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Art & Ecology Now

Art & Ecology Now

Andrew Brown

Thames Hudson Ltd
2014
nidottu
‘Eco’ awareness has had an enormous impact across all cultural and political spectrums, not least in the art world. This accessible and thought-provoking book is the first in-depth exploration of the ways in which contemporary artists are confronting nature, the environment, climate change and ecology. Organized into six chapters, the book moves through the various levels of artists’ engagement, from those who act as independent commentators, documenting and reflecting on nature, to those who use the physical environment as the raw material for their art, and those committed activists who set out to make art that transforms both our attitudes and our habits. More than 300 illustrations feature the work of 95 artists and art collectives from all over the world, including The Artist as Family, Nyaba Leon Ouedraogo, Yao Lu, Tue Greenfort, Eva Jospin, Ravi Agarwal, Nadav Kander, Naoya Hatakeyama, Tattfoo Tan, Berndnaut Smilde, Simon Starling, and Jennifer Allora and Guillermo Calzadilla.
Art in the Making

Art in the Making

Glenn Adamson; Julia Bryan-Wilson

Thames Hudson Ltd
2016
sidottu
Today’s artists have an unprecedented level of choice with regard to materials and methods available to them, yet the processes involved in making artworks are rarely addressed in books or exhibitions on art. Here, Glenn Adamson and Julia Bryan-Wilson argue that the materials and methods used to make artworks hold the key to artists’ motivations, their attitudes to authorship, uniqueness and the value of objects, the economic and social contexts from which they emerge, and their approach to the perceived opposition between materiality and conceptualism in art. The book’s introduction sets out a history of trends in artistic production and the possible catalysts for the proliferation of production strategies since the mid-twentieth century, followed by nine chapters that explore different methods and media. Detailed examples are interwoven with the discussion, including visuals that reveal the intricacies of each technique or material and its overall effect when presented as an artwork. Artists featured include Ai Weiwei, Ron Arad, Chris Burden, Katharina Fritsch, Isa Genzken, Jeff Koons, Los Carpinteros, Haroon Mirza, Takashi Murakami, Gerhard Richter, Doris Salcedo and Santiago Sierra
Art Deco Sculpture

Art Deco Sculpture

Alastair Duncan

Thames Hudson Ltd
2016
sidottu
This book showcases and puts into historical context a host of sculpted works created in the 1920s and 1930s in the decorative vernacular defined loosely today as `Art Deco’. Whether designed as free-standing statuary for the domestic market or commissioned for some form of architectural placement, as a frieze on a building’s façade or as a public monument or pool fountain, the works shown demonstrate a sometimes bewilderingly broad range of styles and stylistic influences: from the chevrons, sunbursts, maidens, fountains, floral abstractions and ubiquitous biche (doe) of the Parisian geometric style to the crisp, angular patterns of the zig-zag, jazz-age, streamlined aesthetic of the 1930s. Alastair Duncan organizes his subject into three main categories: the first features work by avant-garde sculptors (Csaky, Janniot, Pompon, etc), often as pièces uniques or small editions; the second shows commercial sculpture, comprising mainly large-edition statuary, commissioned as decorative works for the burgeoning 1920s domestic market; while a final, third category covers architectural and monumental sculpture from West and Eastern Europe, Scandinavia, North America, Brazil and beyond. With artists’ biographies and details of manufacturers, a full glossary and a thematic index, this volume is the essential and authoritative guide for all those interested in the Art Deco style, from the amateur collector of animalier sculpture to professional historians of the period.
Art Since 1900

Art Since 1900

Thames Hudson Ltd
2016
sidottu
Includes the developments in the study and practice of art. With a clear year-by-year structure, this book presents 130 articles, each focusing on a crucial event - such as the creation of a seminal work, the publication of an important text, or the opening of a major exhibition - to tell the myriad stories of art from 1900 to the present.
Art in Hungary, 1956–1980

Art in Hungary, 1956–1980

Sándor Hornyik; Hedvig Turai

Thames Hudson Ltd
2018
sidottu
The international significance of the art produced in Hungary in the 1960s and 1970s has come to the fore in recent years. Nevertheless, studies of modern and contemporary art in Eastern Europe during the Soviet era tend to focus on their relationship to Western art, with an emphasis on the parallel development of similar artistic practices – an approach that risks overlooking the specific circumstances of the art’s making. In Hungary’s case, artists of the neo-avant-garde found themselves in an increasingly isolated position, caught between the ruling communist authorities, who condemned their art as a product of capitalist cultural imperialism, and a predominantly conservative public, which rejected it as a foreign creation alien to the spirit of national culture. Art in Hungary, 1956–1980 provides a unique insight into the ways in which Hungarian neo-avant-garde artists both responded to and fought against a system that was determined to deny them a sense of autonomy. At the heart of the book is a commitment to understanding Hungarian contemporary art of the 1960s and 1970s – a time of oppressive communist rule in the aftermath of the failed revolution of 1956 – in the context of the conditions in which it was created. Featuring more than 250 illustrations, a bold design and essays on a diverse range of subjects, this book, the outcome of a major international research project, represents the authoritative account and analysis of a remarkable period in the history of Hungarian art.
Art and Artifact

