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1000 tulosta hakusanalla Robert Cornforth
Although Robert Klein (1918–1967), well known for his erudition and the originality of his research, was an important, even paradigmatic figure for the field of art history in the twentieth century, no sustained study has yet been dedicated to his work.Klein undertook to rethink Renaissance art and its history from the Aristotelian notion of techne as early as the 1950s, long before anyone was interested in this other genealogy of Renaissance art. For him, the Mannerist work is intended to create awe and wonder, inviting the viewer to question the technical process, a combination of intelligence and manual skill, that made it possible to realize in this specific form.As his newly discovered papers and unpublished manuscripts testify, techne and Mannerism are far from being Klein’s only preoccupations. Other concepts have been studied with great originality by Klein, such as mnemonic art, paragone, dream, and responsibility.This book, proceeding from a conference organized by Villa I Tatti, Kunsthistorisches Institut in Florence, and the Institut national d’histoire de l’art (INHA) in Paris, sheds light on Klein’s investigations as well as on the intellectual journey of an important art historian and philosopher of the past century.
Robert Louis Stevenson and the Fiction of Adventure
Robert Kiely
Harvard University Press
1964
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The Letters of Robert Frost, Volume 2: 1920–1928 is the second installment of Harvard’s five-volume edition of the poet’s correspondence. Nearly three hundred letters in the critically-acclaimed first volume had never before been collected; here, close to four hundred are gathered for the first time. Volume 2 includes letters to some 160 correspondents: family and friends; colleagues, fellow writers, visual artists, editors, and publishers; educators of all kinds; farmers, librarians, and admirers.In the years covered here, publication of Selected Poems, New Hampshire, and West-Running Brook enhanced Frost’s stature in America and abroad, and the demands of managing his career—as public speaker, poet, and teacher—intensified. A good portion of the correspondence is devoted to Frost’s appointments at the University of Michigan and Amherst College, ?through which he played a major part in staking out the positions poets would later hold in American universities.?? Other letters show Frost helping to shape the Bread Loaf School of English and its affiliated Writers’ Conference.? We encounter him discussing his craft with students and fostering the careers of younger poets. His ??observations (and reservations) about educators are illuminating and remain pertinent. And family life—with all its joys and sorrows, hardships and satisfactions—is never less than central to Frost’s concerns.Robert Frost was a masterful prose stylist, often brilliant and always engaging.? Thoroughly annotated and accompanied by a biographical glossary, chronology, and detailed index, these letters are both the record of a remarkable literary life and a unique contribution to American literature.
The third installment of Harvard’s five-volume edition of Robert Frost’s correspondence.The Letters of Robert Frost, Volume 3: 1929–1936 is the latest installment in Harvard’s five-volume edition of the poet’s correspondence. It presents 601 letters, of which 425 are previously uncollected. The critically acclaimed first volume, a Times Literary Supplement Book of the Year, included nearly 300 previously uncollected letters, and the second volume 350 more.During the period covered here, Robert Frost was close to the height of his powers. If Volume 2 covered the making of Frost as America’s poet, in Volume 3 he is definitively made. These were also, however, years of personal tribulation. The once-tight Frost family broke up as marriage, illness, and work scattered the children across the country. In the case of Frost’s son Carol, both distance and proximity put strains on an already fractious relationship. But the tragedy and emotional crux of this volume is the death of Frost’s youngest daughter, Marjorie. Frost’s correspondence from those dark days is a powerful testament to the difficulty of honoring the responsibilities of a poet’s eminence while coping with the intensity of a parent’s grief.Volume 3 also sees Frost responding to the crisis of the Great Depression, the onset of the New Deal, and the emergence of totalitarian regimes in Europe, with wit, canny political intelligence, and no little acerbity. All the while, his star continues to rise: he wins a Pulitzer for Collected Poems in 1931 and will win a second for A Further Range, published in 1936, and he is in constant demand as a public speaker at colleges, writers’ workshops, symposia, and dinners. Frost was not just a poet but a poet-teacher; as such, he was instrumental in defining the public functions of poetry in the twentieth century. In the 1930s, Frost lived a life of paradox, as personal tragedy and the tumults of politics interwove with his unprecedented achievements.Thoroughly annotated and accompanied by a biographical glossary and detailed chronology, these letters illuminate a triumphant and difficult period in the life of a towering literary figure.
