From the publishers of the bestselling BORN ON A BLUE DAY and MARLEY AND ME: the moving and bestselling story of how a devoted family dog helped free a little boy from the prison of his autism.
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1000 tulosta hakusanalla Gardner McFall
"Starts fast and never stops moving. Clever, complex, and original "--Phillip Margolin THE SURVIVORS CLUB . . . that's what Jillian Hayes, Carol Rosen, and Meg Pesaturo call it. They won't consider themselves victims. They are survivors. They helped lead the investigation that caught the man who changed their lives forever. Now they are the prime suspects in his murder. Could three ordinary women have been driven to do the unthinkable? Detective Sergeant Roan Griffin knows all too well what can drive even the best people to cross the line. Has someone in the Survivors Club become a killer? And if so, can he blame her, let alone bring her to justice? "Has it all: provocative plotting, engaging characters, and a razor-sharp emotional edge."--Stephen White "This club is worth the dues."--People
Gardner/Anderson's CRIMINAL LAW, 14th Edition, helps you understand legal topics with a reader-friendly approach. A student favorite for over 40 years, this textbook provides comprehensive coverage of major components of substantive criminal law without overwhelming you with lengthy cases or legalese. Features like the "Case Close-Up" and "Criminal Law" sections show you how appellate courts state and resolve legal issues, while MindTap engages you with video cases, visual summaries, career-based decision-making scenarios and more. Combining current concerns and cases with an accessible writing style and study system, this text helps you build a practical understanding of complex legal topics and the principles driving American criminal justice today.
In 2493 there are two very different civilizations surviving in a world so damaged no-one can go outside in daylight. The Thrallians are a high tech civilization, unaware of the existence of the Centrals, who live in a deserted subway. That is until Derek and Patric discover a girl locked in the Supers' quarter. A girl with blonde hair and blue eyes, unlike anyone in Thrallia.
An ancient prophecy foretells the coming of a beast that will destroy the island of Breeland unless three young people, one from each tribe, journey to the beast's lair and destroy it. Although they appear to have little in common they must learn to put aside their differences and work together for the sake of their homeland. The Brinnies are small but strong and intelligent farmers; the Coasties are a beach dwelling race who spend most of their time relaxing, while the Brooges are cave dwellers and hunters. Red streaks dancing in still water Follow on to pain and slaughter. Daughter earth and son of fire Travel through the sea of mire. Son of air must follow too, Green must join with white and blue.Find the way to mountain lair, Free the river flowing there.
At the end of a long day, high powered Wall Street lawyer John Spencer Harrison is looking forward to a quiet evening at home with his wife Alice. But Alice is gone! The servants saw nothing. The dog was undisturbed. Her purse is right where she left it. Where is Alice? Through a series of adventures involving, intrigue, espionage and geopolitical players, John searches far and wide for his wife and her abductors.
PJ Harvey’s performances are premised on the core contention that she is somehow causing ’trouble’. Just how this trouble can be theorised within the context of the music video and what it means for a development of the ways we might conceptualise ’disruption’ and think about music video lies at the heart of this book. Abigail Gardner mixes feminist theory and critical models from film and video scholarship as a rich means of interrogating Harvey’s work and redefining her disruptive strategies. The book presents a rethinking of the masquerade that allies it to cultural memory, precipitated by Gardner’s claim that Harvey’s performances are conversations with the past, specifically with visualised memories of archetypes of femininity. Harvey’s masquerades emerge from her conversations and renegotiations with both national and transatlantic musical, visual and lyrical heritages. It is the first academic book to present analysis of Harvey’s music videos and opens up fresh avenues into exploring what is at stake in the video work of one of Britain’s premier singer-songwriters. It extends the discussion on music video to consider how to make sense of the rapidly developing digital environment in which it now sits. The interdisciplinary nature of the book should attract readers from a range of subject areas including popular music studies, cultural studies, media and communication studies, and gender studies.
Embedding Spirituality and Religion in Social Work Practice
Fiona Gardner
TAYLOR FRANCIS LTD
2022
nidottu
Blending material from social work with religious and spiritual sources, this book makes explicit that engaging with spirituality in its broadest sense is an essential aspect of socially just social work practice. Gardner connects shared understandings of spiritual/religious traditions, critically reflective social work, First Nations relational world views, green and relational approaches.Through multiple unique case studies, Embedding Spirituality and Religion in Social Work Practice: A Socially Just Approach outlines the theoretical framework of critical spirituality, which is explored as a way of workers’ understanding their own and others’ sense of meaning, whether it is spiritual and/or religious, and to encourage workers to be mindful, open, humble and energised as workers.Combining the theoretical and practical, this book outlines strategies and processes to ensure social workers embed spirituality in their practice constructively and inclusively across all areas of practice. This book will be of interest to those engaged in the wider field of social work, from direct service to policy development.
Embedding Spirituality and Religion in Social Work Practice
Fiona Gardner
TAYLOR FRANCIS LTD
2022
sidottu
Blending material from social work with religious and spiritual sources, this book makes explicit that engaging with spirituality in its broadest sense is an essential aspect of socially just social work practice. Gardner connects shared understandings of spiritual/religious traditions, critically reflective social work, First Nations relational world views, green and relational approaches.Through multiple unique case studies, Embedding Spirituality and Religion in Social Work Practice: A Socially Just Approach outlines the theoretical framework of critical spirituality, which is explored as a way of workers’ understanding their own and others’ sense of meaning, whether it is spiritual and/or religious, and to encourage workers to be mindful, open, humble and energised as workers.Combining the theoretical and practical, this book outlines strategies and processes to ensure social workers embed spirituality in their practice constructively and inclusively across all areas of practice. This book will be of interest to those engaged in the wider field of social work, from direct service to policy development.
