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1000 tulosta hakusanalla Barbara Cook

Barbara und Vicky

Barbara und Vicky

BoD - Books on Demand
2005
nidottu
Barbaras Erinnerungen fallen deutlich weniger spektakulär aus, wie seinerzeit die Erinnerungen der Christiane F "Wir Kinder vom Bahnhof Zoo", aber sie sind wegen ihrer schlichten Schilderung des täglichen Überlebenskampfes überzeugend. Das wirkliche Leben eines Drogenabhängigen ist viel banaler, als die meisten Menschen annehmen. Wenn sie es wirklich wüssten, griffen sie nicht zur Droge. Barbara und ihre Freundin sind dro-genabhängige junge Frauen, deren Schicksal manche neugierige, junge Zeitgenossen und deren Eltern nachdenklich stimmen sollte.
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Barbara Porbst Subjective Evidence

Barbara Porbst Subjective Evidence

Barbara Probst

Hartmann Books
2024
sidottu
With the twelve-part exposure #1 from 2000, for which she photographed herself running on a rooftop in Manhattan from twelve perspectives simultaneously, Barbara Probst began a long-term photo-artistic project that continues to this day. The latest two-part exposure #189 is an experiment with a completely unstaged situation in public space. In between, she has worked with diverse photographic themes, such as still life, street, nude, fashion, interior and portrait photography. In a constantly changing, accelerating, diversifying multimedial world, in which the call for media competence is becoming ever louder, her pictures and series sharpen the viewer's awareness that there are many perspectives, realities and points of view - in this respect they could hardly be more contemporary and relevant.The three authors of the publication discuss the topicality and impact of the themes addressed by her pictures. The book is published to accompany a major retrospective (Lucerne, Hanover, Cincinnati) and contains, for the first time, a catalog raisonn of all 189 exposures produced to date, as well as an overview of the works of recent years and installation views of her most important past exhibitions.
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Barbara Cole

Barbara Cole

Barbara Cole

TENEUES PUBLISHING UK LTD
2023
sidottu
Barbara Cole's artwork is collected by public and private institutions and has been exhibited worldwide, including at the Canadian embassies in Washington, D.C. and Tokyo, Japan. Cole, who is often referred to as an inventor, uses a raw, hands-on photographic process that is consistent with her belief that the possibilities of photography are virtually limitless. Since the early 1980s, she has channelled her appreciation for the camera itself. She is dedicated to the history of photography by deviating from automatic cameras and techniques. Barbara Cole uses photography to play with notions of time, place, and identity. In her numerous series, Cole often asks the questions: how do you paint an image of timelessness? How do you capture the feeling of weightlessness in an image? Her ethereal photography takes on a quintessential painterly quality, with the transformation of figures a predominant theme in her work. Over the past 30 years, although she works with traditional photographic means, Cole's approach and aesthetic has become closer to that of a painter. The artist's work focuses on a powerful narrative, some with external motifs and others with intense figure transformations that alone tell the story. Cole's background in fashion and fashion editorial naturally leads to a process that channels her experience into creating a particular atmosphere with costumes and backdrops. Text in English and German.
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Barbara. Skazhi, kogda ty verneshsja?

Barbara. Skazhi, kogda ty verneshsja?

Nina Agisheva

Ast
2017
sidottu
Barbara - kto ona? Chto segodnja o nej znajut v Rossii? Dama v chernom, poet, kompozitor i pevitsa - vo Frantsii ee bogotvorjat po sej den. Eto pesnja Barbary zvuchala na traurnoj tseremonii posle parizhskikh teraktov v nojabre 2015-go: v momenty ispytanij ljudi obraschajutsja k tomu, chto javljaetsja ikh dushevnym kodom. Eto za nej s kontserta na kontsert kolesilo po Evrope tseloe pokolenie frantsuzskikh intellektualov. Ee fotografiju vsegda nosil s soboj Moris Bezhar. Uslyshav pervyj raz ee albom, Mikhail Baryshnikov nachal uchit frantsuzskij. Ee znamenitoj pesnej, posvjaschennoj poklonnikam, "Moja istorija ljubvi - eto vy" navsegda proschalsja s publikoj Iv Sen-Loran. Ee obozhal i snimal v kino Zhak Brel, o nej napisal vospominanija Zherar Deparde, segodnja ee pesni v repertuare Karly Bruni i mnogikh drugikh ispolnitelej. Kniga izvestnogo teatralnogo kritika Niny Agishevoj - eto popytka razgadat zagadku Barbary i voskresit vremja vysokogo romantizma v iskus-tve, probudit v russkom chitatele i slushatele interes k ee pesnjam, kotorye nashli svoe mesto i v novom veke.
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Barbara Er ne umela letat

Barbara Er ne umela letat

Polina Ivanushkina

Kacheli
2021
sidottu
"Vsju zhizn ja sobiraju istorii: te, kotorye zakanchivajutsja kak est, - popadajut v gazetu, a te, kotorye zakanchivajutsja kak nado, - v knizhki. Vse samoe prozaicheskoe i tam i tam vdokhnovleno vzroslymi, vse samoe poeticheskoe - detmi. V tom chisle moimi". Polina Ivanushkina - zhurnalist, avtor prozy i redaktor blagotvoritelnogo fonda populjarnogo ezhenedelnika. Zhivet i pishet pod devizom "Smiris ili vospolzujsja magiej". Den Barbary Er polon trudnostej. Golfy ne khotjat nadevatsja, koltuny ne raschjosyvajutsja, listy tetradej skleilis varenem, i vsjo lezhit ne na svoikh mestakh. A eschjo nuzhno byt pod postojannym prismotrom zanudnoj vospitatelnitsy madam Preseptris. Kuda smotrjat roditeli, sprosite vy. Jasnoe delo - v ekrany noutbukov, planshetov, telefonov. I v illjuminatory - chasto ezdjat v komandirovki. No odnazhdy v zhizni devochki pojavljaetsja drug i nastavnik - Raduzhnyj Velikolepnyj, bogomol redkogo vida, podobrannyj eju na okraine Ognennoj Zemli. Smozhet li pokalechennyj vetrami naslednik drevnego roda peredat svoej uchenitse velikuju nauku besstrashija i nadezhdy? I pochemu "kulak bogomola" dolzhen vsegda ostavatsja otkrytym, esli khochesh nauchitsja zhit v mire s soboj?Redaktor: Oblinova DarjaKhudozhnik: Nelaeva Svetlana Anatolevna
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Barbara Brändli

Barbara Brändli

La Fabrica
2018
nidottu
With her prodigious sensitivity to dynamism and movement, Barbara Brändli (1932-2011) portrayed a multiple and everchanging Venezuela, from the Sanemá and Yanomamï people in the rainforest to the chaotic streets of Caracas. She always insisted on showing the immense human value of the «distant Venezuela», so difficult to spot from the metropolis’ dizzying modernity: the Amazonian tribes, the traditional artisans, whose trade is gradually fading away, the Andean peasants, inhabitants of misty páramos abandoned by the younger generations... This new book belongs to the PHotoBolsillo series, which publishes monographs on the most important Spanish, Latin American and African photographers in a didactic and affordable format.
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