Selected Papers of Robert C. Binkley
Robert C Binkley; Luther H Evans
Harvard University Press
1948
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Robert Hart and China’s Early Modernization
Robert Hart; Richard J. Smith; John King Fairbank; Katherine F. Bruner
Harvard University Press
1991
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As the Ch’ing government’s Inspector General of the Maritime Customs Service, Robert Hart was the most influential Westerner in China for half a century. These journal entries continue the sequence begun in Entering China’s Service and cover the years when Hart was setting up Customs procedures, establishing a modus operandi with the Ch’ing bureaucracy, and inspecting the treaty ports. They culminate in Hart’s return visit to Europe with the Pin-ch’un Mission and his marriage in Northern Ireland.Richard Smith, John King Fairbank, and Katherine Bruner interleave the segments of Hart’s journals with lively narratives describing the contemporary Chinese scene and recounting Hart’s responses to the many challenges of establishing a Western-style organization within a Chinese milieu.
War! Over his mother's objections Robert Henry Hendershot has joined the Union Army as a drummer boy. He wants to see battle and capture a confederate soldier -- but his company commander says he's too young and removes him from the pontoon carrying troops across the Rappahannock to face the rebels at Fredericksburg. Can Robert find a way to become a hero?
The Description for this book, Robert Maillart's Bridges: The Art of Engineering, will be forthcoming.
Although best known for the hugely influential Anarchy, State, and Utopia (1974), Robert Nozick has eschewed the label ''political philosopher, '' as the vast majority of his writings have focused on other areas. Indeed, the breadth of Nozick's work is perhaps greater than that of any other contemporary philosopher. A. R. Lacey presents the first book to give full and proper discussion of Nozick's philosophy as a whole and of critical reactions to it, spanning areas as diverse as ethics, epistemology, and philosophy of religion. The book begins by examining Anarchy, State, and Utopia and moves on to Nozick's noted work on the theory of knowledge and his notion of ''tracking the truth.'' Lacey explores the philosopher's metaphysical writings, including his ''closest continuer theory'' of personal identity, and his reflections on free will and the existence of God. He addresses the moral basis of Nozick's political philosophy in depth. Later chapters discuss his ideas of ''symbolic utility, '' his evolutionary account of rationality, and his varying treatments of Newcomb's Paradox. The book concludes with more general topics, including Nozick's thoughts on the meaning of life and what those who search for it are really looking for. Given Nozick's reluctance to respond to his critics, the book's discussion of the secondary literature on his work is invaluable. Throughout, Lacey finds themes that unite Nozick's diverse writings, noting, for example, his hostility to coercion of all kinds. Illuminating, informative, and clearly written, the book will be welcomed as an authoritative guide to Nozick's philosophical thinking.
Although best known for the hugely influential Anarchy, State, and Utopia (1974), Robert Nozick has eschewed the label ''political philosopher,'' as the vast majority of his writings have focused on other areas. Indeed, the breadth of Nozick's work is perhaps greater than that of any other contemporary philosopher. A. R. Lacey presents the first book to give full and proper discussion of Nozick's philosophy as a whole and of critical reactions to it, spanning areas as diverse as ethics, epistemology, and philosophy of religion. The book begins by examining Anarchy, State, and Utopia and moves on to Nozick's noted work on the theory of knowledge and his notion of ''tracking the truth.'' Lacey explores the philosopher's metaphysical writings, including his ''closest continuer theory'' of personal identity, and his reflections on free will and the existence of God. He addresses the moral basis of Nozick's political philosophy in depth. Later chapters discuss his ideas of ''symbolic utility,'' his evolutionary account of rationality, and his varying treatments of Newcomb's Paradox. The book concludes with more general topics, including Nozick's thoughts on the meaning of life and what those who search for it are really looking for. Given Nozick's reluctance to respond to his critics, the book's discussion of the secondary literature on his work is invaluable. Throughout, Lacey finds themes that unite Nozick's diverse writings, noting, for example, his hostility to coercion of all kinds. Illuminating, informative, and clearly written, the book will be welcomed as an authoritative guide to Nozick's philosophical thinking.