Art and Artifact

James Putnam

Thames Hudson Ltd
2009
nidottu
From `cabinets of curiosities’ to assemblages of found objects and imitations of museum displays, artists have often turned their attention to the ideas and systems traditionally embodied in the museum – display, archiving, classification, storage, curatorship – which they have then appropriated, mimicked and reinterpreted in their own work. Citing a huge range of examples, James Putnam shows not only the ways in which artists have been influenced by museum systems and made their works into simulations of the museum, but also how they have questioned the role of museums, observed their practices, intervened in them and helped to redefine them.
Art + Science Now

Art + Science Now

Stephen Wilson

Thames Hudson Ltd
2012
nidottu
Art + Science Now is a groundbreaking overview of the art being made at the cutting edge of scientific research. The first illustrated book in its field, it shows how some of the world’s most dynamic art is being produced not in museums, galleries and studios but in the laboratory, where artists probe cultural, philosophical and social questions connected with scientific and technological advances. Featuring the work of around 250 artists from the UK, Germany, France, the Netherlands, the USA, Japan and elsewhere, it presents a broad range of projects, from body art to bioengineering of plants and insects, from music, dance and computer-controlled video performances to large-scale visual and sound installations. This comprehensive guide to contemporary art inspired or driven by scientific innovation points to intriguing new directions for the visual arts and traces a key strand in 21st-century aesthetics.
Art Studio

Art Studio

Thames Hudson Ltd
2016
pokkari
Using carefully drawn line illustrations of famous masterpieces, Art Studio takes the colourist on an inspiring world tour. Along the way you can try your hand at replicating the originals or applying slightly - or perhaps even entirely - different palettes. In the process you will also learn to appreciate the complexity and composition of these great works. Avid colourists will relish not only the bold, bright lines of works such as Van Gogh's Starry Night, but also the artistic problems posed by some of the world's most intricate paintings - among the 46 masterpieces featured here are such celebrated Western works as Michelangelo's Creation of Adam and Marcel Duchamp's Nude Descending A Staircase, No. 2 as well as a Mughal hunting scene of the 16th century and some stunningly complex Aboriginal art. Each entry explains how the artist achieved his or her effects, and offers suggestions on how the colourist might try to reproduce them. Art Studio is simultaneously relaxing, challenging and informative: an exquisite combination that will appeal to everyone who's got the colouring bug, and to anyone on the verge of catching it.
Art Since 1900: 1900 to 1944

Art Since 1900: 1900 to 1944

Hal Foster; Rosalind Krauss; Yve-Alain Bois

THAMES HUDSON
2016
nidottu
Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.
Art of Mesopotamia

Art of Mesopotamia

Zainab Bahrani

THAMES HUDSON
2016
nidottu
Mesopotamia is considered the cradle of Western civilization, and the diverse societies that flourished there, nestled around the Tigris and Euphrates rivers, were as culturally rich as this attribution would suggest. Spanning a significant historical period, from 8000 BCE to the arrival of Islam in 636 CE, Art of Mesopotamia explores spectacular structures and objects, as well as the techniques artists used, in order to gain insight into the beliefs and practices of ancient peoples. The volume also introduces the archaeologists who discovered these sites more than a thousand years later.Richly illustrated with more than 400 full-color photographs, Art of Mesopotamia is an astounding record by award-winning author Zainab Bahrani of artworks from this region, many of which have in recent years been damaged or destroyed by war, and as such is of particular and lasting importance. It includes the most up-to-date scholarship and reflects significant new approaches to Mesopotamian art over the past few decades.
Art Since 1900: Volume 1: 1900 to 1944; Volume 2: 1945 to the Present

Art Since 1900: Volume 1: 1900 to 1944; Volume 2: 1945 to the Present

Hal Foster; Rosalind Krauss; Yve-Alain Bois

THAMES HUDSON
2016
nidottu
Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art. A flexible year-by-year structure and extensive cross-referencing allow teachers and students to pursue a chronological approach and/or to study the currents of art since 1900 by medium, theme, country, or region. This completely updated and expanded third edition contains over 125 essays, each focusing on a crucial event in the history of art from 1900 to the present. Ten new essays cover subjects such as Moscow conceptualism, abstract film, postmodern architecture, and queer art, as well as artists from emerging economies and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. Five introductions explain the different methods of art history at work in the book. There are two roundtable discussions between the authors, and all reference material has been updated.
Art: The Whole Story