Whilst the vast majority of recent research on identity and ethnicity amongst South Asians in Britain has focused upon younger people, this book deals with Bengali elders, the first generation of migrants from Sylhet, in Bangladesh. The book describes how many of these elders face the processes of ageing, sickness and finally death, in a country where they did not expect to stay and where they do not necessarily feel they belong. The ways in which they talk about and deal with this, and in particular, their ambivalence towards Britain and Bangladesh lies at the heart of the book. Centrally, the book is based around the men and womens life stories. In her analysis of these, Gardner shows how narratives play an important role in the formation of both collective and individual identity and are key domains for the articulation of gender and age. Underlying the stories that people tell, and sometimes hidden within their gaps and silences, are often other issues and concerns. Using particular idioms and narrative devices, the elders talk about the contradictions and disjunctions of transmigration, their relationship with and sometimes resistance to, the British State, and what they often present as the breakdown of traditional ways. In addition to this, the book shows that histories, stories and identity are not just narrated through words, but also through the body - an area rarely theorized in studies of migration.
Opening up the dialogue between popular music studies and aging studies, this book offers a major exploration of age and popular music across Europe. Using a variety of methods to illustrate how age within popular music is contingent and compelling, the volume explores how it provokes curation and devotion across a variety of sites and artists who record in several European languages, and genres including waltz music, electronica, pop, folk, rap, and the French ‘chanson.’ Visiting the many ways in which age is problematized, revered, and performed within Europe in relation to popular music, case studies analyze: French touring shows of popular music stars from the 1960s; André Rieu’s annual Vrijthof concerts in the Netherlands; Kraftwerk and Björk’s appearances at renowned art museums as curated objects; queer approaches to popular music space and time; British folk music inheritances; pan-European strategies of stardom and career longevity; and inheritance and post-colonial hauntings of race and identity. The book works with the notion of travelling, across borders, genres, sexualities, and media, highlighting the visibility of the aging body across a variety of European sites in order to establish popular music through the lens of age as a positive methodology with which to approach popular music cultures, and to offer a counter-narrative to age as decline. This book will appeal to scholars of popular music, popular culture, media studies, cultural studies, aging studies, and cultural gerontology.
Best known as the longtime writer of the Mathematical Games column for "Scientific American" which introduced generations of readers to the joys of recreational mathematics Martin Gardner has for decades pursued a parallel career as a devastatingly effective debunker of what he once famously dubbed "fads and fallacies in the name of science." It is mainly in this latter role that he is onstage in this collection of choice essays."When You Were a Tadpole and I Was a Fish" takes aim at a gallery of amusing targets, ranging from Ann Coulter's qualifications as an evolutionary biologist to the logical fallacies of precognition and extrasensory perception, from Santa Claus to "The Wizard of Oz," from mutilated chessboards to the little-known "one-poem poet" Langdon Smith (the original author of this volume's title line). The writings assembled here fall naturally into seven broad categories: Science, Bogus Science, Mathematics, Logic, Literature, Religion and Philosophy, and Politics. Under each heading, Gardner displays an awesome level of erudition combined with a wicked sense of humor."
This book contains scores of intriguing puzzles and paradoxes from Lewis Carroll, the author of Alice in Wonderland, whose interests ranged from inventing new games like Arithmetical Croquet to important problems in symbolic logic and propositional calculus. Written by Carroll expert and well-known mathematics author Martin Gardner, this tour through Carroll's inventions is both fun and informative.
Of all of Martin Gardner's writings, none gained him a wider audience or was more central to his reputation than his Mathematical Recreations column in "Scientific American", which virtually defined the genre of popular mathematics writing for a generation. Flatland, Hydras and Eggs: Mathematical Mystifications will be the final collection of these columns, covering a period roughly from 1979 to Gardner's retirement as a regular columnist in 1986. The notable trend over Gardner's career is the increasing sophistication of the mathematics he has been able to translate into his famously lucid prose. These columns show him at the top of his form and are not to be missed by anyone with an interest in mathematics. As always in his published collections, Gardner includes letters received from mathematicians and other commenting on the ideas presented in the columns.
This book contains scores of intriguing puzzles and paradoxes from Lewis Carroll, the author of Alice in Wonderland, whose interests ranged from inventing new games like Arithmetical Croquet to important problems in symbolic logic and propositional calculus. Written by Carroll expert and well-known mathematics author Martin Gardner, this tour through Carroll's inventions is both fun and informative.
The author presents a selection of pieces from his Scientific American "Mathematical Games" column, presenting puzzles and concepts that range from arithmetic and geometrical games to the meaning of M.C. Escher's artwork.
A single-volume collection of popular short puzzles culled from the math expert's Scientific American columns is grouped by subject and difficulty level and features nine new puzzles. By the author of The Colossal Book of Mathematics. 10,000 first printing.
On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot. "For a certain kind of person," Gardner writes, "nothing is more joyful or satisfying than the life of a novelist." But no other vocation, he is quick to add, is so fraught with professional and spiritual difficulties. Whether discussing the supposed value of writer's workshops, explaining the role of the novelist's agent and editor, or railing against the seductive fruits of literary elitism, On Becoming a Novelist is an indispensable, life-affirming handbook for anyone authentically called to the profession. "A miraculously detailed account of the creative process."--Anne Tyler, Baltimore Sun