No writer is more charismatic than Robert Burns. Wonderfully readable, The Bard catches Burns's energy, brilliance, and radicalism as never before. To his international admirers he was a genius, a hero, a warm-hearted friend; yet to the mother of one of his lovers he was a wastrel, to a fellow poet he was "sprung . . . from raking of dung," and to his political enemies a "traitor." Drawing on a surprising number of untapped sources--from rediscovered poetry by Burns to manuscript journals, correspondence, and oratory by his contemporaries--this new biography presents the remarkable life, loves, and struggles of the great poet. Inspired by the American and French Revolutions and molded by the Scottish Enlightenment, Burns was in several senses the first of the major Romantics. With a poet's insight and a shrewd sense of human drama, Robert Crawford outlines how Burns combined a childhood steeped in the peasant song-culture of rural Scotland with a consummate linguistic artistry to become not only the world's most popular love poet but also the controversial master poet of modern democracy. Written with accessible elan and nuanced attention to Burns's poems and letters, The Bard is the story of an extraordinary man fighting to maintain a sly sense of integrity in the face of overwhelming pressures. This incisive biography startlingly demonstrates why the life and work of Scotland's greatest poet still compel the attention of the world a quarter of a millennium after his birth.
Robert’s Rules of Order, and Why It Matters for Colleges and Universities Today
Henry Martyn Robert; Christopher P. Loss
PRINCETON UNIVERSITY PRESS
2021
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A critical edition of the book that paved the way for the democratization of American higher educationIf you have ever attended a town meeting or business lunch, or participated in a church group or department meeting, or served on a faculty senate or maybe just watched C-SPAN, then you have likely encountered Robert's Rules of Order. This critical edition of Henry M. Robert's essential guide to parliamentary procedure features the original text from 1876 along with a companion essay by Christopher Loss, who artfully recounts the book's publication and popular reception, and sheds light on its enduring value for one of the most vital bastions of democracy itself—the modern university.Loss deftly explains why Robert's simple, elegant handbook to democratic governance captured the imagination of so many ordinary citizens during the Gilded Age and how it has shaped the development of our colleges and universities ever since. He shows how Robert's rules can help faculty, administrators, and students to solve problems and overcome challenges through collaboration, disciplined thinking, trust in the facts, and honesty and fairness from all sides.At a time when people's faith in democracy and higher education has been shaken to its core, Robert's Rules of Order offers a powerful reminder of the importance of democratic norms and practices in American life and institutions.
The remarkable first two books of poetry by the Pulitzer Prize finalist and former U.S. poet laureate—now combined in a single volume with a new preface by the author Award-winning poet Robert Pinsky’s first two collections—Sadness And Happiness and An Explanation of America—announced the arrival of a major new voice in American poetry. Now, these acclaimed books are presented together in a single volume featuring a new preface by the author, introducing a new generation of readers to the groundbreaking early work of a beloved poet. Sadness And Happiness explores everyday subjects such as the streets and oceanfront of Pinsky’s hometown of Long Branch, New Jersey, while the long title poem of An Explanation of America examines personal and national myths as it transports readers across the states.
Though critics traditionally have paid homage to Robert Frost's New England identity by labeling him a regionalist, John Kemp is the first to investigate what was in fact a highly complex relationship between poet and region. Through a frankly revisionist interpretation, he not only demonstrates how Frost's relationship to New England and his attempt to portray himself as the "Yankee farmer poet" affected his poetry; he also shows that the regional identity became a problem both for Frost and for his readers. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This major interpretation of the life and art of Robert Lowell exposes the full relationship between the poetry and the personal and national experience to which it is so remarkably connected. Steven Axelrod proposes that the key to our understanding of Lowell's poetic achievement lies precisely in this interpenetration of his life and his art. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.