Art: The Whole Story

Richard Cork

Thames Hudson Ltd
2018
nidottu
Written by an international team of artists, art historians and curators, this absorbing and beautiful book gives readers unparalleled insights into the world’s most iconic artworks. Art: The Whole Story traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. Cultural timelines are there too, to help to the reader with historical context. Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the 19th century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s Les Demoiselles d’Avignon was so shocking in its day.
Art in Detail

Art in Detail

Susie Hodge

Thames Hudson Ltd
2021
nidottu
Great paintings cannot be fully understood in a single encounter; there is always more to be derived from them. Art lovers may revisit and reconsider the masterpieces throughout their lives, but a deeper understanding can only be gained by analysing the painting in detail, be it the placement of the subject, the lighting, the style of brushstrokes or the themes. Art in Detail examines 100 iconic paintings from the Western canon and spotlights the finer points a quick glance will almost certainly fail to reveal. These include subtle internal details, such as hidden symbols and artistic tricks employed by the painter to achieve particular effects. In addition, Susie Hodge writes intelligently about external influences on the artist – everything from the socioeconomic context in which he or she flourished, to smaller local difficulties, such as the level of air pollution at the time the painting was created. And she treats each of her subjects not only, to quote Matthew Arnold, ‘as in itself it really is’, but also as part of a tradition that links the oldest painting to the most recent, as artists pass a metaphorical baton down through the ages.With 700 illustrations
Art Deco Collectibles

Art Deco Collectibles

Rodney Capstick-Dale; Diana Capstick-Dale

Thames Hudson Ltd
2016
sidottu
In the 1920s and ’30s Art Deco influenced everything from art and architecture, interiors and furnishings, automobiles and boats, to the small personal objects that are part of everyday life. The items in this thematically structured book demonstrate Deco style at its most alluring. They were then the height of fashion, and are highly prized collectibles today. They demonstrate an era of close cooperation between designers and manufacturers, who aimed to produce goods that were not only fit for purpose, but also well made and beautiful. This informative showcase of portable classics of avant-garde modern design from Britain, Europe (particularly France) and the United States will appeal both to collectors and to anyone with an interest in Deco style and the history of fashion, taste and design. It is the first book to bring together the small collectibles – from cigarette cases and lighters to powder compacts and cosmetics accessories, watches, jewelry, even cameras – that demonstrate the style, glamour and sophistication of the Jazz Age.
Art and Artists of Twentieth-Century China

Art and Artists of Twentieth-Century China

Michael Sullivan

University of California Press
1996
sidottu
This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea - shocking in ethnocentric China - that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 'Peking Spring'. This long-awaited book - richly documented and abundantly illustrated - is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.
Art as Art

Art as Art

University of California Press
1991
pokkari
Ad Reinhardt is probably best known for his black paintings, which aroused as much controversy as admiration in the American art world when they were first exhibited in the 1950s. Although his ideas about art and life were often at odds with those of his contemporaries, they prefigured the ascendance of minimalism. Reinhardt's interest in the Orient and in religion, his strong convictions about the value of abstraction, and his disgust with the commercialism of the art world are as fresh and valid today as they were when he first expressed them.
Art of the Gold Rush

Art of the Gold Rush

Driesbach Janice T.; Jones Harvey L.; Holland Katherine Church

University of California Press
1998
pokkari
The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's "Sunday Morning in the Mines" (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories - particularly the American belief in the rewards of hard work and enterprise - can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, "The Art of the Gold Rush" broadens our understanding of American culture during a memorable period in the nation's history.
Art Subjects

Art Subjects

Howard Singerman

University of California Press
1999
pokkari
Nearly every artist under the age of fifty in the United States today has a Master of Fine Arts degree. Howard Singerman's thoughtful study is the first to place that degree in its proper historical framework and ideological context. Arguing that where artists are trained makes a difference in the forms and meanings they produce, he shows how the university, with its disciplined organization of knowledge and demand for language, played a critical role in the production of modernism in the visual arts. Now it is shaping what we call postmodernism: like postmodernist art, the graduate university stresses theory and research over manual skills and traditional techniques of representation. Singerman, who holds an M.F.A. in sculpture as well as a Ph.D. in Visual and Cultural Studies, is interested in the question of the artist as a 'professional' and what that word means for and about the fashioning of artists. He begins by examining the first campus-based art schools in the 1870s and goes on to consider the structuring role of women art educators and women students; the shift from the 'fine arts' to the 'visual arts'; the fundamental grammar of art laid down in the schoolroom; and the development of professional art training in the American university. Singerman's book reveals the ways we have conceived of art in the past hundred years and have institutionalized that conception as atelier activity, as craft, and finally as theory and performance.