and compositions. This book is an excellent resource for students, researchers, and anyone wanting to know more about Leonard Bernstein.
"El cuento en cuesti n est dividido en cuatro partes que abarcan la infancia, adolescencia y juventud de la protagonista. El narrador plantea un desarrollo cronol gico de los hechos. Este manejo tradicional del tiempo de la historia que coincide con el de la narraci n, adquiere un valor metodol gico que conduce a la demostraci n de la cr tica social de Bell n. Critica el discurso social de la poca que se inserta en la m s absoluta tradici n occidental cristiana, con el propio discurso tradicional, sin alteraciones temporales."
Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic, and the abundance of allusion extends to Scripture, myth, philosophy, literature, and the visual arts. Born in New York City as the third child of a merchant in French dry goods, Melville's formal education ended abruptly after his father died in 1832, leaving the family in financial straits. Melville briefly became a schoolteacher before he took to sea in 1839 as a common sailor on a merchant ship. In 1840 he signed aboard the whaler Acushnet for his first whaling voyage, but jumped ship in the Marquesas Islands. After further adventures, he returned to Boston in 1844. His first book, Typee (1845), a highly romanticized account of his life among Polynesians, became such a best-seller that he worked up a sequel, Omoo (1847). These successes encouraged him to marry Elizabeth Shaw, of a prominent Boston family, but were hard to sustain. His first novel not based on his own experiences, Mardi (1849), is a sea narrative that develops into a philosophical allegory, but was not well received. Redburn (1849), a story of life on a merchant ship, and his 1850 expose of harsh life aboard a Man-of-War, White-Jacket yielded warmer reviews but not financial security. In August 1850, Melville moved his growing family to Arrowhead, a farm near Pittsfield, Massachusetts, where he established a profound but short-lived friendship with Nathaniel Hawthorne, to whom he dedicated Moby-Dick. Moby-Dick was another commercial failure, published to mixed reviews. Melville's career as a popular author effectively ended with the cool reception of Pierre (1852), in part a satirical portrait of the literary scene. His Revolutionary War novel Israel Potter appeared in 1855. From 1853 to 1856, Melville published short fiction in magazines, most notably "Bartleby, the Scrivener" (1853), "The Encantadas" (1854), and "Benito Cereno" (1855). These and three other stories were collected in 1856 as The Piazza Tales. In 1857, he voyaged to England, where he reunited with Hawthorne for the first time since 1852, and then went on to tour the Near East. The Confidence-Man (1857), was the last prose work he published during his lifetime. He moved to New York to take a position as Customs Inspector and turned to poetry. Battle-Pieces and Aspects of the War (1866) was his poetic reflection on the moral questions of the Civil War. In 1867 his oldest child, Malcolm, died at home from a self-inflicted gunshot. Clarel: A Poem and Pilgrimage in the Holy Land, a metaphysical epic, appeared in 1876. In 1886, his second son, Stanwix, died and Melville retired. During his last years, he privately published two volumes of poetry, left one volume unpublished, and returned to prose of the sea: the novella Billy Budd, left unfinished at his death, was published in 1924. Melville's death from cardiovascular disease in 1891 subdued a reviving interest in his work. The 1919 centennial of his birth became the starting point of the "Melville Revival". Critics discovered his work, scholars explored his life, his major novels and stories have become world classics, and his poetry has gradually attracted respect.
Roberto Duran, Marvelous Marvin Hagler, Sugar Ray Leonard, and Thomas "Hit Man" Hearns all formed the pantheon of boxing greats during the late 1970s and early 1980s--before the pay-per-view model, when prize fights were telecast on network television and still captured the nation's attention. Championship bouts during this era were replete with revenge and fury, often pitting one of these storied fighters against another. From training camps to locker rooms, author George Kimball was there to cover every body shot, uppercut, and TKO. Inside stories full of drama, sacrifice, fear, and pain make up this treasury of boxing tales brought to life by one of the sport's greatest writers.
A personal account about the author's relationship with Leonard, the father figure from A Million Little Pieces, recounts how Leonard helped him recover from drug and alcohol addictions and then encouraged him to pursue a writing career before mysteriously disappearing. Reprint. 1,000,000 first printing.
William Ellery Leonard was an eccentric poet, professor, and critic whose romantic ideals were set against a world whose aesthetics were fast turning away from his own. He lived a life marked by both success and dramatic failure, both personally and professionally. His first wife’s suicide would haunt him and mark one of his greatest poems, the sonnet sequence Two Lives; his translations of Lucretius and Beowulf stood as hallmarks of the craft for decades after they were published; and his political satires written in response to the University sphere he lived and worked in remain as effective today as they once were.
A SundanceTV series starring Michael K. Williams (The Wire), James Purefoy (Rome), and Christina Hendricks (Mad Men). Hap and Leonard have never fit the profile. Hap Collins looks like a good 'ol boy, but his liberal politics don't match. After a number of failed careers, Hap has found his calling: kicking ass. Vietnam veteran Leonard Pine is even more complicated: black, conservative, gay...and an occasional arsonist. With Leonard on the job, small-time crooks all on the way on up to the Dixie Mafia had best be extremely nervous. Joe R. Lansdale's popular Texan crime-fighting duo are immortalized in this complete collection of Hap and Leonard short stories and tall tales. Additionally, you'll find one brand-new story and an original introduction by New York Times bestselling author Michael Koryta (So Cold the River).
As flood waters rise, a mother raccoon drags each of her babies to safety on higher ground. They are safe and dry under a human house. But Mom raccoon soon disappears, leaving Leonard and his brothers to fend for themselves. Then a man comes to their rescue, and Leonard is adopted by a human couple. But how will he adapt to his new surroundings? This human house is very different from his den, and these human parents have a lot to learn about raccoons. One thing is certain, Mary's love for animals is more powerful than any obstacle that may try to get in the way.Written and illustrated with photographs by Leonard's dad and mom, this book is sure to delight animal lovers of all ages.
